Anime NYC 2021, Day One

So first of all, in regards to what everyone’s talking about, I can’t speak for the line problem. I arrived at 10am via the press entrance with no issues, but I talked with other press folks who arrived later who were in line forever. So I’ll let them go into details. My own start of the con was relatively sedate. At 10am the place was almost deserted. I found out why later. Plus my first panel wasn’t till 3:15. So I leisurely sat, read manga, read books, ate lunch, and visited a show floor that was absent a lot of the usual suspects. Viz is entirely absent this year. Kodansha has a panel and an Attack on Titan art exhibit, but no booth. The manga contingent consisted of Yen press, J-Novel Club, and Denpa Books.

Speaking of Denpa, they had my fist panel. First of all, the biggest news: Ed Chavez was audible through the entire panel. Anyone who has seen Ed’s prior panels knows what a big deal this is. As for the panel itself, a lot of it was titles that Denpa has already discussed, either in previous con announcements or in tweets. The combination of COVID-19 delays and printing issues owing to the sudden explosion of manga popularity means that getting books to the printers takes forever. A few of the slides Ed had gave Summer 2021 release dates, which isn’t true. That said, he has had a lot of new titles go to the printers recently, so 2022 looks far more promising on the Denpa front.

A big surprise to me, and showing that my own tastes do not necessarily match that of the average manga buyer, was hearing what Denpa’s big sellers were. For all that folks mocked Gambling Apocalypse Kaiji’s delays of Vols. 1-3, now that they’re out they’re selling very well. Also selling well is Pleasure and Corruption, the high school bondage and discipline manga. The Girl with the Sanpaku Eyes also has its 3rd volume out soon, and is also selling well. There were also two special editions of Shūzō Oshimi titles at Denpa’s exhibitor table – they have a very good working relationship with the author.

“Old” new announcements included Baby Bear’s Bakery, an adorable-looking series about, well, a baby bear running a bakery. March 2022 for that. The Man Who Created Gundam, a nonfiction-ish manga with real people in it, is trapped in clearance hell at Sunrise. Hopefully soon. Guyabano Holiday should now be Fall 2022, and we also saw updates on yuri vampire series Vampeerz and comedic action series Under Ninja. We then got “new” announcements, though we knew most of these from tweets the last few months. They Were 11, which will have an oversize trim, posters, and color pages, and will also feature the “extra” chapters never published in English before. They’re looking at Winter 2022. Mobile Suit Gundam: Char’s Counterattack: Beltorchika’s Children has Char abandoning Gundams for the life of a Broadway stage actor. Possibly.

March Comes in Like a Lion got a big reaction from the audience, though Ed is worried about the title. The author has had failures here before, and the shogi essays make it hard to find a translator. Renjoh Desperado is a comedy action manga about a woman searching for love and her fanservice to the manga reader that will hopefully help that search go well. And we heard about two new artbooks. Black Tights WIDE has 48 different illustrators give their interpretation of thighs and stockings. And The Art of Jun – TabeGirl is about girls eating. And looking good while doing it.

Ed then talked about Denpa’s books on the KUMA boy’s love label. They have not released much on that label yet, but that will change next year, they plan to do a lot more. You Are My Happiness is out soon (it was at Denpa’s table) and is by the author of Melting Lover, also from KUMA. Boys of the Dead is (groan) “Zom-BL”. The Song of Yoru & Asa is a band BL series that’s edgy but also has great character development. Sick is a series about a college student who likes to bully… erm, tease the boy he likes. And Canis – Dear Hatter is a sequel to the Canis title KUMA did earlier.

Lastly, they had a license from the FAKKU imprint that definitely surprised me, as I recall when it was coming out ages ago. Nana & Kaoru ran in Hakusensha’s Young Animal, and typified the magazine in many ways. A series about a virgin with an S&M fetish and the twisted relationship he has with the girl who discovers this, it’s a great example of a title that is almost explicitly porn without actually being porn. It’s 18 volumes long, and will be released in 3-volume omnibuses. Eds Q&A included a more extensive discussion of the supply chain issues going on right now, what made them decide to license a title like Kaiji, how how they look at licenses in general – per Ed, do not expect an isekai from them ever.

After this I bummed around and got more tea till it was time for my next panel, Inside the Manga Industry. This featured five experts in the field: Mark De Vera, sales & marketing with Yen Press (and formerly Viz Media); Jani Olove, translator and editor with Kodansha; Julian Robinson, designer with Viz Media; Nikolas Draper-Ivey, artist on DC Comics’ Static and heavily manga-influenced; and independent artist Koyuki Panda, also heavily anime and manga influenced. They introduced themselves and then noted most of the panel would be a Q&A; audience asks questions, they give advice. Things got off to a bang up start with the first question, which was “what advice would you give your younger self”?

More than one person said “don’t go to art school”, which ended up occupying a lot of the panel as it turns out that several folks in the room are art school students. It was generally agreed that if you need to learn the fundamentals of the craft, it’s a good place to be, but in general a lot of the art schools tend to frown on heading in a manga/anime direction and they also don’t focus nearly as much on the business end of things as they should. This led to the other running theme of the panel, which was learning about business and knowing how contracts worked. Everyone recommended supplementing art school with business classes. Everyone also agreed another good piece of advice is “don’t give up”.

Marketing your work was discussed, and it was mentioned that even established companies can have difficulty using marketing as a tool. Trust in your own likes, and (admittedly) it helps to like things that are not just Shonen Jump – even if Koyuki Panda admitted that she was a huge fan of “the big three” back in the day. It’s mentioned that things are very different now than they were 10 years ago – there’s a lot more breadth to what’s coming out in manga publishing. In fact, when a trans woman asked if there were specific titles available, the panel was able to easily recommend Boys Run the Riot, an excellent choice. Hopefully the boom market will also mean more opportunity for manga-influenced artists in the future – publishers like Oni, Image and Viz were mentioned as being open to this sort of thing, and a non-Japanese title, Radiant, was namechecked.

The panel ended with the wonderful news that they would meet up at Koyuki Panda’s booth in Artist’s Alley and answer the questions from the people they didn’t have time to get to, which was great to hear, and the panel was interesting and inspiring all round. This ended my Friday, as I grabbed dinner and returned to the hotel. Tomorrow will be much busier, and hopefully will have less line.

Anime NYC 2019, Day Three

My first and last panel for Sunday was the joint Kodansha and Vertical panel, featuring Ben Applegate and Misaki Kido from Kodansha Comics, Tomo Tran from Vertical, and Megumi Kitahara as the Japanese guest – she’s an editor at Dessert magazine. This is the 10th anniversary of Kodansha Comics as a label.

Vertical’s announcements came first, starting with a Chi’s Sweet Home complete boxset, with the whole series in four volumes. The rest of the Vertical news was all Nisioisin. They confirmed they’re doing Zoku-Owarimonogatari in July, the “final” book in the series (yes, they are aware there are more after this). They also had the cover for Owarimonogatari 2, which surprised me as I was unaware they’d shown us the art for Owarimonogatari 1 yet. 2 features, as readers might guess, Gaen and Shinobu. (1, which I did see at the Vertical VOFAN artshow booth, has Ougi and Sodachi.)

They also announced a new Nisioisin title unrelated to Monogatari… no, not Zaregoto 4. The first in the Bishonen Series was licensed! Pretty Boy Detective Club (Bishounen Tanteidan – Kimi dake ni Hikari Kagayaku Anmokusei) is, as you can see, a mystery series with pretty boys trying to help a girl find a star that only appears once every ten years. It’s from the Kodansha Taiga label, which markets towards readers in their 20s and 30s. It has five volumes total in Japan, though, as with Zaregoto (and Monogatari at first), only the first book is announced.

We then moved on to Kodansha Comics print releases, starting with Whisper Me a Love Song (Sasayaku You ni Koi o Utau), which is a yuri manga from Comic Yuri Hime that has a bubbly girl and a reserved girl, and also involves a band. Blue Period is a seinen manga from Afternoon, from the author of She and Her Cat. A young man decides to pursue a career in the fine arts, then finds out how hard it can be.

Life Lessons with Uramachi-oniisan (Uramichi Oniisan) is from Comic POOL, Ichijinsha’s digital magazine, and is about the guy who hosts the morning calisthenics show they have in Japan and his comedic attempts to give children watching REAL life advice. It’s apparently a savage parody of children’s TV, and has an anime coming soon. Lastly (for print), Heaven’s Design Team is making the jump to the big leagues. It’s still running in Morning Two.

And now we get a monster pile of digital-only titles. To Write Your Words (Kuchiutsusu) is a 3-volume josei series from Kiss magazine about an author asked to write a racier novel than her usual, and the inspiration she gets from… a dentist? Ex-Enthusiasts: Motokare Mania is also from Kiss, and has a TV drama in Japan. A girl who broke up with her ex five years ago is startled to run into him again at the workplace.

Watari-kun’s **** is About to Collapse (Watari-kun no xx ga Houkai Sunzen) is a seinen title that started in Kadokawa’s Young Ace then moved to Kodansha’s Young Magazine. It’s an ecchi comedy with siscons and yanderes. They’re also doing the sequel to Tokyo Tarareba Girls, Tokyo Tarareba Girls Returns! Will they finally get married? Eeeeehhh…

Two series from the same author follow. Atsuko Nanba gives us To Be Next To You (Tonari no Atashi), a 10-volume series from Betsufure, and That Blue Summer (Ao Natsu) is 8 volumes from the same magazine. Both seem to be very much “standard shoujo”, but again, that does not mean it’s bad, only that it’s not revolutionary.

The big surprise for me was GE: Good Ending, a 16-volume shonen romance from Weekly Shonen Magazine, from the author of Domestic Girlfriend. If you enjoyed that one, you’ll definitely like this one, and I recall that when it was running in Japan a lot of guys were arguing about who was best girl, was the ending good, etc. MabuSasa is a shoujo manga from the Palcy online app, about a girl who discovers that a hot guy… is reading BL?

Let’s Kiss in Secret Tomorrow (Ashita, Naisho no Kiss Shiyou) is a Dessert title featuring a couple who are already dating but hide it when they enter high school… except he’s suddenly hot and she’s not getting the same attention. The Dorm of Love and Secrets (Koi to Himitsu no Gakuseiryou) is also Dessert, a 4-volume series about a commoner girl who, by circumstances, is now living in a dorm with “elites”.

I’ll Win You Over, Senpai! (Senpai! Ima Kara Kokurimasu!) is a five-volume series from Nakayoshi, has a girl who is used to love confessions going her way (because she sets them up that way) meeting her match… and finding that she can’t simply take the rejection and go away. Lastly, there’s I Fell in Love After School (Houkago, Koishita), also from Dessert, about a girl with very little presence who becomes the volleyball team’s manager and is dazzled by one of the boys.

After this Megumi Kitahara spoke about her work with Dessert magazine as an editor. Kodansha releases a lot of titles from Dessert, which caters to women from their mid-teens to mid-twenties. Most shoujo is for girls who have never fallen in love – Dessert is for girls who have already fallen in love and know the pain that can follow.

We then get a guide to the process of producing a monthly chapter, in this case the fourth chapter of Living-Room Matsunaga-san, already coming out from Kodansha Comics digitally. We see some of the original concept art and sketches, then a storyboard, the rough layout, and then the final product. She also discusses how hard it is to tell an author “this isn’t interesting”, but it is necessary to have the title succeed. Especially if, like the chapter we saw at the panel, it’s one at the end of a volume.

And that ends my Anime NYC for 2019! The con had a large number of improvements this year, particularly in regards to security and line management, and was entertaining from beginning to end. I can’t wait for 2020.

Anime NYC 2019, Day Two

Saturday started with a live drawing from TAa, the author of Today’s Menu for the Emiya Family. Denpa’s panel Friday did not have much time to introduce her, so this was very welcome. She loves Fate, and her art is excellent – throughout the panel she drew Saber smiling and holding a rice bowl.

TAa started doing Fate fanart as a hobby, then was asked to do a chapter for an anthology, which is how she got a foot in the door. She was then approached to do the EMiya Family manga as a one-shot, and then when it was successful it got picked up as a series. She did that plus her day job for a year and a half, then this became too much, and now she draws manga full time.

She has assistants now, but did not at first, which shows how much work she was putting into the series. As for Fate itself, she got into the series through Fate/Zero, then bought the FSN game and became totally obsessed with it – this is why she started to draw art. She also loved Fate/Hollow Ataraxia, FSN’s sequel game, though notes it’s very hard to find these days. (One of the Emiya Family chapters with Assassin was almost an adaptation of a scene from Ataraxia.)

Ed Chavez, who was the moderator of the live drawing, talked about how cute and soft the anime was, and also the time and budget that UFOTable put into it. When she first heard about the anime, TAa thought she was being pranked! It was a rapid production from inception to release date – possibly as the company is so familiar with the Fate characters. She also got some new ideas discussing things with the anime staff.

When thinking of a new idea for a chapter, usually the food idea comes first, then she thinks of the characters that best suit that food. She also incorporates a lot of seasons and holidays. Type-Moon has almost no involvement at all – this is all her.

We then got some Q&A. She enjoys Japanese food as her comfort food, says obviously she’d want Shirou to cook for her if she had a choice. She and the editor do eat the meals that are in the manga – a tonkatsu was her favorite, though that chapter is not published yet. She was then asked what her favorite characters are to draw – she loves long-haired characters, particularly Rider.

Someone asked if we might see Bazett, the star of Fate/Hollow Ataraxia, and someone else asked if the mysterious robed figure hanging out with Gilgamesh is Caren rather than Kirie. She hedged on the second, but definitely has Bazett in mind for a future chapter if she can think of a good way to introduce her and incorporate the food. Someone also asked about New York City food in the manga – Shirou buys bagels for everyone?

It was agreed that the flashback episode with Shirou and Kiritsugu was the best of the anime episodes. She tries to keep the series very kind and “happy in life” – since Fate was a big battle game originally, she wanted to see more of the day-to-day life. As such, don’t expect a lot of Zero characters or the Lancer “hot dog” joke from Ataraxia. This series is too nice and sweet for things like that.

This is considered the right time for a series to come out – not because cooking manga are new in popularity – in Japan, they’ve always been popular – but because of the popularity of Fate, which ten years ago was not as high. She was also asked her favorite heroine, and the audience tensed – it’s a dangerous question. She likes them all, but picked Saber.

My next panel was Square Enix, which was doing its first Anime NYC panel. After quite a bit of audio difficulty, we started with a video showing off SE’s most famous properties. Tanya Biswas (formerly with Yen) and Leyla Aker (formerly with Viz) are the people behin things in America, with Masa also on the panel as the Square Enix rep. Masa has been to this con before, notes how fun it always is.

They did a recap of prior licenses, and trailers for two of them. Most of these have been talked about before – A Man and His Cat, Cherry Magic and Soul Eater’s Perfect Edition got the most talk. They also gave away A Man and His Cat merch, including a fantastic plushie. We then got several new announcements.

Ragna Crimson is a dark fantasy title from Gangan Joker. A man sets out to get revenge on the dragons who destroyed his partner. The Apothecary Diaries (Kusuriya no Hitorigoto) is probably the title I was most interested in. A woman working in the palace and trying to keep a low profile is found to have knowledge of herbal medicine, and after saving a royal heir, she’s promoted and ends up involved in palace intrigues. She’s apparently quite eccentric. This runs in Big Gangan.

Beauty and the Feast (Yakumo-san wa Edzuke ga Shitai) is a May-December romance, sort of, as a 28-year-old widow finds herself cooking for her 16-year-old neighbor, and food (and possibly romance, but mostly food) follows. It runs in Young Gangan. The Great Jahy Will Not Be Defeated! (Jahy-sama wa Kujikenai!) is a Gangan Joker title about a former demon villainess who’s now in modern Japan and also a cute little girl. Can she get her poweres back? Can her frustration stop being cute? Likely no to both questions.

By the Grace of the Gods (Kamitachi ni Hirowareta Otoko) just had its novel licensed by J-Novel Club. It’s from SE’s MangaUP! app and stars a reincarnated salaryman reincarnated as a boy with magic powers, who discovers that slimes are more valuable than you’d expect. Finally, we get the only novel of the panel, NieR Automata – Yorha Boys. It’s a prequel to the game, and another novel in a series which has already had some novels released by Viz Media.

Next up was Yen Press, who had a ton of new books and also a ton of light novels. The biggest surprise came first – High School DxD, whose manga was licensed in 2014, finally is getting the light novels released. This was a constant request, right up there with Date a Live and Gamers!. I recall not liking the first manga much, but suspecting I’d be more interested in a prose version. Now I get to see if I’m right.

They alternated between manga and novel announcements, so next was Bestia, a Shonen Ace series about a boy who goes to London to discover his past and finds magical beasts and adventure. We then got another surprise LN – High School Prodigies Have It Easy Even in Another World, whose manga started coming out in 2018, from the creator of Chivalry of a Failed Knight, also recently licensed.

Lust Geass is a Young Ace title that will play well with fans of ecchi manga, the story of a boy who finds a spell that will cause women’s sexual desires to explode. Restaurant to Another World has already had a manga release digitally via Crunchyroll, but Yen are now going to be releasing it in print. And another light novel, The Demon Sword Master of Excalibur Academy (Seiken Gakuin no Maken Tsukai) which combines demon lords and magical academies – two hot genres in one!

A monster girl harem manga came next, To Save the World, Can You Wake Up the Morning After with a Demi-Human? (Sekai wo Sukuu Tame ni Ajin to Asa-chun Dekimasenka?). It turns out our hero is destined to father the hero who will defeat the demon king… and so everyone wants to sleep with him. (When did Yen Press become Seven Seas?) Another light novel follows, more on the slow life side: Banished from the Heroes’ Party, I Decided to Live a Quiet Life in the Countryside (Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shimashita), a Kadokawa series whose title is its premise.

Sadako at the End of the World (Shuumatsu no Sadako-san) is a post-apocalyptic Sadako manga, where she finds that those who watched the videotape are delighted to see her, as she’s another human being in this wasteland. It sounds fun, is complete in one volume, and ran in Comic Gene. Another light novel, In the Land of Leadale (Leadale no Daichi nite), about a girl with injuries who ends up in a game world. Judging by the cover, this is also a slow life series.

A yuri manga is next: I Love You So Much I Hate You (Nikurashii hodo Aishiteru). A Kadokawa manga, it’s an office life yuri title with adult concerns and problems. The last novel announced is a one-shot, Three Days of Happiness (Sugaru Miaki), a dark fantasy about a young man who sells his lifespan for cash. It’s apparently quite interesting. Lastly, Yen has licensed the Carole and Tuesday manga, based on the anime, which runs in Young Ace.

Q&A then started, but remembering how excruciating that was last year, I left early.

My last stop was J-Novel Club’s panel, with Sam Pinansky and Aimee Zink introducing a giant pile of new
series. They started with two new print announcements – Sexiled, which has had huge buzz ever since it came out, and My Next Life As a Villainess!, which is also getting an anime next year. (More villainesses are coming later in this panel.)

Kodansha has a new imprint called Legend Novels, and from it JNC licensed five new novels. (No new manga announcements this time, these are all novels.) The Economics of Prophecy: Avoiding Disaster in Another World (Yogen no Keizaigaku) seems to be along the lines of Realist Hero, as a reincarnated economics whiz and a princess with prophetic abilities try to save the world.

Kobold King features a gentle man who was very powerful and respected in his time trying to quietly relax and befriend the local kobolds… who are very mistrusting of his powerful self! Outer Ragna (Game Jikkyō ni yoru Kōryaku to Gyakushū no Isekai Kami Senki) doesn’t have the Japanese protagonist, a livestreamer, enter a game world himself – instead he possessed the female lead! Her Majesty’s Swarm (Joō-heika no Isekai Senryaku) has a girl ending up in a game as an evil queen, and unlike a lot of villainesses in these sorts of books, seems to embrace her evil. Also, spiders warning for this one.

Isekai Rebuilding Project (Isekai Saiken Keikaku) was touted by Sam as the first North American book with “isekai” untranslated in the title. It’s about a Japanese man who is called to “fix” worlds where the isekai’d hero has saved the world and gone home… but left too many cultural issues that can’t be put back inside Pandora’s box. Also, the hero has a friend who is a dragon. Seems to be a slow life title.

A new partner for J-Novel Cliub, Pash! Books, gives us the next few series. Teogonia was described as “what if a Ghibli movie was a light novel?”, and he notes this is pure Japanese fantasy about a booy who awaken old memories and discovers the real rules of the world. The World’s Least Interesting Master Swordsman (Jimi na Kensei wa Soredemo Saikyou desu) sounds like a cross between One-Punch Man and I’ve Been Killing Slimes for 300 Years, as a reincarnated boy practices his sword skills for 500 years and is the strongest around… but his techniques are boring!

We’re then told about a new label, J-Novel Heart, that will be publishing shoujo light novels! This has long been requested by fans. (By the way, My Next Life As a Villainess!, which is a shoujo LN in Japan, will switch to this new label in print.) The first book is called Tearmoon Empire, which features a spoiled brat of a noble who ends up getting killed because of her family. She ends up redoing her life, and (despite still being spoiled) tries her hardest to avoid getting killed again.

The Tales of Marielle Clarac (each book will be called “The _______ of Marielle Clarac”) isa romance and mystery book, as the rather plain noble girl tries to figure out why the super perfect man of her dreams wants to marry her – is there an ulterior motive? It’s a good book “for wallflowers”. The Bibliophile Princess (Mushikaburi-Hime) is another book with mystery, conspiracy and intrigue, and (as you might guess) has a book lover as the main character.

I Refuse to Be Your Enemy! (Watashi wa Teki ni Narimasen!) is another in those “my reawakened memories tell me I’m actually a villain who gets killed off” sort of books, only instead of trying to fix things with the various handsome young men this girl tries to flee from everything. That won’t go well. Fukushu wo Chikatta Shironeko wa Ryuuou no Hiza no Ue de Damin wo Musaboru, which has a tentative but unapproved English title of The White Cat’s Revenge as Plotted from the Dragon King’s Lap, has the best friend of the heroine abandoned in a forest, then turned into a cat. We follow the friend as she tries to get revenge on the “heroine” who abandoned her.

The final license was the biggest surprise: The Hitchhiker’s Guide to the Isekai, a doujinshi light novel collaboration between six light novel authors, including those behind Tanya the Evil and Re: Zero. It’s a short story anthology, essentially, that began when the authors asked themselves what they’d do if they were isekai’d. This is licensed directly from the authors – no company involved! It’s also pretty short, so should be available soon.

That was the final announcement, and I then headed out to get dinner and type all this up. Tomorrow we get one big panel, and that’s about it. Surprise me, Kodansha and Vertical!