7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy!, Vol. 5

By Touko Amekawa and Wan*Hachipisu. Released in Japan as “Loop 7-kaime no Akuyaku Reijou wa, Moto Tekikoku de Jiyuukimama na Hanayome (Hitojichi) Seikatsu wo Mankitsusuru” by Overlap Novels f. Released in North America by Airship. Translated by Amy Osteraas. Adapted by Vida Cruz-Borja.

The best part of this book I already quoted on Twitter: it’s Arnold pointing out how utterly ridiculous the premise of this series and all others like it really is. They’re going back over the party that began this series, one which, 5 volumes in, is a lot more suspicious than it felt at the time, and he says, and I quote, “A one-sided dissolution of an engagement in a public venue isn’t something that should happen in the first place.” To be fair, a lot of other authors agree, and this is hardly the first book showing the whole thing is a setup. But it’s always fun seeing Rishe be very clever and then finding that Arnold has already worked this out months ago and was waiting for her to catch up. Because yes, Rishe’s denunciation turns out to have been orchestrated by outside operators, and its goal was – you guessed it – to cause war between Arnold and literally everyone else.

Rishe and Arnold are taking in the opera, which Rishe has been looking forward to. Two surprising events happen: the leading lady collapses, and Prince Dietrich, Rishe’s old fiance, is also present at the event. Rishe is delighted to get closer to Sylvia, the opera singer, who has a reputation for a string of love affairs (and is thus highly amused at a very virginal Rishe) but also finds herself falling in love for real with one of Arnold’s guards. As for Prince Dietrich, he’s mostly an object of scorn and mockery throughout the book, having supposedly run away from home to get away from his beloved Mary, who it turns out has taken over from Rishe in trying to get Dietrich to learn how to be a good prince. That said, is that really the only reason he’s there? And is there really a spy in their midst?

The other best scene in the volume has Rishe and Arnold, walking the battlements in order to try to figure out the best way for a spy to get in, accidentally running into Arnold’s father. They only see each other from a distance, but Rishe can immediately sense the murderous aura, and her first reaction was to try to draw Arnold’s sword in order to protect him – never mind that he’s a better swordsman than she is. I expect the series will end with that final confrontation. Other than that, Arnold continues to soften up, finally giving in and realizing that things work out best when he just lets Rishe do whatever the hell she wants – though he does give her extra sword lessons so that she can properly hit flying arrows out of the air with one. Honestly, of all the couples in villainess books, this may be the best power couple.

The anime had just been announced when this came out, and it’s since aired and was a relative success. And the 6th book is out in Japan as of the end of last year, so hopefully we see it soon, cause this remains terrific.

After-School Dungeon Diver: Level Grinding in Another World, Vol. 1

By Hitsuji Gamei and Karei. Released in Japan as “Hōkago no Dungeon Diver: Nihon to Isekai o Ikiki Dekiru Yō ni Natta Boku wa Level Up ni Isoshimimasu” by GCN Bunko. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

So much about this book just made me angry. I probably could have saved myself a lot of grief if I’d just read the afterword first. The author states they just wrote this for shits and giggles, as opposed to the two titles that they clearly took seriously (The Magician Who Rose from Failure and The Magic in This Other World Is Too Far Behind!). And sure enough, everything about this has a feeling of “eh, this sucks, but lol” to it. The After-School premise is pointless since we never once see our protagonist interact with anyone from Japan this entire book. The level-grinding isn’t really true either, since he refuses to let the guild raise his rank (despite a high level) because it will force him to actually assume responsibilities. Even the art is sketchy and not that good (Sorry, Irina the Vampire Cosmonaut fans). And that’s not even getting into the cliches of this genre, which are dripping from this book’s every orifice.

Sometime before the events of this book, Akira and a friend of his tried to come up with a way to get isekai’d… and it worked! Now he can go back and forth as he pleases between Japan and this other world, which is made up of dungeons and guilds, you know the drill. As our book begins, he spots an elf… pardon me, long ears… girl who has been enslaved by a group of humans. Unfortunately, the group of humans has also been killed by a nasty floor boss, leaving Akira to kill the boss and rescue the girl. He can even get her slave collar off, which is supposed to be impossible. She promptly falls for him, in a “mild tsundere” style. Later, he meets a “tail girl” (beast girl) who is running from something that I can’t describe in this review without it becoming 18+, and he saves her too. She immediately also falls in love with him. Despite all this, he maintains an “I don’t care I just do what I want” attitude the entire book.

It would be quicker to list the things that didn’t make me groan and hold my head in my hands. Akira is that combination of “smug coolness” and “I will save everyone but pretend I’m not” that is super aggravating. Scrael the long-eared girl goes back and forth between “it’s not like I want to go adventuring with you or anything” to naked bathing with him and being surprised that this arouses him. Eldrid is basically a golden retriever in a human-ish body, and thus her immediate love for Akira is a bit ergh. He has a mage mentor who hides in his shadow all the time, who gives him dangerous assignments to help him grow and offers rewards like “I’ll let you feel me up”, which he takes. There is a serious side story about a young potion maker trying to survive in the cruel city, which just makes me angrier because it’s well written but is then followed by “lol, all Japanese okama are sexual predators!” as a gag. Oh, and the other world is gaga over soy sauce. Wait till he brings in mayonnaise.

Everything about this is meant to appeal to the lowest possible denominator. If that’s you, go nuts. As for me, I even feel less happy about the author’s other two series now.

The Executioner and Her Way of Life: Lost

By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

I urge the author to do something for the next book. After writing the novel, throw the first half of it out, and replace it with a summary. Then publish the second half. This way we get all the good bits, and we avoid the crushing first half that this series always has, because the prose works best when it’s in fast action sequences and compelling character dramas, and not “moving people from place to place”. It doesn’t help that my three favorite characters in the series are Akari, Momo and Ashuna, and Akari is AWOL for plot reasons, Ashuna simply never appears, and Momo shows up on the final page. This leaves us with Menou, who I like well enough but who is essentially “the serious one”. And we also get someone who is so obviously a replacement for Akari that the text has to call it out. Fortunately, the book also has Sahara. I love Sahara. Even more so here, as she has character development, 100% against her will.

We pick up six months after the end of Book 6. Ashuna has gone back home to essentially announce that the ryals are joining the revolutionaries. Momo is in charge of watching over Akari’s body. And Menou is busy being the world’s most wanted terrorist. She’s assisted by Abbie, a conjured soldier who regards Menou (and most everyone else) as her “little sister”, and also Maya, once Pandaemonium, who has her memories of a thousand years ago back but that’s led to all sorts of issues. Chasing them is the Church, led by her old instructor priestess (unclear if Teach is her name or her job, but she’s only called that), and Michele, the new Priestess in Charge, who works for, and honestly worships a bit, Hakua. Things start to go south when Maya gets separated from Menou and Abbie. But it’s OK! Sahara will help her!… maybe?

I grumped a lot on Twitter about this, so I will admit: I really enjoyed the second half. Specifically, I enjoyed everything involving Maya and Sahara. Maya’s subplot, as she tries to reconcile her Pandaemonium memories (she’s still very bitter about Manon’s death, even though, as Sahara points out, Manon was actively seeking her own death) with her memories as a Japanese girl who was being tortured over and over for her Concept. No wonder she tries to reach out to Hakua even though she knows it’s a trap. But Sahara, oh my God. She has all the best lines in the book, and as you’d expect is lazy, jaded, and quick to avoid work and shift responsibility onto others… until she isn’t. It’s a surprise to Maya, but it’s an even bigger surprise to Sahara, who is startled to find herself trying hard to protect Maya even at the cost of her own life. It made me smile.

That said, events towards the end promises the fun times are still not happening. Menou has lost a very important connection… and that connection seems to know it. Expect fireworks next time. Probably in the 2nd half of the book.