Sword Art Online Alternative: Gun Gale Online: 5th Squad Jam: Finish

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This is the 13th volume of the SAO:GGO series, and I’m pretty sure it has probably gone on longer than Keiichi Sigsawa originally planned it for. The nature of the series, after all, is basically “death game” only for once it really IS a game so we don’t need to worry about death. Which actually helps with the longevity. The cast here is large, and except for our main group we may not remember everyone all that well, but Llenn is not the only one who’s gotten famous, she’s just the poster child. We’ve also grown to see David’s seriousness as he tries his hardest to finally achieve something in a Squad Jam and always seems to not quite get there. There’s Vera, who took the series’ funniest running gag (the machine gun bros) and made them into the most dangerous team out there, taking out more of our main characters than anyone. And there’s SHINC, of course, who still don’t get to face off against Llenn. Alas.

The last volume ended with the shock of Shirley sniping Pitohui and removing her from the game. But there’s no time to dwell on that, as Llenn still has a bounty on her head and everyone wants the money associated with it. M, Fukaziroh, Boss, and Anna are trying to protect her while also getting to the center of the castle that is their final battlefield… because they’ve been told that the rest of the castle except that battlefield will soon ALSO drop off and doom everyone still in it to death by extreme falling. Clarence is holed up in a tower with good defense, but can’t really move. And Shirley has had her fondest wish granted, but is finding that “Sniper” is not really a good choice for the REST of this game. And wait, are those… ghosts?

Usually there’s one part of each book in this series that I am surprised, and here it was Pitohui returning as a ghost. I thought for sure she’d be back sooner, and torment Shirley, but no – the ghosts don’t show up till the climax, and she and Shirley never interact. Instead, the series does one of the things it does best, with is provide some ridiculous death, badass deaths, and badass AND ridiculous deaths in one book. The climax of the book is hilarious, exciting, and thrilling – I was not actually sure if Llenn really would get killed off by someone else or not till the last few pages, and everything about the rivalry between Fukaziroh and Anna – and, let’s face it, Fukaziroh in general – makes me giggle. There is even a smidge of depth here, as Karen/Llenn starts to realize, and later is told point blank by Fukaziroh, that she’s not the same shy wallflower she was at the start of the series – the game has been good for her in real life as well. It’s therapeutic.

We’ve caught up with Japan, so I’m not sure when we’ll get another of these. It’s a satisfying finish for fans of the series, though.

Rascal Does Not Dream of His Student

By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa My Student no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

With the first two books in the “college” part of this series, I have struggled to see why it’s been ongoing at all beyond “this is now a franchise with ongoing multimedia, you will write more until we tell you to stop” coming from Dengeki Bunko. With this book, I think I’ve gotten a handle on where this is going, helped out by a much stronger “cover character” than the others, even if she’s far less likeable. The original Rascal books were, for the most part, “a traumatic event in someone’s past displays itself as external symptoms that are horrible”, with Sakuta attempting to fix things in the same way that Koyomi Araragi or Hachiman Hikigaya try to fix things, i.e. throw themselves at it with little regard to danger. But Sakuta has learned better by now, helped by Mai literally dying for him, and so self-sacrifice isn’t on the menu. More importantly, the external symptoms are now wonderful.

Sakuta is still doing his cram-school job while also attending college, working his part-time job, trying to figure out what’s up with the Santa girl only he can see, and also spending time with his girlfriend. This is a lot. The prophetic dream thing is still ongoing, and Sakuta has a dream that on Christmas Eve he’s on a train … not with his girlfriend, but with Sara Himeji, a new student in his cram school class who has had two cram school teachers apparently try to make a move on her and be fired. Sakuta is #3, and is determined to avoid that possibility, despite events conspiring against him at every turn. And there’s also the fact that Sakuta from the other world where he’s more competent has told our Sakuta that Mai is in danger because of Touko.

Sara may not be 100% likeable, but she’s one of the best characters we’ve seen in this series for a while. She’s basically not had to struggle her entire life, and people are naturally drawn to her. As a result, when something does not go the way she wants, it ends up devastating her in a way that’s pretty easy for Touko to exploit. The best part of the book is the solution to the problem, as Sakuta spends most of it doing detective work to try to find a way out of this dream future, and ends up going with “do what the dream says and see what happens. But then Mai invites herself along. Mai being part of the solution is something that works very specifically for Sara, who is poleaxed at seeing what a real couple really in love is like, and when Mai starts reeling off things she loves about Sakuta and informs her she can do this all day, it cracks the Adolescence Syndrome like an egg. You can see and hear Sara grow up.

There is an ominous cliffhanger to this book, which implies that once again the universe is out to kill Mai. That said, the title of the next book is Rascal Does Not Believe in Santa Claus, so presumably we’ll confront Touko at last.

High School DxD: Supplementary Lesson Heroes

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I’ve talked before about how difficult I find it to review this series without just constantly saying the same things over and over again. There’s only so many times you can say “this is just combining shonen battle manga with ecchi harem manga” before the audience starts to nod off. And it’s the same with this book. Boy, those sure are some cool fights. They sure do bust out new special moves they got after training hard. And yeah, Issei really likes tits, news flash, film at 11. With this one I thought I’d have a bit more to work with, given the last volume ended with Issei being killed off. As I read it, I also realized that I could talk about how all the women were sidelined so that the male characters could get all the important fights. I could talk about that as well! Then the author, in the afterword, says “hey, did everyone notice the women were sidelined and the men got all the fights?”. So back to the first of those points, I guess.

As you might guess, the bulk of this volume is narrated by Kiba, given that Issei is dead. Kiba is devastated by this, of course, but he’s also the only one who is not romantically in love with Issei (possibly… more on that running gag later), so he’s the only one who can actually tell us what’s been happening and what’s going to happen next without having it just be silence or sobbing. Because the Gremory Family is shattered. Rias and Akeno won’t leave their rooms, Koneko, Ravel and Asia can’t stop crying. Fortunately, the rest of the family is off getting extra training/powerups after getting the crap beaten out of them, so they’re not there to be devastated by the news. That said, even from the end of last volume we suspected Issei would be back. After all, the dragon has not found a new person to give its power yet. And the Evil Pieces are still linked to Issei. Can he possibly return from the dead? In a way that doesn’t involve breasts?

Believe it or not, the answer to that last question is mostly yes, though there is a certain amount of “clap for Tinkerbell” involving chanting the Breast Dragon catchphrase involved. But yes, Issei comes back from the dead, and may arguably be more powerful by the end of the book. And he gets a date with Rias at the end as a reward. As for the rest of the heroines, I hope that they take a lesson from this and try to get a bit less dependent on Issei, but I’m not all that optimistic – they are young women in love, and it is a shonen series. The heroine who comes off best in this book is, of course Kiba – and yes, he is described in the afterword as a heroine. I’m not usually fond of the whole “make lots of jokes about men being attracted to Issei but have him no homo his way out of it” as a plot device, but for some reason with Kiba it just works. It helps that he has no concrete romantic interest in anyone female.

We’re told this is the end of an arc, and the next arc will be introducing magic users and also getting deeper into Gaspar’s nature. That said… there’s another short story volume next. Gotta be patient, I suppose.