Chitose Is in the Ramune Bottle, Vol. 6

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

It does sometimes occur to me that my reviews are, of course, telling you my own opinions, which frequently do not match up with the opinions of other light novel fans. So let’s get this out of the way fast: I really loved this book, and was on the edge of my seat reading it. This is despite the fact that I can easily see about ten different reasons why it would piss off most readers who are not me. First of all, it’s 406 pages of nothing but teenage angst. You had better be ready for people to be sobbing, hating themselves, and talking about how they can never get those cherished days back ever again, everything is RUINED FOREVER. The book consists almost entirely of conversations by high school kids all trying to sound adult, and would be excruciating animated. This is especially true of our cover girl, who is trying her best to be the Tsubasa Hanekawa of this series. As for Chitose, oh my God, you want to punch him. That last one, at least, is deliberate.

We all knew this would be “the Yua book”, and indeed it is, and that’s her on the cover. While everyone else stays with a devastated Yuuka, Yua goes to comfort a broken Chitose, going back to his apartment and making sure that he does things like eat, bathe, sleep, and all the other things he would not do on his own because he wants to wallow in self-hatred. As this happens, we flash back to the start of their first year of high school, when we meet a Yua who is very good at putting on a mask of “normal girl who does not get close to others”, which she rationalizes as not wanting to make trouble for her family. Unfortunately for her, Chitose sees through this immediately, and proceeds to needle her out of that mask every chance he gets. And boy, does she hate him.

Yua’s backstory is very good, and explains a lot about her, but the bulk of the good stuff is in the back half. Chitose gradually starts seeing all his friends (bar Yuuko and Kaito) one by one, and attempts to awkwardly get back to some sort of equilibrium. This is helped by it being summer break. But this isn’t going to work unless he can address the elephant in the room, and Yua (who is MVP here, but I fear is far too similar to Chitose to end up with him by the end of this series) manages to literally blackmail both Chitose and Yuuko to meet up and rip all the bandaids off. Chitose learns that he is not responsible for the romantic feelings of every girl who likes him. Yuuko learns that perhaps kicking everything apart just because she was still being treated like “the best girl” really *was* a dumb idea. And Yua herself is told to try to be a little selfish, and manages to, slightly , succeed.

The upshot of these 400 pages of howling teenage grief and angst is that we’re back to status quo, sort of, except Yuuko has, of course, still confessed. The author says this is the end of the first half of the series, so I assume we have 6 volumes to go…. after the inevitable short story collection, which is what’s coming next. In my top tier of romdrams, but YMMV.

Saving 80,000 Gold in Another World for My Retirement, Vol. 4

By FUNA and Touzai. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 4 is the equivalent of the Japanese Vol. 5.)

Folks, I’m gonna talk about it again. Just as I did with the last Potions volume. And MMAA as well. And, honestly, Kuma Bear, which is not by the same author but does the same thing and appeals to the same audience. What the hell is with all the child labor love in these books? Every series seems to bring a tragic tale of orphans who are suffering terribly until our heroine comes along to offer them a job where they can earn cold hard cash to live on, and the kids subsequently develop a messianic devotion. Not to the heroine, though yes, for her as well. To work. They will work all the overtime. They will work weekends and holidays. It’s ridiculous. You could argue it’s a good way to get a small army of cute moe kids for this series for moe kid lovers, but… there are other moe kids in this series who are not child labor! It drives me NUTS.

Mitsuha quickly decides that she does not want to do any more of her diplomacy tour, and so she takes the kids and simply runs away back to her kingdom, with a few stops in Japan to set up a new business and make sure all her tax documents are in working order. (Mitsuha is very, very dedicated to making sure she does not screw up her Japanese taxes, even as she exploits less developed countries for labor and real estate.) She also takes two mercs, who are upset they were sick for the dragon battle, to fight some monsters, and quickly realizes that actual monster hunting is not Safe And Fun. In the second half of the book, she heads to the country that had sent that warship to do reconnaissance… which in practice just means doing the same stuff she did in the first country, only with more money and more mistakes.

I can probably answer all my questions about this author by observing the monster hunting scene. Mitsuha actually has to try to find a place with real monsters, as they don’t hang around the capital. Then, when she goes with two mercs and the captain, her noble family friends insist on coming along as well… because they know monsters are freaking dangerous, and bullets, as it turns out, can’t stop them. Swords can, though. Mitsuha ends up teleporting everyone back, flees to Japan with her two girls, and is super depressed… for a page. She then gets over it. This is even lampshaded. I think the author does not want the reader to overanalyze things too much, this series is for fun. Unfortunately for the author, I have a word count to make up, so here I am. I did enjoy Mitsuha make a couple of really dumb “I assume I am mature and know everything, but am actually a naive little baby” mistakes, especially when she starts handing out priceless jewels like candy.

So yeah, (checks author) this series is still not good, or bad. It’s FUNA. That’s what it is.

Safe & Sound in the Arms of an Elite Knight, Vol. 3

By Fuyu Aoki and Minori Aritani. Released in Japan as “Doinaka no Hakugai Reijо̄ wa О̄to Elite Kishi ni Dekiai Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Dawson Chen.

Yes, as you can see from the cover art showing a wedding, this is the final volume in the series. (The imprint has yet to let a light novel series go beyond Book 3, so that’s also not a surprise.) Actually, lack of surprise is a feature of this entire book. Every single plot point in this book can be seen coming from at least ten pages away. That said, this is perfectly fine. You really don’t want big surprises from this series. You want adorable romantic moments between two very pure people, getting past horribly abusive and traumatic pasts with the help of good communication, and yes, OK, you want our heroine to knock her evil mother unconscious and tie her up. You don’t read this for plot, you read it for emotional grandeur, and it has this in spades. When the long-lost one good maid from Chloe’s past shows up, I did not roll my eyes, I said “oh good, they can apologize to each other for pages on end.” Which they do.

Last time we saw Chloe and Lloyd confess to each other, but as you can imagine, that hardly solves anything. In fact, it actually makes their lives worse for a week or two – neither one have much experience with this feeling, and so they’re on eggshells around each other, and getting distracted. It takes several heartfelt talks to get it through their heads that repressing everything is a bad thing, particularly with Chloe, who has the self-confidence of an asthmatic whelk. After doing so, marriage seems an obvious step – even though they only confessed a week earlier, they’ve basically been behaving like an old married couple for a while. That said, there is the small matter of Lloyd’s tragic past he still hasn’t talked about, and, oh yes, Chloe’s mother, who is coming to visit, and she’s brought her knife.

As with the previous book, Chloe’s family is beyond evil. Her mother is horrified to find out that Lily’s action might have consequences for her, appalled to hear that this is actually going to a trial with a judge who will (gasp!) follow the law, and quickly decides that the best solution is to kill every single witness, starting with Chloe. (I feel bad for the terrorized household help back home, but honestly, they may feel relief to be out of a job.) The great thing is that the attack comes at a time when Lloyd can’t come to her rescue, so Chloe has to overcome her mother on her own, and has the realization that she’s younger, stronger, and smarter, so why is she so terrified? It’s a great empowering moment. As for Lloyd’s tragic past, we don’t see it, he just relates it to Chloe has guilt, so there’s not as much impact. But he gets to cry in her arms, which is also nice.

As with the previous two volumes, if you like to see abused young women recover and thrive after escaping from their situation, this is a great little romance series.