Monthly Archives: January 2010

Natsume’s Book Of Friends Volume 1

By Yuki Midorikawa. Released in Japan as “Natsume Yuujinchou” by Hakusensha, serialization ongoing in the magazine LaLa. Released in North America by Viz.

I tend to follow Hakusensha’s serializations more than other publishers, mostly due to my obsession with many of their authors. Seeing the huge popularity of Viz’s releases of Vampire Knight and Ouran High School Host Club, I knew that they (and others) would be scouring LaLa looking for the next big hit.

This one was it, surprisingly. Or perhaps not that surprisingly. Japan loves its yokai. Ghost and spirit folklore pervade Japanese culture and Japanese manga, from GeGeGe No Kitarou to Yu Yu Hakusho to xxxHOLIC. And though the series may theoretically star its title character, so far it’s all about the yokai.

In fact, its star may be one of the weaker aspects. Natsume is not exactly a passive hero. We certainly see him doing a lot, and his desire to give the names in the Book Of Friends back to their original owners is both noble and mature of him. And we get a sense that he feels alone and apart from everyone. But those same qualities make him seem a very insular character. I hope that future volumes devote themselves more to bringing him out of his shell. And an outgoing side character would help, too – the only other potential semi-regular we meet is just as quiet and insular.

The manga itself is a very refreshing change for the Shojo Beat line from Viz, as it’s not focused on a typical girl meets boy romance. In fact, the author has said in the side notes that she wrote this title to be able to write a ghost story, not a romance story. This allows us to focus on the yokai themselves and their struggles. Natsume’s grandmother, Reiko, has trapped them to a certain extent, and you feel bad for them even as you worry, as many of them are attempting to kill Natsume.

The plot seems episodic, which makes sense for a series where the goal is to find each ‘name’ in the book. Each chapter brings a new yokai with issues. Helping him along on each mission is Nyanko, a yokai who usually takes the form of a ‘lucky cat’ statue. He’s an amusing combination of mascot, mentor, and jerkass. My favorites this volume were the temple spirit whose one lone worshipper is passing away, and the swallow yokai who has fallen in love with a human.

The manga can be very heart-breaking, but manages to balance the line between sympathetic and mawkish very nicely. The end of the last chapter here will probably bring a tear to your eye.

It’s a refreshing change of pace manga, especially in a Shojo Beat sense. I look forward to future volumes, and seeing if Natsume can get more characterization so that he properly shares the title with his Book Of Friends.

One Piece Volume 28

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

Well, it was bound to happen eventually. Having finished the setup, and gotten as much mileage out of wacky things happening and occasional dollops of exposition as is possible, we’re now into shonen fight mode. One Piece may be a cut above, but it’s still a Jump manga. Which means fights, fights, fights.

One Piece has never quite done what is termed a “tournament” arc, where various badasses fight each other and are picked off till only the hero and rival/villain are left. We’ll see an attempt at one after this arc, with Foxy the Silver Fox and his crew, but Skypeia also comes vaguely near this. Eneru basically states there’s 81 people battling in the forest, and by the end of 3 hours 5 will be left. So it’s a classic ‘see who dies’ plot. Or, this being One Piece, ‘see who gets knocked unconscious but is later fine’.

We do get some very interesting fights. Impact dials are explained here, and Nami gets a wonderful moment using them (whenever Nami sticks her tongue out at you, and you’re an enemy, watch out). Comedy comes to the fore with Chopper’s fight, with Gedatsu being one of Oda’s classic insanely stupid villains. The man is almost perfect: He has silly hair, he thinks his speeches rather than saying them out loud, he rolls his eyes so far up into his head that he can’t see… a minion made for One Piece, really. And it’s nice to see Chopper gain some confidence by beating a goon.

Of the other fights, Luffy’s gets cut off before it really gets going, as he falls into what appears to be a mysterious hole filled with treasure. Robin is rather annoyed to be facing a bunch of destructive jerks who have no issues with smashing the ancient ruins around them. Zoro, being Zoro, gets the “I respect you as an enemy but must fight you now” duel. And Sanji and Usopp get curb stomped by Eneru, in the standard ‘show how powerful our villain is’ moment. It serves to absolutely terrify Nami, something that will come up a little later on. Note also that Eneru can survive a spear right through his head. Yikes.

Oh yes, and the Wapol cover arc finishes. Who would have thought that he’d end up like that? Then again, this is a shonen manga, so anyone can be redeemed, theoretically.

So it’s 2 hours after Eneru made his prediction, and the 81 people is winnowed down to 25. What can possibly happen next? Well, we’ll have to wait till February, when the Skypeia arc will wrap up with the next 5 volumes.

Happy Cafe Volume 1

By Kou Matsuzuki. Released in Japan as “Shiawase Kissa Sanchoume” by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Tokyopop.

It’s fairly well known by now what my shoujo buttons are. Strong, optimistic heroine. Lots of goofy comedy. Occasional sweet romance. So it’s probably no surprise to anyone how much I enjoyed this manga.

The plot is incredibly unoriginal, but again, shoujo manga. It’s not what you start with, but where you go with it. Plucky heroine strikes out on her own due to misunderstanding, meets hot guy (with hot guy friend), worms her way into their life, and into their hearts with her shiny cheeriness. Despite this, it’s nothing at all like Fruits Basket.

For one, the heroine’s family issues are resolved almost immediately. If we’re going to get future angst from Uru, it will have to be somewhere else. (As a side note, the Urusei Yatsura fan in me is disappointed that a girl named Uru doesn’t have cute little horns.) And while she’s bright and cheery, and sometimes a little clueless, she’s only a 5 out of ten on the shoujo heroine density index, where 10 would be Hikari from Special A.

Ichiro, the blond guy, is underdeveloped so far, but that’s no surprise in a manga that wants to set up the lead couple. Shindo is very well done, though. He fits the archetype of ‘jerk guy’, but in a good way. He’s mean to the heroine in ways like “why do you keep breaking things?” and “I am uncomfortable with telling you about myself”, which is totally understandable given his background. We don’t get ‘I like to screw with my girl’s head’ that so many other authors seem to think is what shoujo jerks should be.

So far the couple is quite sweet, with blushing going on between both Uru and Shindo. Since the series has three leads, I’m unsure if Ichiro will somehow enter and make this a love triangle, but it wouldn’t surprise me. This was 15 volumes long in Japan, so we’ve clearly got a ways to go before we wrap up. The cafe plot lends itself well to one-shots (such as the one here with the model), so we don’t have to spend every chapter watching these two not get together.

There’s some very funny humor, with a lot of side ‘out of speech bubble’ comments I’ve seen in other Hana to Yume works. Uru’s incredible strength is a good quirk, though I think Ichiro’s sleeping/needs food schtick is somewhat overdone in the first volume. My favorite gag is when Shindo sees Uru up on a high ladder studying, and notes she shouldn’t sit so high wearing a skirt. Having read shoujo manga before, we expect red blushy “you pervert!” comments. So Uru’s blase “It’s OK, I’m wearing underwear!” made me laugh a lot.

There is, of course, one major fault. There is absolutely nothing new or innovative about this manga. It will not shock you, or make you struggle to get through the months until the next volume is released. It is what I call ‘comfort manga’, the title you can turn to after a long day that is not very taxing on the brain and puts a smile on your face (and a song in your heart, naturally). But it’s funny, and sweet, and has likeable leads, and thus as comfort manga I think it does its job quite well.