By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.
(There’s a spoiler I talk about, but I’ll try to wait till after the summary. Also, the spoiler is obvious.)
I will reiterate that those who cannot accept that Marie’s entire life to date has revolved around being told how terrible she is will find this volume very hard going, because it will feel grating that she loathes herself to such a degree that it almost drowns the narrative. The third quarter of the book is awash in everyone just being very, very sad, and I get the feeling the author knew this and wanted to make sure it didn’t overflow. As such, eventually, when Marie ends up fleeing from her engagement and the castle, things proceed to turn into farce, starting with Mio driving around and around the castle while pretending to be driving her back home, waiting for her to change her mind, and then getting capped off by Kyros leaping onto the carriage to follow them around the castle. It’s so over the top it’s fun.
Marie is doing her best, even though she may not think that it is. As we learn more about her childhood, we discover that she can speak/write in multiple languages, that her dancing is excellent, and that the fact that her favorite children’s book was delivered to her may be the holding thing keeping her from a breakdown. Meanwhile, Mio investigates back at her parents’ manor, and discovers that things are far more disturbing than they or we imagined, especially in regards to the death of Marie’s sister. Even a lovely outing in the merchant district to look at rings and clothing can’t pass by without Mio hearing the voice of her sister calling her and having nightmares. Surely the best thing to do is to simply call everything off and go back to her abusive home.
Rest assured, dear reader, this does not happen. For one thing, Anastasia isn’t dead. I know this will come as a shock to no one. What came as a shock to me was that I was expecting her to have deliberately faked her death to go off the the capital to make things. As it turns out, no, she was almost raped by her coach driver, escaped by the skin of her teeth, and only by miraculous fortune did she wind up in the capital. Oh yes, and her hair is being used to pacify her half-insane mother. Suffice it to say, neither sister has had it easy, and they both love each other yet also deeply envy each other’s positions. Towards the end of the book, when both parents are taken into custody, Marie has to decide what to do with them, and we get a bit of backstory that explains but does not excuse their actions. Much as I liked the wackiness in the middle of the agony, the agony is very much there.
That said, there’s more to this series. Marie and Kyros aren’t married yet. The third prince is hitting on a former noble turned commoner who just wants to be left alone. And what of Mio, the best character in this series? We’ll find out next time.


