The Brooding Duke’s Guide to the Lie-Detecting Lady

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By Mayo Momoyo and Wan Hachipisu. Released in Japan as “Fukigen na Koushaku-sama wa Uso Hakkenki Tsuki Reijou no Torisetsu wo Goshomou desu: Ophelia ni wa Uso wa Tsukenai” by Maple Novels. Released in North America by Cross Infinite World. Translated by Victoria Kasahara.

I saw the premise for this and I thought it would just be another one of those “girl has an ability that no one understands except the guy who is perfect for her” books, sort of the distaff equivalent of “everyone says my power is useless but it’s the strongest power”. But the author does not go down that road, mostly as Ophelia’s power is literally crippling. Being able to tell someone is lying is bad enough given how the world functions around lies, but her body literally shakes the longer and worse the person is lying, to the point where she falls over just because her limbs are vibrating too hard. This is not a cute power, it’s actually a bit horrifying. Fortunately, the girl with the power is cute enough on her own, though it’s unsurprising that she has a bit of an anxiety problem, and she’s now found the perfect job… maybe?

Ophelia is an earl’s daughter, but unfortunately she’s rarely left the domain since she was a child, because… well, see the previous paragraph. In a world where divorce is almost unheard of because cheating is considered socially acceptable, she’s simply unable to cope… and her parents are one of the few couples who have ever had to divorce, for that very reason. All she has is her very overprotective brother and a job cleaning at the Architectural Institute. However, she is a young woman, and as such has wants and needs. She wants to see the Duke, who is very, very handsome, and that means forcing herself to go to a party. Unfortunately, when she’s near the duke and his fiancée Stella, she has a bad reaction and has to leave. Unfortunately for her, the duke eventually figures out what she can do, and requests she change jobs, as he’s in charge of interrogating lying nobles. And boy does he hate liars.

Despite its premise being a bit more focused on how much Ophelia’s ability affects her, this isn’t as dark as I expected. Claudio turns out to be an awkward guy who doesn’t like admitting things straight out, and boy has he fallen for the wrong girl in that regard. After hearing about Ophelia’s childhood I was worried that her family was torn apart by it, but as it turns out her mother still meets regularly with her and her brother, and seems very happy married to her lover. Indeed, this turns out to be an important plot point, as it turns out she’s not the only one dealing with wanting to marry someone else. Oh yes, there’s also a lot of talk of religious symbols and how important they are, and a different duke with a big secret. Actually, the other duke may be my favorite character, and I’m glad Ophelia and Gian ended up bonding.

This is complete in one, though if you like the author you may want to watch the Always a Catch! anime, based on another LN of theirs. If you like cute, awkward people falling in love despite a disability this is a good one.

Loner Life in Another World, Vol. 14

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer. Adapted by Zubonjin.

This is the second volume in a row that can be described as “nothing happens except dungeons and fanservice”, with one exception, but even that exception stays pretty local. Haruka even remarks on the fact that the Empire, who you’d expect would be very angry about everything that’s been happening in the four months (!) since the arrival of our main cast, are instead being ominously silent. So instead Haruka concentrates on improving himself so that he can run dungeons without everyone being terrified he’s going to die, which he manages to make… some progress on. And he also manages to have a lot of sexy encounters with all the women in the cast, culminating in a scene I suspect I’ll have to simply not talk about in this review. Throughout this, though, we’re never allowed to forget how Haruka feels guilty over every bad thing that happens in this world, even things he can’t control, and that all the girls adore him, much as they might yell.

The one bit that’s not dungeon crawling or fanservice involves a ceremony to honor the dead. The dungeon crawls at the start of the book are less wacky than usual, and we’re reminded that all of these dungeons were, until the arrival of Haruka & Co., handled by the people of Omui, who fought to save their city and often died horribly. And that doesn’t even get into folks like that village that was destroyed by monsters, the one that Haruka continues to agonize over. So they decide to do a Shinto-esque ceremony, complete with a shrine on top of the hill (there is no hill, so Haruka built one expressly to have a hill for a shrine to be on top of), and the girls are all dressed as Shrine Maidens. Including Angelica, which is a bit awkward, as this shrine is dedicated in her name, and there’s a statue of her at the center of it. Should she really be eating yakitori next to it?

Moving on to the other 4/5 of the book, the dungeon sections are more interesting than usual as it shows, over the course of the book, that Haruka’s current style of “react so fast that he never dies” is not going to be sustainable. Eventually he is going to get hit – and indeed we see his HP rapidly go down. So he actually listens to what the dungeon emperors are saying, sits back and watches as they kill all the monsters, and takes notes. He’s got to be fast AND clever, not just instinctual. As for the fanservice, it continues to be the reason why, as much as I love this series, I cannot recommend it to anyone except people who are already reading it. There’s another round of underwear making (the series continues to imply that Haruka and the girls are gradually getting a bit less than human, as the girls’ bodies are basically “evolving” a bit too rapidly), and the girls’ attempts to flirt with/get a rise out of Haruka, in the hope that he’ll stop avoiding the very concept of being with anyone other than dead monster girls, ends up getting very… messy. This was the scene that, having read a Japanese wiki about the webnovel, I was waiting for to see if the light novel would cut it. It did not.

The next volume promises a new girl, if the cover is any indication. Until then, enjoy a book that uses the phrase “and stuff?” a lot, only the stuff is more like what you get in Oreo cookies. Also, another MariMite reference, the 2nd in the series!

Goodbye, Overtime! This Reincarnated Villainess Is Living for Her New Big Brother, Vol. 7

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By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

This is a relatively plot-lite book. Apart from introducing the next presumed antagonist (who shows up to be menacing and then goes away until the next book), the main thrust is that, as much as Ekaterina would like to just quietly work behind the scenes and let other people shine instead of her, that’s simply not going to fly. Not only is she gorgeous, smart, compelling, etc, but everyone around her also sees her as if… well, as if she’s the main character in a light novel. When she tries to deflect, people interpret it in the best possible light. Especially her brother. Yes, it’s another volume of Goodbye Overtime so we get a lot more of Alexei and Ekaterina talking about how devoted they are to each other, though thankfully it’s as sexless as always. And for all that she’s trying to do her best to avoid getting a bad end/executed, I think she may have more trouble NOT marrying the crown prince. The universe wants her to be Queen.

This does take place at a magic academy, and even though it’s not Japan and there are nobility and commoners, all that is irrelevant as it’s School Festival time. Ekaterina is worried as she vaguely recalls the game has their class doing a play where she’s cast as the wicked villainess, and she’s like to avoid that, thank you. She wants to do a choir, seeing as they now have classmates beloved by the God of Music. Unfortunately, her classmates have other ideas, and want a play. But it’s OK. She can write it, and, well, direct it, produce it, and stage manage it, but she doesn’t have to BE in it, she can cast everyone else! Flora is the heroine, of course. And Olga is the villain, and will get the big weepy song, as sung by Susan Boyle on Britain’s Got Talent! Nothing could POSSIBLY go wrong!

The highlight of the book is the performance, because of course, something goes wrong. In a world where you have Gods who can literally whisk people away to Valhalla for concert performances, casting their new talent in your play is perhaps not the best idea. So Ekaterina has to play the villain after all, and try to fit into a dress that’s far too tight for her more voluptuous figure, sing a song that requires hitting a few high notes she’d rather not, and also try to remember her lines. She succeeds at two of these, but fortunately not only does everyone adore her, but her desperation fits the character she’s playing anyway. And she’s as oblivious as ever, not realizing the danger she’s in in the student council room, and also not realizing the song she’s ripping off from Les Mis could also describe her own childhood. Let’s just say the sister complex is not getting smaller anytime soon.

The next volume only came out in Japan a few months ago, but seems to continue the festival. Fans of the series should enjoy this new volume.