The Executioner and Her Way of Life: Otherworlders Must Die

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

So let’s get the bad news out of the way, and it’s not really a spoiler. This volume came out in Japan on the same day as the 11th and final volume did, and they are clearly meant to be read as a pair – the author even says so in the afterword, which at least Yen translates properly. Unfortunately, that’s not Yen’s policy. On the bright side, the 11th and final volume *is* on the schedule, so we know vaguely when it will be coming out – six months from now. So you are reading half a book, and the ending is very abrupt. On the bright side, we’re pretty much in the home stretch, and as such the author does not have to faff around and delay things until the second half of the book as they normally do. This is a very solid volume, possibly the best to date, and folks who do choose to read it now and then wait will be quite satisfied. Lots of folks are cool, even the ones who don’t think they will be.

After the events of the last book, Menou is back to normal, Akari is back to normal, and Momo is cranky. Which is to say, she’s as normal as ever. Heck, even Ashuna, after making me worry for the cliffhanger of the last book, is pretty much back to normal. Which is good, as they’ll need everyone at their best to try to deal with both Hakua and Pandæmonium. It’s time to plan. Unfortunately, after the events of the last few books, Akari is no longer in control of time, but she can do a few things. Momo, of course, can kick ass. Sahara… exists. And then there’s Maya, who has the perfect plan – sacrifice herself to get rid of Pandæmonium. It *is* a sensible plan if you support the needs of the many philosophy, but after watching Menou do the same thing recently, I don’t think it’s where we want to go. They do have a complicated plan, which will send Pandæmonium back to Japan… leaving them to fight Hakua. Who decides to show Akari her tragic backstory.

I’ve made no secret of my favorite character in this series, and I was absolutely over the moon with how she was handled here. Sahara is grumpy and dour and wants to run away, and that doesn’t change. She also hates herself, as she’s made explicitly clear in this volume. But there is one thing that has changed, and that’s what makes her – finally – take a stand and fight. As for Menou and Akari, they’re both clearly still in love, much to Momo’s displeasure, but Hakua has just as much a right to Akari, seeing as they knew each other in Japan. Hakua’s backstory has a lot of stuff we suspected or could guess – and there’s some really disturbing stuff that does right back to the gimmick this series became known for – but it also shows how these powers everyone has are too easily corruptible. Gotta do something about that.

But we gotta wait, even if in Japan could could just reach for the next book. So goes life. This is a top-notch entry in the series, though.

The Princess of Convenient Plot Devices, Vol. 7

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By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Since it’s been over a year and a half since the last volume of this series, a series where I had a tendency to forget about the plot and characters already. I decided to review my old reviews to see if they jogged any memories. And they did! As with the bulk of this series, the plot involves Octavia stubbornly trying to fix her broken country and also score a man, which she is currently doing by having her bodyguard and obvious future love interest pose as her fake boyfriend. Unfortunately, every time she tries to break the story, the story keeps coming back. It turns out that I forgot all about the Tanya the Evil aspect of this series… she’s fighting with a pissed-off God! Who threw her into this world of BL tropes and wanted to watch her suffer. Job well done, God. That said, Octavia’s still got a few more tricks up her sleeve, despite more and more hot men getting mind controlled.

At last, Octavia has an official fake boyfriend. Sure, it’s Klifford, which is not at all what she planned, but it’s working out, and he seems strangely OK with it! Honestly, perhaps a little too OK with it. That said, there are other issues. Prince Yarsh is now in the castle as a royal guest and official suspicious person. Rust Byrne, who Octavia had been desperately avoiding, is not only at the castle but is now her second bodyguard (as Klifford is also her lover, he’s thought to not be objective enough). Alec has been desperately avoiding HER. Derek has also been avoiding her, and doesn’t even seem to like her anymore. And the Council of Feudal Lords is coming up. In the original game there was a drink spiked with aphrodisiac. But Octavia has already dealt with that plot, so surely it won’t happen anyway. Right?

There are quite a few good scenes here, so it’s been worth the wait. As the author notes in an afterword, several parts of the book are from POVs other than Octavia. The biggest being Edgar’s, as we finally get the full missing backstory that explains why he’s married to Enoch but seems to despise him. I like how his rage can’t really go to far as he knows this was his sister’s choice, and also how his revenge is also hampered by sympathy with what’s been going on with the king lately. We get more close examination of how utterly screwed up a world run on BL really is, and how there’s a lot more straight people in it than you’d expect. And we get a few more sexy scenes between Octavia and Klifford. The last of which may be aphrodisiac-induced, but come on, if we have to wait for Octavia to actually get a clue about her own feelings, we’ll be waiting as long as readers are going to be waiting for Book 8.

Which isn’t out in Japan yet, so here we go again. See you in 2028. Good, though, isn’t it?

Chitose Is in the Ramune Bottle, Vol. 8

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I have found that Chiramune is one of those series that glides along for a while till the author has a sudden explosive burst of inspiration where everything gets really good for the rest of that scene, and then it goes back to normal. This can sometimes be frustrating, especially if you’re reading it for the ongoing plot, but it does make those scenes instantly memorable in your head. Which is good given how this does not exactly release every three months or so. Here we get two such scenes, one short and one long. The short is the second conversation between Yuzuki and Kureha, where we start to see exactly why Kureha is doing things in this particular reckless way. The second is the final scene in Saku’s apartment, where Yuzuki drops all pretense of reserve and straight up tries to seduce him into sleeping with her. If you know Saku, you can guess how well this goes. But as a scene, it’s dynamite. The series works best in sprints.

The culture festival is almost upon us. While the core cast work on their cheer routine, Yuzuki also has a heart-to-heart with Kureha, and realizes that she’s going to have to stop trying to be “Yuzuki Nanase” and remove her limiters. This means suddenly she’s blowing away everyone else on the basketball court… including a dispirited Haru. This means that, when the Snow White play they’re putting on turns out to be literally the author writing the love triangle between Saku, Yuuko and Yuzuki into the plot – and having Saku improvise an ending – she wows everyone with her amazing acting skills. And it means that, when she gets the opportunity to cook dinner once more for Saku at his apartment, she puts on her best underwear and pins him to the couch. Unfortunately, talking to Kureha also gave her Kureha’s desperation.

I liked Kureha better here… or at least understand her more. Everyone’s annoyed at her for upsetting the status quo, but to her it feels like she’s started a race where everyone else is on the last lap. When you literally can’t catch up, sterner measures are needed. I also really loved the conversation between Yua and Asuka, where they both reflect on their breakdowns from the last book and both admit it’s their fault rather than Kureha’s. This book has a lot less Saku narration than usual, which makes sense as the series is getting into the second half and needing to resolve things, but also as Saku is discovering that trying to figure out who he loves and trying to figure out what he wants to do in the future involve the same things… and he’s reluctant to do anything – STILL – as he knows how much pain it will cause. Hence the final scene, which manages to be very painful and also pretty erotic.

This is the first of a two-parter, and I’m not sure when Book 9 will drop, but Chiramune fans should be quite pleased, especially if they think Yuzuki is best girl. Though the book is also hinting we should enjoy that while it lasts, like Yuuko.