By Harunohi Biyori and Geso Umiu. Released in Japan as “Akuma Koujo” by K Lanove Books. Released in North America by Airship. Translated by Julie Goniwich. Adapted by Emlyn Dornemann.
I had some worries when I began this 5th book that it would be difficult. After all, we’ve basically abandoned the world of the first four books to go back to Japan (albeit a Japan with a lot more magical-powered shamen and spiritualists than I suspect are really around). And this does start a bit slowly as we get used to the new background. That said, not THAT much has changed. Yulucia may be Yuzu now, but she’s a spoiled rich kid here just like she was back home, she’s beloved by all despite being pretty creepy just like she was back home, and the entire climax of the book is her snapping and just going full horror movie, just as in previous volumes. Rest assured, this is still the Devil Princess you know. We even get her servants popping in and being hilarious and disturbing again. Honestly, “hilarious and disturbing” is a good summary of the series as a whole.
This series began with a young teenager with health problems dying and being reincarnated as a demon, then being reborn as Yulucia, the Devil Princess we all know and love. Now, after the events of the 4th book, she’s back in Japan, and back to her old life – a decade before she died. She’s still sickly, but for some reason that only the readers really know, has become terrifyingly beautiful for a little girl. There’s also other oddities. People keep trying to kidnap her, and it’s not *just* because she’s from a rich family (though some of it is that). People keep going crazy around her and trying to murder her. And for some reason when she comes across obviously bad people, with hearts as black as coal, she cannot help but think how incredibly TASTY they look.
As with previous books, Yuzu manages to be thoroughly evil without actually doing many bad things… except to those who deserve it. The climax, not to spoil too much, is basically a yakuza massacre, and there are several pieces of excellent art in this showing her as basically Your Worst Nightmare(tm). But she also makes friends with other children, loves her family, and helps her best friend and potential marriage partner lose weight so he becomes a bit more bishonen. It’s just that because the narrative is presented through her “I don’t really care that much” narration, it can be hard to pick up on. There’s also plenty of humor here – special points to the otome game heroine who shows up a decade early as well, tries to warp the narrative, and immediately gets arrested for her troubles. I wonder if we’ll see her again.
This “arc” finishes in Book 6, so don’t go thinking that we’re back for good. The author says all our questions will be answered, but I don’t have too many. As long as I can see a little girl gleefully murdering bad guys and eating their souls like jelly donuts, I am content.


