From Two-Bit Baddie to Total Heartthrob: This Villainess Will Cross-Dress to Impress!, Vol. 5

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By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

All otome game villainess stories are, by definition, somewhat metatextual. It has characters who are trapped in a world based on a game, trying to avoid Bad Ends. Even if they don’t talk to others about their choices, they narrate to the reader about them. But Two-Bit Baddie is even more meta than most. We have two people who’ve both played the game and know what’s coming, and discuss it with each other. We have a narrative that occasionally tries to lure them back into canon, even if they both want to disregard it. More to the point, the entire reason Elizabeth dresses and acts the way she does is to avoid a bad end that’s already passed. There’s no need to keep doing it. So when Richard asks why she’s dressed as a man, she answers “because I like it”, and I think not only does this surprise her but she means it. This is who she is now.

The book picks up where it left off last time. Elizabeth, Christopher, Edward and Lilia have to stay a little longer than planned. Sure, thanks to Lilia accidentally turning Diana into a BL fangirl, the marriage seems to be off the table. But there’s the troubling information that people are kidnapping nobles, and then giving them back the next day. What’s going on there? Meanwhile, Elizabeth and Lilia get an opportunity to explore a dungeon, and while they don’t find any monsters, they do come across some very human villains. When they are finally allowed to go home, after everyone finally realizes that Elizabeth is a woman and her brother is rejecting the marriage proposal, Elizabeth finds new problems. Yoh, the villain from the last book, has joined the knights and become a masochist. And worse, the plot of the second fandisc is beginning… four years too early!

The otome game mechanics are not the only things analysed in this volume. There’s an extra bonus route involving Lilia getting romanced by her teacher, a forbidden love sort of thing, and while Lilia is not interested in anyone but Elizabeth, Elizabeth is furious at the very concept of the route’s existence. She delivers a multi-page takedown of “teacher/student romance” as a concept, stating that anyone who would take advantage of a student in real life is the worst of the worst. Lilia finds this baffling, but that’s because Lilia is still caught up a bit too much in thinking in terms of tropes and fiction – to her, teacher/student romance is hot because of the forbidden aspects. It’s a very interesting diversion in what ends up being a solid but typical volume in the series. Elizabeth remains handsome and seductive but unable to see the very obvious affection anyone has for her – except Lilia, who had to literally confess. Subtlety is not gonna fly here.

The main drag on this volume is that it ends not even 2/3 through, and the rest is taken up with other POV stories and side stuff. It’s the equivalent of a LaLa volume, and I hate it. But the bulk of this is still pretty good.

Frieren: Beyond Journey’s End ~Prelude~

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By Mei Hachimoku and Tsukasa Abe, based on the manga by Kanehito Yamada. Released in Japan as “Sousou no Frieren: Zensou” by Shogakukan. Released in North America by Yen On. Translated by Jenny McKeon.

It’s another tie-in novel, and by now I think we know what to expect with these. The title says “Prelude” because it’s the safest place to play around it. You can’t change the story the original author is still getting to, and sometimes you can’t even tell stories set at the same time as the manga. But things that take place before the manga starts, or in the past, are fair game, provided you don’t change the future. As such, it’s no surprise this is a short story collection, and honestly of the five short stories three of them are really obvious: seeing Fern and Stark before they met Frieren is a gimme, and seeing Frieren with Himmel and party is also unsurprising. The other two stories are more interesting choices, and they’re also both pretty strong. I usually talk about whether a short story collection is front or backloaded, and this is the latter, which is good, as that means it gets better as it goes.

The five stories: 1) A young Fern practices her magic and worries about Heiter, who is not only very old but is also down with a cold, so she decides to go searching for herbs; 2) Stark is at the village with the dragon, which he “drove off” by being in its face when it decided to go away, and frets about his reputation, while also saving the one guy who doesn’t like him when he goes missing; 3) Kanne and Lawine are taking the test to prove they’re mages back in their hometown, but have to deal with a bratty rich girl mage and a stronger than usual monster; 4) Aura the Guillotine runs into the hero’s party and lives to regret it; while recovering from her wounds, she talks with other demons around her, most of whom are familiar to us; 5) Frieren wakes up on a wagon headed for… well, somewhere, and is distressed to see her friends getting off it and leaving her behind.

Fern and Stark’s stories aren’t bad, but they’re both very predictable and stay in their lane. Kanne and Lawine’s story is surprising in that it happens at all, but I enjoyed seeing them again, and their teamwork and bond is in full force here. Aura’s story may be the best in the collection. She’s a terrible… well, demon, not person, but you know what I mean. But the story is designed to poke around Frieren’s “all demons are evil and you need to kill them on sight” philosophy, as we see some demons trying o understand why humans do things and failing, and some continuing to make the effort regardless – we’ll be getting to that in the 3rd anime season late next year. Finally, the Frieren story is basically an “all things must one day pass” metaphor, but it’s well written and emotional, and works well with Frieren, who is coming to terms with people she cares about passing, bit by bit.

So yeah,k this is a solid book. Fans of the manga will definitely enjoy it. Casual buyers… read the manga first, OK?

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 10

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

Something we’ve seen throughout this series but especially in this volume is the idea of what an “ideal” woman is in this Court Intrigue series. The series began by showing us that Reirin was delicate, fragile, and good at all the things that men prized in a woman, whereas Keigetsu was boorish, clumsy, and the one thing she’s really good at she has to keep hidden. Of course, we now know that delicate flower is not the word anyone would use to describe Reirin – except maybe Seika, and even she, by the end of this volume, has had the Reirin pedestal in her mind taken down. Here we also get a foreign delegate who explicitly regards all Ei women as weak and unable to fight back, and Seika (who among the five maidens has been the most feminine one) has to come to the realization herself, and then tell him, that in fact the Maidens all learn to be silk hiding steel. No more so than Reirin.

After the events of the last two volumes, everything is seemingly back to normal, and the maidens are back to learning how to be consorts. However, a foreign prince is visiting the country, and Seika is in charge of the welcome. She decides to rope in Reirin (because she adores her) and Keigetsu (because Reirin won’t go without her) to help her with the ceremony, which is mostly ceremonial – they roll out the red carpet and the prince says he is content, and everyone is happy. Unfortunately, it turns out that Seika, especially after torturing and starving the consort and effectively moving up in the power structure, is battling family who very much want to bring her down. What’s more, Seika’s seaside city is a lot less happy and content than she thought when she grew up there. And the prince, who has his own agenda, is far from content. Worst of all, I used the word “seemingly” at the start of the paragraph for good reason.

When I started this volume I was a bit puzzled. The last book ended with such a dire cliffhanger for Reirin, what happened to it? As it turns out, I had reckoned without Reirin’s powers of trying to make everyone around her think things are totally fine. We’ve had lingering in the background the fact that the bodyswaps seem to be affecting Reirin’s health to a degree, but it’s only to a degree – and after the last extended swap, she’s actually worse than before. Reirin has a chronic unknown illness that no one can find a cure for. She has been dying for years, and it feels much closer now. And she just cannot quite work up the strength to tell Keigetsu about it. Unfortunately, that means that when Keigetsu, trying to protect Leelee by being brash as usual, ends up in a dire situation., a bodyswap means that Reirin is now in the dire situation. Reirin, who has come very, very close to accepting this is how she dies.

Keigetsu, needless to say, is utterly devastated when she finds out, especially when she realizes that she doesn’t have the power for several days to swap them back. Keigetsu still has a tendency to feel that everything she has achieved is thanks to Reirin, and even more so, that everything bad that’s happened to Reirin is her fault, leading to her literally saying “let’s stop being friends” at one point. Keigetsu, of course, fails to realize that she is the best thing in Reirin’s life right now. One of the funnier scenes in this book is seeing Gyoumei trying his damndest to talk to Reirin via Keigetsu’s fire every day, and realizing, as does Keishou, that Reirin honestly is just not that into him – or anyone, really. Again, this isn’t yuri, but if there’s anyone Reirin is interested in most at the moment, it’s Keigetsu.

Fortunately, the fact that there’s been another body swap, as well as Keigetsu literally begging Reirin to live, makes things better for the moment. Though I’ve no doubt that Reirin’s chronic illness is the series’ final boss. In any case, next time, it’s Reirin’s time to fight back. And we all know what that means. There’s going to be utter chaos. Highly recommended, and I hope the anime is good.