The Bladesmith’s Enchanted Weapons, Vol. 5

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By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

While there are still bouts of humor in this series, it has not escaped my attention that each volume seems to be darker than the last, and this one was particularly dark. Dead adventurers, dead women and children, bandits everywhere, lots of justified hatred of nobles, and the realization that the city that our heroes live in really does have a lot of issues, and they’re desperately trying to force it to become a place that people might actually want to go. Which, frankly, it isn’t at the moment. The cast is also pretty static – we’ve met potential new characters, and one of them even returns in this book, but for the most part once we get to know them they leave the city. Hell, even Claudia threatens to take Lutz and go somewhere more welcoming. Though I suspect a lot of that is that she’s tired of Lutz throwing himself into deadly situations.

We open on a party of adventurers running from a zombie, and when one of them trips, the others… run away. She’s saved by Lutz, who happened to be in the dungeon and is also the main character, but she can’t rejoin that party. Fortunately, she finds another party… and then the exact same thing happens, only she is the one who runs while her new party are killed by a flame demon. She’s a mess. This flame demon has also massacred a village of carpenters Lutz worked with, and their village leader, Kevin, wants revenge. He’s a mess. And then there’s Djoser, head of the knights, such as they are, who is dealing with a bout of self-hatred, not at all helped by coming across bandits butchering everyone except an old merchant. He’s a mess. As for Lutz? He’s fine.

Well, OK, he’s not ALL fine. His beloved axe gets destroyed, but this allows him to make an even better katana with the remains. His main worry is that he keeps worrying Claudia, who loves Lutz a lot and very much does not want to keep being the good wifey who waits for her man to come home and worries he never will. She gets only one really good scene here, but it’s a pip, as she points out exactly how valuable she and Lutz are to the city and how much they’re starting to rely on him magically solving all their problems. We’re starting to see the Count trying to do something about it – creating a knight unit that not made of of noble rapists will help, though notably, even then they have to create a SECOND knight unit and leave the dissolute first one, as they all have connections. Better roads would help, but the bandit problem is not going away, and since the bandits just seems to be “those damn nobles”, it may take a more complicated fix than any of our leads can do. There’s good worldbuilding here, but the world is hard.

This remains one of my favorite new light novel titles, but it can be very grim. There are no easy solutions.

The Dorky NPC Mercenary Knows His Place, Vol. 5

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By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

Last time I mentioned that even if we saw the occasional good noble, we always had tons of evil nobles to go around. That also applies to mercenaries and military. John does meet the occasional good person, and gets along with them. But his power of being the main character means that assholes tend to flock to him, because this series has an agenda and that agenda is “stop saying you’re going to tell your mom”. Every terrible noble in this book seems to have one go-to out, which is “I am the child of an important person and if you don’t do everything I say, I will tell on you and your life will be ruined”. The sad thing is this usually works, as it’s very easy to punch down in the world John lives in. Fortunately, in this volume we also see a few who see how well that works and try to do it WITHOUT the actual family connections. They just lie. It doesn’t go well.

Despite taking up so much of the cover that she starts to obscure the title, the Empress only gets a side story at the ed of the book, possibly to justify the art. For the most part, though, this book functions like the other one does. John takes a job, does the job, sometimes has to have a cool space battle, dumb arrogant assholes hate him, smart people who don’t judge by appearances are impressed with him, then he goes home and buys up otaku stuff. Two things stand out in this book: first, after a near miss where his dad almost ends up in debt again, John goes to visit his family, who are mostly what you’d expect. The other is that starting from the 6th book, things may take a different turn. The anti-imperialist pushback has been getting louder every book, it’s being helped along by enemy agents, and now we’re finally arriving at war.

There was an amusing yet also educational part of the book, reminding me a bit of the “People’s Front of Judea” part of Life of Brian, where John and Gonzales discuss the different anti-imperial factions and how they all have slightly different aims but also all have the same “the Empress must go” endgame. The book also does “having your cake and eating it too” better than most – as with other entries in the series, the art is very much showing you how many women orbit John’s life, how many of them have huge breasts, and how often they like to shower or bathe. The art is here to draw in readers. Then they get there, though, they find a world where any woman who tries to do her job ends up harassed by endless guys asking for sex wherever they go. Even teaming up with other women may not help, as this means having to deal with women who also fall under the ‘asshole’ umbrella. The Empire may be a poor way of running a world, but I have no confidence any of the other factions would run it any better, and they’d likely be worse. It’s tough to be a woman in this series.

All this plus a SURPRISE REVELATION, which I will leave unspoiled. Will John be drawn into war? Will he be forced to have an emotion? Will he realize how much Fialka wants to jump his bones? We’ll see. In the meantime, enjoy your not-safe-for-public-transit volume.

Betrothed to My Sister’s Ex, Vol. 3

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By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.

Generally speaking, it can be hard to do a happily ever after for a series unless you end it. If the series is a success, you’ll need to continue it, and the best way to do this is conflict. For the first two volumes the conflict basically wrote itself. Marie hated herself so much that she had almost no will of her own, and Anastasia was faking her own death and wracked with guilt about it. There was a lot going on, but by the end of the second volume things seemed to be wrapping up… except there are, um, eight more volumes in Japan. As such, don’t be surprised when this volume does not in fact have a wedding, and that the man who we thought was a comedy royal turns out to be the one in the family with the least number of issues.

Things are going pretty well. Marie has come to accept her place enough that she starts imagining actually decorating her room… after literally being told to do so. Anastasia is still irritated every time the third prince shows up, but it’s far more of a tsundere romance anger than it was in the second book. And we also get Mio’s backstory, which is heartwarming (her relationship with Kyros’ mother), suspenseful (her battle with the queen), and hilarious (the identity of her real parents). Unfortunately, they are still only engaged, because for some reason their wedding has not been approved. While Mio investigates what’s going on here, Luifon is forced to attend a royal ball, and we discover the reason why the marriage isn’t approved yet – and it’s not a good one.

As it turns out, the drama and suspense I thought would be at the end of the book is completely steamrollered. This is because the princess, who’s introduced to us as not only casually racist but also willing to get rid of Marie by any means necessary, is instead an immature brat who folds like a card table when presented with the awesomeness that is Marie. It also shows that she’s not really a terrible person at heart, just sheltered and learning bad habits and ideas. It also means we get to see Marie dressed as a man, which justifies its color page completely. That said, my favorite scene was a rather serious one, where Marie is shown the marriage bed in their castle. Kyros has avoided showing it to her. It only has a lock on the outside, and is clearly designed more as a prison for the wife/mother to pop out babies than anything else. But the reason he avoided showing her (it can easily be altered) is that the Marie of Book 1 and 2 would have accepted that fate without arguing. This is a Marie who has learned she can be happy. Which is great.

That said… still no wedding, as we have more royal annoyances to deal with. And that’s not even getting into the fact that the third prince is in love with a former baron’s daughter, now a commoner, who is disguised as a man. So yeah, there’s room for at least a couple more volumes. Great stuff.