Haibara’s Teenage New Game+, Vol. 9

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

Natsuki’s do-over has been going pretty well. He’s got friends, he’s slimmed down and folks think he is handsome, he is able to hold conversations and help others – sometimes to a ridiculous shonen degree – and he has a girlfriend, and their relationship is sugary sweet (what little of it we see in this volume). So it makes sense that it’s time to move on to the next generation of socially inept malcontents, and that means Saya, the first-year who knew him in middle-school and is trying to achieve the same thing he did. Unfortunately, she’s blunt to the point of being mean, and doesn’t care about other people. Or anything other than music, really. And given that she’s in a band with Mei, whose self-confidence is low at the best of times, that’s not great. Is this band that he’s trying to help Serika take to Budokan doomed before it begins? Meanwhile, back in Natsuki’s original timeline, the author takes every reader who was socially inept in high school and murders them.

Let’s leave original Natsuki for later and talk about the main star of this series. He’s more visibly struggling this time around, which I regard as a positive – by now, everyone who is close to him knows that he’s not naturally extroverted and is working hard to change himself. He has been practicing like crazy for the band, but it’s notable that by the end of the book he’s still told he’s not very good – he can’t simply magically gain years of musical experience. It’s also a good thing Hikari is his girlfriend, because he still has a bad case of harem protagonist disease, not really understanding why all those girls want to be in light music till he has it explained for him. As for Saya, she’s also very relatable. One of the hardest things to do as a person is to listen and respond, and that means paying attention to others – knowing their names, hobbies, etc. She’s got to put in the work! At least her love song was so blatant that even Natsuki picked up on it. Oh yes, and Mei’s girlfriend had some of the funnier moments in the book.

So, interspersed with the main chapters we have the original Natsuki Haibara, in the first timeline, trying his best to have a high school debut. It’s genuinely painful to read. Much like Saya throughout this book, he just doesn’t get it, and the person who is trying their best to fit in and be active but cannot understand any social cues is a very hard person to be around when you are neurotypical. Why don’t they just get it? This leads to the epilogue, set in an original timeline where Natsuki did not go back in time to have a do-over. We see a 28-year-old Natsuki, who, without the benefit of time-travel and his past life memories, has had to do what the rest of us eventually did and learn how to be social and function in society by grinding it out day by day. He’s rewarded with a new co-worker… honestly, this final scene felt REALLY fast and tacked on. I understand that the author wanted to throw original Natsuki a bone, and probably does not intent to revisit this timeline. But sheesh, that feels like one of those fake game routes where everything looks fine and happy and then you realize there’s something wrong. It was too pat.

Still, that’s other timeline’s complaint. This timeline is going well, and things look great. Provided there’s not a new volume coming out soon in Japan with an oddly ominous cover, I think Natsuki should be just fine.

My Girlfriend Cheated on Me, and Now My Flirty Underclassman Won’t Leave Me Alone!, Vol. 1

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By Yu Omiya and Ale. Released in Japan as “Kanojo ni Uwakisareteita Ore ga, Koakuma na Kouhai ni Natsukareteimasu” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Benjamin Daughety. Adapted by RFD.

I try not to carp too much about a book that fulfills all its goals and doesn’t really do much wrong, even if I personally was not entertained. I picked this up because it promised to be about college kids rather than the usual “second year of high school” start we tend to get in romcoms. Indeed, everyone in this is in college. There are drinking parties. The main character is not a virgin. (Well, according to him, but given the plot of this book, I’m not sure I trust his word.) The flirty underclassman is very cute. And very flirty. Our hero not only has a flirty underclassman, but also a BFF, who is also hitting on him constantly, not that he is aware of this. And there’s even the ex-girlfriend, who shows up in a couple of scenes. The main character makes questionable decisions, but rises slightly above “everyone falls for him as he treats women normally”. But only very slightly. As for my opinion? Meh.

Yuuta is preparing for his one-year-anniversary with his girlfriend Reina, but when he goes to her home he sees her holding hands with another man. Naturally, he breaks up with her. (I will pause in case you need to see a doctor for being unable to unroll your eyes.) Now, it’s Christmas, and he’s started smoking and is generally miserable, with only his incredibly hot best friend Ayaka to keep him company. Then he accidentally runs into a girl handing out flyers dressed as Santa, and helps pick them up after they fall. She’s Mayu, and she gloms onto Yuuta immediately, going out for a meal with him, then offering to clean his house, and by the end of the volume she’s almost moved in. Meanwhile, Ayaka keeps inviting Yuuta out to mixers and parties, which he reluctantly goes along with because they’re besties. Oh, and Reina? Says she wasn’t cheating on him.

If you thought “is this cheating going to all be one big misunderstanding because our college-aged young man has the emotional maturity of a nine-year-old?”, congratulations, you have read enough books in this genre. The girls in this are mostly fun, and Mayu, albeit a bit invasive, is genuinely likeable. Yuuta is frustrating. He’s mature except when the narrative needs him not to be. He knows how to compliment a woman, he knows when to ask what’s wrong and when to shut up, and he’s “safe” in a way that some other guys in this volume aren’t. But boy, you’d better be ready for “gosh, why are all these women in my life can’t imagine” obliviousness. As for the “she was holding hands with another man so I broke up with her”, we’re never actually shown the break-up or the aftermath, we just hear about it after the fact, so it could have been maturely done… but doesn’t sound like it.

If you like harem romcoms, this isn’t a bad one. I assume if you like harem romcoms, you’re used to the oblivious lead male. I do warn you, if you’re rooting for his best friend or his ex, please remember who’s on the cover of the first volume and in the title. I think I’m good with stopping here, though.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 7

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

Please note that spoilers are far more unavoidable than usual this volume. If you want to remain unspoiled, please try to read the review after the book. I’ll stick the cover art here to hopefully mask it.

So, let’s talk about the Unreliable Narrator. Starting off by spoiling a 100-year-old book for you, the most famous example is probably Agatha Christie’s The Murder of Roger Ackroyd. It upset a lot of people when it came out, and folks who were especially invested in trying to figure out the mystery, rather than reading it as a cracking good yarn, especially felt betrayed. They said it was cheating, not playing fair. The author said that all the clues were there if one kept an open mind. And the narration did actually play fair. There were omissions, and subterfuges in it. But you didn’t see a whole chunk of book being given first-person narration by someone who then turned out to literally be lying solely to the reader. That’s why this volume makes me mad.

The book alternates, at least for the first half. Claudia’s part of the book has her learning that the Church has chosen a new Saint, and that she is one of the two who have been chosen to help the Saint during her canonization, which will involve not touching men, not eating meat, etc. She’s also dealing with a refugee problem, which is tricky because, as both her brother and her maid/best friend point out, she gets too emotionally invented in everything. She also gets very mad at herself for not seeing things that are only obvious in hindsight and not being perfect. Typical Claudia, in other words. The other half of the book follows a sister in a girls-only monastery who gradually opens her heart to the injustice of the world, saves a young boy from being whipped to death, and uses her new Saint position to help war-torn refugees. Then the author says “whoops, I had the switch on her back set to good by accident” and everything turns terrible.

I’m not sure if I was supposed to be fooled by the Sister (nun)/Sister (sibling) thing, but it was made pretty obvious from the start that this was supposed to be Fermina. And I thought I was going to see… well, exactly what I saw, but I thought we’d go about it a different way. The first half has lots of Fermina’s POV, as we see her viewpoint gradually change as she’s exposed to good people and also the injustice of this world. And then she’s picked up by the Church, who we’ve already seen are going to be evil so Claudia can suffer. I was pretty sure we were either going to see sweet lies poured into her head, or literal brainwashing, but that had been signposted, so I was fine with it, and the Claudia stuff was excellent. Then the Saint POV disappears from the narrative for about 100 pages, and I went “uh oh”. Then we get the final Fermina POV chapter, where she reveals that in fact this was all a setup from the start, which she knew, and she’s secretly been as evil as ever. This is not a case of “if you read the unreliable narrator right you can guess it”, this is a case of “LOL, you fell for it!”. SO ANNOYING. Especially as I was OK with Fermina learning a hard lesson and getting better only to fall again, and am very unhappy she’s as one-dimensional as ever.

This has a nasty cliffhanger, which you can likely guess, and I’ll keep reading. But boy, this left a bad taste in my mouth.