By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.
I always tend to have the same pattern when I read a new volume of Earl and Fairy. I start off a bit reluctant, remembering the slow pacing and the fact that Lydia always seems perpetually angry and Edgar has a tendency to always make things worse. I think to myself, “if it weren’t for the fact that I’m the only reader, I would drop this”. Then as the book goes along, it gets more exciting and the thriller aspects take over, and I am reminded once again why I do keep going and why I like it so much: the romance is meh, but the supernatural thriller is great. This book actually manages to improve on the romance a bit as well, as Lydia has admitted her feelings for Edgar, and he is deliberately trying not to mack on other women. Unfortunately, as we will see, both of those things combine to once again make everything terrible for our still not married couple.
Lydia is trying to figure out what to get Edgar as an engagement present, given that he can buy anything he wants. After shopping with Lotta (been a while since we’ve seen her), she goes home and is accosted by a young Scottish man who insists that they need to get married to save the clan. Turns out the short story regarding Lydia’s mom, from the previous volume, is more relevant than expected: the village she left is suffering, and they all think marrying Lydia will solve the problem. Unfortunately, there’s also someone else who wants to marry Lydia – no, not Edgar, although yes, him too. A trow kidnaps her, Lotta, Raven, Nico, and the Scottish guy and says that Lydia will, in fact, be marrying him. Meanwhile, Edgar is still dealing with having the Prince’s memories, and the fact that every problem lately has one obvious solution: access the Prince’s memories and turn more evil.
So I got my wish of Lydia and Edgar growing and changing, but I did not get my wish that this means the entire book won’t be about romantic conflict. Lydia still has huge piles of self-loathing, and while she trusts Edgar now she worries about the depth of his love – especially when, for the plot reasons above, she has to disguise herself as another woman and have Edgar intuitively realize it’s her. Unfortunately for her, reality is not quite as kind, and Edgar, for once trying to be a good fiancee, just finds her suspicious. Much as it makes me uncomfortable, I can’t deny its effectiveness. There’s even a dollop of humor in these otherwise mostly serious books, as Raven learns what it means to forgive someone, and applies it in very funny ways. Oh Raven, one day you will be a real live boy.
All this plus an Ermine cameo! This series is down to twice a year, so I expect we’ll get Book 14 in the spring. But I still really do love it.


