Starting on Hard Mode: God Levels, Got Problems, Vol. 1

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By Hanmenkyoushi and ririnra. Released in Japan as “Level Count Stop kara Hajimaru, Kamisama-teki Isekai Life: Saikyou Status ni Tenseishita node Suki ni Ikimasu” by DRE Novels. Released in North America by J-Novel Club. Translated by Jessica Speed.

There are series rich in depth, with multiple layered plots and character development galore, the sort that you read by a roaring fire in your study. And there are books that you read when you’re lying on the beach and want brain candy, something that really does not require you to think. Take a wild guess which one this falls into. There’s a smorgasbord of all the things that you’d expect from a series that looks like this cover and with this title. Overpowered guy, cute girls of elf and beast variety, adventuring parties, lots of monster killing, and even a backdrop of racial discrimination crushing the souls of everyone who isn’t a human. OK, not all of it is brain candy for the beach, but I’m letting people know not to raise their expectations above about knee level. If you manage to keep them there, this isn’t all that bad. It hasn’t really made any of the more egregious errors titles like these do.

It’s possible our nameless Japanese guy was hit by Truck-kun, but as he doesn’t remember anything we won’t find out. God, talking in his head, tells him he’s been reincarnated in another world! And he’s overpowered! In fact, ridiculously overpowered. His stats are about 25 times stronger than the strongest humans. Oh, and his physical appearance looks just like, well, God. Surely this will not lead to misunderstandings! No sooner is he dumped in a forest full of monsters than he saves a desperate elf girl. Unfortunately, no haughty or powerful elves in this world. Here elves are treated like dirt. What’s more, after arriving at the nearby town and going to the obligatory adventurer’s guild, he meets a beastgirl… who is also despised, despite being really strong. Why was he reincarnated into racism world? To make things better, of course.

I do appreciate that Merlin (said nameless hero has a name in fantasy world) has an immediate and visceral reaction to all the prejudice going on around him, and that he takes pains to be extra nice to the elves and beastgirl as a result. (Oh yes, cute elf has a dying sister. It’s OK, Merlin is powerful enough to heal anyone.) The girls are all cute, and due to the genre I can let slide that they are torn between worshiping him and falling in love with him, and sort of decide to do both. There’s also some obligatory fanservice, but Merlin is the “I will blush and turn away they’re like little sisters” sort, so don’t expect any romance anytime soon. For the most part, though, we’re here to watch Merlin be awesome and then try to cover up the fact that he’s being awesome. It’s hard enough getting a slow life in a series like this without being gorgeous, all-powerful, and a budding activist.

This is a DRE series, so should not run too long. Recommended for folks who like what the cover art shows them.

Proud to Be the Villainess: If My Doom Can Be Her Happily Ever After, So Be It!

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By Mary=Doe and Kuga Huna. Released in Japan as “Akuyaku Reijou no Kyouji” by SQEX Novel. Released in North America by J-Novel Club. Translated by Bérénice Vourdon.

It’s always interesting seeing a Villainess title on the Club side of J-Novel rather than the Heart side. Usually it means that the romance isn’t the point of the exercise, and that is the case here, though that might surprise you after you see what the plot is, as there is an awful lot of romance in this book. But in the end this isn’t a romance as much as a twisted caper film. Our protagonist has a goal, that will take years and involves lots of moving parts, and eventually everything comes together until she’s able to pull off the goal… or at least, she hopes that’s what happens. Heck, since she’s not reincarnated from Japan, this doesn’t even have to involve a game world at all, and there’s no pesky heroine either. There’s just two sisters, with one of them being noble and abused and the other being arrogant and haughty. All is as it should be… except, as you may have gathered by the title, the other sister is the main character.

We open the way a lot of villainess books open – with the seeming romantic lead cruelly breaking off his engagement to his poor fiancee. However, we see this from the perspective of Iora’s sister Wellmy. While Iora has been abused by her parents, barely fed, forced to live apart from the main house, and essentially tortured, Wellmy has had it good. The best dresses, the finest jewely. She even has fantastic grades… which also happen to have her forcing her sister to write her papers for her and sign Wellmy’s name. She is every inch the terrible stepsister we see in these books, and she even manages to get Iora married off to the horrible Marquis, rumored to hate women. It is therefore no surprise whatsoever that, six months from now, Wellmy arrives at a party only to have Aides, the Marquis in question, reveal all of her horrible deeds in front of everyone. Just as Wellmy planned.

This book does have its flaws. It’s horribly overbalanced towards the front, having its climactic and best scene (the slap) only 1/4 of the way through, with over half the book devoted to looking at the “other side” of what’s been going on. It’s also clearly written as a standalone, and it is hard to see how it has 7+ volumes in Japan now, which it does. That said, I loved this to bits. Not a surprise, everything in it was designed to be catnip to me. It’s not as dark as I expected, frankly – there is a lot of funny business here, especially when Wellmy discovers her inner submissive – but there is a core of despair that falls over the main events. Wellmy’s grand plan means that she’s never considered what to do with her life besides “die”. Iora is forced to watch from afar as her sister deliberately destroys herself. Even their mother, who is written off for most of the book as a scheming woman who loathes her adopted daughter, turns out to have a terrible backstory. There are definitely reasons why Wellmy had to go so far, though in the end she and Iora reap the rewards… even if Wellmy does so reluctantly.

All this plus casual verbal abuse of a crown prince. What’s not to love? For all fans of this genre, and I hope the author can figure out what comes next.

Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)!, Vol. 6

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By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

A lot of these “we’re in the world of a game” series tend to fall into two categories. Either the game just goes off the rails immediately but the main character doesn’t realize it and is determined to fight against a fate that no longer exists (e.g. Observation Records of My Fiancee), or the game has a malevolent mind of its own and is determined to make sure those pesky villainesses die and heroines save the day. This title is firmly in the second category, and while the bulk of most of the book is fairly light and maid-related, it does not let you forget it. The climax of this book does feature the “heroine”, Melody, but because she’s already derailed this game as far as possible, even she cannot save the day in the end. And it’s not going to be the tsundere duke’s daughter either, who comes a lot closer but falls short. No, in the end it’s past tragedies that will have to win out.

Despite the fact that you’d never imagine it with a culture like the one we have, it’s school festival time, and thanks to the dumbass Prince Christopher suggesting something anonymously assuming no one would go along with it, their class is doing a maid cafe. Since Cecilia is currently convalescing back home, Melody will of course not be participating (yet… the festival will be in the next book, and I have my suspicions), but she can advise folks on what works and doesn’t work when it comes to a practical maid uniform. Celedia would like to be getting closer to the capture targets, but alas all she’s doing is secretarial work related to the festival, and she thrown a hissy fit that goes wrong thanks to the evil lurking inside her. Unfortunately, said hissy fit is stopped by Christopher, and even though he and Anna-Marie have done their best to avoid having the plot impact them, it’s time for him to turn evil.

Christopher and Anna-Marie have been around since the start, usually complaining about the fact that they’re trying to stop the plot of the game but that it’s been stopped before it gets to them, but they’ve been relatively minor characters. Here they get more to do, though I’m sure they wish they didn’t. I feel bad for Christopher, who didn’t do anything wrong, really, but ended up almost destroying the world, because thanks to Celedia’s extra added evil Melody is NOT strong enough to head him like the game says. The final scenes are really dark and horrific, both because Christopher is slowly being mind-controlled and also because we get a flashback showing Maika’s reaction to her brother and his “childhood friend’s” death, and how deeply that affected her. It’s pretty heartbreaking, and Christopher and Anna-Marie are appropriately heartbroken. It also allows the Maika that’s HERE to accidentally save the day, though she’s unaware of it. I really enjoy the way this series interweaves everyone’s past lives into the mix.

As I noted earlier, we get all the buildup to the festival but not the festival itself. And by the time the next book comes out, the anime will have aired. We’ll see how that goes. Sometimes it helps, sometimes you’re Private Tutor to the Duke’s Daughter. But the books are good.