Loner Life in Another World, Vol. 15

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer. Adapted by Rei Geronimo.

There’s a bit right at the end of this book where all the nobles ask Haruka why he’s not all that worried about the Empire invading, even though they clearly are saying they’re going to do so. And Haruka utters a stream of gobbledegook, as he always does. But when translated by Book Club President, it amounts to: they don’t want to invade, they want all their enemies to collapse from within and then waltz in as saviors. It makes a lot of sense, though Haruka is also well aware that there’s a time limit on this, and I suspect in the next book we may finally leave Omui to go somewhere else again. Because this is the third book in a row where the plot is basically Dungeon, Inn, Dungeon, Inn, over and over for nearly 500 pages. The dungeon stuff is mostly filled with Haruka’s monologues about how he’s trying to improve, why no one will let him do so, and the occasional sensible observation. As for the inn, well…

On the cover is Haruka’s new servitude victim, an archdemon that Haruka decides to name Morning Star Archdemon, after the weapon he gives her. That said, relax – not only does she look like an underage gothic lolita on the cover, but Haruka thinks she is as well. So she’s going in with the demon scythes and the chickenatrice, in that she’ll be seen fighting but will not be part of the ongoing bedroom adventures. Which is good, as those are taking up more and more of the book. The book is still somehow rated OT rather than Mature, probably as Seven Seas knows that this series is not exactly picking up any new readers. That said, I used to say that the sex was there but ignorable because Haruka’s narration mostly made it incoherent. That is mostly true, but we also now get narration from the girls, which is a lot less incoherent. Honestly, I’m impressed the author has almost made this all plot relevant – the Dungeon Masters clearly want the other girls to get with Haruka as well, but know that, as they are and as he is, he would simply break them. So there’s training instead. Which involves either a lot of “stamina training” and also consumption of some “miracle medicine”. Class Rep seems to be doing better than the others, mostly as she’s their sacrifice half the time. Anyway.

In non-sexy and dungeon-related stuff… there is a bit of it… we see Haruka trying to open a portal back to Japan so that he can send the girls back home. (He’s given up on the guys, who are either married now or avoiding getting married.) He’s thinking of their families back home, and also worries that if he lets it go too long they’ll be too inhuman to ever really return. I have news for Haruka, that’s long since already happened, even if it’s only been four months since the start of the series. The girls all know this too – they’ve explicitly told him they’ve come to terms with the isekai and are staying, but he is, of course, ignoring them, mostly as he still feels responsible for everything. The Dungeon Emperors don’t only do “sex training” with the girls, they also do dungeon training, and they’re the biggest hardasses out there. Mostly as they know the girls have the same issue they do – if Haruka gets strong enough that they can’t be at his side anymore, their hearts will completely shatter. Meanwhile, Haruka thinks the ideal solution is to not have anyone he cares about at his side. You can see why this isn’t getting anywhere.

So yeah, we read another 500 pages of wheel-spinning, as the author admits in the afterword. Will things happen in Book 16? We can but pray.

Unsung Epics of the Hero’s Journey, Vol. 2

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By Hachigatsumori and Nat. Released in Japan as “Yuusha no Tabi no Uragawa de” by Dre Novels. Released in North America by J-Novel Club. Translated by MPT.

In my last review I mentioned that the hero’s party itself barely featured in the book. That changes with this second book, and we get to see what kind of hero’s party they are. And, frankly, it’s very much towards the idealistic end of the spectrum. No one is getting banished from the party with these guys – in fact, we literally see that near the end. The hero is the sort of girl you want to be the hero who saves the world, and she’s got strength and stamina out the wazoo. Sadly, no one really trained her, so she lacks any real experience – which is probably why Rhuys’ prophesies keep showing her dying horribly before she can complete her destiny. Technically Ariagnée, who is demi-human herself, should not really be training the hero on how to kill folks like her should the time come. But alas, the bad guys reckoned without one important fact that this book emphasizes as much as the last: Ariagnée is gay as hell, and will do anything for a cute girl.

Acting on a new vision that says that the hero is going to be ambushed by assassins, Rhuys and Ariagnée try to quickly get ahead of the party to take care of things… and end up running right into them, as noted above. Ariagnée helps Lina (the hero), who is quick to learn but also a bit of a meathead when it comes to combat. Rhuys has an awkward meetup with Agnes, the party’s cleric, who is the protoge of the woman who tried to have Rhuys killed in the first book. There’s also Sierra, a typical “not the hero but very similar” warrior, and a mage who is the only guy in the group. After ditching the party, and having a quick detour at a lake (more on that later), they end up being attacked by assassins… no, not the assassins who are ambushing the hero, another, slightly less good group of assassins. Because it turns out that the hero being chosen by magic fiat upsets folks who dreamed of THEIR hero being chosen.

That detour I mentioned is basically a maguffin that allows our two heroines to come to terms with their past. They meet a guy who is trying to find an artifact that lets you talk to the dead… which gets pretty dark when you hear why she died. But then Ariagnée uses it to talk with her mother, who is rather blasé about being dead, and encourages her. Rhuys has to rely on a DIFFERENT maguffin, but also gets a bit of closure that hopefully makes her a lot less death seeking than the first book, in that it turns out only half her family didn’t care about her at all. This may be an adventure series with yuri subtext, but the world they’re in is dark, and there’s a lot of corpses stacking up, particularly towards the end. Rhuys may keep seeing vision of the hero dying, but when merchant Utile (who, by the way, looks EXACTLY like Richeh from Witch Hat Atelier) asks Rhuys to make sure Ariagnée stays safe, we nod along. Please protect Ariagnée from the narrative.

There’s no third volume of this yet, but Drecom tends to wrap series up fast rather than cancelling them unfinished, so I’m sure one will pop up. If you like subverting the hero’s journey, or just a lot of gay women (there’s at least three, and I’m prepared to go up to seven if I have to) this is a good read.

The Villainess Speaks Not: The Black Pawn and The Summoned Heteromorphs

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By Kei Yose and Ruria Miyuki. Released in Japan as “Akuyaku Reijou wa Shaberimasen” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Adam.

These are chunky books, with each volume being around twice the size of your average light novel. As a result, I deeply appreciate that the book starts with a “story so far” catching me up on what happened in Book One, because after that the reader is not really given any more help. There are lots of characters in this, and you need to remember who they are and which faction they’re with. More characters are introduced. Some characters we thought would be major players in this book end up being taken off the board instead. Liliana has changed a lot about the way that the “plot” of this world is supposed to go, but it feels like fate wants to railroad her anyway. Things are definitely not helped by her attempts to distance herself from the love interests, which not only fails, but actually gets worse. Basically, she’s so good at everything that she may accidentally end up as dead as the narrative wants.

Liliana can actually speak now, though she hides that from most people. And she’s much calmer and better at powerful magic, meaning she has an alive handmaiden rather than the dead handmaiden she had in the narrative. Despite this, the world keeps moving on, and she keeps trying to figure out how to fix things so she escapes her fate. Maybe it can be by understanding the complicated politics of the various countries that deal with them – especially the Empire, who seem to be actively sabotaging them. Maybe she can save the entire country when a massive monster swarm attacks the royal capital on the Prince’s birthday party. Maybe she can make an ally, and indeed hire, the assassin who’s been trying to kill her and her allies. And maybe she can get Riley to choose someone else to be his fiancee, though honestly, that’s the hardest goal. After all, he’s mostly figured out what she’s hiding.

This book has a problem a lot of light novels taken from webnovels do, which is that the big climax of the book happens a little over halfway through it, and the ending is sort of a quiet “to be continued”. I suppose it’s better than a nasty cliffhanger, but after 389 pages it can feel anticlimactic. That said, we did have lots of climaxes in the pages beforehand. The addition of Obsidian to the cast is fantastic, as every heroine needs someone who will snark at her and also try to kill her just so she can prove she’s still better than him. I also liked the subplot around Austin, who ends up going out on the monster hunt even though he’s too inexperienced. He survives, but clearly needs therapy, and I appreciate this is recognized and forced onto him. As for Liliana, I think she may need to admit soon that she and Riley are in fact a perfect couple. Then again, she still isn’t even ten years old yet.

If you like your villainess stories to be more like black coffee than sweet tea, this is right yup your street.