Spy Classroom: The High Plain of Sara

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

After the events of the last volume, which were dark but not as dark as the rest of the series, we’re back into pitch black with this volume, which does just about everything except kill one of the main cast off – and even that’s left up in the air at the end. It turns out, amazingly, that being a spy continues to be very hard! And that one of the few things harder than that is starting a revolution. Honestly, this particular book feels very relevant to our times right now in a way that I will try not to go into great detail about. Things aren’t helped by the fact that we’re down a good two-thirds of our regular cast. The team split up to do their big job at the end of the 9th volume, and it’s now over a year later, and they’re still split. Which is good news if you’re a fan of Sara, of course, as well as Erna and Annette, but fans of other girls will have to be patient.

The book consists of one main plotline interrupted by a subplot that happened before the start of it. The main plotline continues the adventures of Erna and Annette that we saw at the end of Volume 9, as they try to incite a revolution among the people, infiltrating an underground organization, investigating a very suspicious mine explosion, and trying their best to avoid getting noticed by Nike, who is the country’s top spy, and would absolutely destroy them. Oh yes, and Erna also has the added problem of Annette, who has basically resolved that she’s just going to get more and more evil as time goes on, and eventually will not be able to be held back. The subplot involved Sara, who objects to Klaus’ plan – not splitting everyone up, but pairing Erna and Annette, which she regards as a bad balance. Klaus takes the opportunity to show Sara how far ideals go in the spy world.

This is technically Sara’s book, despite the fact that the bulk of it is pretty much Erna’s show. I feel very bad for Erna, who after weaponizing her woobiefication finds that being a woobie is something that can happen whether she wants it to or not. By the end of this book she’s a wreck, but I’m sure she’ll get more opportunities for cool things later. Sara, probably not so much. Now, I am not so naive as to think that the author is going to kill off one of its more popular characters. I do, however, think Sara will probably sit the rest of this arc out. Which is fine, as this was a really killer performance by her. The theme of “you are a very competent spy but still about 5000 times less competent than everyone else” is a hard lesson to take in when you are trying to ensure everyone survives and lives happily every after, and it’s very Sara that she accepts the lesson and then decides to be an idealist to the end anyway. It’s no wonder that “big sis” Sybilla says about Sara, “She’s such a mom.”

By now you know what I’m going to say: next is a short story collection? Yup. Still, good start to this arc, which reminds you how difficult it can be to make folks understand who are the right people to hate.

To the Monster I Love, Vol. 1

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By ryunosuke and Gesoking. Released in Japan as “Bakemono no Kimi ni Tsugu” by Dengeki Bunko. Released in North America by Yen On. Translated by Laura Sitzer.

I was on the fence about picking this series up, as let’s face it, I read way too many light novels, and the first I heard about it was hearing complaints about the way the title is translated. (My Japanese is not good enough to go into what it should or shouldn’t be, but the title as chosen certainly can fit the book.) As it turns out, I enjoyed this a great deal. It may be a tad grimmer than I expected, with a high body count overall, but none of those deaths are in the main cast. Instead, the main cast are defined by basically being really sweet – almost ridiculously so at times. The series is about solving crimes, but at the end of the day it’s also about a man who is in love with four women, and they love him, and while the women may not be happy with each other, they’re very happy with what they have now. Also, unlike a lot of “contest winners”, this feels like the start of a series.

We open on an interrogation, as a frankly far too manic researcher has a young man tied to a chair, and wants to ask him questions about his actions of the last month. As it turns out, Norman, the tied-up young man, acts as a detective/detective’s assistant/minder/lover to four different girls, all of whom are designated Unlaw by this city – Unlaw meaning essentially they have magical powers. We hear about how he and Shizuku, a stoic musician, solve a gruesome society murder. About how he and Eltiel, a huge and loyal blonde woman, investigate a depressing string of murders in the slums. About how he and Lonsday, a brilliant but easily bored detective, look into a “phantom thief” stealing from a museum. And about how he and Clareth, a schoolgirl, are lured into a trap involving a train car full of corpses. Is Normal really just a protagonist in a light novel? Or is it something more sinister?

I had expected Normal to be the weak link, as frankly he’s mostly a blank space that the women project themselves on to. But as we find out, that’s on purpose, and I appreciated the fact that his love for the four girls wasn’t to keep them in line, or because that’s the best way to use them, but because he really does love them all as humans, not Unlaw. The girls are, let’s face it, all types set to appeal to a light novel reader in general and a Dengeki Bunko competition judge in particular. Eltiel in particular hits about 5 or 6 buttons alone with her backstory, powers, and appearance. (She’s also the nicest of the four, although that’s by design given the type of “monster” she is.) The final scene also has a really good battle between not-so-blank Norman and the villain, and shows that deep down, the man is a sweetie pie. Though admittedly a sweetie pie who will not hesitate to kill a lot of folks to protect his loved ones.

In the end, they’re all rewarded with a detective agency, which means that the girls may have to – shock, horror – interact more in Book Two. If you like supernatural mystery books, and don’t mind that it feels like a book written to be an anime rather than a light novel, this is quite well done.

Notorious No More: The Villainess Enjoys Feigning Incompetence, Vol. 3

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By Hanako Arashi and Wan Hachipisu. Released in Japan as “Kitai no Akujo, Sandome no Jinsei de “Musai Munou” wo Tanoshimu” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by Mac B. Gill.

So this volume, at long last, gives us a good long look about what happened in the past, even if actual flashbacks to the death of Beljeanne, while there, don’t give the entire story either. One thing that has come up from those who know the real story is why, after Beljeanne’s death, the ones who benefited the most from it and ended up stronger than ever are the ones who hated her the most. Basically, Beljeanne’s plan did not differentiate between her allies and enemies. Towards the end of this book, while talking with one of the antagonists, Laviange makes it perfectly clear: Beljeanne grew up not knowing love, and so why did everyone expect that she would feel it towards other people? I called Laviange a sociopath and got some disagreement, though I think if I say “comedic sociopath” it would be accurate. Beljeanne, though, is the real deal.

Laviange is hanging out in some of the damaged lands that her class is trying to come up with ways to heal, with her sacred beast/puppy by her side. She is then interrupted by two new people: a priest who is trying to essentially get her on the side of the church at the behest of the pope, and a noble who she vaguely recognizes as Mirandalinda, Heinz’s ex-fiancee who desperately wants to get back together with him despite that now being pretty impossible. More importantly, though, Mirandalinda is also interested in looking at the pretty boys around her and imagining them in BL situations, so Laviange takes a shine to her right away, though Mirandalinda’s crippling shyness may not be helping. That said, it turns out that the reason the pope wants Laviange to come to the church is for a different reason. Something a bit more… evil.

I talked before about Laviange’s current life and her past life, but of course there was another life in between those, the one she lived in Japan, where she married, had kinds and grandkids, and died at a ripe old age. It’s very important, because while what little we’ve heard of her Japanese life suggests that she was eccentric, it also shows her capable of love and caring, something Laviange accepts as she thinks back upon that life… but something that she’s struggling with now that she’s back in her original world. This book is, in many ways, a broad comedy about a young woman who has no desire to deal with serious matters seriously – honestly, the book is really freaking weird in ways I can’t begin to describe – but at its core it’s about those who remember the broken woman she used to be and trying to get her to grow and change and learn to open her heart. And if I’m being honest, they’re still struggling.

Now that we have a major subplot, if not dealt with, at least expounded on, what’s next for Laviange? Whatever it is, she will likely be very silly at it.