The Tanaka Family Reincarnates, Vol. 7

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By Choko and kaworu. Released in Japan as “Tanaka-ke, Tensei Suru” by Dragon Novels. Released in North America by J-Novel Club. Translated by Sasha Schiller.

As this series has gone on, the circle of ‘this person is completely bonkers’ gets larger and larger. At first, at the start of Book 1, it was just Emma. Then it enclosed her brothers, her father, and eventually even her mother. Then it took in their immediate family and close friends in their territory. Then they went to the capital and we saw that the King was a bit bananas himself, as well as Emma’s friends, who are all more normal than Emma, but that’s by a matter of degree. And now we get this book, where an invading army, with the help of some monsters that allow people’s fears to get out of hand, see everyone in Emma’s country as perverts who are being led by Emma, who they deem a “debutart”, which I assume has an equally awkward Japanese equivalent, but basically they spot her leering at the old men. What this ends up meaning is that, as expected, the invasion dies on its ass, mostly as everyone is now convinced Emma has broken everything. Just as planned?

We pick up where we left off, with our main party facing off against a passel of Rainbow Raccoons, who basically hit up against people’s fears. Unfortunately, while they kill most of them, one gets away and teams up with another monster sent in by the invading Empire, a fire fox, which basically burns people with flames that are all in their heads but convinces their brains that it’s reality… forever. This proves to be a much harder monster to take out, requiring both more references to obscure Japanese foodie culture and also Emma having to pretend that she’s the Saint so that everyone’s beliefs can turn her healing into reality. Unfortunately, as everyone worships Emma already, apart from her family, this doesn’t go quite the way she wants.

This book has a few bits that did not quite work for me. The climax to the battle really probably is much funnier if you recognize whatever brand of instant noodles the monsters are meant to be, and while I got that’s what they were going for, it was a lost in translation climax for me. The backstory for Juana was overly convoluted for me, and I kinda wanted it to get into more of a trans narrative than it was prepared to get into – which is to say it mostly ignored that part. That said, there was also the usual pile of fun. The climax of the book, with Emma discovering how to get all the cotton they need, is absolutely wonderful, and very Emma – for once you can see just why Joshua is infatuated with her. There’s also a strong anti-war message in this book, as all the Tanakas are dedicated to not only stopping the invasion but making it as hard as possible to ever think of war breaking out again. This is a humans vs. monsters world, they want to keep it that way.

So good stuff, and next time we’ll start a new arc. For those who like very silly books.

Looks Like a Job for a Maid! The Tales of a Dismissed Supermaid, Vol. 3

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By Yasuaki Mikami and Kinta. Released in Japan as “Maid nara Touzen desu. Nureginu wo Kiserareta Bannou Maid-san wa Tabi ni Deru Koto ni Shimashita” by Earth Star Novel. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

I’m enjoying this series more and more with each volume. It’s interesting to contrast this with Heroine? Saint? No, I’m an All-Works Maid!, which Seven Seas is putting out and whose anime is currently airing. Melody is a maid otaku with literal OP magic powers, so her maid tasks are impossible in many different ways. For Melody, what drives her to a near nervous breakdown is spending a long period *not* being able to be a maid. Nina is in a world with magic, but is merely an incredibly accomplished maid, due to her ludicrous training. If anything, being thought of as a maid who can do anything makes things much worse for her in this book. And she also has PTSD, in this case from the sheer identity crisis of the fact that she doesn’t know how to be anything but a maid. She has no sense of self. Melody DOES have a sense of self, it’s just that self is Maid.

Nina and her friends are headed to the capital, where the Council of the Sages is about to begin. Taking place every 10-20 years, this brings together five of the movers and shakers of this world to solve major problems. The trouble is, none of them get along, and usually the council breaks off after a couple of days as one storms out. Tuyledo, the leader of the council, who is the elf that loved Nina’s tea and general maidetry in the first book, has asked her to essentially be there as a maid, thinking that she will magically see the issues around the council and solve them. Which, to be fair, she does to an extent, usually with help from the others. An ancient sage wants female companionship, but not just any woman. A vampire woman has dietary issues that make the food unappealing. The pope is overeating sweets and can’t stay awake. And the magic master is just kinda weird and rude. As for Nina? She has anxiety.

I really appreciated that not every problem can be solved here, and that the main one (how to get people to travel through a dangerous desert) is solved not by Nina but by the geniuses Nina now travels with. The pope’s subplot, in particular, fizzles out, and I think that’s on purpose – he can’t really have the experience or talent that the other four do, and likely never will, so the solution is just to be less annoying and eat more healthy. Nina’s issues are not resolved either, at least in terms of her psyche, but she is at least allowed to leave the capital and travel again with her party, and it’s implied the next book will give us even more information on her drill sergeant maid teacher, who we meet near the end of this book. This is a light novel, but it has a foot in reality. Poverty is still a problem with no good solutions. Nobles can do bad things and not care. And maids can’t magically solve everything by being really good at being a maid.

Unless they’re Melody, but that’s a review for a different series. This is an underrated gem. Also, thinking more and more that most of these girls are gay.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 21

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

How much you like this volume probably depends on how much you like escalating shonen magic battles. About half of this book consists of a magic battle between Asmodeus and Phenex on one side, and Marchosias… erm (checks names), Glasya–Labolas, and Eligor on the other. This is entirely variations on “I will simply use the magic that always kills everything!” “Well, I’ve countered with the magic that ensures I never get killed!” over and over, with attempts to be ironic given that the battle has one combatant who can foresee their own death and another who has been desperately trying to die since before this world began. If you like this, you’re golden. If not, there is at least the rest of the book, where everyone watches videos of the long-lost tragic backstory of half the cast. I am begging the author to get back to cute romantic shenanigans. And so is Zagan.

Aside from Asmodeus’ glorious last stand against Marchosias, what else do we have here? Zagan’s still dead, but his soul at least shows up, and gets to see the story of Solomon, his grandfather, and Azazel, the seraph. Which should be very familiar to him, as they are basically him and Nephy, except unlike him and Nephy they do actually have sex. Alshiera and Marchosias are also there, as well as Azrael, who reminds me a lot of Chastille (well, competent Chastille… actually, it’s been a few volumes since crybaby Chastille, too. Oh, for the Archdemon’s Dilemmas of yesteryear…). Meanwhile, Alshiera and Asura are also watching memory videos of how everything went so badly. In the present, they’re all trying to rescue Kuroka, and Barbatos is trying to rescue Vepar… well, once he remembers to actually do it. Everyone’s fighting everyone else, in other words.

Death has always been fairly fluid in this series, with some folks genuinely being dead but a lot of the folks on the good guy’s side (though Zagan will, of course, insist archdemons are not good people) have been almost dying but not quite, or getting brought back from death. Here that’s directly addressed, as while Asmodeus would dearly love to bring back her departed loved ones from the dead, she knows that you cannot go back, only forward. Marchosias, meanwhile, presumably gestures at the previous volumes of this book as a response. Again, this isn’t badly written, though once again I wish it came with a bigger cast list than the small one it has at the back. It’s just this is not really why I started reading Archdemon’s Dilemma in the first place, and I desperately want everything to resolve soon so he and Nephy can moon over each other again. Unfortunately, it appears when this battle ends, the series may as well.

If you’ve been reading this series, there’s nothing here to make you stop. But man, please get out of Weekly Shonen Jump, Zagan.