A Tale of the Secret Saint ZERO, Vol. 5

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Sarah Burch. Adapted by Melanie Kardas.

Well, here we are back in the past again, with six-year-old Serafina. We’re still quite a few years away from her death, but the series has been teasing that it’s going to get dark, and this book continues that trend… though in an odd way. We open with an ominous scene of a demon waking and finding someone who smells “quite delicious”. No prizes for guessing who that is… and then we have the entire rest of the book, with the demon’s actual meeting with Serafina coming right at the end, in order to provide the cliffhanger ending. In between that… well, in between that is a typical Secret Saint ZERO volume. Serafina is cute and ludicrously powerful. The knights are all weirdos. Sirius is deeply in love with a six-year-old girl but in a pure, non-sexual way. The same old “this is good but Japan, why you gotta do this?” sort of stuff.

A meteor has fallen, and thus everyone is predicting terrible things. Serafina wonders why portents always have to be bad, and wishes we’d have dire portents of cake and meat raising from the sky. (The portents, unfortunately, are correct in this case – but not immediately). She then finds out that the knights have opened a “knight cafe” for the month… which is basically a butler cafe, with the hunky knights catering to young women. And at night it becomes a knight bar, which is basically the same only sexier, as they open up a swimming pool and the knights dive into it for fruit and other ingredients. Serafina wants to see them… so Sirius comes along. In disguise. That’ll go well. Elsewhere, she goes to a show and accidentally gets proposed to, she plays a game of straw millionaire which reminds us she has no concept of what is normal, and Ludo rescues a child who I’m sure will be more relevant in the next volume, as they sure aren’t here.

There’s an interesting bit near the end of the book, where Serafina meets the spirit of wind, who has come to see her after he found out she speaks spirit languages. This leads to a bit of conflict with Seven, who we’ve always seen as a cute, child-like spirit… and it’s now very clear that Seven is staying that way deliberately, and does not want to grow up. Serafina brushes off Seven’s worries, saying she only wants to be contracted with him no matter his apparent age, but to the reader, choosing not to grow up makes me immediately think of Peter Pan. It’s not really a good thing. It also reminds me that, unlike the main series, this spinoff has, theoretically, a shorter shelf life. How many cute mini-stories can the author wring out before they’re forced to have Serafina grow to her teenage years and face her cruel destiny?

As ever, for fans of the series, but it does remind me, kind of like Kuma Bear does, what a juggling act it can be balancing “adorable children” and “this world is kinda dark”.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 12

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By Hisaya Amagishi and Hachi Komada. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

It has not escaped my attention that the Lucia and the Loom spinoff series to Dahlia in Bloom has not had a volume out in Japan for the last three years. I was reminded of it with the plot for this book, 2/3 of which revolved around Jonas, Guido’s attendant and one of the many suitors in the Lucia partner sweepstakes. You’d assume that, with a much larger role for Lucia than actually happens here, this should be something happening in that series. And yet, here we are, Lucia is back to being a minor character, and every man in the series is though to be in love with Dahlia or actually *is* in love with Dahlia. Sorry, Lucia. Still, good news for Dahlia, who gets something to do other than work at her company and have delicious food and drink with Volf, her platonic bestie. Unfortunately, some of the things that happen in this book end up being things Dahlia really doesn’t WANT to experience. At least not again.

Dahlia and Jonas are still not QUITE barons yet, as they need to visit the Castle first. Dahlia has fewer issues, as she merely has to deal with stress about the visit and her own dreadful self-confidence (she’s back to calling herself plain and dull again, and I dearly want to slam her head into a heated table till it fills with confidence). Jonas has far more problems. He wants to remain Guido’s attendant and bodyguard, but Guido’s family is also getting elevated, so guess what? Class issues are happening again. What’s more, he needs to be adopted by a noble family for this to work, and for some strange reason, no one seems to want to do it. And then there’s the matter of his actual mother, who is back in Israna, and his stepfather, who is here, who really want to mend fences that Jonas is still very reluctant to mend.

Aside from the usual frustrating “just bang already!” romantic antics, the highlight of this book is undoubtedly Jonas’ stepfather, Yusef having a stroke, and Dahlia recognizing the signs because of what happened to her father. It’s wonderful that because of her quick thinking she’s able to help save Yusef’s life, but it does end up stirring up a whole host of grief-stricken memories. As you may recall, the “extra story” that’s been at the end of each volume reached an end last time with Dahlia’s father’s death (it turns out that tragic backstory is still on the menu, fear not, we merely get Volf’s mother before HER death), and she’s still trying to come to terms with it. This is another reason why, much as they understand his reasons for not wanting to, everyone wants Jonas to reconcile with Yusef. Fortunately, it’s not all downers: watching Dahlia and company twist themselves into pretzels to try to avoid taking huge rewards for things and feeling that it’s overkill takes on even more hilarious proportions.

The next volume is also not getting near Dahlia finally getting her barony, so instead we’ll see more monsters, more Volf and Dahlia drinking, and meeting more really powerful women. Till then… again, Lucia, hang in there.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 8

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

So yeah, I get to deliver a big apology here. I was fuming at the end of the 7th book in the series, which I saw as throwing away most of the good character development that we’d seen at the start of the volume as if someone accidentally set Fermina’s switch to ‘good’ and now it was back to ‘evil. As it turns out, the author was doing this deliberately, and it played into the start of THIS book, which shows us what happened between all that character development and the big brutal ending. Which is a whole heaping helping of gaslighting from “Father Norris”, who is of course Cardinal Nigel. Essentially, after hanging out with the most evil character in the series and being fed lies, of course Fermina is going to snap. Fortunately, this is still a cut above most other villainess books with “bad heroines”, and we get a nice subplot where she realizes that, in fact, being played for a sucker is not something she wants to experience the rest of her life.

As noted above, the prologue shows Nigel twisting the truth into a pretzel about the very real issues with refugees. This leads to the start of the book proper, where Claudia is being taken by Nigel to an Inquisition, where she will quietly be burned to death. Fortunately for all concerned, Claudia has friends in low places, so manages to get rescued and have Nigel put under house arrest for re-entering the country. Unfortunately, this does not solve her being accused of witchery, so she heads to a port to lay low for a bit… and ends up running into a drug-fuelled conspiracy that’s supposed to manufacture more evidence that she’s evil. Can she fix things and also help the adorable children of the town who are just worried why their daddies aren’t coming home? Meanwhile, Sylvester has started to have nightly dinners with Fermina. Which are only partly about manipulating information from her.

So now that I know what was going on, I can once again really love Fermina’s plotline, which only lacks a reunion with her little red-haired girl from the previous book. Sylvester is very patient with her, but frankly, he doesn’t have to do much at all, because it turns out when she’s free of both Claudia *and* “Father Norris”, she’s actually pretty good about thinking things through and realizing how much everyone around her is trying to use her for their own purposes… even when it’s not “evil purposes”. I have also never been so happy that someone keeps a diary. I did appreciate the end when she and Claudia are reunited, as it’s very clear Fermina still is not remotely near being friendly with her, despite literally coming to her defense at her Inquisition. Some things are personal. As for Claudia, she’s reunited with Sylvester (though Helen gets all the affection… damn, why isn’t this yuri?), and they’re both determined to be married ASAP. I also really enjoyed her confession to Sylvester, which, contrary to her assumptions, mostly made him go “ah, so that’s why”.

The next book… does not have a wedding outfit, so don’t expect it to happen there. Still, it feels like we’re nearing an ending. Recommended to all villainess fans.