An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 21

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

How much you like this volume probably depends on how much you like escalating shonen magic battles. About half of this book consists of a magic battle between Asmodeus and Phenex on one side, and Marchosias… erm (checks names), Glasya–Labolas, and Eligor on the other. This is entirely variations on “I will simply use the magic that always kills everything!” “Well, I’ve countered with the magic that ensures I never get killed!” over and over, with attempts to be ironic given that the battle has one combatant who can foresee their own death and another who has been desperately trying to die since before this world began. If you like this, you’re golden. If not, there is at least the rest of the book, where everyone watches videos of the long-lost tragic backstory of half the cast. I am begging the author to get back to cute romantic shenanigans. And so is Zagan.

Aside from Asmodeus’ glorious last stand against Marchosias, what else do we have here? Zagan’s still dead, but his soul at least shows up, and gets to see the story of Solomon, his grandfather, and Azazel, the seraph. Which should be very familiar to him, as they are basically him and Nephy, except unlike him and Nephy they do actually have sex. Alshiera and Marchosias are also there, as well as Azrael, who reminds me a lot of Chastille (well, competent Chastille… actually, it’s been a few volumes since crybaby Chastille, too. Oh, for the Archdemon’s Dilemmas of yesteryear…). Meanwhile, Alshiera and Asura are also watching memory videos of how everything went so badly. In the present, they’re all trying to rescue Kuroka, and Barbatos is trying to rescue Vepar… well, once he remembers to actually do it. Everyone’s fighting everyone else, in other words.

Death has always been fairly fluid in this series, with some folks genuinely being dead but a lot of the folks on the good guy’s side (though Zagan will, of course, insist archdemons are not good people) have been almost dying but not quite, or getting brought back from death. Here that’s directly addressed, as while Asmodeus would dearly love to bring back her departed loved ones from the dead, she knows that you cannot go back, only forward. Marchosias, meanwhile, presumably gestures at the previous volumes of this book as a response. Again, this isn’t badly written, though once again I wish it came with a bigger cast list than the small one it has at the back. It’s just this is not really why I started reading Archdemon’s Dilemma in the first place, and I desperately want everything to resolve soon so he and Nephy can moon over each other again. Unfortunately, it appears when this battle ends, the series may as well.

If you’ve been reading this series, there’s nothing here to make you stop. But man, please get out of Weekly Shonen Jump, Zagan.

Love & Magic Academy: Who Cares about the Heroine and Villainess? I Want to Be the Strongest in this Otome Game World, Vol. 3

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By Toyozo Okamura and Parum. Released in Japan as “Renai Mahou Gakuin: Heroine mo Akuyaku Reijou mo Kankeinai. Ore wa Otome Game Sekai de Saikyou wo Mezasu” by GC Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I appreciate how the dungeon diving is so irrelevant to this series that by now we just never see it. Arius, in his spare time, goes into the dungeon constantly, but to the reader it’s simply “I went to the dungeon and leveled up 50 more times, then I came back.” This series does not actually care about the fighting all that much. You can definitely see this is the case in how it resolves the battle between Arius and the hero, which I won’t spoil, but wow, I was not expecting that resolution. I was, however, completely expecting another girl to throw on to the Arius harem pile, and she fits in perfectly. Not that this matters to Arius, who tells every woman in his life he has no interest in dating. Unless it’s dating a dungeon. He is here to get stronger, which means battle battle battle forever.

After the events of the second book, which was over seven months ago so I had forgotten what they were, Arius has ended up in the middle of the demon’s country talking with the Demon King Alanis, who is, amazingly, someone that he cannot in fact easily defeat – or defeat at all. Nevertheless, he almost gets in a few shots, so she intrigues him. He admits the issue is the hero, and says he’s going to do something about it. Meanwhile, back at the academy, Eric’s sister, Princess Ellyse, has shown up. This is a bit of a surprise, as she’s engaged to marry Crown Prince Dominic in the neighboring country. Unfortunately, Dominic is a louse and a rapist, so she’s escaped for the moment. Eric and Arius convince her that she should screw the politics and have them destroy that guy, and she eventually decides to agree once she realizes she’s fallen deeply in love with Arius – like the rest of the female cast except for Sasha. You go, Sasha, stay with your man.

For the most part, Arius remains exactly what he’s been in the first two books – a blank wall of a man whose lack of a personality allows everyone to read good intentions into him. The trouble is that, by being around all his friends and wannabe lovers, that is starting to actually be the case. He resolves the hero conflict the way he does because it’s what leads to the least casualties, and he wants Ellyse to choose what she wants as a person, not as a princess or as a lover. He’s gradually actually becoming a nice guy, though he’ll insist otherwise. Certainly he’s nicer than Eric, who now seems to be engaged to Princess “I Swear I’m Not the Evil Boss”, though at least he allows Sophia to be treated as well as he possibly can – so that she can pursue Arius as well, of course. I am fairly positive that the winning girl in a series like this will be “none of them”, but hope springs eternal, I guess.

There’s lots more webnovel to go, but in terms of the GC Novels version we’re caught up with Japan. This remains a decent “stoic guy and his harem” series.

The Tiny Witch from the Deep Woods, Vol. 4

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By Yanagi and Yoh Hihara. Released in Japan as “Mori no Hashikko no Chibi Majo-san” by TO Books. Released in North America by J-Novel Club. Translated by Nathan Macklem.

There’s definitely a shift between the first three books and this one. It’s almost as if the writer was told by their editor that the series is reasonably successful, so go ahead and plot something that will pay off further down the road. Which they definitely do, as this book enjoys setting up things that don’t really pay off in this particular volume. Misha accidentally gets involved in a throne war. Misha meets her uncle’s researcher friend and his very hot not-quite-wife. Misha goes mountain climbing, is drawn off a cliff, and becomes an agent of the spirits. The usual things. The People of the Forest are already by definition very special folks (and they’re still basically elves without the long ears), but Misha is more important even than that, she’s a light novel protagonist. She’s even got the very special set of modern surgical tools in a box, which I’m sure will become relevant once she works out what they are.

Misha is being taken by her Uncle Ryne back to the People of the Forest, where she will spend several years growing up, learning amazing medical things, and not interacting with the outside world in any way. …yeah, you and I both know that’s probably not happening. She promptly gets mugged by a ragged bandit… who’s actually a desperate knight, and finds that he’s leading the remains of a country’s royal family to safety, despite the horrible dangers of scurvy. (Another light novel where folks have to be taught about scurvy, take a shot.) They then go to a hot springs town where they meet Ryne’s friend Ganz, and Misha bonds with a sexy but scarred ex-prostitute whose life was saved the last time Ryne was in town. As it turns out, a terrible carriage accident will allow Misha to assist in saving a different life this time around. Finally, she and Ryne go mountain climbing, and she has to deal with a very ominous fog, a very ominous cave, and a very ominous box.

The amusing part of this book is seeing Misha, an innocent kid who wears her heart on her sleeve and wants to help everyone, contrasted with her uncle, a cynical, world-weary sort who talks to her constantly about not giving away secrets, trying to stay unnoticed, and picking your battles… who nevertheless also ends up saving everyone he comes across, and it’s very clear that most of what separates Misha from her elders is just experience. Which she certainly gets here, I liked some of the medical details we get in this book, such as the operating theatre with the slightly sloping floor. But again, a lot of this book feels like setup to a future payoff. We see Misha helping to rescue and repatriate a prince and princess and their entourage, setting them up at her old cottage she grew up in with her mother, and… TBC, I guess. Which isn’t too big a problem, as this series remains lovely to read, but after the last book it feels a bit less taut.

The book ends with the two of them getting on a boat that will take them to their destination. Again, doubting it will, but we shall see. Good kinda-slow-to-medium life series.