Goodbye, Horrible Fiancé, Hello, Fun Magic School Life!, Vol. 1

Leave a reply

By Mashimesa Emoto and Nitou Akane. Released in Japan as “Konyakusha wo Sutetara, Tanoshii Mahou Gakkou no Seikatsu ga Matteimashita” by GC Novels. Released in North America by Cross Infinite World. Translated by piyo.

Now that we have a glut in the market when it comes to broken engagement light novels, it can be hard to really sell one to readers as a reviewer. I enjoyed this book, it has a likeable lead, some fun scenes, good support. It does not really, however, have that one thing that makes it stand out of the pack from other books with this exact premise. There’s no quirk, no eccentricity that made the publisher go “wow!”. The publisher put this out as the author has a proven track record (Expedition Cooking with the Enoch Knights, also released by CIW) and this was a title the author really wanted to see published (they bluntly state this in the afterword). So you don’t have to buy it. But again, if you do buy it, it’s a lot of fun… once you get past the first twenty pages or so. Because trust me, the horrible fiancé thing is not a lie.

Misha von Ritual is a viscount’s daughter in a snowy minor territory in the North. She’s engaged and ready to do her all for the territory. Then her fiancé shows up and says that he’s gotten her cousin pregnant. And is marrying her. But he still wants Misha as his second wife. To keep earning money for the child her cousin is now carrying. Who will take over the territory. Oh, and he says he has no plans to sleep with her. Needless to say, she punches the shit out of him, and after consulting with her parents, the errant fiancé and his pregnant girl are hurled out of the kingdom. The parents, who were very lax about this, offer Misha anything she wants, and she asks if she can go to the magic school in the center of the country. It will be hard to get in, but if she does she’ll be happy. Because she has (gasp!) past life memories from Japan, and remembers a certain series of novels about a magic school…

It’s never explicitly stated, so I’m gonna assume she means Diane Duane’s books rather than that other author. One thing I did like is that the application process has multiple tests, takes an entire year, and it’s very easy to fail. In fact, Misha would not have gotten in (her uncle dropped out, an automatic black mark for full scholarships like she needs) if she hadn’t impressed a teacher with her herb talents and ability to essentially work for her tuition. I also appreciated the character of Alice. I will always love a girl who appears at first to be a haughty, arrogant girl but who it turns out is just really awkward and has resting bitch face. As for her obvious love interest, I worried as he seemed to be a teacher, but the end of the book shows that isn’t the case, so I will allow them to be cute together. Also, she has a slime familiar. Everything’s better with slimes. (Don’t worry, he’s a super powerful slime spirit, and can basically do anything required of him.)

There’s at least one more volume of this, and I’ll read it. If you like magic academies and heroines who are quietly awesome without the narrative beating us over the head with it, this is a winner.

Strawberry Princess: The Time Loop Defying Villainess

Leave a reply

By Hanami Nishine and Renta. Released in Japan as “Shiitagerareta Maihime wa Seijo no Loop ni Ichigo de Aragau” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Zihan Gao.

Now that we have so many of them, to the point where protagonists are actually familiar with the genre, I think it’s appropriate to say that some people are getting a little too into the “trapped in an otome game” mindset. Admittedly, in this particular case it appears to be a coping mechanism to try to ignore the main character’s wretched life to date, but still, a lot of things happen here because Amelia, the titular princess, is stuck in “there’s nothing I can do to stop this route from happening, so I’ll try something else”. Now, as it turns out, it is quite difficult to stop the route, but generally speaking, I’d like people to try. That said, I will forgive Amelia for this, as she is also a bit of an airhead, even before she gets her memories from Japan back, and therefore knows what can save her. Strawberries.

When we first see Amelia, she’s being pushed to the ground and having her late mother’s necklace stolen from her by her stepsister. She currently lives in bare poverty in the Fifth’s Consort’s home, which barely gets any food or supplies, forcing her to learn how to farm and climb walls, giving her a tanned look. (The artist presumably saw “silver hair” and proceeded to ignore this entirely.) She has one major thing she can do: she can summon strawberries and strawberry-themed things. (This is not as bizarre as it might sound, given her late mother summoned watermelons.) She’s very familiar with this scene, however, as this is the 5th time it’s happened. Her tormenter is looping routes, trying to complete every target male, and the last one on the list is Amelia’s own fiance. Time to fight back! Wait, no, she has little confidence and hasn’t seen her fiance in four years. Time to sell strawberries!

Amelia is a very familiar type, being naive, a bit daft, and unaware of her own charms, though that last one is explained by the abuse she’s suffered. Her one remaining servant is her butler/father figure, who stays on partly as he had a crush on her mother but mostly as it’s the right thing to do. As for the absent fiance, I liked him a lot as well. Once he figures out what’s actually happening, he’s quick to take steps. He also cries a lot, which is rare even among shoujo romantic male leads, and it’s not made fun of. The solution to all this comes as a slight surprise, but the clues are there if you look for them, so I accepted it. Most of all, this book, despite its dark backstory, has a light, silly core, doing things like tripping up the main villainess by having her slip on strawberry jam, etc. The heroine has a motif, and by god, she’s going to use it.

This is done in one, which makes sense – hard to see this plot getting stretched more. The author also writes The Dragon’s Soulmate is a Mushroom Princess!, but that doesn’t have strawberries, so can’t be as good.

Haibara’s Teenage New Game+, Vol. 9

Leave a reply

By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

Natsuki’s do-over has been going pretty well. He’s got friends, he’s slimmed down and folks think he is handsome, he is able to hold conversations and help others – sometimes to a ridiculous shonen degree – and he has a girlfriend, and their relationship is sugary sweet (what little of it we see in this volume). So it makes sense that it’s time to move on to the next generation of socially inept malcontents, and that means Saya, the first-year who knew him in middle-school and is trying to achieve the same thing he did. Unfortunately, she’s blunt to the point of being mean, and doesn’t care about other people. Or anything other than music, really. And given that she’s in a band with Mei, whose self-confidence is low at the best of times, that’s not great. Is this band that he’s trying to help Serika take to Budokan doomed before it begins? Meanwhile, back in Natsuki’s original timeline, the author takes every reader who was socially inept in high school and murders them.

Let’s leave original Natsuki for later and talk about the main star of this series. He’s more visibly struggling this time around, which I regard as a positive – by now, everyone who is close to him knows that he’s not naturally extroverted and is working hard to change himself. He has been practicing like crazy for the band, but it’s notable that by the end of the book he’s still told he’s not very good – he can’t simply magically gain years of musical experience. It’s also a good thing Hikari is his girlfriend, because he still has a bad case of harem protagonist disease, not really understanding why all those girls want to be in light music till he has it explained for him. As for Saya, she’s also very relatable. One of the hardest things to do as a person is to listen and respond, and that means paying attention to others – knowing their names, hobbies, etc. She’s got to put in the work! At least her love song was so blatant that even Natsuki picked up on it. Oh yes, and Mei’s girlfriend had some of the funnier moments in the book.

So, interspersed with the main chapters we have the original Natsuki Haibara, in the first timeline, trying his best to have a high school debut. It’s genuinely painful to read. Much like Saya throughout this book, he just doesn’t get it, and the person who is trying their best to fit in and be active but cannot understand any social cues is a very hard person to be around when you are neurotypical. Why don’t they just get it? This leads to the epilogue, set in an original timeline where Natsuki did not go back in time to have a do-over. We see a 28-year-old Natsuki, who, without the benefit of time-travel and his past life memories, has had to do what the rest of us eventually did and learn how to be social and function in society by grinding it out day by day. He’s rewarded with a new co-worker… honestly, this final scene felt REALLY fast and tacked on. I understand that the author wanted to throw original Natsuki a bone, and probably does not intent to revisit this timeline. But sheesh, that feels like one of those fake game routes where everything looks fine and happy and then you realize there’s something wrong. It was too pat.

Still, that’s other timeline’s complaint. This timeline is going well, and things look great. Provided there’s not a new volume coming out soon in Japan with an oddly ominous cover, I think Natsuki should be just fine.