Observation Records of My Wife: The Misadventures of a Self-Proclaimed Villainess, Vol. 3

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By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Tsuma no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

Since I last reviewed this series, the anime has debuted, and a few things are becoming clear. First of all, like many light novel adaptations, the anime is speed running things a bit, so I suspect we’ll get into the “wife” part of the series before the end of the season. Secondly, I’d forgotten how some of the characters looked at the start of the series compared with now. In the first volume, Zeno was a beleaguered but relatively calm butler who normally served to snark at Cecil when Cecil was being particularly evil. In this sixth book, Zeno is an absolute wreck of a spirit, constantly whining and yelling at everyone around him. Part of this is due to the dreaded “oh, his partner looks really young, ha ha he’s a lolicon” joke we get in light novels, which is never funny and isn’t here either. But partly it’s because family, no matter how much you may try to avoid it, will always be embarrassing.

Cecil and Bertia are home from Seahealby, and everything seems relatively peaceful. So it’s now time for Zeno to go visit the spirit kingdom, so that he can ask permission from Kuro’s parents to marry her. This isn’t required, but he wants to be polite about it. Bertia is going as Kuro is very attached to her. Cecil is going as Bertia is going. And everyone else is suffering, because Cecil was already gone for an extended period and now he’s leaving again. When they arrive, they have to deal with Zeno’s parents, who are merely very embarrassing, and who also set up the plot of the 4th book in this series, when we’ll meet his seemingly overbearing sisters. The main plot, though, has the “ha ha he’s a lolicon” jokes hit at exactly the wrong time, meaning he and Cecil are now locked out of her parent’s castle till he completes some herculean tasks. No worries, Cecil is here to help. Wait, no, here to observe.

I have to admit, the stakes in this one are pretty low, mostly because you know all that has to happen is Kuro putting her foot down and the problem is solved. Also, Bertia is mostly sidelined in this book, as she stays behind while Zeno and Cecil go off to do the plot, staying behind mostly to try to be villainous again, as Kuro’s mother hits a bunch of her “so cool!” buttons and she goes off into la-la land. (I will admit, Bertia trying to have herself get tied up is a very funny bit.) The bulk of the heavy lifting goes to Cecil, though, as is appropriate. here he’s smug, a bit sadistic, and also accidentally helps Zeno save the day. While Cecil is pretty much an expert at anything he’s ever done, he also has a fair bit of “golden boy” luck, which helps him out here. I also appreciated that Kuro’s parents end up being just as socially awkward as she is, and it explains quite a bit.

This series feels like it’s coasting, but I still like the cast, and it’s fun most of the time.

Earl and Fairy: How to Win Over a Gentleman

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Well, I was suckered in once again. I was all set to talk about the fact that Earl and Fairy is a product of 90s shoujo, and that like a lot of 90s shoujo (and indeed a lot of manga and comics in general), it had a habit of snapping back to the default whenever anything important happened. I was ready to rage against no one seeming to have learned their lesson and everyone forgetting what happened the previous book. But no, it’s another stealth short story collection. Which means I can’t be really annoyed at Lydia and Edgar for behaving like they used to eight or nine books ago. There’s just one issue with this: I am annoyed anyway. Given that getting these two to meet in the middle and come to an understanding has been like pulling teeth, I feel no need to go back to the days where Lydia was stubborn and quick to believe the worst, and Edgar helped her along very well in that regard. On the bright side, the last story is terrific.

There are three short stories here, two of which were written for magazines and feature Edgar and Lydia towards the start of the series. In the first, a “stork fairy” arrives posing as a baby, and a delighted Edgar takes this opportunity to play as if he and Lydia are already parents… while Lydia tries to hook him up with his own maid, despite the fact that she sort of hates that idea. In the second, a nightingale (fairy version, not bird version) tries to get Lydia to fall in love, because otherwise she will perish, but runs up against the problem of, well, Lydia in general. The final story is new to this volume, and takes place after Book 11. A newly engaged Edgar and Lydia are having dinner with her father, Frederick, and he takes the opportunity to reminisce (to himself, Lydia has no idea) how he met her mother.

I have mentioned this before, but will bring it up again: The author is much better at writing action, suspense and supernatural intrigue than they are writing romance. The first story really rubbed me the wrong way, mostly as I had forgotten this is what most 90s shoujo was actually like. The 2nd was a bit better, and we did get to see Raven in drag, which was a lot more fun for us than it was for Raven. But no, the main reason this was a decent book is the back half, with the story of Frederick and Aurora. They meet cute, and you do get the sense that she falls for him almost immediately, but as the story goes on you see that’s not quite true. It also has some unnerving and scary bits. This is an insular community, and her father is unpleasant. What’s worse, her “second fiance” is abusive, and it’s hinted that if she doesn’t get away with Frederick getting abused will be her lot in life. It’s well known to the village that she’s a changeling, and not everyone seems at peace with that – though more people are than Aurora expects, leading to the sweetest part of the book.

I assume next time we’ll get a full volume. I also assume some fairy-related or Edgar’s past-related thing will get in the way of our heroes getting married, because that’s how this sort of series rolls. Less of past “always angry, always caddish” Lydia and Edgar, please.

Our Party Nearly Wiped and Then Everything Went Downhill, Vol. 1

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By Ameria and kodamazon. Released in Japan as “Zenmetsu End wo Shi ni Monogurui de Kaihishita. Party ga Yanda” by Enterbrain. Released in North America by Yen On. Translated by Leah Sargent.

Our main character, Walker, remembers his past life from Japan, and also that he’s in a grimdark manga that begins with an adventuring party getting murdered (him) and raped and murdered (the rest of his party) by a monster almost no one has defeated called Grim Reaper. He remembers all this just in time to figure out a way to defeat it. He does not remember this in time to avoid losing an eye and a leg to it. Now he’s recuperating in the Church and trying to combine his stoic, overly serious in-world memories with his somewhat current personality, as well as try to work out if he can ever use a sword again. Because boy, does Walker love swords. He’s invented a new sword style this world doesn’t know. Which is probably why he was able to survive. As for the rest of his party… well, they’re a bit traumatized and guilt-ridden. He really should do something about that too.

Things that annoyed me about this book:

• Lisellarte, the girl with the giant witch hat on the cover, is a supposedly hundred year old magic user who acts like a 7-year-old child most of the time, even before the tragic event that starts things off. She feels like she was added to fulfill the “loli” quotient.

• Euritia, a 13-year-old swordswoman who has a problem with men constantly trying to pick her up, has decided that the best way to deal with her grief is to kill everyone who even comes close to being against Walker.

• Atri, the obligatory Amazon girl, has been told by her grandmother that when she finds the one she loves she needs to “Accept his seed”, but of course every time she tries to he assumes she’s trying to fight him because he is dense.

• Walker himself started off (in the fantasy world) as a stoic blank slate dedicated to his sword fighting and his party. Adding the memories of his past life mostly makes him more annoying than anything else, and the book could easily have happened without any of that.

• Anze, the holy woman who knows their party, gets the fanservice jokes. I’m mostly annoyed at this as otherwise the book is relatively free of a leering fanservice gaze. There are rape mentions throughout, as that’s what originally happened to the party in the “manga”, but Walker doesn’t see the girls as anything but family.

• This is far more serious than I expected it to be, and that works to its detriment. I had assumed, based on the premise, we’d be in for some yandere stuff, and that’s true, but it’s really mild and not funny. Honestly, I wish there was more yandere stuff, it might lighten up the book.

• Most importantly, though, is that the author’s barely disguised fetish in this book isn’t yanderes or lolis or large-breasted nuns. It’s the girls all crying brokenly and feeling guilt-ridden and sad. They say in the afterword this is true, I’m not reading into it. And that makes this a different kind of book. It’s not about this group having to overcome a severe setback and tragedy, about Walker overcoming his disability, and about the girls regaining their confidence. We won’t see the girls regaining their confidence because the sad crying guilt-ridden monologues are the point. This is about the reader going “awwww” while seeing them castigate themselves.

And you know what that is? It’s torture porn. Bye-bye. You weren’t enjoyed.