A Tale of the Secret Saint ZERO, Vol. 4

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Sarah Burch. Adapted by Melanie Kardas.

I sometimes feel that I’m the only one who tries to keep bringing back the dark beginnings to these series that suddenly turn out sweet and fluffy. Kuma Bear is not going to be reminding us of the darker side of its world much anymore. Likewise, A Tale of the Secret Saint is probably going to continue to gloss over the events that occurred after Serafina’s capture and before her murder. But it does sometimes make this prequel, featuring the adorable six-year-old Serafina and the knights and royalty who love her, a bit darker than it necessarily wants to be. A chunk of this book is dedicated to trying to get Serafina to live the life of a normal child… or at least a royal child. But that’s not who she is. She’s the one who will grow up to the the Greatest Saint, and is barreling towards that future full speed. And we, the reader, know where that future ends. (Yes, reincarnation, but let put that aside for now.)

We pick up where we left off, with Serafina’s terrible brothers in danger. As it turns out, this is a plot by the King to try and make them be a bit less lazy and take things more seriously. That said, there are an awful lot of monsters here, and with Serafina watching it all there’s no way she won’t leap in and help. Then it’s time for the other outstanding plot point from last time, the Galle Gold Leaf, which has been impossible to find for the last twenty years, but once Serafina is involved all the issues proceed to fall over like a stack of dominoes, and we even get all the past conflict with the village (and conflict within the knights) resolved. And then we have the third plot point from the last book – Serafina got a key from Oligor to Luntia’s secret room. Which turns out to be astonishing to absolutely everyone, but also promises this series may get darker in the future, tying back into its origins.

The other dissonance in this series is that between Serafina and every other saint. Fia, in the main series, is astonished at how little power the saints have, and that certainly seems to be true, the saints in her past incarnation seem to be more powerful. But even they pale in comparison to a girl who is beloved by the spirits, who is the descendant of spirit lords, and whose power is off the charts when she tries to do anything. In the main series that’s mostly used for comedy, because of course she’s the SECRET Saint, but even here where everyone knows who she is… mostly… it’s ridiculous. And I should also acknowledge the elephant in the room, which is that most of this prequel involves knowing that a grown man and a six-year-old girl are made for each other and destined. It’s not helped here by two other underage girls in the village grabbing one of the knights and saying he’s their chosen one. As always, reading light novels requires tripping over the whole “it’s not sexual it’s just moe” annoyances, and we don’t even get the usual “she’s really 900 years old” excuse here.

That said, this remains a sweet and fun prequel, free of “fanservice”, and does not appear to be in any hurry to get to Serafina’s teenage years, so I think things should remain that way.

The Misdeeds of an Extremely Arrogant Villain Aristocrat, Vol. 2

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By Yukiha Kuroyuki and Uodenim. Released in Japan as “Kiwamete Gouman Taru Akuyaku Kizoku no Shogyou” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Ben Trethewey. Adapted by Kylee Yasin.

I was checking the Sneaker Bunko site to see if this was ongoing (there is as third volume, but it came out a year and a half ago, so those who like to say “axed” will no doubt be happy) and glanced at the machine-translated summary of the third book, which described our extremely arrogant villain aristocrat as “depressed as a worm”. Now, that could be the usual translation bullshit, but it is true that Luke spends a great deal of this book frustrated, angry, or depressed. He’s certainly changed the book’s plot enough that he doesn’t need to worry about it happening, but bits of it that happened to Abel are now happening to him, and the allies that were supposed to flock around Abel are now flocking around him. And he really does not want anything to do with it. He wants to use his OP magic and his OP sword, he does not want all these “friends” and “lovers”. So troublesome.

After the events of the last book, Luke now has a lover, who he is now admitting is his fiancee, at least unconsciously. He also has a pawn, though he wishes he didn’t as he discovers that Mia is very emotionally volatile when it comes to being abandoned. (By the end of the book she too will be his fiancee, and Luke admits he doesn’t oppose it, mostly as he has a vision of her murdering him otherwise.) He also gets a second pawn by annihilating them in battle, and this one is the second prince, who in the book turned out to be a bit of a despot, but here is another loyal minion. Oh yes, and to top it all off assassins come to the campus and try to kidnap him while he sleeps. All of this is incredibly irritating. But worst of all… Abel, the hero, won’t stop saying that they’re friends!

I mentioned online that I called this “top-tier trash”, and I stick by that. It is a grotesque male power fantasy, where our hero and the reader stand-in gets all the women and beds them too, has the coolest magic, and swings the coolest sword. That said, I find it highly readable, as it doesn’t take itself at all seriously. Luke’s aggravation with his perfect life can be hilarious at times. He’s helped out by all the women he meets (except Lily, Abel’s childhood friend, who I fully expect will be the NTR final boss) running into his “fuck you” style of speaking and immediately going weak at the knees. We get his own childhood friend here, who’s aan arrogant noble whose family and his no longer get along. She’s rude to him… then gets in her carriage to drive off and fantasizes about how cool he was being rude right back at her. Hell, even the scary dragon he fights at the end ends up surrendering to him. It’s easy to be a top when your world is full of bottoms.

This will never win awards for plot, and you’d better have a high tolerance for the usual male fantasy bullshit. But it’s still a lot of fun.

Miss Blossom’s Backward Beauty Standards: Give Me the Ugly Crown Prince!, Vol. 2

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By Sankaku Mikaduki and riritto. Released in Japan as “Bishuu Abekobe Isekai de Busaiku Outaishi to Kekkonshitai!” by DRE Novels. Released in North America by J-Novel Heart. Translated by Olivia Plowman.

Sometimes all it takes is one hook. I was reading the second volume of this series, and it was… good. I wasn’t bored or anything, but I joked online that DRE Novels had told the author “you know how we give everyone three books? You get two.” This is indeed the final volume, as the cover no doubt gives away, but it’s also the second volume of a series that started with nobles as children, so we are obliged to do nobles at the academy. And while it’s using villainess tropes and time loop tropes, the only one with memories from Japan is Cocolette, our heroine. So when Pia Abbott arrived, like Cocolette I was puzzled, then vaguely irritated. What was up with her? WAS she one of those “I’m in an otome game!” sort of girls? And then we got a scene from her POV giving her backstory and motivation and, like Cocolette with her pretty boys, I started to stan. Pia, NOW you have my attention.

As noted above, the main cast are going to school, with all that this entails. Cocolette, though she’s smart enough, is not joining the advanced course with the others, but the Ladies’ Course, so that she can make connections with other nobles and gain education in how to be a queen for when she inevitably marries Raph. Unfortunately, others don’t buy that it’s inevitable. The current queen wants Coco to be a concubine, and for Lunamaria to be Raph’s wife… though she doesn’t seem to actually like Lunamaria at all. Prince Ork is still pining for Coco, so she’s still technically a potential fiancee to both princes. And there’s a foreign prince at the academy, this one with a face like a goblin. Naturally everyone loves his ethereal beauty except Coco. And yes, there’s Pia, who seems to be behaving just like the heroine in an otome game… though it’s not really working, much to her frustration. Can Coco navigate all this and get her happy ending?

As I said, the moment it was revealed that Pia was not an idiotic evil heroine with no sense, but a cynical yandere spy who by 2/3 of the way through the book just wants to get away from everyone at the school, I wanted to stand up and cheer. I love a good bitter bitch, which is exactly what she turns back into after she’s arrested. I also liked how her mysterious charm power really is a mystery, because for once this kingdom mostly is without magic, much to their chagrin. It also made it acceptable that in the end she essentially gets off scot-free, as they need her as a lab rat to study, and Coco knows that her obsessive love means she won’t just run away. The rest of the book is more normal, mostly driven by Cocolette’s desire to be surrounded by bishonen contrasting with everyone thinking she’s the greatest thing since sliced bread for hanging around them all. It’s funny, but not as funny as the author thinks.

Fortunately, they all live happily ever after, except maybe for the goblin prince. Decent enough.