Duchess in the Attic, Vol. 5

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By Mori and Huyuko Aoi. Released in Japan as “Yane Urabeya no Kōshaku Fujin” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by piyo.

So you’re a writer and you have a problem. You’ve introduced a naive idealist who has no idea how the real world works, and who tends to be easily led. Over the course of the book, your lead character manages to educate them on how things should be done and how they’re the ones to do them. Which is great, now the character knows better and is ready to contribute to society. And yet, your book can’t really happen when everyone is being relatively savvy. It’s time to introduce relative of naive idealist, who’s twice as bad and twice as stubborn. If your book is for guys, be sure to make the second character a woman, preferably blonde. If it’s for girls, then be sure to make him handsome but dumb. So dumb. We want to be able to see the wind whistling through his head. And if you really want to go all the way, just make him a trainspotter. Sure, American readers might not get the type. But Brits sure will.

Opal is back in Lumeon, there to celebrate Ellie becoming the new grand duke. Unfortunately, while Opal now knows that Ellie has grown up and is ready to become a fine ruler, this has not filtered out to anyone else in the country. As such, Opal and her brother Julian (Claude, alas, stays home this book to take care of the kid) do their best to show how Ellie has changed and make the path to her… whatever coronation is for dukes… easier. Julian is also there to be a sexy noble hitting on Ellie and romancing her, because they still don’t know who was behind her kidnapping in the last book. The prime suspects are her uncle, who doesn’t really have a motive, and her cousin, who is… well, see paragraph above. As such, the bulk of this book is a mystery rather than a thriller as Opal and Julian try to work out the why and how of all the cunning plans the enemy has.

Yes, we again open in an attic to make the title work, but once again, it’s just as a nostalgic show – Opal does have her life threatened twice in this book, but both times it’s in the open, so attics are not in play. I did call this book a mystery, but the mystery is not really that hard – hrm, could it be the guy who’s always looking shifty and evil? – so the real reason to enjoy this is to see Ellie continue to gain experience and confidence, her cousin Michael be dumb as a stump (his obsession is trains, but as Opal soon shows, he’s not an expert on them either), and Julian be a charming asshole most of the time, usually on purpose to incite others to show themselves. As with Book 1 and Book 3, you could theoretically end the series here, but technically Ellie isn’t in power yet, so I’m sure Opal will be back soon.

This continues to fit the definition of “solid”.

The Petty Villain Plays by the Rules: Rewriting This Otome Game with Honest Work!, Vol. 1

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By MIZUNA and Ruki. Released in Japan as “Yarikonda Otome Game no Akuyaku desu ga, Danzai wa Iya nano de Mattou ni Ikimasu” by TO Books. Released in North America by J-Novel Club. Translated by sachi salehi.

I kept waiting for this one to go wrong, and it never really managed to. Oh, it flirted with going wrong a few times, but for the most part this book was content to stay in its lane and do what it came here to do, which is be another one of those “reincarnated as a kid and I revolutionize the entire country with my inventing basic modern conveniences” genre, of which there are quite a few. Our main character learns magic. He invents hand lotion and conditioner. He invents radio calisthenics. And while he doesn’t immediately manage to cure a dread disease plaguing his family, he does manage to find a palliative cure, which sometimes is all we can do. There are elves. There are dark elves. There are beastgirls. There are petty noble jerks. There’s a empress who has all the real power. Hell, our hero even gets married at six years old, which comes as a surprise even to him. It’s got everything.

J. Random Salaryman discusses the otome game he just finished with his co-worker, heads home, and has a heart attack and dies. He wakes up in the body of a 6-year-old who is also recovering from collapsing in the garden, and startles everyone around him by being polite and sensible. Then he realizes that he’s in the young body of Reid Valdia, who… was barely in the game at all, at least until you cleared it all and got the chance to free play, whereupon you realize he had amazing things he could do if only he raised his base stats… which he didn’t. Turns out the reason he didn’t is his mother is dying, and he’s been too busy appalling everyone around him and throwing a massive tantrum. Now that he has new memories, he can make up with his sister, treat the maids and knights well, and also try to find a way to cure his mom. Among other things.

So, because it always gets asked, yes, there’s slavery in this world, but not in our main character’s empire. I’m sure we’ll be dealing with it eventually, but at least he clears the low bar by saying “let’s NOT use a slave” here. There’s also Reid forming a cute little crush on the hot elf that he hired to sell his products, though I could do without the comedy “everyone gets mad at me” part of that, as well as the hot elf’s reaction to the whole thing, which is “I’m reacting like a lovestruck teenager because I forgot he’s six.” To be fair, he doesn’t ACT six. One of the better scenes here has his father essentially straight up ask “what the hell happened, why are you different?” and Reid telling him the truth. I also liked the “like father like son” comparison, as we see Reid rescue a lost cute girl who later turns out to be someone important, and in a side story at the end we see his father rescuing a young woman from ruffians.

Oh yes, and the Empress is awesome. This is not going to set any “wow, this plot is original!” records, but it does what people want, and it does it pretty well. I’ll read more.

Tearmoon Empire, Vol. 16

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s been a long time since the last volume of Tearmoon Empire, so it feels good that this volume was a lot of “here’s what you remember best about the series”. Lots of snarky narrator, lots of Mia thinking of a selfish reason to do something only for everyone around her to take it as the noblest reason ever (even when she literally says “I do things for myself”). Some lovey dovey stuff with her and Abel. And of course the ongoing plot, which is… erm, let me check my notes… or right, Princess Orania, who seems to only care about fishing, and Mia’s attempts to befriend the hell out of her. Which naturally end up interacting with her kingdom, a civil war, preventing another terrible future, and those pesky Chaos Serpents. Though honestly, to the Chaos Serpents, Mia is proving to be even more pesky, and they’re rather annoyed that she keeps showing up right before they enact their evil plans. It’s almost as if she has a book that can see the future.

Tearmoon Empire plays in the larger ocean of both villainess books and time travel to fix the future books, so it’s not a surprise that Orania’s tragic backstory may ring a bell to fans of those books. When you’re in a political marriage but only one of you is actually in love, life can be difficult, and naturally that can mean projecting all your hopes and dreams onto your child. Fortunately, sometimes your husband takes pity on you and gets you another husband who loves you! And you can have children out of love and live happily now! Hrm? Your first daughter? Meh. Whatever. As you can imagine, this has pretty much broken Orania, whose father is of the opinion that she can do whatever, he doesn’t care. Well, until the cliffhanger ending of the book, which promises there’s more behind that… hopefully for the better.

As for Mia herself, she mostly has a pretty good book. Honestly, it’s Rafina who suffers this volume – first because she’s the only girly girl in the entire cast, and thus the only one horrified at the idea of handling the live bait involved in the fishing contest. But also because Mia a) tells her that there’s an active slavery ring going on, something that infuriates Rafina, but b) dealing with it means Mia will be absent from the Holy Eve Festival. Let’s face it, Mia has too many friends, all of whom want to monopolize her time. I’d suggest she find technology to clone herself, but I can only imagine what a disaster that would be. We’re sixteen books in, and it’s getting harder and harder to wrangle everyone together to do a thing. And sometimes she can be completely caught off guard, like with the ending of this volume. Yes, after a couple books that don’t end in the middle of an arc, we’re back to normal here.

Fortunately, we won’t have long till we find out how Mia gets out of thi… hrm? Short Story volume, you say? Ah well.