By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Amelia Mason. Adapted by Shaenon K. Garrity.
I suppose if you’re going to have a romantic age-gap romance, you might as well lean right away into the fact that it’s very problematic. From the moment that Philia hears about Lena’s engagement to the knight Elmhardt, an engagement that was arranged right after Lena was born, and when Elmhardt was already a young man, her reaction is essentially the reader’s: what the heck? As it turns out, the engagement mostly comes down to a whole heaping helping of guilt from almost all parties – even Lena, whose innocent question to her fiance several years ago led to him just giving up and avoiding her. But Lena’s an adult now, at least by the standards of this world, and the book makes it very clear that everyone’s been going around doing things without asking what she wants. Fortunately, Philia, who is learning about this strange thing called friendship, is different.
Despite the fact that things are still fraught after the events of the last book, there’s a pilgrimage coming up, and Osvalt is in charge of it. The neighboring country of Alectron journeys there for religious reasons. Unfortunately, Philia also hears that assassins are plotting to kill her – again. So they’re adding lots of extra security, including knight (and friend of Leonardo) Elmhardt, who it turns out is Lena’s fiance. Though both of them seem very uncomfortable about it. After an attack on Philia (maybe?) by monsters, it turns out that the assassin is using a magical tool that’s been stolen from the kingdom’s vaults… a tool that was also used years ago, when there was a coup attempt. Which also involved the current king of Alectron. And Elmhardt.
I mentioned the friendship thing earlier, and it may be my favorite moment of the book. Lena’s been around from the start, but she’s basically been fulfilling a “maid/bodyguard” role. Philia has her mother and sister, she has other saints who are more like disciples, and she also has Erza, but she hasn’t been around for a while. More importantly, Philia is still having to deal with normal human emotions after repressing them for her entire life, so the idea that she cares about Lena and wants what’s best for her is more important than it normally would be. There’s also a convoluted plot and backstory here, which mostly checks out fine, though it feels like an excuse for romantic conflict more than anything else. If there’s a flaw here it’s probably Lena, who’s simply too nice about the whole thing – yes, even when she’s furiously attacking near the end – and who I wish would at least kick back a little against a setup she’s had since birth.
Still, overall this was solid. And next time we have Mia’s wedding. Which I’m sure will be trouble-free and totally boring. Right.
