Long Story Short, I’m Living in the Mountains, Vol. 5

By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

Yes, it’s time to write the same review for the fifth time. I’ve talked before about slow life books that are not actually slow life at all, but “I want a slow life but I keep having all these girls and wars and battles” books. This is a genine slow life book, with plot twists such as “they go hunting”, “they go hunting again”, and “they eat what they hunted”, where the only surprise is that Sano, a relatively non-athletic sort, doesn’t go with them, so we never see any of the actual hunting. I suppose this fits with previous books, where we’ve heard about the chickens doing amazing things offscreen, but never get to see it. This book is laser focused on Sano, his depression, and his bonds with the folks who live at the foot of his mountain and in the mountains next door. And, of course, his non-romance with any of them. I think by now the author is genuinely trolling the readers about that, though.

Winter is here, and with this book we see the first snow hit Sano’s mountain retreat. His efforts to keep his screen door from freezing over work well, but you get the sense he’s not prepared for a really deep freeze. What’s more, the Katsuragi sisters have gone to town for the winter, so aside from one meal before the snows hit, they mostly communicate by text. Fortunately, he has Aizawa, who stays over at his place for a bit… then he stays over at Aizawa’s for a bit… then the two of them bond at a restaurant over the fact that society expects them to marry. Honestly, a large chunk of this book is BL except for the obvious. That said, not only is Sano still gaga over his chickens, particularly Yuma, the “chicken wife” of the group, but Aizawa still has Rin, his lamia, who is holed up in the house for the winter but you get the sense is definitely what Yuma is to Sano.

If you’ve read the previous reviews of this series, you know what I’m gonna talk about next. Sano is, for the most part, fairly laid back and mellow this book… except for Christmas, where for obvious reasons he slips back into depression. Aizawa too is struggling, as he tried to reconnect with his family recently, only to find that they just wanted to marry him off, so he fled again. Combine this with the Katsuragis fleeing from stalkers and you have a book whose entire premise seems to be “shut up and leave me alone”. That said, it also loves the community living in this area, and shows that they all love Sano as well. You don’t have to conform, you don’t have to get married and have kids and a normal job. You can, in fact, run away and live on a mountain. Provided, of course, you’re getting passive income from the apartment complex you’re renting out. I hope Sano is not a slumlord.

This is 11 volumes and counting, and I’m not exactly sure where it can really go except to explain why the animals on this mountain are bananas. Perhaps next time.

Betrothed to My Sister’s Ex, Vol. 2

By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.

(There’s a spoiler I talk about, but I’ll try to wait till after the summary. Also, the spoiler is obvious.)

I will reiterate that those who cannot accept that Marie’s entire life to date has revolved around being told how terrible she is will find this volume very hard going, because it will feel grating that she loathes herself to such a degree that it almost drowns the narrative. The third quarter of the book is awash in everyone just being very, very sad, and I get the feeling the author knew this and wanted to make sure it didn’t overflow. As such, eventually, when Marie ends up fleeing from her engagement and the castle, things proceed to turn into farce, starting with Mio driving around and around the castle while pretending to be driving her back home, waiting for her to change her mind, and then getting capped off by Kyros leaping onto the carriage to follow them around the castle. It’s so over the top it’s fun.

Marie is doing her best, even though she may not think that it is. As we learn more about her childhood, we discover that she can speak/write in multiple languages, that her dancing is excellent, and that the fact that her favorite children’s book was delivered to her may be the holding thing keeping her from a breakdown. Meanwhile, Mio investigates back at her parents’ manor, and discovers that things are far more disturbing than they or we imagined, especially in regards to the death of Marie’s sister. Even a lovely outing in the merchant district to look at rings and clothing can’t pass by without Mio hearing the voice of her sister calling her and having nightmares. Surely the best thing to do is to simply call everything off and go back to her abusive home.

Rest assured, dear reader, this does not happen. For one thing, Anastasia isn’t dead. I know this will come as a shock to no one. What came as a shock to me was that I was expecting her to have deliberately faked her death to go off the the capital to make things. As it turns out, no, she was almost raped by her coach driver, escaped by the skin of her teeth, and only by miraculous fortune did she wind up in the capital. Oh yes, and her hair is being used to pacify her half-insane mother. Suffice it to say, neither sister has had it easy, and they both love each other yet also deeply envy each other’s positions. Towards the end of the book, when both parents are taken into custody, Marie has to decide what to do with them, and we get a bit of backstory that explains but does not excuse their actions. Much as I liked the wackiness in the middle of the agony, the agony is very much there.

That said, there’s more to this series. Marie and Kyros aren’t married yet. The third prince is hitting on a former noble turned commoner who just wants to be left alone. And what of Mio, the best character in this series? We’ll find out next time.

Dinners with My Darling: How the Former Monster King Ate Her Way to Happiness, Vol. 3

By Mugi Mameta and Nagisa Hanazome. Released in Japan as “Aisanai to Iwaremashite mo – Moto Maou no Hakushaku Reijou wa Kimajime Gunjin ni Ezuke wo Sarete Shiawase ni naru” by M Novels f. Released in North America by Cross Infinite World. Translated by JC.

The scope of this series is expanding a bit as we get to the third book, and as we continue to deal with the fallout of what happened with Abigail’s parents. Their domain is currently turning into a bit of a nightmare, and while Gerald doesn’t really wish otherwise, he does have to help investigate it. Moreover, Abigail may be human now, and theoretically able to do magic, but it’s clear that she has a foot in both worlds, and that she needs to be very careful to keep that balance, because right now her ability to talk to and control monsters may be more important than things like learning to do healing and recovery magic. That said, rest assured that we do get a lot of food here, and Abigail regales us with how good it is. The series is not going to abandon its title anytime soon.

As the book opens, Abigail and Gerald are still being pestered by the fourth prince, who desperately wants their help because Abigail is the only one who can possibly decipher the horrible bookkeeping of her old domain. Gerald agrees, albeit very reluctantly, but Abigail is fine with it. She meets some old schoolmates of Gerald as well, who are very different personality types but who both share a trait of being far too blunt and direct about everything. And she has to cope with managing the household when Gerald has a military maneuver that takes him away for a while. Unfortunately, her stepmother takes this opportunity to try to invade and demand that Abigail return with them. Even more unfortunately, she seems to have tried to stage a rockfall to kill off Gerald. Can food save the day?

As with the prior two volumes, I still have an issue with Abigail frequently sounding like a six-year-old rather than a young woman who used to be the Monster King. It makes the lovey-dovey stuff a bit weird. Apart from that, we get two new cast members here, though one may also leave us here. The Wendy subplot feels a bit half-baked, mostly as she’s not really aggressive or awful, she’s just direct and can’t take a hint. I was expecting her to clash with Abigail, but that didn’t happen, she just sort of finally gets the message and decides to go be a good girl from now on. You get the sense she was there for Abigail to pick up healing magic from. Much better is the other woman, Rickman, a brilliant but autistic (it’s not explicitly stated in the text, but it’s pretty obvious) aide to the prince who finds Gerald scary but warms to his fiancee right away, telling her stories. Frankly, she’s really good at telling the stories, and I wonder if a career change is in the offing. She’s also fun, as she too can’t seem to stop saying – well, stuttering – what she thinks.

This isn’t great, but it’s decent, and there’s enough meat on the bones for me to keep going despite my issues.