By Saki Ichibu and Yukako Fujimura. Released in Japan as “Munou Saijo wa Akujo ni Naritai ~Gimai no Migawari de Totsuida Reijou, Koushaku-sama no Dekiai ni Kizukanai~” by Dengeki no Shin Bungei. Released in North America by Cross Infinite World. Translated by Joshua C Shupp.
I have, inevitably, mentioned this before, but it is still interesting how, due to translations having to actually be translated and not just literally ported over, “Villainess” is having to get redefined in these books. Sometimes it does mean someone who is capable of doing evil things, ranging from murder to throwing wine on someone’s dress. Sometimes it’s someone who enjoys sleeping around, or toying with other men. But sometimes the “bad woman” merely means “strong woman”, and one reason why transposed Japanese otaku, or shy retiring noble girls, might admire them is that they can do things that most would not. They can stand up to men and tell them off. Even if those men happen to be in a position of power. When people say “she’s rumored to be a horrible villainess”, there’s a thrill in their words. “She lives her own life!” Of course, this is still a romance novel, there are limits.
Surprisingly for a series as goofy as this, there’s a hidden opium trade in the kingdom, and Dylan is being asked to investigate – with Avril sometimes helping out despite herself. After a masked ball full of intrigue – and reminders of Avril’s former reputation as a loose woman – the signs point to a lead in Dylan’s own domain, as one of the mistresses that his dissolute father has brought in is part of a family involved with the drug. Meanwhile, Avril is just delighted to be able to see where Dylan grew up and meet everyone in his domain… though perhaps a bit less excited to meet his father, who supposedly likes meek, shy women rather than confident brassy ones. But Avril has a way to fix that. She just has to be a villainess! She’s so good at it!
I was reminded a bit of Marielle Clarac here, mostly with the idea that the heroine is so unassuming that she is automatically assumed to be a maid rather than the fiancee of the Duke she actually is. That said, Avril is much sillier than Marielle – this is a romance, sort of, but first and foremost, it’s a comedy, and there were plenty of laughs. Not just in funny scenes, either – possibly the biggest laugh in the book for me is when someone throws themselves out a window on the 2nd floor. We also get a side story that explains how Alexandra ended up with the Prince, which is great, as I like Alexandra, but also not great, as it promotes “if you’re annoying to the one you love for over a decade, she will eventually give in and love you.” Other than that, this was solid, if suffering a bit from second book syndrome. Series are hard, aren’t they? Everything is just the slightest bit less fresh this time around.
This arc will continue into the third book, and I’m sure Avril will do something outrageous while practicing her “horrible behavior”. And you won’t have long to wait, as this series is still monthly!


