The Dorky NPC Mercenary Knows His Place, Vol. 5

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By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

Last time I mentioned that even if we saw the occasional good noble, we always had tons of evil nobles to go around. That also applies to mercenaries and military. John does meet the occasional good person, and gets along with them. But his power of being the main character means that assholes tend to flock to him, because this series has an agenda and that agenda is “stop saying you’re going to tell your mom”. Every terrible noble in this book seems to have one go-to out, which is “I am the child of an important person and if you don’t do everything I say, I will tell on you and your life will be ruined”. The sad thing is this usually works, as it’s very easy to punch down in the world John lives in. Fortunately, in this volume we also see a few who see how well that works and try to do it WITHOUT the actual family connections. They just lie. It doesn’t go well.

Despite taking up so much of the cover that she starts to obscure the title, the Empress only gets a side story at the ed of the book, possibly to justify the art. For the most part, though, this book functions like the other one does. John takes a job, does the job, sometimes has to have a cool space battle, dumb arrogant assholes hate him, smart people who don’t judge by appearances are impressed with him, then he goes home and buys up otaku stuff. Two things stand out in this book: first, after a near miss where his dad almost ends up in debt again, John goes to visit his family, who are mostly what you’d expect. The other is that starting from the 6th book, things may take a different turn. The anti-imperialist pushback has been getting louder every book, it’s being helped along by enemy agents, and now we’re finally arriving at war.

There was an amusing yet also educational part of the book, reminding me a bit of the “People’s Front of Judea” part of Life of Brian, where John and Gonzales discuss the different anti-imperial factions and how they all have slightly different aims but also all have the same “the Empress must go” endgame. The book also does “having your cake and eating it too” better than most – as with other entries in the series, the art is very much showing you how many women orbit John’s life, how many of them have huge breasts, and how often they like to shower or bathe. The art is here to draw in readers. Then they get there, though, they find a world where any woman who tries to do her job ends up harassed by endless guys asking for sex wherever they go. Even teaming up with other women may not help, as this means having to deal with women who also fall under the ‘asshole’ umbrella. The Empire may be a poor way of running a world, but I have no confidence any of the other factions would run it any better, and they’d likely be worse. It’s tough to be a woman in this series.

All this plus a SURPRISE REVELATION, which I will leave unspoiled. Will John be drawn into war? Will he be forced to have an emotion? Will he realize how much Fialka wants to jump his bones? We’ll see. In the meantime, enjoy your not-safe-for-public-transit volume.

Betrothed to My Sister’s Ex, Vol. 3

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By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.

Generally speaking, it can be hard to do a happily ever after for a series unless you end it. If the series is a success, you’ll need to continue it, and the best way to do this is conflict. For the first two volumes the conflict basically wrote itself. Marie hated herself so much that she had almost no will of her own, and Anastasia was faking her own death and wracked with guilt about it. There was a lot going on, but by the end of the second volume things seemed to be wrapping up… except there are, um, eight more volumes in Japan. As such, don’t be surprised when this volume does not in fact have a wedding, and that the man who we thought was a comedy royal turns out to be the one in the family with the least number of issues.

Things are going pretty well. Marie has come to accept her place enough that she starts imagining actually decorating her room… after literally being told to do so. Anastasia is still irritated every time the third prince shows up, but it’s far more of a tsundere romance anger than it was in the second book. And we also get Mio’s backstory, which is heartwarming (her relationship with Kyros’ mother), suspenseful (her battle with the queen), and hilarious (the identity of her real parents). Unfortunately, they are still only engaged, because for some reason their wedding has not been approved. While Mio investigates what’s going on here, Luifon is forced to attend a royal ball, and we discover the reason why the marriage isn’t approved yet – and it’s not a good one.

As it turns out, the drama and suspense I thought would be at the end of the book is completely steamrollered. This is because the princess, who’s introduced to us as not only casually racist but also willing to get rid of Marie by any means necessary, is instead an immature brat who folds like a card table when presented with the awesomeness that is Marie. It also shows that she’s not really a terrible person at heart, just sheltered and learning bad habits and ideas. It also means we get to see Marie dressed as a man, which justifies its color page completely. That said, my favorite scene was a rather serious one, where Marie is shown the marriage bed in their castle. Kyros has avoided showing it to her. It only has a lock on the outside, and is clearly designed more as a prison for the wife/mother to pop out babies than anything else. But the reason he avoided showing her (it can easily be altered) is that the Marie of Book 1 and 2 would have accepted that fate without arguing. This is a Marie who has learned she can be happy. Which is great.

That said… still no wedding, as we have more royal annoyances to deal with. And that’s not even getting into the fact that the third prince is in love with a former baron’s daughter, now a commoner, who is disguised as a man. So yeah, there’s room for at least a couple more volumes. Great stuff.

Too Many Losing Heroines!, Vol. 8

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By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Hayame.

So yeah, Seven Seas has decided to put off the short story collection till the end of the year, so we are in fact getting the 8th book. Which feels like a pivotal one in many ways, ways which I should not talk about till after the picture to avoid too many spoilers. So what can I talk about? Well, Basori is on the cover, so as you may have guessed this is her focus book. She’s painfully earnest, somewhat painfully naive, and wears her heart on her sleeve so much it can be seen from space. This makes her a good match not only with Nukumizu, who despite his veneer of ‘loser guy’ will help any girl who reaches out to him, but also Shikiya, who wants to support Basori as much as she can but, well, also wants to tease and grope her, so it doesn’t go as well. Naturally, there’s one place that Basori seems almost destined to be, and she’s already there: student council.

It’s time to elect a new student council president, and Basori wants Nukumizu’s help. Nukumizu, who has read light novels and knows this will end with him being vice president, which he doesn’t want, tries to refuse at first, but Basori is a cute girl, and also has a bribe he can’t resist, so he’ll try to help as much as he can without committing to anything. Elsewhere, it’s sports festival time coming up. Lemon is running, of course, and we also get to see if she will quality for Nationals. (Since this isn’t a Lemon-focused book and therefore has no drama around her, you can guess the answer.) Chika shows off what a good sister she is while also getting really angry at Nukumizu’s continued obliviousness. Riko is still far too crafty. Kaju is still far too into her brother. And Anna’s eating. Situation normal.

This is a very good book. Basori is a likeable girl, so of course we have to dress her up in sexy cosplay for her big speech. The speeches themselves are well done in a romcom sort of way, though I was surprised at the result of the election. The title “Losing Heroines” refers only to their romantic life, for the most part, and doesn’t necessarily apply to everything in their life. (Likewise, winning heroines may not be all sunshine and roses – the more we see of Chihaya the more like a horror movie villain she becomes.) But the highlight is absolutely the end of the book, where Basori works up the courage to confess to Nukumizu in a way that he cannot misunderstand or brush off. And naturally he has a complete nervous breakdown, and has to resort to “give me time to think about it” and “can’t we just be friends for now?”. When you see him screaming at himself for not saying yes and getting a girlfriend, it’s like he’s starting to get why all the girls call him “enemy of women” and say “that right there, Nukumizu”, with the “is why you’ll never get a girlfriend” implied.

I will be very interested to see if this goes anywhere or if we just reset to default. Houkobaru is the cover girl for Book 9… but first, for real this time, short story volume. And a .5 volume. Which aren’t the same thing? Ah well, gonna be a while, then.