Looks Like a Job for a Maid! The Tales of a Dismissed Supermaid, Vol. 4

By Yasuaki Mikami and Kinta. Released in Japan as “Maid nara Touzen desu. Nureginu wo Kiserareta Bannou Maid-san wa Tabi ni Deru Koto ni Shimashita” by Earth Star Novel. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

We’ve seen in this series that Nina tends to lack a sense of self, or rather that her sense of self is “maid” and nothing else. Certainly she has what amount to magical maid superpowers, which only she and her mentor seem to possess. But the question is, why does she have to be a maid? Why can she not use all of her various talents for something else? The most interesting scene in this book has merchant and yuri spoiler Firth showing Nina around a country that believes in equality to such an extent that the idea of servants is anathema to them. We see Nina use her maid superpowers as sort of a consultant, seeing how workers do things and then making them better and more efficient. You briefly think “maybe Nina could be a bureaucrat sort? Does she NEED to be a maid?”. And then she has a brief nervous breakdown, and you remember what this series is.

After a third volume that stayed in one place and told one story, we’re back to Maid & Co. traveling from city to city, and we’re also back to this functionally being a collection of four long short stories. In the first, they come to a city always rebuilding itself, and Astrid is fascinated by a complex water supply machine. They then hear a rumor of a lupalune arrested for poaching, and (since they always try to find any info on Tien’s parents at all) they try to investigate and get around a police chief who tries to do as little as possible to rock the boat. After this, they’re discovered by Myriad (the magic sage from the previous book), who wants to recruit Emily but is OK with recruiting the rest of them as well, and they try to take care of a new dungeon that’s pouring out undead. Finally, they arrive in the town of equality I mentioned in the previous paragraph, and Nina’s faith is shaken once again – as is that of the Queen, who discovers that when everyone’s equal it’s fine to treat the Queen like shit.

Firth appears throughout this book as well. He’s quit his family merchant company, determined to start a new company revolving around Astrid and Nina, even if they don’t really want to. He’s nice and sensible enough, but I was amused that the series literally points out the issue with him. When he’s traveling with Maid & Co., and they have to get an inn or food or what have you, it looks like it’s him and his women. It lessens the four of them. This doesn’t really happen with Myriad, who is also interested in recruiting them for their cool powers but also gives off strong “do not come near me” vibes to everyone around him, so it’s mostly Firth that we want to go away. And, to be fair, he does at the end of the book. As for Nina, I’m glad she got her groove back, and was able to help the Queen, but I am wondering if she is ever going to make it to her mentor, as Book 5 also appears to involve the journey, not the destination.

The 9th volume of this series, just announced in Japan, has big “final volume cover” vibes, so we might have an endpoint. In any case, if you love maids, this is still a must read.

A Wicked Lady’s Guide to Accidentally Saving the Kingdom, Vol. 1

By Manzi Mazi and Yuuya. Released in Japan as “Gokuaku Reijou no Kanchigai Kyuukokuki” by PASH! Bunko. Released in North America by J-Novel Club. Translated by Amanogawa Tenri.

There is a running gag throughout this book where a character is screaming at the top of their lungs in the face of Lettie, the titular wicked lady, and she tells them “TOO LOUD!”. That’s sort of how I felt about the book. It’s a comedy, you see, and it makes sure you know that on every page. There aren’t any straight men here – or rather, because there aren’t, Lettie is frequently forced to be the straight man, which is annoying as it’s her own weird quirks that are supposed to be what this series is about. Her conceit is that she does wonderful things for everyone in her land while pretending that it’s all due to her selfish evilness, but we never really get a backstory about how she came to that idea, and it honestly reads, as many of the newest light novels read, like the author noticed a trend and decided to do a book with that trend. And, well, this has 4+ volumes, so I guess it worked?

Lettie Ungaria is a wicked, evil villainess. She’ll tell you so herself, as she walks through her fancy mansion, announcing to her strangely devoted and grateful servants that she will work them to the bone (for 8 hours, after which they get free time, and of course weekends off). She’s horrible! She buys slaves from a slave trader (who turn out to be the first prince and his loyal army, fleeing from a revolution). She’s wicked! She walks through her city denigrating passersby as she tells them about the potential skin cancer and dental issues that they really should get looked at. Sure, OK, she’s yet another sixteen-year-old who looks ten, but can’t have everything. Unfortunately, everyone keeps calling her really sweet and kind, and there’s a rumor she’s even nicknamed a saint! What’s a wicked lady to do?

So, aside from Lettie being forced to be the least eccentric person in this book about her eccentricities, what else annoyed me? I’m never going to like the pervert guy character, even if you do make him super powerful as well. The prince’s emotional reserve bordering on stoicism is meant to tie into a tragic backstory but, again, looks like the author just wanted that type. The revolution itself gets a brief look-in and it’s the only part of the book that’s not “wacky” – which is a problem because that means it’s a wacky comedy with a scene where a villain decapitates multiple women and talks the new King into murdering his vassals and engineering wars. Clearly we’re going to see more of him later, but since he only shows up in that one scene, it’s just off-putting. And while I do think Lettie’s excuses for handing out money like it’s candy are meant to be seen as flimsy, we still don’t have the backstory to make that work, so it just looks halfhearted.

While Livid Lady made me livid, Wicked Lady just makes me sad. Where are the villainesses of yesteryear?

The Tiny Witch from the Deep Woods, Vol. 5

By Yanagi and Yoh Hihara. Released in Japan as “Mori no Hashikko no Chibi Majo-san” by TO Books. Released in North America by J-Novel Club. Translated by Nathan Macklem.

As I was reading this fifth volume, I mentioned online that Misha almost dies, and was warned about spoilers. Is it a spoiler, though? Now, “Misha dies”, that would be a spoiler, and we’d have to find a different tiny witch to take over. But no, if there’s one thing this book shows us, it’s that Misha may have dramatic things happen to her, but she is blessed by the author, and therefore everything revolves around her as it should. She’s on a ship filled with salty old sailors, but she’s so shiny that they all love her. She fishes in the sea for the first time, and the fish all bite. She sees dolphins, they do a little dance for her. Even when bad things inevitably do happen to her, they are part of the action and designed to get her to the next place where the plot demands. Which, and again, this is not much of a spoiler, is not going to be the village of the People of the Forest after all.

Misha and Ryne, along with a seasick Ren, are on a boat headed towards their village. They had to choose between a dangerous land voyage and a dangerous sea voyage, and went with the faster one. For the first third of the book or so, things are great. Misha gets along with everyone, catches some tasty fish, helps out when a sailor falls and breaks a shoulder, and is generally a plucky young girl, in the cheerful sense. Then pirates attack, and she becomes a plucky young girl, in the stressful sense, as when the pirates fail, one tries to kidnap her as she looks rich, and she ends up falling in the sea. Fortunately, ridiculous things happen, and she ends up being helped by a young man in a fishing boat, who takes her to his village that is hidden away from the rest of the world. Which is… bad news for those trying to find her.

I suspect we’re going to be at this village for at least a book or two, and we get introduced to a lot of new regulars. I really liked Ella, the apprentice to the village doctor who is a whole bunch of quirks all at once. She’s a bit hyperactive and ADHD, she has a perfect photographic memory but hates studying, she was a mother at 15, and she both really likes and also feels a tiny bit jealous of Misha, who is a couple years younger than her but already an experienced apothecary. We also get introduced to the village gods, who, it should not surprise readers who recall the last time we met this world’s gods, are not what they seem. Misha, of course, can’t leave this alone, which I think will be both good and bad for her, and I hope she does not end up burned at the stake. And while I joked about it a bit, the village having magical “even homing birds can’t find us, you’re totally stuck” powers made me roll my eyes a bit. Not Deus ex Machina or Diabolus ex Machina, just a “Well, whatever” Machina.

Next time, no doubt, Misha will be plucky, get into trouble, and win people over by medicine and being really nice. Should be fun.