Monthly Archives: October 2010

NYCC/NYAF Day 1

Got to NYAF about 10:45, and spent about 2 hours walking around the show floor – the glories of a pro pass – before it opened. Talked with Vertical and Media Blasters, as well as the Warner Archive, WB’s online movie store. Media Blasters are doing the best they can in this economy. Zetsubou-sensei’s on hold right now.

Got to panels about 2 and lurked in Viz’s room, which was now TBD. Turned out the staff was unaware the panel had been cancelled – they thought Viz were just late. After I noted that their online schedule had removed it, they cleared us out. Guess you can’t lurk in an empty panel room. So I went to a panel on shinigami, which was far more organized and laid out than I’m used to from a con – kudos to the panelist.

After that came the highlight of my day, the Archie industry panel. I wish everyone who has seen other industry panels could be at this one, as it was basically a lesson in exactly what to do. Tremendous enthusiasm, noting their past successes, mentioning future projects, teasing a few things… everyone on the panel looked delighted to be here, bar Victor Gorelick, and even his truculence seemed to alleviate by the end (he’s been with Archie for 52 years). Stan Goldberg was also in the audience.

They’re doing a new Betty and Veronica series called Betty OR Veronica, which details the girls going to Europe as transfer students, and trying to deal with various things. Archie Comics apparently wants to explore what life would be like as a Betty or a Veronica in the personality sense of the term (you get the feeling their staff is very aware of the online commentary). Kevin Keller’s getting a miniseries. They teased the Obama and Palin series, as well as a series dealing with Cheryl Blossom realizing she needs a ‘Betty’ to be her BFF, the way Betty and Veronica are, and chaos ensues.

They’re doing Sonic stuff, and Mega Man stuff. The much-delayed Sonic encyclopedia is much delayed as it’s gotten frikkin’ HUGE, and they note that the Archie encyclopedia would be after that, and be even bigger. They mentioned their digital comics, and noted that they found it actually increased print interest. They were all personable, and had good answers for everything. Most of all, you sense they knew how to run Archie as a business. They were corporate, in the best sense of the word.

After that came Dark Horse, who rolled out their own online digital program, which was the focus of much of the panel. They announced new titles from the Vampire Hunter D artist, however, as well as Kouta Hirano’s new Ours series Drifters, and a short one-volume manga from Yasuhiro Nightow that was in Shueisha’s Jump Square.

That was it, and I talked with their rep afterwards. The economic situation is really hurting them in regards to what they can and can’t put out. They noted they loved Reiko the Zombie Shop, and wanted to release more, but the economy and poor sales simply won’t allow it. Same with Translucent, which I brought up. Ghost Talker’s Daydream was noted as something which got enough buzz for them to restart it, however. And yes, nothing is cancelled. If the economy gets better, who knows? This also affects their new licenses, which are mostly one-shots or short series. I asked about Lucifer and Biscuit Hammer, which they’re aware of but… World Embryo, btw, is also on hiatus.

The last event of the day was the New York premiere of the Haruhi movie. It was pretty fantastic. As a more-or-less straight adaptation of the 4th novel, I knew what to expect going in, but that didn’t make it any less fun to watch. Kyon and Yuki fans will love this, although Haruhi and Mikuru also get extensive focus. I think it was worth the wait and expense, and almost justifies Endless Eight.

What will Day 2 bring? Well, Bandai, Funimation, Yen, and Vertical. Can’t wait.

Manga the week of 10/13

I may be in NY for the convention, but that’s no reason not to tell you what’s coming out next week in manga!

Bandai celebrates the week with two whole releases – the second volume of Code Geass: Knight, the female oriented doujinshi anthology (note: it’s clean. Sorry, girls.) And there’s the 6th volume of Lucky Star, featuring, no doubt, more 4-koma otaku-oriented humor.

Dark Horse has been pumping out volumes of the dark, violent series Gantz, so I guess it must be doing well for them. It certainly seems to fit, coming from the publisher of Berserk and Blade of the Immortal. I wonder if there’s any other Shueisha or Shogakukan series that might bypass Viz for Dark Horse? (Gantz runs in Weekly Young Jump, a men’s magazine.)

I don’t really have anything witty to say about Love Potion, the newest yaoi manga from DMP, except to say that I am sad it’s not Volume 9.

And then there’s Viz. The big news is the first omnibus edition of Cross Game, which makes me very excited. (It’s not on Midtown’s list, but I’ll assume that’s the usual glitch.) Cross Game is by the legendary Mitsuru Adachi, and I hope readers enjoy his subtle understatement, his love of baseball, and his big surprise at the 1/3 mark of this volume.

In other Viz news, we get new Case Closed, Inu Yasha, Kekkaishi and Yakitate! Japan, and the second volume of boy and his teddy bear action comic Hyde & Closer. Here’s hoping some of these Shonen Sunday series do better in terms of sales (well, apart from Inu Yasha, which needs no help.)

Oh My Goddess! Volume 36

By Kosuke Fujishima. Released in Japan by Kodansha, serialization ongoing in the magazine Afternoon. Released in North America by Dark Horse.

This is the first volume of OMG in a while where the book takes up one entire story, though they are helped by the volumes here (and in Japan) being about 50 pages shorter than earlier volumes. This one is just 6 chapters long.

The plot itself carries over from the last chapter of 35, featuring a drunken Megumi showing up at the temple wondering why guys keep dumping her. Naturally, we find it’s because she’s far too awesome for them. Any casual OMG fan could have told you that, Megs. In any case, she’s wasted and heartbroken, and both Urd and Skuld decide to SOLVE ALL HER PROBLEMS by erasing/modifying her memories. And of course, everything goes wrong, and now everyone there has lost ALL their memories.

The main thrust of this volume, of course, is seeing how even with their memories eradicated, Keiichi and Belldandy are still head over heels in love with each other. They seem to realize it right away as well, even if they’re initially too shy to say anything. Meanwhile, Megumi can see it as well (she’s really one of the smartest in the entire cast, despite not knowing about the whole ‘goddess’ thing), despite Keiichi being stuck in a sentai suit, Keiichi’s collection of porn, and the annoying cat demon thing trying to convince everyone that he and Belldandy are engaged while Keiichi and Megumi are married.

First of all, I’ve ranted about it before and I’ll rant about it again. Why does Keiichi need porn? He has Belldandy! Yes, I realize that Urd and Skuld are there to be annoying and stop any nookie, and yes, it’s true that Keiichi is a reader surrogate and therefore cannot have sex with any of them lest he ruin the innocent purity that Japanese otaku prize (so they can dream of taking it themselves). But dammit, it’s been 36 volumes, Keiichi is clearly in his mid-20s by now, and he and Bell have been ‘together’ for about 5-6 years now. They pledge their love to each other AGAIN here. It’s getting ridiculous. I don’t care if you have to move to Evening and cross over with Kosaku Shima, it’s time to get more intimate.

Secondly, there’s a vague tinge of incest through the entire volume. It starts with Keiichi realizing his little sister has grown up (he wasn’t even aware she was dating), which the predictable shot of him ogling her breasts (and then feeling guilty). Then Velsper tries his ‘you’re both married to each other’ thing, which luckily Megumi sees through fairly quickly. Finally we have the epilogue, where Megumi’s seen with another guy and letting him know that he just can’t hold a candle to her brother. (Interestingly, this line is far more suggestive than the scanlation that was out ages ago, which notes that she’s looking more for what K1 has with Bell, rather than looking for a guy like K1. I have to assume that Dark Horse’s is more accurate, but don’t have the Japanese to find out.) It does remind me that Keiichi and Megumi are a brother/sister pair who get along surprisingly well in the manga canon. Though hopefully not that well.

In any case, this is a nice sensible, meat-and-potatoes volume of Oh My Goddess. It’s not devoted to mecha fetishes as much as prior volumes, but makes up for it with some nice heartwarming scenes with our favorite couple, and lots of Megumi. Recommended to those who would be reading it anyway.