Monthly Archives: December 2010

I Am Here! Volume 1

By Ema Toyama. Released in Japan by Kodansha, serialized in the magazine Nakayoshi. Released in North America by Del Rey.

Another omnibus volume from Del Rey, though this one at least looks like it was designed that way deliberately. We’re seeing a few of these 5-volume series being released here in Volumes of 3 and 2 – Yen Press is doing this with Dragon Girl and Sasameke – and certainly it makes more financial sense. And, thankfully, we now at least know it won’t be abandoned halfway. Kodansha USA is listing the 2nd and final volume for July of 2011.

As for the volume itself, I was sort of reminded as I read it of Fairy Tail. Now, it has absolutely nothing to do with Fairy Tail itself. But much as I imagined Kodansha telling Hiro Mashima to go draw a clone of One Piece that will get the same audience and (hopefully) the same sales numbers, it’s very hard to read this volume, and its heroine, without thinking of Sawako from Kimi Ni Todoke. Whereas Sawako had the ‘Ringu’ effect going for her, Sumino here is merely invisible to others. Not in a Translucent sort of way, just in the normal teenage girl ‘I don’t stick out or speak very well, so I get ignored or disregarded’ sense. Luckily, this being shoujo manga, she has some allies. The hot boy in school turns out to have been watching her – and falling for her – all along, and she also has two commentors on her blog, which is how she has most of her daily interaction. Were this an actual blog in real life, no doubt she would be dealing with ‘tits or gtfo’ posts. Instead, her two online friends offer sensible (if sometimes differing) advice.

The plot itself is fairly generic, with one premise that I’ve grown very weary of (all the girls in school hate me, but at least I can lean on my hot guy friends). As with most manga in this genre, the hero is a bit too perfect – I prefer his snarkier friend, whose advice to Sumino tends to be less affirming and more practical. That said, the heroine is certainly likeable, and you do root for her to succeed. I was also interested in the main ‘bully girl’ character in this volume. She gets her comeuppance towards the end, as her fellow girls abandon her when she gets more and more strident – but the page focuses on her briefly as she runs off, seeing her frustration and self-loathing. That was nice.

The art is both quite good and very bad. The character designs are cookie-cutter, and worst of all tend to vary – the hero in particular can look different from one panel to the next, and the only way we can tell him apart from his best friend is that one is blond. On the other hand, the general layouts are a lot more professional, and the artist clearly has an idea of what makes a striking image. With the focus of the volume being the distance Sumino feels from her classmates, seeing the group of girls in a half-circle as they realize that Hinata is paying attention to her is striking and doom-laden, and makes good use of a two-page spread. We see this again and again throughout the first hal;f of the book, as various girls surround Sumino, giving off a crushing vibe. Then, in the scene where Sumino stands up to the bully, we suddenly see these same girls gathering around Sumino to confront the bully. Suddenly Sumino is WITHIN the half-circle – and it’s a warm, life-affirming feeling. I like seeing that sort of thing in a manga. If only the characters themselves didn’t look so generic.

In the end, this is a good but not great manga. It’s good enough that I’ll get Volume 2 to see how it ends, but it’s certainly no Kimi ni Todoke. Just a normal story of a shy invisible girl who’s gradually learning to come out of her shell and find love.

Manga the week of 1/5

Believe it or not, for a first week of the month, it’s pretty quiet. Which is somewhat of a relief after all those Tokyopop releases last week. But Viz has scaled back and postponed some releases, so we don’t have quite as much as usual from them.

But first, Bandai comes out with the final Volume of Gundam 00 2nd Season, which is, naturally, totally distinct from Gundam 00F, which I believe may still be ongoing. And Dark Horse comes out with two titles at the complete opposite end of every demographic spectrum: the T&A; violence of Gantz (from Shueisha’s Weekly Young Jump), and the horror with shonen ai overtones of Evangelion: Campus Apocalypse (which ran in Kadokawa’s shoujo magazine, Asuka).

As for Viz, a couple of their titles are also coming to an end, including one of the original Shonen Jump titles, Shaman King, which ends this week at Vol. 32. There’s also Prince of Tennis, which has hit Vol. 40 and is still going. Not much longer now, though, it wraps up at Vol. 42, provided Viz don’t pick up the sequel which just started. There’s also Eyeshield 21, which has 3 more volumes to go after this one. Given One Piece and Gin Tama (and Claymore, whose Vol. 17 is also out this week) are still piling up volumes with no end in sight, Viz must be relieved to see some of the lower-selling but long running series come to an end.

In shoujo news, we get new volumes of Natsume’s Book of Friends and Stepping on Roses (I’m hoping for more awesome shogi action in the latter, though I expect I’ll merely get more passive heroine mooning over jerk), and the final volume of Sand Chronicles, which ended its main storyline back 2 volumes ago but has added some side stories here rather than interspersed throughout as I’m more used to with shoujo.

Lastly, Viz lists the 2nd volume of Kurozakuro as coming out the week after next, but Midtown has it shipping on 1/5. Well, there had to be something different in this week’s comparison of Midtown and Diamond – there always is. Anyway, buy this title, or the character on the cover will leap out and rip your throat out with his razor-sharp teeth. I think.

Butterflies, Flowers Volume 5

By Yuki Yoshihara. Released in Japan as “Chou Yo Hana Yo” by Shogakukan, serialized in the magazine Petit Comic. Released in North America by Viz.

I was rather surprised to find that this was a far more serious volume of the series. Oh sure, there were a few mentions of barge poles and some wackiness involving Choko’s brother, but the slapstick violence was almost zero. After Masayuki resolving to try to stop being over the top and less sexually harrassing, it looks like the manga may be trying to do the same thing. (The one exception is a completely ludicrous parody of infomercials in the first chapter, which worked great as it was so out of the blue.)

But we also see a fire tragically destroy Choko’s family home and business. After seeing her family lose their fortune and trying to get by as best they can, seeing even that taken away from them is a real kick in the teeth. It also serves to remind us of the sole reason why Masayuki is an up and coming corporate shark, as he immediately offers (with much anger that they didn’t ask for help) money to help them rebuild, pointing out that this is pretty much what he has been working towards all this time.

We then get two problems, both of which dovetail nicely with each other. First, to his embarrassment, Masayuki is suffering from a bout of impotence. While he doesn’t let that stop him from helping Choko to achieve her own pleasure (in a nice scene that once again reminds you why this manga is rated M), it is clearly frustrating to him. Meanwhile, Choko discovers this and worries that the reason for it is that he sees her more as his princess rather than as an attractive sexual woman.

Unfortunately, her solution doesn’t quite work. It SOUNDS good – she wants Masayuki to treat her as an equal, and says they should just be normal ordinary lovers, with none of the master and servant dynamic that has defined them so far – but the trouble is that people are, to a degree, defined by their pasts, and her suggestion seems to indicate that she finds their back history meaningless. If they don’t have the master/servant dynamic, then they cease to be Choko and Masayuki. And really, as Makie notes, ‘ordinary lover’ is not something one should strive for. Especially not with someone as extraordinary as Masayuki.

As readers no doubt will be relieved to hear, Masayuki manages to get over his impotence and have his “second sex” with Choko by the end of the volume. Moreover, he forcefully declares that he will continue to call Choko Milady. One can argue about how healthy this is, but at least it’s not denying the past and present they have with each other. Plus, of course, it allows them to keep the humor. And as we still have 3 volumes to go after this, I’m hoping for a lot more wackiness in future volumes.

Oh yes, and Makie’s face as Choko suggests Suou would be a good lover for her is adorable. :D