Otomen Volume 9

By Aya Kanno. Released in Japan by Hakusensha, serialization ongoing in the magazine Bessatsu Hana to Yume (“Betsuhana”). Released in North America by Viz.

After my rant about the last volume of Otomen, I have to say I found this volume far more intriguing than I expected. While the overall shape of the plot is the same, there were more than a few surprises here to keep things going. Including the fact that the ‘rid the school of otomen’ plot is ongoing, and doesn’t wrap up here, but ends with another pseudo-cliffhanger.

I had mentioned that I was expecting Kasuga to be revealed as a secret otomen in this volume, and that’s sort of partially true – however, the attention paid to Juta and his secret manga in this volume came as a shock to me, as I’d been expecting the attacks to mostly be on Asuka. This actually works very well, giving Juta some well-deserved tension and hitting heavily on the guilt he feels on relying on Asuka and Ryo to provide his plots. His sister even point blank tells him that he can’t keep this up forever.

The backstory between Kasuga and Asuka, on the other hand, allows Kanno to pull out the ‘this isn’t meant to be serious’ card, as the flashback to their childhood relationship is probably the funniest thing in the volume. Naturally, Asuka’s naturally feminine qualities are at the heart of the problem. This also allows the author to satisfy the no doubt huge BL-loving audience that is reading this series. As does the eventual solution to Juta’s problems, which allows for another great bit of cross-dressing, and continues to emphasize the motto of “preserving the dreams of young girls”.

The final chapter has Kasuga bringing in a new set of ringers to change the situation at school, this time using a bunch of ‘rebel teachers’ who are there to make the men manly and the girls cutesy. Their introduction actually reminds me more of a shonen manga, in that they seem like the usual quick mid-range bosses you’d expect the hero to defeat and/or befriend on the way to the final battle. We deal with the first of these here, Otawa Moematsu. She’s an ultra-femmey teacher who almost drowns the classroom in sugar, and has all the girls learning how to bake sweets and make cute fuzzy animals.

Of course, she meets her immovable object here in Ryo, whose cute teddy bear looks like a water flea that’s been beaten to death, and whose cooking tends towards ‘simple’. (Ironically, we saw Ryo make a decent bento earlier in the volume – but she was cooking for Asuka then, so was far more motivated.) Not to mention her bedroom devoted to martial arts. Otawa finally gives up, and knows that Ryo will never get her man (she saw Ryo’s picture of Asuka and Juta in her room, and I suspect figured they were gay). Then, much to her horror, she discovers that not only are Asuka and Ryo a real couple, but are “the best couple on campus”. As expected, much as Asuka disguises his otomen habits by manly activities, Otawa is far less cutesy than she likes to appear. Vengeance will be hers.

So, another interesting volume of Otomen. I still have my issues with it, but Kanno certainly knows how to keep people interested and move her plot in interesting directions. Hopefully we’ll see Asuka start to strike back against the evil mid-range villains in Volume 10!

Kimi ni Todoke Volume 7

By Karuho Shiina. Released in Japan by Shueisha, serialization ongoing in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by Viz.

Once again, there are so many fantastic individual moments here in this volume that it makes me forget that things are moving at a crawl. In any case, we get 4 new chapters here, three of which are devoted to New Year’s Eve. Since the last volume had Sawako spend Christmas with her family, even though it’s a couples day in Japan, it’s fitting somehow that this New Years’ she gets to go around with Kazehaya. Even if she has to be tricked into it. And even better, her birthday is New Year’s Eve.

Yoshida and Yano give Sawako a makeover (which is adorable, and I love how it’s their birthday present to her) and then promptly ditch her right as Kazehaya arrives, turning their group outing into a duet. Of course, they then continue to watch from the sidelines, which leads to comedy (poor Yano really suffers in this volume, from needing to keep Joe occupied the whole time to running into Pin at the end) and some nice sweet moments (Ryu has been grumpy the entire time, thinking that Sawako and Kazehaya don’t need as much ‘help’ as the girls are giving, but finally gets Yoshida away for a quiet New Year together).

The majority of the three chapters, though, is the usual back and forth between Sawako and Kazehaya. They’re both incredibly poor at communicating, and both find each other very hard to read, which leads to a huge amount of awkwardness. Kazehaya is clearly blown away by Sawako’s makeover, and isn’t quite sure where to look. Luckily as the night wears on and he finds it’s her birthday, he relaxes, and even goes so far as to swap fortunes with her (he gets good luck, she gets bad, though both fortunes are rather perspicacious when it comes to their love lives). Still, when the night is over they simply part. Sawako now realizes that having Kazehaya as a friend isn’t enough anymore. She wants him to be a boyfriend.

Of course, knowing and doing are two different things. The last chapter is far less sweet than the previous three, and features the ‘villain’ of the series, Kurumi, making her return after a volume and a half’s absence. It’s Valentine’s Day, which means chocolates, both obligation and love types. Kurumi, of course, has made chocolate for everyone, but finds it incredibly hard to give Kazehaya his. To make matters worse, Kurumi (who’s better than she was, but is still enjoying making life miserable for Sawako) notes Kazehaya always refuses chocolate that isn’t friendship chocolate. Except for Kurumi’s. Mostly as he feels guilty for turning her down. And so, in the end, Sawako does nothing. We’re left on a cliffhanger.

I really feel for Yano here, as watching Kazehaya and Sawako clearly be head over heels with each other and yet barely move forward an inch can be mind-numbingly frustrating. Still, there’s lots of little moments here that continue to make this one of the best shoujo manga out there, and I’m hoping that Volume 8 might resolve things a little better (a hug? can I at least get that?). Plus we get a hint that we’ll meet a new male character soon, who I suspect will be to Kazehaya what Kurumi is to Sawako. Good times!

Manga the week of 2/9

After 2 huge weeks of manga, I’m pretty beat. Good thing that next week is very, very quiet on the manga front.

From Dark Horse, we have Vol. 37 of Oh My Goddess, which is 200 more pages of Belldandy and Keiichi not having sex. In case you were going to buy it for that, you know. (Me, I buy it regardless, but I’m weird that way.)

And from Viz, we have a quartet of titles: two shonen and two seinen. Inu Yasha gets another VIZBIG omnibus, this one collecting Vols. 16-18 of the original. Maoh: Juvenile Remix continues to not involve Richard D. James in any way, strangely enough. And here I thought he remixed everything. Biomega, a semi-sequel to Blame! that runs in Ultra Jump, hits its penultimate volume. And Jormungand features apparently a lot of folks killing other folks. It runs in Sunday Gene-X, Shogakukan’s Ultra Jump equivalent, which also features Black Lagoon. Some day I should buy a copy of Gene-X to make sure the entire magazine isn’t just series after series of amoral killers with guns and hotpants.

Really, if it is, then I see more license requests in the future.