Hetalia Axis Powers Volume 1

By Hidekaz Himaruya. Released in Japan by Gentosha, originally serialized as an online webcomic. Released in North America by Tokyopop.

The concept of anthropomorphized countries is nothing new, as anyone who’s seen Uncle Sam can tell you. Indeed, the year Hetalia came out, another Japanese webcomic artist was drawing various countries and their own (slightly more serious) troubles as “Afghanis-tan”. But Hetalia’s the one that really took off, and this title has been highly anticipated ever since Tokyopop announced it. It has a huge fandom in both Japan and the West, one which delights in fanfics, fanart and cosplay. It was, in fact, the most obvious license ever.

But is it any good? Well, mostly. It was originally a webcomic, drawn without much thought to a legacy, and that shows in the extremely scattered nature of Volume 1. (It also shows in the art reproduction, some of which is simply miserable. I’ll have to assume that this is the case with the original Japanese as well.) There is no ‘plot’ as such to this, just Italy and his other country friends goofing around or getting mad at each other. Its 4-koma nature means the humor can be very scattershot, with pages going by with only weak gags. And it is, let’s face it, one long ethnic joke.

That said, there’s a giant goofy charm to this manga that can’t help but carry you along. The premise almost seems to dictate this, as anything other than ‘goofy comedy’ would end up being even more hideously offensive. Theoretically, this is about the three Axis powers joining and starting World War II, but that’s barely touched on except in the vaguest way. There’s certainly nothing remotely mentioning the Holocaust. This is European History as dumb knock-knock joke, and it works better for that. Germany is meant to be the country as a whole, not Nazi Germany.

Talking about characterization almost seems to be pointless, but it’s there. Italy is truly stupid and annoying, in the best comedic hero way. Most of the jokes either riff on obscure historical trivia or talk about their country’s stereotyped loves and hates. Italy loves pasta, Germany is obsessed with order, America loves Cheeseburgers and being “the hero”, etc. There are teases of relationships I’d like to see developed more – Austria, Hungary and Prussia in particular were quite funny and I hope to see more of them. I was also rather surprised at the occasional serious series of strips, especially Hetalia’s version of the American Revolution, which comes out as a younger brother realizing that he’s grown up and doesn’t need his older brother’s help anymore. It was actually rather touching.

It should be noted that the fandom for this series is largely yaoi-oriented. There’s no actual evidence of this in the series per se – indeed, there was actually less shippy tease in this volume than I’d anticipated from hearing about it – but you can definitely see why it attracts said fans, and I certainly get why they’d be all over these guys. Hungary was the only female in the entire volume, but I do hear that future volumes introduce the occasional female country as well.

Overall, I’d say this was definitely worth a look, though if you take offense at the basic premise of WWII Countries acting like idiots than it’s probably not for you. For all its historical footnotes it has no particular desire to be historically accurate, but I don’t think anyone is looking to Hetalia to teach them anything. There are lots of pretty boys being silly here. That’s all that matters.

Bamboo Blade Volume 6

By Masahiro Totsuka and Aguri Igarashi. Released in Japan by Square Enix, serialized in the magazine Young Gangan. Released in North America by Yen Press.

This volume of Bamboo Blade introduces yet another minor antagonist, this one clearly made out to be evil – she’s drawn that way, and in a fake fakeout designed to confuse us we realize that she really *is* that way. Yet Konishi isn’t going to take Tama down with dirty tricks any more than the other earlier clubs could, and tricking her into a sprained ankle is only going to make Tama mad. Indeed, the best part of this manga is seeing Tamaki in full rage mode – partly as she’s so angry at anyone being that disrespectful of kendo, and partly as the pain in her ankle is causing her to lose her reason a bit.

The other cast members are all going through their matches as well, but these are actually rather predictable. Azuma is dealing with overeating, acusing her energy levels to wobble back and forth. Miyamiya is getting better at kendo, so much so that it looks like she may finally put up a fight, but this is sadly destroyed by the presence of Reimi and her wacky crush. Saya actually manages to win by simply being good at the basics, something that Bamboo Blade emphasizes but which we rarely see with these powerhouses around.

But Tama, despite her best efforts, can’t hide her ankle forever, and Kojiro withdraws her from the match. Since they’re all tied up, this means Kirino (who won easily earlier) now has to fight another battle… and what’s more, gets good news at the worst possible time. Kirino’s intense concentration is impressive, but I have to admit that I prefer her hyper idiot persona, especially to contrast with the others. (As an aside, we also get a flashback examining why Konishi is the way she is. Fairly typical of these sorts of series that like to humanize their rivals, but I’m not sure it really works here – Konishi’s simply not very likeable.

Still, despite the result, it still seems as if these early battles are lacking something. Kojiro knows it, and the reader knows it too. Tamaki is simply TOO GOOD. She’s miles ahead of everyone else, and this leads to situations like the one we had in this volume, where she has to be essentially crippled in order to be able to get past their team. This being a sports manga, this cannot be allowed to stand. Tamaki needs a rival. We don’t get that in this volume… but the preview for the next (which is for once a serious preview) implies that we will see her in Volume 7.

As for this volume, in the end it was not as good as some of the others, but there weren’t any major problems with it. For those reading the series, it’s a good, enjoyable volume, giving you lots of kendo battles and a good helping of humor.

After School Nightmare Volume 1

By Setona Mizushiro. Released in Japan as “Houkago Hokenshitsu” by Akita Shoten, serialized in the magazine Princess. Released in North America by Go! Comi.

As I’m hosting this month’s Manga Moveable Feast, it would be a good idea for me to actually have an opinion on the title that I am hosting. Which, due to the wonders of democracy, I had not actually read before. After School Nightmare was put out by Go! Comi between 2006 and 2009, and I never did get it when it first came out, most likely as I’m not generally into horror unless there’s a healthy dose of humor.

The horror element is a major part of the series, and Volume 1 serves up some nice imagery. The girl with the holes in her face and chest is a startling image when you first see it, even if the backstory to it is sadly predictable, especially if you’ve read any Japanese manga before. The thing composed entirely of one long arm was also intriguing, though I did not actually find out the story behind it here. And of course you have the underlying menace of people ‘graduating’, which is clearly meant to equate to death in this universe.

Then there’s our three main characters, each with issues of their own. I quite like Kureha, despite her clearly traumatic backstory (did the manga really indicate she was raped as a 5-year-old girl?), even if I understand that in a manga featuring two pretty ‘boys’, one of whom has a psychotic crush on the other, she is doomed doomed doomed. I was less fond of Sou, but then I dislike that sort of character in general, even though I know how distressingly common they can be in real life. And then there’s Mashiro, whose gender ambiguity is starting to define his life. (I use his here simply as Mashiro in this volume is desperate to think like a guy). As others have noted, I wasn’t too bothered by the ‘girls are weak, guys are strong’ nonsense as it’s clearly being repeated more as a mantra to keep thoughts from straying too far.

Sadly, after all is said and done, I found Volume 1 strangely uninvolving. I’m not quite sure what failed to click. The manga is well-paced, the plot is laid out decently and with enough hints to make you want more. The characters are all hideously broken, which is exactly what you want in a psychological horror manga set at a school. It may simply be that I don’t like the genre of manga (or TV, or books…) that TV Tropes has termed ‘Kill ‘Em All’, which After School Nightmare is setting itself up to be. Getting to know and care about characters only to see the many and varied ways they die is not my thing, whether they be killed or ‘graduated’. And the manga is clearly setting itself up to do this, implying that the herd of cast will be thinned very soon. Not my thing.

Still, as a shoujo series, it does provide a lot of what I think young Japanese teens would like. Being at your school and yet feeling ‘different’ from everyone else, dream imagery, sweet boyfriends who are actually girls and therefore unthreatening (Kureha actually says this straight out in the manga itself), coupled with the thrill of the ‘dangerous’ guy, and of course what will no doubt be endless miles of tragic backstory. For those reasons, I can see why anyone would want to read After School Nightmare.