Stolen Hearts Volume 2

By Miku Sakamoto. Released in Japan by Hakusensha, serialization ongoing in the magazine The Hana to Yume. Released in North America by CMX.

The second volume of Stolen Hearts is just as adorable as the first one. Koguma and Shinobu are the perfect odd couple, and meeting Koguma’s odd family seems like an excellent capper. He and his four brothers grace the cover of Volume 2, in blatant female fanservice, but it works well.

In fact, things might be a little *too* adorable. There’s not a heck of a lot of conflict here, with most of the series being devoted to the couple trying to get moments where they can be close and deepen their relationship. There is a crisis mid-volume involving Koguma’s older brother, but this much-needed drama is quickly cut off after only one threat from Shinobu – which is almost nothing by shoujo manga standards, where misunderstandings are bread and butter.

Of course, their love is stronger than a mere threat from an older brother. Indeed, we see in the last chapter of the volume how much closer the two of them want to be. Staying the night in a hotel is a standard manga trope, but there’s a certain sensuality to it that makes it work here – you can feel Shinobu and Koguma’s desire, and it’s always nice to see a cute, adorable relationship that also acknowledges a healthy dose of desire. It also leads to a fantastic kiss.

As you all know, CMX has shut down, so this is all we’re going to get of Stolen Hearts, which is still running in Japan. It’s a crying shame, but at least this volume didn’t end with a hideous cliffhanger, so we can gain a false sense of closure here, knowing that the two of them are going to work things out. Of course, you’d already realize that just reading this.

Manga the week of 7/21

Well, OK, not *just* manga. Scott Pilgrim is pretty much going to be overshadowing anything else out this week, and rightly so. Some people already have it, according to Diamond, but these people are not me, so I shall get my copy on the 21st.

Vertical is releasing the first volume of Peepo Choo, a cross-cultural manga by Felipe Smith, which ran in Kodansha’s monthly manga magazine Morning Two (home of Saint Young Men). I haven’t had a chance to read it yet (it’s not really safe to read on public transit), but hope to this weekend. Definitely recommended, always support Western authors working in mainstream Japan. :)

Viz has the 23rd Fullmetal Alchemist, which is in the midst of the big finale. Several volumes to go, of course – it’s a long finale. This volume in particular has some great stuff, especially for fans of the sort of relationship between Roy Mustang and Riza Hawkeye. Though the *best* line goes to someone else, and I won’t spoil it…

And Yen has a huge pile of stuff, including the first volume of Ugly Duckling’s Love Revolution, a shoujo-ish manga from their boy’s love magazine Comic B’s-Log (though I think the series lacks actual boys’ love). Romeo x Juliet, a media tie-in manga from Kadokawa Shoten’s magazine for female otaku, Asuka, which will be an oversize complete-in-one volume here. And they debut a light novel line with the Book Girl series. I have to say the title of the first volume, Book Girl and the Suicidal Mine, intrigues me. But can it possibly be as screwed up as NISIOISIN? Zaregoto has spoiled me…

Dengeki Daisy Volume 1

By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz.

I had gotten into a lazy habit recently, what with all the shoujo manga coming out from Viz. Viz’s licensing tended towards two major shoujo magazines from their two respective owners: Shueisha’s Betsuma, and Shogakukan’s Betsucomi. (Note that the parent magazine for those titles, Margaret and ShoComi, get far less licensed over here.) And I noticed that the Betsuma titles tended towards cute fluff, while the Betsucomi ones tended towards gripping angst. Love*Com, for example, was clearly a Betsuma title, as was High School Debut. Sand Chronicles and We Were There? Classic Betsucomi.

This isn’t true of course, I just like to categorize. A recent title from Betsucomi that came out over here, Monkey High, was filled with lighthearted comedy. And now we have Dengeki Daisy, with its adversarial relationship between the spunky heroine Teru and her “jerk” boss Tasuku. Certainly there’s no lack of drama here. Teru has recently lost her older brother (having lost her parents before this), and is living alone. Likewise, Tasuku seems to be hiding several things, and is (of course – this *is* a shoujo manga) trying to avoid letting himself get too close to Teru.

But it strikes an excellent balance, never letting the dramatics overshadow the humor, and never letting the humor get too goofy. And yes, it’s another mysterious protector here, but at least it’s shown that Teru can take care of herself most of the time, and her life has enough bad things going on it that she may need someone watching over her. (Her naivete is demonstrated here in one of the better parts of the book, where she invades a love hotel to rescue an acquaintance from some sleazy guys. Tasuku is absolutely livid with her, and you see his point.) And of course, like many overly confident shoujo heroines, she is plagued by self-doubt and worries constantly about being a horrible person.

The use of the internet and cell phones give this a nice modern feel (hopefully it won’t be that hideously dated in a few years time), and it’s a handy way to keep Tasuku’s identity as her secret benefactor a secret. This is also a good thing because, while it’s nice to see him looking cool and broody, it’s even better to see him playing the over-the-top jerkass, forcing Teru to do all the menial labor he’s supposedly paid for, and making sure whenever he’s too nice to her to insult her in response, so she doesn’t get too suspicious. The cliffhanger to Volume 1 shows, as we had guessed, that he was close to her brother, and no doubt this will fuel further drama.

There’s nothing especially new or unusual here. But there’s lots of likeable characters, intriguing situations, potential for cute romance, and potential for horrible heartache. Let’s hope it continues to balance out its serious plot with a fun, teasing sense of humor.