Karakuri Odette Volume 3

By Julietta Suzuki. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Tokyopop.

So in my review of the first two volumes of Karakuri Odette, I noted that the series really hadn’t gotten into typical shoujo romance yet, instead focusing on Odette’s attempts to adjust to society. So clearly I merely hadn’t read far enough, as this volume is simply loaded with love polygons. For those curious, Mika loves Asao, Asao loves Yoko, Yoko loves Okada, Yukimura loves Odette, Chris loves Odette, and Odette has no idea what love is about. Just another day in the life.

Of course, that doesn’t mean that the volume is all romantic mush. The main thrust continues to be Odette trying to figure out humanity, and the readers realizing that she’s already there, as she acts very much like any human would given the circumstances. The moral of Karakuri Odette seems to be that we all go through life unsure of ourselves and making decisions based on little information, and there is no perfect ideal for anyone.

The first chapter, which has Odette desperate to find and save a lost cat, has an obvious psychological bent to it. After her earlier experience with a cat getting run over, she’s desperate to avoid anyone feeling sad about that again. (Remember when Asao asked about it, she actually went so far as to lie to him.) So she goes above and beyond to save this other cat, despite missing school, and despite the fact that it turns out saving the cat will cost huge amounts of money. This is one chapter where we *do* see Odette as more of a child, and the Professor calls her out on it as well.

The rest of the book, though, places Odette firmly in the teenager category. We see mopey lovesick teenagers slumped on desks, and later see mopey Odette in a storage room, sure that her bulky new battery pack makes her look ‘ugly’ and ‘horrible’. Every teenage girl in the world has felt like this sometime. Odette can’t distinguish between feelings for friends and what ‘romantic’ love is supposed to be, but thinks this is something unique to her. And worst of all, stress seems to be draining her battery, to a degree where at one point she collapses in the hall.

And of course there’s Odette and Asao. Chris spends most of this volume AWOL due to his own drained battery problems (i.e., utter jealousy), so we get a lot more of these two together. I don’t really want to see them as a couple, but as friends they’re awesome. Asao, a very blunt person, discovers firsthand just how annoying that can be when Odette acts that way. Despite this, he remains very protective of Odette, and even when utterly disgusted and frustrated, refuses to abandon her. He’s pretty much become my favorite character.

We’re now halfway through the series, and I’m very interested in seeing the direction that it goes in the future. I doubt a romantic pairing for Odette is in the cards – I simply can’t imagine Professor making her fully functional – so I presume the remainder will be what the first three volumes have been. Gentle comedy about a more-human-than-she-thinks robot girl learning about the world. That suits me just fine.

Itazura Na Kiss Volume 2

By Kaoru Tada. Released in Japan by Shueisha, serialized in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by Digital Manga Publishing.

Since yesterday I discussed series where the romance was not the be all and end all of the title, today let’s go in the opposite direction. Sometimes shoujo romances are just that. They are their couple. In Itazura Na Kiss, there is not one single plot, thread, or conversation that is not in some way about our two leads and their love hijinks. It oozes romantic comedy from every pore.

This came out in the early 1990s, and it’s hard to remember at times how influential it was. You see its situations played out in a lot of manga descendants (Marmalade Boy is the one that keeps coming up in my head), and as with most trend setters, if you’re reading it after all of its followers you can come away with the feeling that it’s just another boring shoujo romance. However, I don’t really have that feeling here.

Why? Well, it’s the difference between drinking coffee with three sugars and a lot of milk, and straight black coffee. Itazura na Kiss is completely unfiltered. Most manga these days with ditzy heroines and sullen heroes will throw you a bone, usually once a chapter, showing that the two characters are not as bad as they initially seem. You see the girl being good at sports, for example, or offering sensible love advice to anyone who isn’t her. Or you see the guy teasing the heroine for 30 pages, then saving her from a group of thugs and checking to make sure she’s OK.

Not this manga. Kotoko is a complete idiot, in almost every aspect of her life. Bad at school, bad at athletics, horrible at hooking people up, she is almost the definition of a flake. And as for Naoki… I try not to use harsh language in this blog, but sometimes, you gotta bring in the big guns. Naoki is a complete asshole. Not only is he seemingly sullen and uncaring, not just teasing the heroine but being genuinely cruel and nasty to her, and showing passive-aggressive jealousy in regards to her other male friend. There is the odd moment where he shows a softer side (here it’s in the final tennis match, after she finally returns a serve), but it’s more like once every 2 volumes rather than once a chapter. This couple is just difficult to like.

A lot of that may be deliberate. I was rather surprised when this volume (Volumes 3 and 4 of the original release) saw the leads graduate from high school and move on to college. So many shoujo manga in Japan don’t even think of life after high school, mostly as that when the couple get together, and thus when the story ends. But Itazura Na Kiss has a far larger scope than this, and promises to show us even moving beyond college. I admire that.

Despite the fact that it is hard to read this without wanting to reach into the book and throttle the leads, this is a very good read. The author knows how to write her cliched situations, and even though there are few surprises, it’s still amusing to see. Her art too is well done, showing a talent for caricature that doesn’t rely on superdeformed posing, but simply lets the characters be goofy naturally. If you can take your shoujo raw and unfiltered, here it is.

Manga the week of 5/26

Midtown’s list has a whole lotta Tokyopop and not much else. Let’s see what we have…

I don’t really get too many Yaoi titles, but I do have the urge to walk into a bookstore, grab Vol. 2 of Blu’s latest series, and scream out, “This is Madness, do you hear me? Madness!” Just sayin’.

Neko Ramen is a 4-koma from Mag Garden that’s gotten a lot of good buzz. I’ll be very interested in checking it out. As for Portrait of M&N;, I had very mixed feelings about Vol. 1. I do hope that this volume is at least a little sillier, as I feel the first treated its protagonists too realistically to let the situation be funny. As for Alice in the Country of Hearts, I’m wondering if it will be another Vampire Knight for me, i.e. a title I read almost despite myself.

Diamond shipped Saturn Apartments to most stores this week, but the always whimsical Midtown is getting it next week. It’s another title from their Ikki site, and it’s a fantastic SF ‘sense of wonder’ series. If you liked Planetes, get this. And there’s another 20th Century Boys, which I have gotten so far behind on, but which is still a great epic title of epic.

Oh yes, and Diamond will release Previews, which I’m sure will be filled with new CMX solicits, just to TAUNT ME.