Kuma Kuma Kuma Bear, Vol. 19

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Sigh. So not only does this volume retread a lot of ground I talked about last time when I was reviewing Kuma Bear (Yuna is a big softie but hates when people call attention to it), it’s also a huge battle volume, which means that 2/3 of it is made up of fights that I also can’t really review very well. It is nice to see Yuna having to think about various ways to try to defeat the fire orochi head, whose strengths actually block Yuna to a degree, and seeing her try some stuff that, back in Vol. 2 or so, was an immediate win move end up doing nothing whatsoever. She’s having to think on her feet and be clever, even though a lot of this is just “I can do things everyone else can’t because of the bear costume”. And we get a flashback showing how the orochi was first sealed, which is interesting if you’re invested in the fox spirit. Which… I wasn’t really. So yeah, still struggling.

Sorry, cover art fans, but Yuna spends barely any time in the white side of the suit this book – this is powerful, punching things Yuna through and through. Everyone realizes that the orochi’s seals are breaking, especially now that Mumulute shows up and it starts to really try to break its binding. The answer is to just fight and actually defeat it this time, but the orochi has four heads and its huge body, and even Yuna can’t duplicate herself. So Shinobu and Kagari also get involved, and unfortunately Shinobu is injured and has to be sent to the penalty box (the penalty box being Yuna’s home, where Fina is called over to nursemaid her). As for Sakura and Luimin, two of the latest girls to revolve around Yuna’s “10-year-old girls seem to dog me” orbit, well, they can at least try to stop it waking up for as long as possible. Still, in the end, it takes a bear. A bear who really, really does not want a reward.

So, stop me if you’ve heard this one before, but Yuna hates being praised and deflects attempts to credit her for anything, saying she just wants to live a life where she’s not viewed as the hero. That’s getting increasingly difficult, and it doesn’t help that Kagari (who, by the end of this book, is also in the body of a little girl – The Author’s Barely Disguised Fetish is always the weakest part of this series) is doing the same thing. On the bright side, I did enjoy seeing Luimin and Sakura bond immediately, to the point where they vow to travel the world together once they grow up, and it might even eventually be yuri if I thought the author was ever going to do anything of the sort, which I don’t. And we got to see Fina pouting and hitting Yuna with her fists like an anime cliche. That was cute.

We’re only a little behind Japan now, which has Vols. 20 and 20.5 out. Next time should see the start of a new arc, and no doubt new things for me to complain about. But I’ll read it. Yuna is as Yuna does.

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