About Sean Gaffney

Sean Gaffney has been reading manga since 1996, writing fanfiction in the manga and anime world since 1996, but only decided to start a manga blog in 2009. No one is quite sure why, as talking endlessly is one of his favorite things. He’s also written guest posts at Erica Friedman’s Okazu. His favorite manga things to discuss are shoujo with cheerful yet oblivious heroines, defending angry tsundere girls, and pretending he doesn’t ship. His favorite non-manga things to discuss are classic cartoons from the 1930s to 1960s, William Shakespeare (and other Elizabethan/Jacobean playwrights), and Frank Zappa. But really, he’ll happily talk about anything, even if he has to Google it first to pretend he knows all about it. He lives in Connecticut.

Cross Manage, Vol. 1

By Kaito. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media.

Note: this is only available digitally right now.

As I have mentioned before, sports manga and North American have a very iffy relationship, with none of the contenders really hitting the heights of Naruto or One Piece sales. That said, there’s a lot of sports manga out there, and I’ll give credit to Viz (and let’s be honest, it’s pretty much just Viz, unless I count Sasameke, WHICH I DON’T) for continuing to experiment with them. Especially as such series are HUGE in Japan, and tend to run and run. Slam Dunk was 31 volumes, Eyeshield 21 was 37. Kuroko’s Basketball is 20+, and continues to succeed despite terrorist threats (though it’s sadly not licensed here, possibly as Slam Dunk is still ongoing.) And of course we’ve had Cross Game on the Sunday side of the fence.

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And now we have Cross Manage, one of Viz’s ‘we’ll try a new weekly series and see if it dies in 2 volumes’ attempts they’ve had recently, and easily the most successful, given it actually seems to have survived the most recent round of cancellations in Japan. I particularly like the cover, which has Toyoguchi’s beaming face (and oh boy, does it beam – sometimes her face gets so happy it’s almost surreal) right in the foreground and Sakurai’s passive gaze in the background. Because this is about a female lacrosse team, and Sakurai is signed up/blackmailed into being their manager.

There’s a lot to love here. Toyoguchi is just great, being a perky, naive girl who looks like she could burst into a Disney song at any moment, but is also fueled by pure determination and smiles just as widely when threatening to tell everyone our hero accidentally groped her. She’s so relentlessly upbeat and caring that when Hayami shows up and attempts to guilt-trip Toyoguchi into letting Sakurai return to the soccer team (and her arms), not only does Toyoguchi not get it, but the other girl finds herself automatically trying to comfort and reassure her. That needs to be weaponized somehow.

Then there’s the team itself, which is made up of…. drum roll please… girls with all sorts of body types! Yes, the other main girl we get to know is the tall butch tomboy, but we also see pudgy girls, and tiny girls, and girls that sort of look like Sumiyoshi in Excel Saga. And they’re some of the best players. I like the fact that the team is not going to be used simply as an excuse to see a lot of hot girls changing constantly (imagine if the Cage of Eden artist drew this manga… *shudder*) and hope we get to know everyone better. And, of course, we have a classic Bad News Bears team – they’re newbies, with some ra2w skills, but mostly horrible, and they get curbstomped in their first match.

As for Sakurai, our hero, the goal of the first volume is to get him to rediscover the passion he lost to a knee injury, and mission accomplished. He’s a fairly subdued and diligent young man, which contrasts nicely with Toyoguchi’s perkiness and the hotheads and airheads that are also on the team. I think he’ll be an excellent manager, provided the soccer girl doesn’t pry him away. Not that she has any chance… she has ‘unsuccessful rival girl’ written all over her.

I’m pumped to see more of this series – its mood is pretty infectious, and it makes me want to learn more about lacrosse. Roll on Vol. 2!

Neon Genesis Evangelion Omnibus, Vols. 7-9

By Yoshiyuki Sadamoto and GAINAX. Released in Japan by Kadokawa Shoten, serialized in the magazine Shonen Ace. Released in North America by Viz Media.

Well, the party’s over. As if it weren’t obvious from the events at the end of the previous omnibus, the light and fluffy ‘everyone is slightly more tolerable’ manga antics end here, as these three volumes are a brutal kick in the teeth reminding us over and over again that humanity is desperately fighting to survive… and that most of the people in charge actually have a different agenda OTHER than fighting to survive. And, just as we finally add our last major cast member, we also get the first of our major cast deaths. There will be more.

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The Evangelion fandom doesn’t use “I mustn’t run away” as a meme for no good reason. This volume sees Shinji in a constant cycle of attempting to flee from his destiny and the responsibilities being thrown at him, and constantly being drawn back as he’s unable to just let everyone else get annihilated. Of course, that doesn’t necessarily mean that he gets to accomplish anything here – he returns, but is basically “sat in the corner” by his father, who punishes him by having him watch everyone get annihilated without his help ANYWAY. The manga is less emotive than the anime, with characters at times seeming to underreact to horrible crises, but that’s unsurprising – the pace of the manga is such that there is a state of constant danger, and I imagine after a while the senses just get numbed.

There’s a lot of backstory here. Kaji’s is designed to make him both more likeable and more vulnerable. For all that we like to pretend that we wouldn’t crack under the threat of death, the reality is that we probably would. And so much of Kaji’s life has revolved around finding out the real reason that things happened the way they did – an attempt to expose what led to his own actions. Shinji at one point notes that Misato still loves him, and indeed he’s clearly in love with her, but these are two people, like the rest of the cast, who are unable to grasp at the happiness that could be theirs. As for the other flashback, Fuyutsuki seems to be the perfect “follower”, and Gendo seems even worse than we’d originally suspected. As for Yui, I suspect that she’s being idolized in the memories of both Fuyutsuki and Shinji when we see her, but I agree that it’s easy to see Gendo could have genuinely loved her.

And then there’s Asuka and Rei. I’ve said before that I find manga Asuka far more likeable, and the counter argument to that is that she’s involved in the manga plotline so much less than in the anime, so doesn’t get the time to be irritating. Asuka’s backstory is also shown to us, which is bad news for her, as backstory in this manga is always followed by trauma. Asuka’s attempts to take out the Angel are interrupted by it raping her – yes, yes, mentally, but given that she screams “don’t come inside me” at one point, I think the distinction is fairly irrelevant here. It’s the most horrific we’ve ever seen the Angel attacks, and she comes away from it basically comatose. Rei, meanwhile, is struggling with a distance growing between her and Gendo as she and Shinji grow closer. Ritsuko seems to realize that Rei is growing more human and less doll-like, something that nearly drives her to murder. This, naturally, leads up to the cliffhanger for this omnibus, showing Rei’s “last stand”.

As for Kaworu, it’s interesting that he arrives right as Kaji departs, given his presence as “the mole”. He’s shipped with Shinji a bit harder than in the anime, with Shinji’s “have some sense of personal space” going unheeded. And the scene with the kitten shows a somewhat unbreakable wall between his own value system and that of the First Child. Nevertheless, you can even see Kaworu getting caught up in the struggle against the Angels, and wonder if he’s oing to be a double/triple/quadruple agent the way Kaji was.

The plot may be going places I don’t want it to go, but the writing is still top notch, with a complete inability to put the book down. The news that the manga will end with Chapter 95 in June means that this is likely to be 5 omnibuses (14 volumes) long, and thus this volume begins the second half of the story. It’ll be hard to make things even more tense after this, but I’m sure we’ll find a way.

Zero’s Familiar, Vols. 1-3

By Noboru Yamaguchi and Nana Mochizuki. Released in Japan as “Zero no Tsukaima” by Media Factory, serialized in the magazine Comic Alive. Released in North America by Seven Seas.

I must admit to disappointment. Again. Not with the manga itself. Zero’s Familiar actually turned out to be much better than I’d given it credit for. No, I’m disappointed with anime and manga fans, who once again have labeled a young tsundere love interest as “the worst person ever, and deserving of all the epithets thrown at her!”. I found that she’s just a normal teenager with far too much going on in her life, a spoiled background, an entire class of students calling her a failure, and her familiar is not only a disrespectful commoner, but he also tries to molest her in her sleep at one point after thinking they’d grown close enough. Honestly, I felt the most sympathy with Louise through most of this omnibus. I’m sure I will hear, as I have with Ranma 1/2 and Love Hina and other harems featuring love interests men hate, “BUT IN THE ANIME” and “SHE NEEDS TO BE NICER TO HIM” and the usual chatter. And indeed, she may be worse in the anime and in the light novels, neither of which I know. But for now, my experiment to find a harem tsundere who’s genuinely loathsome and not hyper-exaggerated by fandom continues.

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I suppose I should actually get around to reviewing the manga. The basic premise cries out for crossover fanfiction – indeed, I understand there’s more Zero’s Familiar crossovers in fanfiction than there are stories with the hero. The aforementioned Louise (who *is* a spoiled brat who tends to hit Saito in frustration whenever she’s upset or embarrassed, in case people thought I read the wrong manga) is at a magic school somewhere in Fantasy Europe, trying to summon her familiar – a lifelong spell that can only be done once. To everyone’s surprise, she summons Saito, a young Japanese high school student. this is not the usual frog or owl. This is unfortunate, as Louise is well-known for being a failure as a witch, and this only expands her reputation. Now Saito has to get used to living as a familiar in a magical world, and gradually accumulate girls who fall in love with him, as this is a standard harem series. No worries, though, he’ll end up with Louise. This is not a GROUNDBREAKING harem series, after all.

Indeed, the lack of originality is the series’ main failing. Louise and Saito are straight out of the stock cliche factory, though Saito is a bit more of a smartmouth than I’m used to, and also more of a lech – that scene where he said “you smiled at me, so I assumed you loved me and we could cuddle” made my jaw drop. We get the shy young maid, the busty rival, the stoic Ayanami clone. The villains especially disappoint by being lampshaded – I think the story would have had more suspense had the two bad guys not been signposted as “SECRET BAD GUY HERE”. Particularly the mustachio’d guy. Guys with mustaches in harem manga are evil, ESPECIALLY if they’re also fiancees.

But there’s stuff here to like. The series has a good feel for humor, knowing when to be funny and when to be serious, and the comedic violence that so offends young male anime fans is actually fairly mild compared to what I had been expecting. I like the backstory and world building going on, showing it’s not just a magic school divorced from the outside world. I also liked Henrietta, who shows us that it’s not everyone vs. Louise after all, and provides a good female friend for her. And the entire action scene with the Staff of Destruction’ was fantastic, and added intrigue as you wondered how the heck it got there.

I’d still only read this if you happen to like harem series with tsunderes, but if you do enjoy that genre, this should be right up your alley, and I find myself surprisingly wanting more. Also, that cover reminds me that every Japanese fanart we got of “Hermione Granger” back in the day seems to have been Louise instead – and that this story deserves the title “Harem Potter” more than Negima ever did.