By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On.

Index had a good start, but I felt the second novel was a bit rushed and inconsequential. Luckily, there’s no such issues here, as Kamachi puts out one of the strongest books in the Index series, and one with a lot of consequences, not least of which is the inspiration for side-series A Certain Scientific Railgun, which especially in the West has become more popular than its supposed parent. We continue to examine the world our heroes live in, this time entirely on the ‘Science’ side of things, and see just how far researchers will go in the search for knowledge and power, a running theme in this series on both the Science AND Magic sides. And we also meet a few characters who will prove very important down the road, for reasons that I will awkwardly try not to spoil here.

Introduced in this volume: Kuroko Shirai, Misaka 10032 (aka Misaka Imouto) and her clone sisters, Accelerator, Maika Tsuchimikado (who I had forgotten gets introduced before her brother, though blink and you’ll miss her appearance.) For Railgun readers, well, you know this one. In fact, you know more than Index readers, as Railgun expanded this arc greatly.

The series may have as one of its main themes that trying to achieve knowledge for its own sake is a dangerous thing, but I can’t really ignore the fact that the series also has its unironic shonen side to it. This seems to aggravate readers, and not just in Index, as I know a lot of long-running shonen series have fans who keep hoping people will get killed off or the heroes will fail just so that manga can be more like DC Comics. Likewise, Index (who, along with Himegami, barely appears in this volume) is a lazy, hungry ball of moe, and therefore jars with anyone who wants to take A Certain Magical Index seriously. But I think it’s the tension between the two that makes it interesting – Touma goes through a ridiculous amount of hurt here, and the idea that he’s still getting up near the end of the book is laughable – but that’s what you do in shonen. You get back up.

Mikoto gets her first major role here, and I’m amused at the difference between the way she acts around Touma and the way Kuroko says that she is afterwards – dealing with Touma relaxes her, which is important given what she’s been trying to achieve. This isn’t her series, so she doesn’t get to save the day, but it’s her pain, and desire to kill herself if it will help to save her clones, that drives Touma to go beyond the impossible again and save her. She’s a serious girl, who clearly places a lot of weight on the choices she makes, even if she’s ignorant of what they mean. After this book, her popularity skyrocketed even higher, and I imagine Railgun was in development by around the 5th volume of Index.

Kuroko does appear here, but doesn’t do much beyond glomp Mikoto a couple of times and give exposition to Touma. Her lecherous habits will have to wait for a future volume for me to be irritated by them. Accelerator is more interesting. I’d forgotten that he actually had some depth here beyond “I am the villain of this arc”. He’s clearly bored with the entire experiment, demanding from the Sisters that they at least make it worth his while to bother coming out. He also states outright why he’s doing this – to be left alone. Being the most powerful Level 5 in the city means that everyone tries to challenge him all the time. This is why he gets so excited when Misaka Imouto, and later on Touma, actually manage to hurt him a little bit. It elevates the tedium. Unlike Isard from last volume, he’s not mentioned at all in the Epilogue beyond the experiment being suspended. The last we see of him is flying through the air via Touma Airways. I wonder if he’ll be back? (Spoiler: Yes, he will be back.)

This was also the first volume where I didn’t find Kamachi’s writing style difficult to get into. He’s still a very eccentric writer, and his narration can meander much of the time, such as when he’s discussing Japanese baseball pitchers, or explaining the plot of Index Volume 1 because Touma’s lost his memory and Mikoto wasn’t there. But it’s a page turner, even more than the last two, and you really want to find out what happens next. Also, his exposition, though frequent and voluminous, can be quite interesting. Not so much worldbuilding as a world textbook. Yen’s translation is quite good. Note they have a company policy of no honorifics, so Misaka Imouto is Little Misaka, and Kuroko says Big Sister rather than Oneesama. I think this is fine, though don’t be surprised if I tend towards what I’m familiar with in future reviews. More importantly, Misaka Imouto’s eccentric speech pattern is kept intact, which is hopeful news for Last Order fans waiting for Volume 5.

If you haven’t read any Index and want a volume that will show you why it’s popular, skip the first two and get this one. It really is excellent. Also, a reminder that Touma and Index spend the entire volume carrying cats around.

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On.

Kamachi wrote the 2nd volume of the Index series in 17 days at editorial request. I imagine it was a combination of “wow, this series got very popular very fast” and “a book we had slotted for this month fell through, fix it fix it fix it.” And so the 2nd book of the Index series, which Kamachi says deals with the subject of a “failed hero” and a “failed heroine”, ends up being something of a failed novel as well. This is not to say there aren’t many points of interest, especially for the Index fans, and there are certainly some evocative passages. But the first Index book was about magic and science smashing together and seeing what happened. The second book is a horror novel, and darker than it really needed to be at this early stage of the game.

Introduced in this volume: Aleister Crowley, Aisa Himegami. There’s also a subtle mention of Misaki Shokuhou if you know who she is from Railgun. For Railgun fans, this takes place at the same time as the final episodes of the first anime season. Oh, and for those curious, this shares the same readability issues as the first – the prose is awkward and verbose, inclined towards long lectures about magic and science, bolds text for obscure reasons, etc.

You’ll notice I left off our villain for this book, Aureolus Isard (yes, Isard – look, some romanizations are bound to be different, deal with it). It’s not exactly a spoiler to say he doesn’t pop up again, mostly as his function was fulfilled in this book – he is what Touma is not. Yes, Touma muses as to whether he might have become someone like Aureolus if he hadn’t been able to save Index in the previous book, but where it counts, Touma is a ‘hero’. He refuses to kill the fake Aureolus even though he probably would be justified, while our so-called villain not only has to dispatch a cut-rate dummy of himself in order to lengthen the book a bit (the anime cut this entire part out, and while I normally gripe about things like this I can’t blame them), but he happily sacrifices an entire building full of students to fill his plans, which in the end are less ‘save Index’ and more ‘notice me, Index’. He doesn’t deserve more space in this review.

Index doesn’t really get much to do here, something you will sadly be hearing me say a lot from now on. That said, she does manage to figure out a lot of what Aureolus is doing just from watching how he uses magic, so once again shows how she’s very dangerous with all the knowledge in her head. Most of the real character development goes to Stiyl Magnus and Touma himself. Stiyl begins the route towards being an actual ally of Touma rather than an enemy reluctantly assisting him. His love of battle and callous attitude towards collateral damage begins to shift about halfway through the book, something he notes himself, wondering if Touma has influenced him. Like Aureolus, he too harbors a grudge against Touma for saving Index when he could not; unlike Aureolus, he’s willing to accept it because it means Index is happy.

As for Touma, it’s only been about 8-9 days since he lost every memory in his head, and the most amusing part of the book is the fact that it doesn’t actually make a damn bit of difference. Even though he spends much of the time wondering what his old self would do and how his old self would have reacted – and it’s suggested this is why he’s reluctant to follow through on Index’s obvious romantic feelings towards him – in the end, the reader is amused because old Touma and new Touma are exactly the same – when you wipe Touma down to nothing but ‘learned information’ with no personal memories at all, he does the exact same things for the exact same reasons.

Lastly, there’s Aisa, who also suffers a bit from being underdeveloped in this novel. Her backstory is tragic, but we don’t really get inside her head enough to feel more than a brief “oh, what a horrible thing to happen to a little girl”. Index at least got a bit more focus in the first book. Still, she actually manages to survive to the end of the book, unlike most of the rest of the students in that building. (The death of the students is the main aspect of the ‘horror’ I was talking about, and it’s really creepy and horrible, and I’m not sure I mean that in a good way). Given that Index likes to have character ‘types’, and Aisa is a mostly stoic girl with a monotone delivery, I think she’s a good bet to be a valuable member of the main cast.

Unless, of course, an even more popular stoic girl with a monotone delivery shows up in the next volume and makes Aisa fade into the background so much that she almost becomes a joke character. But really, what are the chances of that happening?

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen Press.

I’ll be honest with you, I’ve read this one in fan translation. Twice. This was before it was licensed, and there was a very good reason for that: I never, ever thought this would be licensed. The main series is 22 volumes + two short story volumes, and the ‘sequel’ is 11 volumes and counting. And while I knew Yen On was starting, I hadn’t suspected this. But here we are, with certainly one of the most demanded light novel series of all, now out in the West to supplement the already popular Railgun series that spun off from it. What’s it like to read, particularly for a fan who’s already possibly seen the anime it’s based on?

First off, I want to try an amusing experiment, based on the fact that this has one of the casts from Hell.

Introduced in this volume: Touma Kamijou, Index Librorum Prohibitorum, Mikoto Misaka, Stiyl Magnus, Kaori Kanzaki, Komoe Tsukiyomi, “blue-haired guy”, “frog-faced doctor” (the latter two have no official names). For Railgun readers, this takes place during the “Level Upper” arc.

There’s no question that this volume is absolutely tailor-fit to be a franchise. This volume wastes no time in stripping Index naked, there’s a typical “everyman” hero who’s actually super amazing but has fairly low self-worth (though compared to Hiroyuki from Accel World, Touma is an egotist). There’s a grumpy tsundere who shouts at the hero, though due to his nature she doesn’t hit him; instead the job of physical abuse goes to Index. Oh, and there’s a 35-year-old teacher who looks 12, chain smokes, and wears bunny footy pajamas. If you can get past the cliches, what you have here is a novel that examines the different “rules” of magic and science, and what would happen if they crossed paths. If your answer was “lots of cool fights and near-death experiences”, step to the top of the class.

It’s worth noting that when I first read the fan translation, I felt the style was overly complex and verbose, but put it down to translation issues. No, as the Yen Press version makes clear, Kamachi’s style is overly complex and verbose. Certain phrases are bolded, which appears to not signify anyone is shouting, but merely to note that something important has just been said or revealed. There’s also some expletives, which surprised me, but fit the emotions of the speaker. As you’d expect for a first novel, some of the characterization is still forming. Index is quite snarky in her first scene, and doesn’t really become the Index we know till she is healed after her injuries (specifically, as they walk to the baths, she seems to spontaneously become Index in front of our eyes). Even for someone who is “pretending to be a villain for her sake”, Stiyl is over the top in his attempts to kill Touma. And given how insanely popular she became, it’s surprising how little Mikoto appears in this first book, serving merely as a plot device to show off Touma’s abilities.

It’s hard for me to judge how well this would read to a new reader, since I’m so familiar with it. I think the translation reads as smoothly as it can given the author, and that fans of anime will certainly enjoy it. That said, it’s a slow start, despite all the battles, and you really need to be prepared for a lot of talking and explaining – yes, even more than the average. If you’re interested in seeing why the series really took off, I’d wait till the third volume, but this is certainly a solid beginning.