By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Michelle Danner-Groves.

It has to be said, this book is not as funny as the first three books, and by definition is therefore not as strong, since I tend to read this series for the laughs. There’s still lots of amusing situations, Mile being ridiculous, people underestimating the Crimson Vow, etc. But the humor is also turning a little dark as well. We know that our four heroines are an unusual team, and have a certain tendency to be practical to the point of death, but the “let’s break all their legs and then break more legs because we need a complete set” gag verges a bit on sociopathy, which I’m pretty sure is not what the author intended. For the most part, this book is meant to show off how the Crimson Vow have sort of become too overpowered for the area they’re currently in. Fortunately, by the end of the book they’re moving on, touring other countries to see what trouble they can get in.

The main thrust of the plot involves our four girls going on a rescue mission, as several teams have gone to investigate in the woods and not come back. They find the teams captured in an archaeological dig that is being done by beastmen, who end up being mostly mooks for folks as powerful as Mile and company. Especially when Mile ends up coming up with the World’s Worst Stinkbomb, which is probably the funniest part of the book even if it’s also pretty gross. The most interesting part comes when we see who’s actually behind the beastmen digging for relics. It’s refreshing, after 150-odd pages of “this was going to be a dangerous fight–LOL, nope!”, to actually see Mile and company get their asses handed to them. (Honestly, when Mavis ended up overdosing on Mile’s “magical steroids” drug, I was wondering if we’d explore actual consequences, but apparently not.) That said, Mile ends up winning in the end, as she is Mile.

The discovery, once it is revealed, ends up being far more of a shock to Mile than it does the others, and it almost makes her decide she’s going to abandon the others and set out on her own – fortunately, Reina and Mavis are very good at reading Mile like a book. (Poor Pauline, though…) So now we get a world tour with the excuse of Mile trying to figure out what’s really happening with this world, and what it was like in the previous civilization. It’s implied we may run into Adele’s old companions in the next book, though we do get a short story devoted to Marcela, who is likely finding that “what would Adele do” is not alwayhs the best thought to have in any given situation, and is also a quintessential ojou-sama.

So I’m still reading this, but it wasn’t quite as fun as the previous books. I hope things tick upward next time.

By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I don’t think I’ve read a series that’s as consistently funny as Make My Abilities Average. The author simply knows how to write humor and write it well (she also apparently makes a lot of tortured puns and wordplay jokes, which the translators make a valiant effort at adapting). The book starts off relatively sedately, but the entire battle with the Wyvern in the final third is comedy cold from beginning to end. You would think that “Mile suggests something incredibly off the wall” would get old fast, but she’s simply a walking font of ridiculous, and it helps greatly that she has three types of tsukkomis traveling with her. There is the occasional moment of seriousness, mostly involving the background for Pauline’s family, but for the most part Make My Abilities Average knows what the audience wants: laughs.

Mavis and Pauline share the third cover, which is appropriate as their backstories come back to haunt them at the same time. Pauline’s is more serious, involving the murder of her father and loss of her family business. Mavis’ family is still intact, but she is the only daughter of a Count, and as such they would rather she not be training to be the best knight she can be and get back to being a marriage prospect. And so the Crimson Vow heads off (unofficially this time) to deal with the problems and ensure that they can carry on as before. There’s some lampshading of obvious tropes here, which is where the humor is really mined. Mile shows up as Mavis’ teacher, Evening Gown Mask (yes, really) in order to take on the Count in swordfighting. Her disguise is… an eye mask. That’s it. Despite this, and without the use of magic, Mavis’ entire family fails to recognize that it’s Mile.

Then there’s the Wyvern fight, which ends up being a series of toppers. I had assumed that the high point would be the scene that is illustrated (quite well, I might add), but no, it gets better. And then gets better again. The absolute highlight may be the mastermind explaining his plans to (and for) Mile, which involves plans so deeply silly that Mile is forced to play the tsukkomi herself. I’m trying not to spoil because it was simply that funny to me. This isn’t a perfect book – as with a lot of light novels that need to pad out the word count, one of the short stories falls amazingly short, as we see Adele (yes, it’s a flashback to school #1) going on a date with a classmate, where the humor involves a) said classmate being a “nice guy” with extra quote marks, and b) the class rep being a wacky comedy lesbian. I hate wacky comedy lesbians. On the bright side, this does suggest that the series is determined not to have romance invade its fun. which is fine by me.

Last time I mentioned that the lack of a “main plot” was also a flaw, and you can say the same thing about this book – it still feels more like a short story collection that happens to be sequential. That said, the author seems to realize this, and is implying she will add more plot in the next book. In the meantime, if you want a laugh, or want to see a great all-girl fighting team, I highly recommend this series.

By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

Last time I complimented this series on its use of humor and its focus on a heroine who wanted desperately to be normal but lacked all common sense as to what that meant. It’s not really the sort of premise that can sustain a long series, and so I wasn’t surprised that this second volume, while still amusing, did not reach the laugh heights of the first book. Fortunately, even though it’s settling into more of a typical fantasy light novel, it still has strengths, which it leans on. The main heroines are all heroines, with most male characters being relegated to support. There’s also still no sign of a love interest for anyone, though one or two of the guys put out feelers that are shot down immediately. This is because the narrative treats these young teenage girls as young teenage girls, which is nice to see. And Reina, the girl on the cover, gets some tragic depth.

Mile still gets enough face time to be the heroine, of course, but I liked the balance between her and the rest of the party here. Reina is clearly impatient for their group to get powerful as soon as possible, and keeps insisting that they have to be able to kill people if necessary. I really enjoyed the way that the other three disagree with this but still don’t condemn Reina for it, as everyone has their own circumstances – for Reina it’s the death of both her birth family AND adopted family. It’s treated seriously, but because this is at heart a lighthearted series it’s not dwelt upon, and Reina’s obsession doesn’t drive her to the dark side as a more cynical light novel reader might expect. Likewise, the bandits – as well as “bandits” – that are dealt with here are a true threat that would easily have taken out anyone else… but Mile is Mile, so they’re stomped.

As I said in my review of the first volume, though irritated by overpowered heroes should absolutely look elsewhere. Despite Mile desperately trying to hide her amazing amazingness, everyone and their brother can see she’s on – if you’ll pardon the expression – a completely different level. There is actually an amusing came at the start of the book by the three girls that Mile went to Princess School with before the series rebooted itself, and they figure out exactly what she did by simulating how her mind works – which is to say, what situation uses the least amount of common sense? But as I said, Mile’s ludicrousness is more baked into the plot and characters this time, so it’s not as over the top as it was. She’s still a great heroine, though, and as I said, the bond of her party is a highlight.

The drawback with a series like this is that we’ve not really seen any signs of a plot that goes beyond “watch Mile be amazing”, and it would be nice if a recurring villain or something like that showed up. Still, at the moment I’m perfectly content to watch her be “perfectly normal” in the worst way. The third volume looks like it will focus on Mavis and Pauline judging by the cover, and I’d love to see that too. This is a series that puts a smile on my face.