By Mori and Huyuko Aoi. Released in Japan as “Yane Urabeya no Kōshaku Fujin” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by piyo.

I admitted to being very surprised that there was a second volume of this very “finished in one book” series. Even the title, Duchess in the Attic, was not something that was going to make sense going forward unless something silly happened. (The author agrees with me there: it’s an artifact title, and a few jokes are made about her moving back to an attic if things with Claude go south.) So I wondered what was left to learn about Opal now that the series was ongoing. As it turns out, not much about Opal herself – she’s much the same person she was in the first book, if a bit more unforgiving of fools. But the systemic power of the nobility and the misogyny rife throughout multiple kingdoms is very much still a problem, and Opal wants to solve that. If the first book was about Opal rescuing herself, this book is about her trying to rescue others. She’s a philanthropist. Of course, there are a few things to work out first, and that’s what this book is about.

Opal and Claude are off to his new homeland, Taisei, to get married. This involves meeting some of his friends, who regard Opal as a terrible choice of spouse. And the King, who seems to be one of those mischievous kings. Many subplots are introduced, but we don’t really deal with any of them, because the bulk of the book actually takes place back in Socille, as Opal hears that Beth, her former abusive maid who was working for Hubert and Stella, has been fired because she got pregnant. Investigating, it turns out that the father is a rogue noble, Keymont, who apparently has spread his seed far and wide, and other women have children by him. Deciding that enough is enough, Opal decides to shame him at a public gathering to get child support for his conquests, only for things to blow up far more than she intended.

There is no small amount of romance in this. Opal and Claude love each other, and get very jealous when any of the opposite sex shows interest. There’s also the very awkward conversation they have where Opal tells Claude that, despite being married for almost a decade, she’s still a virgin (it’s implied he is as well). But the main reason to read this book is not the romance, it’s the politics and the worldbuilding. These are two kingdoms that are essentially right around where the late Victorian/early Edwardian period was in this world, and progress is happening so fast that it’s unnerving people. Why, it’s gotten so bad that a noble rake can’t even go around robbing common people for the lulz anymore. The other political part of the book is its feminist stance, which is awesome. I loved Opal’s reaction when Hubert indicated Beth’s pregnancy was her own fault – marveling at an Immaculate Conception.

Opal still hasn’t seen her new domain yet, and I have a feeling that the third book will have things go a lot more poorly for her than this one did. Still, I found this just as enjoyable as the first.

By Mori and Huyuko Aoi. Released in Japan as “Yane Urabeya no Kōshaku Fujin” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by piyo.

This is the sort of book that I call an “eat your veggies first” book. You know there’s good stuff coming. You want to get to the cool, good stuff. But you have to get the setup for all the cool, good stuff. And sometimes, even though it’s good for the book, it just tastes horrible. The first quarter of this book made me grind my teeth – which is entirely intentional on the part of the author, I assure you. This book has a message, and that message is “the sexist patriarchy is awful”. This is a message, by the way, that resonates through the entire book. Yes, our heroine manages to turn the tables and be incredible and badass and make us proud, but every step reminds us that she is limited in what she can do because she is a woman. So even the dessert is, like, carrot cake or something. But it still tastes good.

When the book opens, Opal, an earl’s daughter, is sexually assaulted at a party when some random dude kisses her, pushes her to the ground, and runs away. This destroys her reputation, infuriates her father, who thinks she should never have let it happen to her, and results, a couple of years later after the fuss has died down a bit, in her being married off to a duke who is trying to clear his sizeable debts with her family’s money. This despite the fact that she clearly has a thing for her childhood friend. But he’s a baron, so oh well. What’s worse, Hubert, her new husband, clearly despises her, seeming to only have eyes for the wheelchair bound and frail Stella, a women who lives in his mansion with everyone doting on her. As for Opal? She lives in the attic. In fact, she chooses to live in the attic.

Folks who read my reviews know that I take a dim view of the “evil beyond all reason” noble, the sort who rapes servants and kicks puppies, and the best thing about this volume is that there’s no one like that here. This may puzzle readers who are just starting the book, as it looks as if everyone in this book except Opal and her childhood friend Claude is vile. And they’re not nice people. But then you get a few POV from Hubert showing off his naivete, bluster, and trauma from a past tragedy, and you also see him trying to become a better person for Opal. You also realize, as the book goes on, that Opal is a lot more like her father than she’s comfortable with, and that a lot of all the terrible things he did was because he expected her to clean house and stand tall, and he’s mostly flummoxed that she’s done it in a totally different way than he thought. I also loved the fakeout that we get over the second half of the narrative, where it appears that then book is going for a cliched, annoying ending, and then kicks it in the face. Sorry, please be content with being a better person.

This book takes place over the course of an entire decade, and ends with all its plotlines wrapped up. I am thus very surprised to see there’s a second book. But I’ll happily read it. It may go down with difficulty at first, though.