From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 4

By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

What is the audience for this series? Honestly, it’s primarily “people who just like to read light novels”, followed by “people who are curious if the series will ever end with him choosing a girl or will it go poly’. That said, I wonder if there are actually any kendo practitioners who might be reading this, because a lot of this 4th volume seems to be written to those students, telling them not to forget the basics. Well, and also reminding muscleheads trying to teach newcomers that “do everything I did without knowing the reason behind it” is a great way to be a terrible teacher. But just maybe the audience for this series is guys who are Beryl’s age who just like to fantasize about still being able to do all the cool athletic things they could do when they were young. Because once again, Beryl is awesome.

After the events of the last book, Beryl is once again left with some free time, and so Lucy asks him to drop by the magic academy to look at the sword magic course taught by his old student Ficelle. Unfortunately, she’s apparently not the best teacher, so Beryl is asked to come by to see if he can help. Since Mewi is also in this class, Beryl agrees, and finds that Ficelle’s teaching is far to spartan and hardcore. Trying to teach the five kids in the class a little less evilly, while offering advice and words of praise, Beryl not only earns the love of the students but also reminds Ficelle of what she was like when she was a student herself. Unfortunately, not all the faculty is happy to see Beryl, and he’s warned to NEVER GO IN THE BASEMENT. Take a wild guess what the climax of the book is.

I have to admit, this is a lot more meandering than the previous books. You get the sense the author realized that Ficelle is the only former student who they never really circled round and gave more depth, so they wrote a book to fix that. Unfortunately, Ficelle is not only a meathead but a stoic meathead, so it can sometimes be hard to get the character development she desperately needs. The best moment was probably the pat on the head. There’s also a group of students who have “spinoff volume” written all over them, especially the ludicrously genki Cindy, who reeks of the protagonist of some other series. The big dramatic climax of the book is not that great, as it barely gets any setup besides that one annoying teacher. I was, I admit, amused by Beryl achieving the impossible without actually knowing it. Someone needs to get him together with the star of Der Werwolf and have them self-deprecate rap battle.

The next volume’s cover suggests it will be for Yotsuba fans… erm, Curuni, I guess that’s her name. And not Yotsuba from Quintuplets. (looks at Vol. 5 cover art) Christ, even the ribbon is the same, only blue. In any case, if you like swordfighting, old men, and no romantic resolution, you’d like this.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 3

By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

This series leans a little lighter on it than some others I can think of, but it has to be said that this is a harem series that adds new girls every volume. As such, sometimes it feels like the new character acts the way she does not because of their backstory or because of how they’ll fit into the overall story, but because of which “anime girl stereotype” boxes they tick. We have the blond, quick-to-jealousy but cool knight commander, the “I am Yotsuba Nakano with the serial numbers filed off” strong knight, the fiery redhead adventurer, the cool magic users, the adopted daughter, and the “I look ten but I’m really a hundred years old” character, who in this particular case is not a vampire but a mage. And now we have the “ara ara” girl, and I admit I like that type, but I feel she really doesn’t fit her character arc.

Beryl is recovering from the events of the second book, doing things like having a duel with Allusia (which he wins, though he has to cheat) and enrolling Mui in the local magic academy (and meeting her teacher, who, like most other women in this series, seems to fall for Beryl at first sight). That said, there’s trouble on the horizon. The prince of Sphenedyardvania is visiting, a yearly tradition, and will be touring the city with Liberis’ third princess, and Allusia – and, of course, Beryl – are being asked to guard them. And it’s a good thing, too, as assassins are out to ruin things. Fortunately, they have help in the form of guards from Sphenedyardvania, including Rose, who is – you guessed it – another old student of Beryl’s with a crush on him.

A bit of a spoiler for the end of this book, but only a bit, as the identity of the “traitor” is pretty obvious from the get go. Given the sheer number of former students meeting up with Beryl in this series, it was inevitable that one of them would turn out to be an antagonist. That said, we’re not reading the sort of series that would genuinely have a woman Beryl taught using her talents for evil, so of course we get a backstory to show that this is being forced on her and it’s really desperate idealism rather than a desire for power or chaos. I suppose the fact that Rose is an “ara ara” personality ties in with her attachment to children, as they tend to be the motherly sort – she has a long side braid, and does nearly die, so the stereotype fits, I guess. It just feels odd to me. That said, the main draw of this harem series is that I couldn’t care less about the harem, and I think the author agrees with me. The politics is proving more interesting, along with “will Beryl ever accept praise?”.

This continues to be “mid”, but it’s a very pleasant mid, and I think fans of harems who don’t mind an “old dude” as the lead will enjoy it, even with its cliches.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 2

By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

There’s almost a mini-genre now that can be summed up as “OP protagonist is excessively humble, does not realize their own OPness”. It can’t simply be that they’re constantly belittling themselves and saying anyone can do what they do with a little bit of effort, it’s that when we see them in action we know that this is demonstrably false, that they really are incredibly talented and special. Several times in these books we see Beryl fighting someone or something and thinking “huh, I guess they’re not all that strong, I wonder where the real fighters are” and it turning out that no, those are the real fighters. Heck, for the climax of this new volume the opposing soldiers of the church have to literally dope themselves to even try to be able to defeat him. The hotshot disciples of the title won’t leave him alone because he’s seriously hot stuff.

After the events of the last book, Beryl is in need of a new sword. What’s more, he finds that one of his ex-students, Kewlny, is using swords far too light for her muscular body, and needs to move to a much heavier sword. Fortunately, another one of his ex-students is a master blacksmith, who took a year to learn swordsmanship in order to better his craft. (He’s also not in love with Beryl, which reassures me that the “students” he taught are not all haremettes.) As he waits for his sword to be forged, he runs into a pickpocket who is, surprisingly, able to use magic. Unfortunately, the reason she’s picking pockets turns out to have a tragic origin, and of course Beryl gets involved. Could the reason for all this turn out to be an offshoot of the neighboring country’s religion?

Yeah, evil Church again, though at least we get a good priest to show that the evil church is mostly this one evil guy and his goons. It does, however, help us to codify what magic is in this world and what it can and cannot do. The reason that Mui (the pickpocket) using magic is so surprising is because people who are magic capable pretty much get snapped up and put into the academy, so the fact that she isn’t is surprising. We also hear why the folks who use magic are called Wizards and not Mages, and it makes sense in the context of this world. What’s more, there are things magic can’t do. From the moment “resurrection magic” came up, we knew that things were going to be headed down a dark path. I wasn’t sure if it would mean vampires or zombies, but I knew it would not lead to happy people back from the dead and fine. There *are* series that do that (Delicious in Dungeon comes to mind), but this one runs on stricter rules.

All this plus almost none of the silly romantic antics I was expecting this series to have. A look at the summary of the third book tells me that may change soon, but ah well. This has become a pleasant surprise.