By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Again, I am trying to figure out the ideal audience for this series. First and foremost, it needs to be someone who is there for overpowered girls doing whatever the hell they want however the hell they want it, with money and powers being no problem. This is the core of all three FUNA light novel series. Secondly, you need to be really tolerant of underaged girls being cute. There’s no real fanservice in these books (which there has been in MMAA), mostly as the art style is so cartooney and abstract, but but it’s pretty clear we’re meant to go “aaaaaw, cute girls” for 200 pages. And, of course, the core audience has to enjoy seeing men get completely humiliated. This is especially true of Potions, where entire arcs consist of nothing but “completely destroy that guy who did me wrong until he cries and passes out”. If you are all three of these… well, you should also be reading Kuma Kuma Kuma Bear, but yes, Potion Girl is right up your alley.

We pick up where we left off, with KKR trying to organize the downfall of that one scummy merchant guy. Which they proceed to do, and then they go after someone else who Kyoko hired to manage her store while she was away but who turned out to be sneaking a peek at her stock to try to replicate it. And then they go after the guy who hired the guy to do that. And then they go after the guy who employs THAT guy. It is a TAD ridiculous. More annoyingly, at least for the KR part of KKR, Kaoru disguises herself as the new girl she’s trying to make into a holy saint, does ludicrously impossible things while saying “I’m not suspicious”, and then assumes no one will say anything. This is said to be because of her soft nature, and fair (she was upset an innocent guard had his tendons cut), but overkill. Which, admittedly, is what the plot of this book is.

Pardon me if I get back onto a high horse I have gotten on before, but the orphans in this book drive me ding dong up the wall. It’s possible that they’re meant to be a parody of this trope – Potion Girl is so bonkers most of the time it’s hard to tell what it wants us to take vaguely seriously – But man, I hate the way this series, and FUNA’s other series, and, yes, Kuma Bear, treat orphans as “yay, child workforce!”. The implication is that with wages and benefits, they’re much better off than they were before. But the side story here shows the kids genuinely traumatized by the very idea of not working every hour of every day for their “savior”, and going so far as to frame work activities as “playtime” to slip through a loophole in Kaoru’s rules. This is meant to be amusing, but all I could think is: these kids need a therapist.

No FUNA series goes quite as hard as Potion Girl in terms of making you grab your head and shake back and forth. Recommended for those who know.

By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Been a while, hasn’t it? There was about an 18-month gap between books 7 and 8 in Japan, and that’s about what we got here as well. The reason for that, of course, is that the author does about eight different things at once. There are still new volumes of Didn’t I Say to Make My Abilities Average coming out every 3-4 months, and Saving 80,000 Gold in Another World for My Retirement has also reached its 8th book. Plus there’s been the saving 80K Gold anime, which is currently running and seems to have offended fans of the books far less than the MMAA anime did. In fact, the one thing that we haven’t seen yet is a big crossover between the three series. We are, sadly, unlikely to see it either, as Mile and friends are Square Enix people, while Mitsuha and Kaoru are Kodansha. Still, there’s a way around this. If you can’t have the three series cross over directly, just have the Potion cast cosplay as the other two series!

Now that all three of the KKR team are reincarnated and together again, it’s time to advance Kaoru’s very vague plan, which mostly involves expanding her business while also having the three of them makes names for themselves (in disguise). Reiko will go to an adventurer’s guild and show off her amazing coin cutting skills (or at least cheat her way through), which may sound very similar to Mavis in Make My Abilities Average!. Kyoko will go to a nearby city and start her own business, selling useful items and having everyone think she’s a noble’s daughter in a way that is clearly nothing like the protagonist of Saving 80K Gold at all. As for Kaoru, she’s trying to get her alter ego to be thought of as a saint, which mostly involves going around healing people and being very humble about it. That said, she’s trying to do a better job about this than she did the first time around.

This book can get very meta – Kaoru explicitly calls the first six volumes (before she was “killed”) Season One here, though I’d argue that Potion Girl 7-8 are more a soft reboot than anything else. The joke throughout the book is that each of the three girls sees themselves as the sensible one trying to hold back the impetuous madness of the others, but they’re all exactly the same deep down. This shows itself best with Kaoru, who, after setting Kyoko up with a nice quiet business and telling her NOT to go on a rampage, goes on her own rampage when she discovers that one business she was working with is using a family power struggle to replace everyone and take over Kaoru’s business. Naturally, this calls for revenge. But not the sort of revenge that the other girls would do. Different, more genteel revenge. (That said, having seen Kaoru go off in previous books, this is very mild by her standards.)

The ninth volume is due out in Japan this month, so we should not have as long a wait till the next book. Till then, enjoy the most hardcore FUNA series, where anything can happen.

By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

After essentially rebooting the series last volume, possibly the biggest surprise here is how little Kaoru has to survive using potions. They come up a few times, notably when some of the cast need to be healed ASAP, but they aren’t the running gag of “make me an ‘x’ that’s really a potion bottle’ that they used to be. Mostly her abilities have become similar to Mile’s Storage, which is to say she can whip out transport or food when needs must. This is not to say that she’s just sitting around and doing nothing however; she and Reiko are getting a business off the ground, using their two new ex-orphans as employees, and there’s also the occasional muttering about finding a husband, though even Kaoru seems to have realized it won’t happen as long as she looks that young. Indeed, most of the first quarter of the book is about starting the business… and Kaoru finding loopholes to avoid paying taxes. Then they go looking for more employees…

Kaoru, of course, always seems to think that she can disguise her absolutely ludicrous abilities and just be an average, everyday businesswoman, and Reiko seems to be going along with this. Both of them seem to have forgotten what happened 70-odd years ago, and how Kaoru was literally enshrined into myth and legend. The running gag for this book, which is quite amusing, is how all of the young kids working for her know who she is but try not to say anything because she’s clearly avoiding the subject… even as she once again does something that only the legendary Kaoru could do. Speaking of the kids, this is a fantasy world isekai, so I will warn there is a lot of child labor here. That said, they’re paid well, and it’s an improvement on the virtual slavery they were stuck with before. As with Kuma Bear, you’re supposed to regard it as heartwarming.

The other subplots in the book feature Leia, another goddess who has essentially come down to Kaoru’s country so she can see why Celes is so fascinated with it. For the most part, she acts like a somewhat naive ojou, but there’s a very nice scene at the end of the book where she starts to realize what living actually means, and it’s well-handled. The other big event, right at the end of the book, is Kyoko’s arrival, the third of the “KKR” trio from Japan. As far as I can tell, the rule of thumb of their lives in Japan was that, while Kaoru threatened her way out of trouble, and Reiko blackmailed her way out of trouble, Kyoko seems to have simply gotten into trouble – she’s presented so far as a bit of a fluffhead. She shows up in a UFO, as her ability is to be able to create literally any ship – sadly, she can’t create crew for these ships, so she’s reduced to crafts that can be used by one person. She promises to add even more chaos.

For those who miss the old supporting cast, there is a brief after story showing what Francette and Roland are up to… and the answer is “raising kids so powerful that no one can defeat them, along with a Red Sonja-esque desire to marry only someone who can defeat them”. Still, while this wasn’t as world-shattering as the last book, it was a good solid volume.