By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Everyone loves a good harem series. But, unless you’re reading The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You or other polyamorous titles, you’re going to wind up with fans of one love interest happy and the fans of the other love interests disappointed. This is even true in a series like this one, where there’s been no doubt since the beginning of the first volume that Aileen and Claude were the OTP. This series was based around a series of otome games, and as a result there are any number of hot guys that you could, theoretically, pair a heroine with. Sadly, Lilia blew all that up, and Aileen kicked fate in the nuts, so we’ve got a few guys who are dedicated to their work. Can’t have that, though. This is a romance, and romances with lots of unattached love interests get hit with “pair the spares”. That’s the entire purpose of this volume, taking place a little while after the main series.

This book consists of three stories, but honestly it feels like the author had a complete volume that didn’t quite meet the word count and so they added a (normal-sized) short story to the start and a (very small) short story to the end. The first has Elefas going back to his homeland to find that he’s suddenly married to Neifa, one of the harem queens of Baal’s that he has no use for now that he has Roxane. He thinks he can quickly get out of the marriage, but sadly she’s brilliant *and* has big boobs, a deadly combination. In the final story in the volume, Claude and Aileen try to go on a date where it’s just the two of them, despite everyone trying to stop them. The story that takes up the most time, though, involves Walt and Kyle, who get involved, once more, with demon snuff, as well as a very mysterious “fairy” girl.

The reason to read this is the middle story, though I did like Neifa, whose use of “all-ages” a la Lilia makes me wonder if she’s another import from Japan. (Lilia is fantastic in her one scene, where she looks like she’s being serious for once but later turns out to be a troll as always.) But Walt and Kyle – OK, mostly Walt – are the reason to pick this up. Walt tends to wear his heart on his sleeve, so even as he’s told to investigate a teenage girl who’s suspected of making and distributing a highly potent demon snuff, and even after discovering that yes, she is doing that, he still wants to prove that she’s innocent, because it doesn’t match with her character. In fact, her character doesn’t match from one day to the next, which is a bit of a spoiler except that the cast portraits at the start of the book give it away anyway. This is basically a thriller where they’re working against the clock trying to stop a horrible chain of self-sacrificing against a virulently disgusting bad guy who’s been sexually abusive (so yes, warning for that), and thankfully the day is saved.

The day is saved without Aileen, who only makes small appearances in the first two stories – after all, they don’t involve her being executed if she makes one wrong move, so what should she care? The next book, though, sees us back in familiar territory once more, as the author admits that the series isn’t ending just yet.

By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Despite the fact that there are still three volumes to go after this, according to the author, this is the end of the main series. And it’s a real corker of an ending, giving us one last crisis for the road, where Aileen is not under threat of execution (it’s hard to do that now that she’s the Empress), but the world is still in danger, and more importantly, her family is in danger. This is when Aileen “rampages”, as Claude puts it, and she certainly does so here, kicking people in the face, doing all sorts of Holy Sword tricks, and otherwise being the badassest badass to ever badass. What’s more, the series continues to hammer on its themes: fate is something to rebel against, no one is irredeemable, and your love can indeed save the world. Indeed, it had better. Aileen literally says at the climax that saving Claude is her only goal. If she saves the world too, that’s just a bonus.

Covers always spoil, huh? So yes, everything is peachy keen with our heroes, although Aileen is worried about whether she’ll be able to bear children for Claude. Suddenly a mysterious but incredibly powerful teenage boy arrives, who looks like Claude. With an eyepatch and an emo streak a mile wide. He immediately puts the entire nation (almost) to sleep, puts a barrier over it, and heads over to Ashmael, where Roxane is about to give birth. He’s not the only mysterious stranger to arrive, however, as a young woman follows, who seems to know who this mysterious teen is… and also looks an awful lot like Baal. If you guessed this was a “kids from the future” plot, you get no prize, as it’s obvious. But the kids aren’t the threat.

Most of the secondary cast play a smaller role in this volume, but there’s one big exception to that, and of course it’s Lilia. We had to somehow do something with her before the end of the series, as she’s the only one who is deliberately trying not to grow and change. That finally ends here, however. Yes, there are not one but *two* new otome games that came out in Japan that this book is based on (Aileen died right after the 5th came out), but Aileen has broken the plot of the previous games so much that they don’t mesh anymore. I think that, more than her fiance Cedric, might be what causes Lilia to stop being a “player” and become a true heroine. I mean, don’t get me wrong, she’s still a massive asshole to everyone around her, but at least she’s no longer wishing for chaos to descend. Hell, she even hints in the final chapter that she, by “removing the all ages rating” (i.e., consummating with Cedric), allows Aileen to get pregnant. Aileen is the badass, but Lilia is still my favorite.

So we’re done! Good end! That said, as I noted, there’s more books coming. The next one is an after story, apparently. As always, in the top 5 villainess series out there.

By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

This is a short story volume, but it contains the basic theme for the entire series, which is that when Aileen is doomed, or on the verge of execution, or otherwise has to work really hard to achieve anything, she’s fantastic, amazing, stupendous. When she’s surrounded by her loving husband, loyal allies and BFFs, she has a tendency to… well, there’s no getting around it, she’s a sub. The end of the book discusses Aileen and Claude’s first time, which we briefly heard about at the end of Book 6, and it’s immediately apparent that Aileen is in terrible denial about the fact that, in bed, Claude can not only wrap her around his… not-so-little “finger”, but she also just gives in to him, which embarrasses and humiliates her. And also turns her on, we’re meant to understand. If this is a surprise to you at all, this must be your first volume. That said, there’s more to this volume than that.

The short stories in this book are in chronological order, with the earliest happening after Book 1 and the latest ones taking place at the end of Book 6. Most of them are short, and it wouldn’t surprise me to hear that they were extras with a store exclusive or DVD release. There are bulkier ones, though. One goes into much greater detail about how Walt and Kyle went from the Church’s honed weapons who are there to kill the Demon Lord to his most trusted bodyguards. (If your response is “because the Church is evil, congrats, you read Japanese light novels.) Because this is an otome game world, Valentine’s Day exists, and we get to see the ladies of the book (minus Lilia, who is notably absent from most of this volume) dole out candies and chocolates to all. And, as I mentioned above, Aileen and Claude have had their first time. He’s very, very happy. She’s a wreck.

I mentioned the lack of Lilia. She does show up at the very beginning, in a scene taking place before the start of Book 1. It mostly just shows off her perfect heroine vibes that she’s deliberately cultivating. More interesting is the end, where we see all the main couples do something. Aileen and Claude consummate, Isaac and Rachel decide to elope (their parents are against it) and buy a house. Auguste proposes to Serena, who reacts in exactly the way you’d expect a furious tsundere to react. Roxanne gets reassurance that she’s not just “the top of the harem” but the only wife. And Sahra… um, exists, I guess. They can’t all be gems. But Lilia is determined to avoid her fate. She declares she’s staying “All Ages”, despite being married to Cedric. What’s more, the thing that gets her over the moon more than anything this volume is not Cedric doing anything, but Aileen re-enacting, just for her, one of the villain CGs from the game. Lilia is far more like Maria Campbell than we’d expected, adn Cedric is still coming in second to the villainess in her heart.

So that was not essential, but it was pretty fun! Claude fans will love seeing him 100% in charge here. Presumably back to more “if Aileen doesn’t fix this immediately she’ll be executed” next time.