By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Bakuen wo!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

First of all, I want you to know that placing that exclamation point in the title where it belonged according to the cover art wounded me deeply.

The KonoSuba Explosion series has tried its best to be a dedicated prequel, but the end of this third volume finally has to take us into the main series proper. Most of it is spent with Megumin, on the outskirts, watching the wacky antics of Kazuma and Aqua. She’s trying to join adventurer parties, which are all desperate for spellcasters, but not her specific type of spellcaster. No one wants the girl who only knows how to fire off giant scary explosion and destroy property. Admittedly, she is faring better than Yunyun, who no one will approach because she’s too intense (read: desperate), and those who do approach her turn out to be predators. (Yunyun states she’s thirteen years old a lot in this book, a fact that I had conveniently erased from my brain but now it’s there again, being creepy and awful.) By the end of the book, after disparaging them so much, Megumin may finally be able to admit that what a girl like her needs is a party of idiots.

While genuinely a dedicated prequel, this series is also quite happy to set up events that we already know about in future books, such as Wolbach and Host, who is already having enough trouble dealing with Komekko without being forced to deal with even MORE Crimson Magic Clan folks. As is increasingly common in her character in these books (we don’t see all that much of this side around Kazuma), Megumin acts rude and nasty at times to cover up her own embarrassment at having to admit love and affection. This even applies to Chomusuke, who she at first talks about happily sacrificing before admitting that she’ll do no such thing. And of course it isn’t just her – the one major trait she has in common with Yunyun, who is otherwise a comedic punching bag, is their inability to deal with talking about who they like.

This pays off in a scene near the end, when Megumin (pretending to be asleep) actually hears just how much Yunyun respects Megumin and how cool she thinks she is. Of course, she then uses a sleep spell on Megumin so that she can go off and sacrifice herself, but it’s OK, the emotional moment was there – as Megumin will remind her over and over again. This book also has the job of separating the two here, given that when we first meet Megumin in the main series, Yunyun is nowhere to be seen, and it does a pretty good job, though not as well as it handles Megumin. Yunyun is a character that requires a certain balance to have the reader sympathize with her but also laugh at her, and the author, let’s face it, leans too far to one side much of the time. I worry, as does Megumin, how Yunyunn will fare on her own, but as seen in the main series, she’s still OK, if suffering.

And so this series comes to an end… except there’s a sequel to it out soon, KonoSuba Explosion Bonus Story!, which will tell us about events prior to Book 10 and why the princess looks up to Megumin so much. It should be silly and fun, with a small touch of heartwarming. Which is what you get with these books.

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

I recently reviewed the third volume of Combatants Will Be Dispatched!, by the same author, and noted the difference between that series and KonoSuba is that KonoSuba has heart. Which is true, as the latter half of this book shows. But to get there we have to get through the first half of this book. And it’s a good reminder that, while the cast of KonoSuba are nice and sweet compared to the sociopaths of Combatants Will Be Dispatched!, they are still quite horrible people overall. No one exemplifies this more than Kazuma, who after the last volume is spending his days lazing around the castle being waited on by servants and corrupting the princess (no, not like that, fortunately – she’s just talking casually now). After finally being thrown out, he then has to get back into his own mansion, as he’s been locked out by a thoroughly pissed-off Aqua. It’s only when Megumin’s sister Komekko shows up that the cast remember that they’re badass and also not terrible.

In a nod to the overall plot, Komekko is brought to Axel because Megumin’s village is under attack by the Demon Lord’s forces, which has led to their home being destroyed. so “those two girls” (in a nod to the trope, Megumin can’t remember their names, and to be honest neither can I) drop Komekko off to be looked after by Megumin while the Crimson Magic Clan strikes back and also cleans up. Komekko’s quite happy with this, as everyone and their brother is feeding her. She’s also happy because Megumin has been writing her letters about how AWESOME she and everyone else in Axel is, and she wants to find out about this first-hand. Given that, for once, Kazuma and company are reasonably well-liked by the town, the other adventurers are willing to go along with Megumin’s exaggerated letters. In fact, the guild decides to take advantage of this. A lot.

Everyone here gets their moments to shine and also their moments to be humiliated, in the best KonoSuba way. The exception is Komekko, who plays everyone like a fiddle and will likely be far more powerful than Megumin when she grows up. Darkness comes off worst, as she’s still hamstrung by having to be the sensible one, with her perverse moments kept to a minimum. As for Megumin, much to the surprise of Kazuma (and the reader), she is not going to let him forget her confession from the end of the 9th book – she repeats it, and then says she’d like to be “more than friends but less than lovers”. It’s a great scene, and Kazuma responds to it (for him) relatively seriously. Of course, it’s then undercut immediately, because no one does that better than KonoSuba – Komekko heard this confession and tells everybody, leading to a hilarious final scene.

As this point Kazuma/Megumin seems to be set in stone… though the cliffhanger may bring fresh chaos. Darkness has a kid? Is she a child from the future? (Probably not). In any case, this was an enjoyable book, once I got past the obligatory “sixty or so pages of Kazuma being a scumbag” parts.

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Bakuen wo!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

I have to admit that I was less thrilled with the second volume of Megumin’s spinoff series. This is pretty much because the middle half of the book is filled with Zesta and Cecily, the two Axis Church members that we’ve seen in KonoSuba books 4 and 8. I don’t mind Aqua, mostly as she’s not a creeper, but the same cannot be said for the acolytes of her church. The running gag here is that, because the Axis Church basically has as its creed “do whatever the hell you want”, it tends to attract the wrong sort of people, and we see that here, played, of course, for comic effect. Zesta is infamous for his behavior, to the point that when he’s arrested and falsely accused of being a traitor to the human race, no one wants to bother to defend him. Cecily is also pretty bad, taking opportunities to feel Megumin up in the bath, etc. Fortunately, the first and last parts of the book are much better.

Despite the subtitle of the book, we do not get Yunyun’s narrative POV here, alas. Which makes sense, as the fun of Yunyun is watching her flail, not getting inside her head. That said, she does come off pretty well in this book. Following Megumin to Arcanletia because, well, because life without Megumin terrifies her, Yunyun as always tends to alternate the ‘sensible’ role with Megumin when the situation calls for it. The last quarter of the book shows the two on a carriage to Axel Town with a number of other people, and various monsters keep attacking the carriage. This leads to the funniest part of the book, as Megumin can’t use Explosion without hurting the other travelers, so ends up being pitied and looked down on by everyone else as Yunyun, who can use various magics, takes out all the monsters. Of course, at the end Megumin does end up showing off and regaining people’s respect – it’s her series, after all.

The plot, aside from shifting Megumin to Axel Town (the book ends right as the first in the main series begins – Megumin sees Kazuma and Aqua arrive in this world, though she resolves not to have anything to do with them), involves Chomusuke being sought after by a demon who is convinced (and not without good reasons, as readers of the main series will know) that Chomusuke is Lady Wollbach. Megumin, despite verbally not caring about Chomusuke, ends up defending her against this demon, despite also taking the cash offered to hand her over. (This is how the broke Megumin can finally afford to leave the village.) This, of course, sets up events in Book 9, which had not been released at the time this came out in Japan (this came out between Books 5 and 6). Again, seeing the contrast between Megumin’s seemingly blase attitude towards everyone and everything and her actual feelings deep down is the main reason to get these books.

So yes, I wish there had been less Axis Church, but overall this was still pretty good. Next volume likely will see things end up how they were at the start of the series proper – with Megumin and Yunyun separated, and Megumin meeting Kazuma and Aqua properly.