By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

This is a lighter volume of Kuma Bear, despite the threat of the destruction of an ancient sacred tree. You know Yuna’s got this, though the fight is difficult enough that she has to switch from black bear onesie to white bear onesie, and she ends up fairly exhausted. Speaking of that switch… Kuma Bear is, I think, mostly written for a male audience, but I also think we’re supposed to go “aww” at the antics more than “Cor!”. Yuna has to strip to change her costume, and there’s a shot of her in her underwear. But it’s not particularly sexy, and the narrative is far more concerned with Yuna’s childish bear panties and her reaction to anyone who finds out about them. Yuna has an image that she wants to keep up of her as a cool lone wolf (or rather lone bear) sort, but it’s constantly undone by the reality of her being the big sister to 11 million kids and also having older than she looks issues. Is embarrassment fanservice?

Arriving at the elf village allows the author to bring out a whole mess of fantasy novel elf tropes to make fun of, from their supposed perfect hidden tracking skills (which Yuna spots immediately) to the fact that even “grandfather” looks, at most, about 40 years old. The barrier nis weakening, however, and it turns out the problem is that the elves’ sacred tree has been infested by a parasite, who is slowly killing it and weakening said barrier. So it’s up to the elves to fix things… along with Yuna, who can enter the protective ward that no one but elves can, because, you know, OP bear. There’s also other dangerous monsters to fight, some of which might actually kill off an elf or two… but probably not, as this is not one of the dark Kuma Bear books. The worst we’ll see is Yuna worrying about her secrets.

Yuna has, for the most part, remained quiet on her origins and the basis of her awesome powers, not even telling Fina, the one person she’s closest to. I had wondered briefly if she might open up a bit to the elves here, given that they sign a contract that tortures them with unstoppable laughter if they reveal her secret, but no, it turns out she’s just telling them about her bear gates so she can set one up here, and her bear phone so that the village can communicate with Sanya and Yuna when they want to. It doesn’t feel like she’s revealing much here, but I get it. Yuna hates making ties with other people, but does it anyway, and she also hates it when people praise her because she doesn’t think of any of it as HER. The Bear Suit is the OP heroine. She’s just the girl inside it. Which is an interesting psychological trauma to dig into, but I doubt we’re going there soon.

If you read Kuma Bear, you’ll enjoy this. If you don’t, we;ll, cute but OP bear girl slice-of-life again.

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

Well, I did wonder in my last review if Yuna could solve problems by hitting things again soon. More to the point, we’re back at the dark end of this series again. Japanese media in general does not shy away from putting dark things into a show that’s ostensibly for children, as anyone who’s seen the end of the first season of Sailor Moon can tell you. That said, Kuma Bear is clearly written more for light novel adults than it is for kids the same age as the girls in it. As such, it can be very surprising to see things like “please come with me to investigate my master’s torture and murder chamber”. I mean, Non Non Boyori rarely deals with the death of everyone’s entire family, nor does K-On! have a string of child kidnappings. But something about “isekai”, putting something in a fantasy world that is not “modern”, makes the authors want to show us just how dark things can get. We’ve seen it here before. It’s still dissonant.

We wrap up the plot from the previous volume here. The party went well, so our evil noble’s evil grandson decides to solve the problem by having Misa kidnapped, and the kidnapper also punches Fina and Noa in the face while he’s at it. To be fair, evil kid’s dad is also kidnapping children of merchants as blackmail. That said, we really haven’t seen Yuna as mad as she is at the start of this book. She’s so furious that the entire city is terrified of her and her two bears tearing through going after the nobles, and its only Ellelaura that manages to stop her enough that she does not commit murder… something that Yuna, as per usual, only really recognizes and dwells on after the fact. The noble house here is pretty much what Yuna feared after playing so many cliches games and reading all these light novels like … well, like this one. The side stories are 100% serious, dealing with a maid who was blackmailed into working for the noble and her current mental state, which is not great.

After this, we have scenes of Yuna finally getting her ingredients from Wa and making mochi. Because of course we do, it wouldn’t be Kuma Bear without switching from serious to happy on a dime. We get warnings about the dangers of eating too much sugar, and we get piles and piles of stuffed bears given out. (Yuna seems to finally have come to terms with the bear onesie and her bear lifestyle in general.) The second half of the book has the guildmaster’s little sister Luimin come to get them because there’s a crisis at the elf village… a crisis which will presumably wait for Book 10, as the rest of this book is the journey there, which involves a group of adventurers and merchants who appear to be crooked, as well as Yuna showing off that crossing a raging river at high tide is nothing to a girl and her bears.

If you enjoyed the light novels, this will please you just fine. If you enjoyed the anime… be aware they cut the darker bits. And if the mood swings bother you… please just bear with it.

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

One of the odd things about this series is how it references its premise several times while also being completely uninterested in doing anything with it. Yuna was, as we saw in the first volume, a very disaffected Japanese teenager, someone who literally paid her parents to go away. This is crucial for seeing how she deals with people in this fantasy world as well, and also in figuring out how much of her narration is simply pretending that she can’t see the obvious problem. And yet, after Yuna’s original transport into the game, we’ve never really dwelt on who put her there and why it happened at all – it reads as “I needed an excuse for an isekai”. It feels awkward to have it both ways, but I suspect that’s what we’re going to have to deal with, because the series in Japan is up to the 18th volume and I don’t think has devoted one iota of its time to “why did Yuna end up here?”.

The bulk of this book has Yuna, Fina, Cliff and Noa going to attend the birthday party of Misa, the noble they’d met in an earlier book. Unfortunately, Misa’s family is currently on the bad side of a power grab by the other noble family in the town, and her party – as well as a party for adults held by her grandfather – is desperately required for them to survive. Also unfortunately, the other noble family knows how these sort of fantasy isekais work – Yuna even says they’re like she imagined nobles to be like. Their grandson is sneering and bullying, they employ thugs to break the arms of head chefs, etc. Fortunately, Misa and company have Yuna, who solves things by just popping over to the palace and asking the King if she can borrow the palace chef. That said, Yuna also faces the biggest crisis she’s had to deal with so far… attending a party in a dress, instead of her bear onesie.

As always, the main reason to read this series is to watch everyone’s reactions to Yuna, and her reaction to everyone. They’re in a new town this volume, so there’s even more “it’s a bear!” than usual. Yuna knows this is a normal reaction to someone like her, but still gets irritated by it. She is a very nice, overpowered person to have in your corner… provided that you do whatever she says, something that I suspect I am thinking about more than the author would like me to. Unfortunately, she does not seem to have learned anything from Fina’s blowing up at her last time. That said, part of the problem may be that she had less to do than usual here – this is a second volume in a row with little conflict, aside from the political power struggles. In fact, we’re due for something to happen soon. Yuna works best when she’s hitting things, I think.

Fans of the series should definitely enjoy this one, though it’s pretty clear that there’s no overarching plot beyond “whatever the author wants to do next”. If you don’t mind that, hang out with the bear some more.