License Request Day: Yankee-kun to Megane-chan

Once again, I end up looking at Kodansha properties, even though Del Rey is not exactly rushing to license new things, Dark Horse seems mostly interested in reissues, and pure long-running shonen is not quite Vertical’s thing. I guess until Kodansha USA gets its act together, this will just be pure hypotheticals.

Looking at currently running series in Kodansha’s flagship Weekly Shonen Magazine, there isn’t much that’s actively licensed right now. Negima, Air Gear (which is already in ‘omnibus’ format), Zetsubou-sensei, Fairy Tail, and Code: Breaker. 5 series out of about 30 that Wikipedia notes are still running at the moment in the magazine. Kindaichi Case Files was once licensed by TP, but was pulled when the Kodansha titles vanished, and was likely already canceled due to low sales even before that.

We can also leave out Hajime no Ippo (a 90+ volume boxing manga) and Godhand Teru (a 50+ volume medical drama) as being far too long to seriously recommend, and of course we can leave out all sports manga. For Magazine that’s pretty rough, as it culls Ahiru no Sora, Ace of Diamond, Shinyaku “Kyojin no Hoshi” Hanagata and Area no Kishi, all best-selling titles in Japan that won’t see the light of day here unless Cross Game somehow turns everyone’s heads. Lastly, I’m leaving out 4-koma and gag manga, so no sign of Mou, Shimasen Kara or Seitokai Yakuindomo.

(I’d personally love to see SYD over here, but that’s also unlicensable for another reason – it’s utterly filthy.)

Cut all those back, and also eliminating series too new to really be considered, and you’re left with precisely one title that’s unlicensed yet has potential. It’s called Yankee-kun to Megane-chan, and has been running in the magazine since 2006. It’s at 19+ volumes and still running, which is considerable but not so large as to be unprofitable. It has two very strong lead characters. It’s also very funny. It has a live-action series that ran in Japan earlier this year. And it’s been a big success in Singapore, where it’s called Flunk Punk Rumble.

What’s holding it back? Well, first off it doesn’t have an anime. Live-action series are all very well and good, but far less marketable to the West than a nice anime tie-in. Secondly, it features that dreaded word that sends publishers screaming to the hills: delinquents. Not quite on the level of your typical Young King title, and at least they try to keep the cast vaguely attractive-looking, but teen gang titles haven’t really been seen here since Tokyopop had to let go of Shonan Jun’ai Gumi and GTO.

Lastly, and perhaps most importantly, it has zero elements of fantasy. The boy is not a vampire, the girl is not a ninja. These are high school students, getting into high school comedy. Even School Rumble, the title’s closest equivalent, played around with girls who could read minds and men who could talk to animals.

The premise, which I suppose I should mention at some point, is that Daichi, our hero, is trying to slouch through his high school life as a typical Yankee (a Japanese term broadly used as delinquent). Sadly, the class rep, Hana, has taken notice of him, and is making it her job to force him to shape up. Of course, as he quickly finds out, she has more than just personal interest in him at stake here, as she is highly influenced by her own past. Could this glasses-wearing annoying girl have really been one of the most terrifying delinquents in all of middle-school?

Besides School Rumble, there’s a lot of GTO to this, in that much of it is teaching gang-loving apathetic Japanese kids that there’s a more productive way of doing things. I happen to be a big fan of that sort of thing, another common Japanese trope. Could this appeal to Western readers? I think so, given the right push. It has a likeable cast, a lot of good comedy and fights, and some mild romance between the leads.

License Request Day: ’80s Jump series

As with most of my license requests, these are more ‘far flung fantasy’ than anything else. That said, I have been growing nostalgic lately for old-school Jump shonen, pre-Naruto. The series of that period aren’t necessarily lighter or goofier (in fact, there’s far more bloodshed in these than there is in today’s Jump), but they have a rawer, less refined quality that I quite enjoy.

For the record, I’m excluding 80s Jump series ALREADY out in North America, even partially. The series are still good – you should track them down. That’s Dr. Slump, Fist of the North Star, Dragon Ball, City Hunter, Saint Seiya (aka Knights of the Zodiac), JoJo’s Bizarre Adventure, Bastard!!, and Video Girl Ai. And I’m not talking KOR as I already did a post on that one.

What does that leave? Well, how about High School! Kimengumi? It pretty much is everything one could want in a bestselling series for North America. It has old-fashioned, goofy shonen art that looks sketchy. It’s multiple volumes, with the three series stretching to 27 volumes at Shueisha and 5 for a revival at Square Enix. It’s a manga filled with obscure Japanese puns about virtually everything. And it’s a shonen romantic comedy. As you can see, all these things are HOT BEST SELLERS in the west, and would be unbeatable here. :) Seriously, though, it looks fun, cute, and goofy – a great combination for me.

No, huh? Want more action? And some babes who are actually somewhat above the age of middle schoolers? Well, I said I wouldn’t talk City Hunter, but what about Cat’s Eye? This 18-volume series about a group of 3 sisters who run a cafe but moonlight as thieves, stealing famous paintings in the hope of tracking down their collector father. It also stars a headstrong young detective who is determined to catch those evil thieves!… having no idea he drinks in their cafe every day. Again, old art, but in my opinion that actually is the only thing stopping this from being a good license. Well, that and the fact that Hojo was one of the Gutsoon/Raijin mangaka, and rumor has it they were pissed off at how that ended up and want to avoid the West. Regardless of that, Cat’s Eye is great fun.

Also, as long as Viz was forced to slog through Whistle!, they may as well go back and publish the really GOOD soccer manga from the 1980s (and far more famous, even over here), Captain Tsubasa. The first series (it’s had endless sequels) ran in Jump for 7 years and 37 volumes, and runs from Tsubasa’s start in elementary school through his national championships, ending with him joining Brazil. Perhaps a sponsorship deal can be worked out with a soccer league to promote it here, similar to how the NFL promoted Eyeshield 21 in Japan.

For those who loved Saint Seiya and Bt’X, there’s Fuma no Kojiro. It’s… a ninja manga! Old-school ninja manga, the sort that Naruto’s author grew up on. And best of all, it’s only 10 volumes long! Something reasonable! I feel I should note, for those who have read Even a Money Can Draw Manga, that this is in fact just a ninja manga. There are no psychics in it. However, he did move from ninjas to Spirit Warriors for his future series, as fans well know.

Lastly, and possibly least likely, is Ginga: Nagareboshi Gin. This is a badass, awesome 18-volume series about… well, dogs. But this is not Chi’s Sweet Home by any means. These are wild dogs, who our hero (an Akita puppy) joins in order to band together and take down an insane giant bear. We see Great Danes, German Shepherds, Weimaraners, French Spaniels… and a couple of humans as well, but this is about DOGS FIGHTING A BEAR. It’s wildly popular in Northern Europe, as you might expect, and has had some anime released in the West, though heavily, heavily edited. I can only imagine the blogger love that would pour forth if this were licensed. Especially from me.

I’ve only covered from 1980-1984, too. Anyone have any favorites I missed?

License Requests: The epic multi-volume impossibilities

There are many reasons that a title is not licensed here in North America. It’s viewed as difficult to sell; it has content which is acceptable in Japan but questionable here; the artist has demands the publisher cannot meet; the price tag the Japanese publisher asks is too high…

And then there’s just that no one wants to license something 100 volumes long. Japan’s classic, epic masterpieces can go on… and on… and on. If you license a 5-volume series and it doesn’t sell, that’s merely a poor return on investment. If you commit to a series with 50 volumes or more… it had better be able to print money.

So let’s look at the longest series, by volume (according to the ever-reliable Wikipedia), and see what they are and why they’re so beloved, along with why they would (or would not) do well over here.

1) Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo, aka KochiKame. The big one, folks. This is 170 volumes long, and still running. It began in Weekly Shonen Jump in 1976, and likely will only end with the retirement of the author. The title translates to This Is The Police Station In Front Of Kameari Park In Katsushika Ward. I suspect, were it ever to appear here, it’d just be called KochiKame. KochiKame is a standard gag manga, revolving around a goofy middle-aged cop, Ryotsu. He’s easily recognized by his distinctive eyebrows, which look like a McDonalds sign in the center of his head. (A recent volume of Gintama parodied his eyebrows, and he also appears in a cameo towards the end of Enies Lobby in One Piece.) The manga revolves around his police duties, his money-making schemes, and his overindulgences.

With its utter lack of romance, serious action, or car chases that go on for chapters, this is not exactly made for North America. If it ever were licensed here by Viz (it’s a Jump title), I could see it being a best-of omnibus a la Oishinbo. It’s fairly episodic. However, more likely it will remain Japan’s most beloved cop unknown in these parts.

2) Golgo 13. Ha! Tricked you, this *was* licensed. Twice. However, both Viz licenses were for omnibus best-ofs, a very sensible way to go. Viz’s was, in fact, incredibly well handled. The original, of course, debuted in the pages of Big Comic in 1969, and still comes out today, 154 volumes later (and counting). In case you were unaware, this is a very serious adult manga about a professional assassin. It too has no romance (bar Golgo 13’s loveless conquests), but it certainly has plenty of action. The latest anime version is being released here soon; if that takes off, perhaps Viz might release a few more best-ofs.

3) Dokaben. This is the first one which is actually a trick volume question. Technically, this is four separate series, running 48, 17, 52 and 34+ volumes respectively. In actuality it’s all the same cast and plot, so it totals up to 151 and counting. It’s run on and off since 1972 in Akita Shoten’s Weekly Shonen Champion. A Dokaben is a type of bento lunch, by the way. As for why it’s not licensed, the reasons are endless. The art is ‘old-looking’ and caricaturish, and most of all, it’s a baseball manga. Maybe if Cross Game sells as well as Naruto… nah, probably not even then. Still, it’s well known enough to be namechecked in one of the Scott McCloud books.

4) Cooking Papa. A classic title from Weekly Morning, Kodansha’s top-selling men’s magazine, this has been running since 1984. About a salaryman who cooks, this is pretty much a classic food manga, a staple of many Japanese men’s manga magazines. He’s got a lantern jaw, and actually looks kind of like the square-jawed Batman of recent DC animated series. He is, of course, a sweetie pie in reality, who loves his wife and daughter and loves to cook for them. The recipes (and yes, they are included within) are simpler and more ‘down home” than in the more exotic food mangas, but then this is meant to be basic comfort manga. I don’t really see it getting licensed here, though, unless Kodansha USA want to do a best-of.

5) OK, technically 5 is Nijitte Monogatari, a manga that ran in Shogakukan’s new magazine Weekly Post. It’s 110 volumes, and I can’t find any information on it. If anyone knows any, you can post in comments. :) So I’ll go with Oishinbo, which… hey, has been licensed here in a best-of omnibus! From Shogakukan’s Big Comic Spirits, this is of course the story of a grouchy food lover and reviewer, Yamaoka, and his relationships with both his estranged father Yuzan and his cute and sensible co-worker (and later wife) Yuko. But really, it’s about great food, lovingly depicted. Like Golgo 13, Viz did a bang-up job with the 7 volumes it released here, and the series was much beloved by bloggers, if not so much actual buyers.

As you can see, none of these series are completely unlicensable. (Well, OK, maybe Dokaben is.) With the right selling point, and a relatively continuity-free series that can be dipped into at random, you can make this not only work but work well. I’d certainly buy a 7-volume best of KochiKame. How about the rest of you?