Oresama Teacher, Vol. 4

By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz.

We are perhaps in a golden age of strong, spunky shoujo heroines. Minako from Sailor Moon is back in the spotlight. Iku from Library Wars is beating up those who would dare censor books. And now we have Mafuyu from Oresama teacher, who may have to dress up like a guy due to circumstance, but has shown that she is the one to bet on in a fight over anyone. Heck, I think she could take out Ichigo from Bleach if she tried.

It is entirely possible that this is not someone’s brand of humor, but it just happens to be mine. Mafuyu is wonderful. The way that she finds herself thinking like a thug in order to solve problems. And even better, the fact that she’s still learning as she goes, where she finds for the first time what it means to have someone you like injured because of you. And then, of course, there’s pretending to be a gay boy rather than a girl in order to fool the easily fooled Hayasaka. And any interactions she has with Takaomi are fantastic, if only as he can still wrap her around his finger without even trying.

There’s an awful lot of fighting in this manga, so much so that I wonder if it might be better marketed to Jump fans. Even better, as with last volume we see that Tsubaki is actually training her readers on the mechanics of being in a fight. Last time it was escaping from being tied up, here it’s how to dodge and parry, something that poor Hayasaka and his straight-ahead mind have simply never learned to do. Mafuyu’s actually quite a good teacher, but she’s up against a formidable opponent here, and I hope Hayasaka starts taking her lessons to heart before he dies.

I particularly enjoy seeing all the characters that you think are there to be goofball and comic show their inner badass. Maizono, Mafuyu’s masochistic third in command from her old gang, shows up to bring her a present. He never finds her (a given, since he asks the two guys who don’t know she’s a fighter), but we get a good chance to see that while he’s a goofball in front of her, he can fight like a demon when pressed. In fact, it’s notable how Mafuyu’s big problem in her new school is that she DOESN’T have a gang yet. Her old friends were trained fighters who all knew each other’s best strengths and weaknesses. Here she only has Hayasaka, who refuses to duck.

And lest we think that Mafuyu has it all together and isn’t an idiot as well, there’s that final chapter, where she completely forgets that she can’t swim. There’s a bit of romantic tease in it (really the only tease in the whole volume), but it’s second to simply laughing at everyone. There are no subtle characters here. Oresama Teacher is in-your-face gags about a girl who simply cannot stop being a delinquent fighter. And that’s why we love it.

Oresama Teacher Volume 3

By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz.

Another volume of Oresama Teacher, the antithesis of a cute and fluffy romance manga. There’s no romance here (beyond the implication that one of Mafuyu’s old classmates had a crush on her), but there’s plenty of laughs and action.

The majority of the third volume is about Mafuyu, who has discovered she has run out of food at her apartment, deciding to return home to mooch off her mother for the weekend. No sooner is she there, however, then she runs into the old turf war that she used to be deep in the middle of, as her old school is about to have a rumble with their rivals of West High. And what’s worse, she gets captured along with the current leaders! What’s a sweet young thing to do?

Good thing Mafuyu is not a sweet young thing. The two-page guide on how to escape as somebody is tying you up is not only genuinely useful, but is also hysterically funny. All of Mafuyu’s interaction with her two lieutenants is also comedy gold, as they manage to be stupider than she is, quite a feat if you’ve read the two previous volumes of this manga. Things are not helped by her being mocked by the bancho in charge of West High… who is, in the end, the only one sympathizing with her as well.

In the end, Mafuyu’s brief trip back home can only be just that, and she’s firmly told by her old crew that she’s not needed there any more. Naturally, she initially gets upset by this, but it’s for the traditional manga reasons of ‘it’s not your fight’ and needing to prove themselves without her… along with a big helping of having a crush, so wanting to protect her. Mafuyu doesn’t really need the protection (her punches can still knock guys out cold), but she’s thankful for this nevertheless.

A quick chapter follows showing her getting locked out of her apartment, and having to spend the night with Takaomi. Unfortunately, Takaomi is a very restless sleeper. If nothing else, this chapter may show us the most blood loss from an open head wound we’ve seen in a shoujo heroine – well, except maybe in Sukeban Deka. It’s a good thing this *is* a broad comedy, as the constant head injuries to Mafuyu, as well as her memory loss of even the most basic past events, might actually be tragic in any other context.

The final chapter seems more of a teaser for the next arc to begin in Volume 4, as we meet the Student Council and their charismatic leader Hanabusa. And when I say charismatic, this time I’m not just being descriptive, as his chief weapon is a charisma that borders on mind control. This chapter does see the welcome return of Hayasaka, who is mostly absent from this volume, and sees the two of them interacting like it’s old times. I look forward to seeing where this is going.

It’s fun seeing Tsubaki’s manga skills continue to improve as we move from the early volumes of The Magic Touch to the early volumes of Oresama Teacher. There’s less messy plotting and a more vibrant, modern Hana to Yume style heroine. But overall, the best reason to read this manga is still that it’s pure fun. Recommended.

Oresama Teacher Volume 2

By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz.

In my review of the first volume, I noted that while I enjoyed it, Tsubaki-san still had the same issues of the plot and story being very messy in general, an issue that carried over from The Magic Touch. Luckily, this second volume is much stronger in that regard. Even better, it’s hysterical, being one of the funniest shoujo manga I’ve read in months.

There’s so many hysterical moments that it’s really hard to narrow it down. Mafuyu and Hayasaka ‘escaping’ from Takaomi suggesting a club; Mafuyu’s realization that she was the ‘Bancho’ of her old school; the entire Morse Code sequence; Mafuyu’s cosplay outfits (I agree with Takaomi, she does have great legs); the letters by pigeon; Hayasaka getting convinced that an actual rabbit turns into Super Bun, and Mafuyu’s reaction; and possibly best of all, Takaomi simply knocking Mafuyu out with a punch to the back of the head, then lifting her up like a sack of potatoes. Tsubaki-san has noted that she’s better at comedy than romance, and she certainly proves it here. This is just plain funny.

Which is not to say that there aren’t sweet or serious moments. Romance is still on the back burner here, and one of the best examples of that is in the final scene, where Hayasaka has realized that she is Super Bun, and is starting to treat her as an incredibly fighting legend. Which… depresses the hell out of her. She doesn’t want to be worshipped, she wants a friend. It’s a good reminder that Mafuyu is the type who has lots of followers but no close friends, and it pulls at the heartstrings (earlier on, she gets very excited at the idea that Hayasaka has similar issues, which pisses him off). There’s also a nice scene with Takaomi where she realizes why she took his abuse for so long: so that she could get his praise.

By the way, those looking for a contrast with Ai Ore! could do worse than to try looking here. Not only is the tone of the manga completely different, but we also have a much more likeable jerk in Takaomi, and Mafuyu proves that she can kick ass better than any of the main cast. Seeing her take out the bancho mid-way through the volume was incredible. More women in shoujo manga who can throw a punch like that, please.

In this sort of series, the characters are not deep – in fact, trying to analyze them might be a mistake. Mafuyu and Hayasaka are both the sorts whose thought processes are both very simple, direct, and on the surface – this is even lampshaded later on, as Mafuyu realizes that Hayasaka is the type that unconsciously makes bad situations worse. But that’s all for the better, as it leads to pure silly. Hopefully Volume 3 will have more fun – and more Super Bun!