By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Yumemiru Shoujo no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

In my review of the last volume in this series, I mentioned I wasn’t aware of what happened in the next two books beyond it being sad. I’ll admit: I was lying. Generally these days, if you are following a series in any capacity on the internet, and the anime has already come out, there is no real way to avoid being spoiled. I didn’t have the main story beats of this book spoiled to me, but I knew what the last five pages would be, and so they are. That said, let’s not talk about those, let’s instead discuss the previous 250 or so pages, in which we find that Sakuta’s own adolescence syndrome has a very different cause from what he (and the reader) thought, learn exactly what’s going on with Shouko, and discover that it’s still hard to say you’re different from Bakemonogatari or Oregairu when you decide the best way for the hero to fix things is to sacrifice himself to save the girl.

Sakuta’s apartment is getting a bit crowded. Kaede is back, though with her “original” personality, and is struggling to catch up with the two years she’s lost. College-age Shouko is there, being very mysterious and Kasumi Tendo-ish. And Mai stays over once as well, because frankly the situation screams “my boyfriend is cheating on me with an older woman who’s also a middle-school student”, and who among us hasn’t felt agitated when that happened to them? The drama starts then Sakuta discovers that Shouko is back in the hospital – and getting worse. She has an old elementary school assignment about dreams for the future she never completed, as “die” would upset the teachers. Now it’s mysteriously being filled out… and the details seem to match up with college-age Shouko very well. Sakuta is concerned about the “get married’ part, though…

One of the more interesting things about this series is that it has all the wacky misunderstandings that harem anime usually has, but without any of the actual misunderstandings themselves. Mai and Sakuta are simply too sympatico with each other to really believe that there’s cheating or lying going on. Indeed, the fact that they’re so in tune with each other is what leads up to the tragedy in the final pages. Other than that, the most affecting part of the book for me may not have been the ending but everything leading up to it, as Sakuta drifts through school looking like a man who’s about to die. When even Kamisato is deeply concerned with him, in her own “drop dead” way, you know things are bad. And Rio and Mai’s scenes are even worse. Everyone seems to know what’s going to happen, but they also know that talking Sakuta out of this is next to impossible. As indeed it proves to be.

So what’s next? Well, if this were the movie, we’d only be halfway done. But it’s a book, so we’ve got to wait a few months. Rest assured I doubt it will kill off a main character, but I’m not as optimistic about its dreaming girl. Till then, enjoy an emotional gut-wrencher.

By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Orusuban Imouto no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The first four books of the series had its main character, Sakuta, helping out a different girl each time who had what he termed “Adolescence Syndrome”, where an inner issue they were suffering from showed itself in an exterior way. Mai was turning invisible, Tomoe was time looping, Rio twinned herself, and Nodoka bodyswapped herself with her sister. Through all this, though, we were also learning of Sakuta’s own past – both his encounter with a high school girl named Shouko (who he rediscovers but not in high school) and his sister, whose reaction to bullying, and his frustration and reaction to her own pain, is what jumpstarted all of this. Now, at last, in this 5th book, we finally get to focus on Kaede. She’s more determined than ever to leave the apartment and go to school, to the point where she has a list of tasks in her diary. Together with Sakuta, can she succeed? Well, yes, but that’s not necessarily a wonderful thing for all involved.

Much of this book is about moving forward and trying to take a next step. For Sakuta that means actually applying himself. Mai, despite her celebrity, is going to college, and Sakuta wants to follow her there a year later. For Kaede, this means a whole lot of things. Just going to school is fraught with tensions, given that whenever she sees someone she doesn’t know, especially someone wearing her school uniform, she has a panic attack. She’s also re-exhibiting signs of her adolescence syndrome, which is definitely not a good thing. (Given that when this happened before, the authorities thought her mother abused her, I worried they might zero in on Sakuta, but thankfully this does not go there.) And there’s another, even larger issue: Kaede, as we discover here, has no memories from before two years ago. Given the way amnesia works, there’s a danger that she might lose herself no matter what the outcome.

There is a large chunk of this book that is very heartwarming. Seeing Kaede’s determination is great, trying to take small steps despite her terror. Sakuta strikes exactly the right notes, knowing when to push and when to retreat. The scenes at the zoo were magical, and brought a smile to your face… which of course makes the last fifth of the book all the more tear-jerking. It’s startling to see not just Kaede but also Sakuta re-develop symptoms from adolescence syndrome, and of course it happens when Mai is out of the city and can’t help him. Fortunately, he has Shouko – the older version – to help him once again. That said, she’s not Mai, and I wish that Mai had been there to talk him out of it. Mai remains the best part of this series. In any case, I’m not sure where Sakuta’s family relationship will go from here, but hopefully his romantic relationships will survive the cliffhanger. They probably will, she’s eminently sensible.

I joked on Twitter that the next two books would be light and fluffy – trust me, I saw the movie reviews, and while I don’t know what’s going to happen I know it’s a tear jerker. But so is this, in its own way, as we take a look at what makes up a person’s identity, and how fragile that can really be.

By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Siscon Idol no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Last time I said that the book felt a bit quieter than the first two, and that goes double for this one, which I definitely enjoyed but which feels a little bit insubstantial compared to the previous books. Part of this could be that there does not seem to be any sort of danger of things being catastrophic if things don’t work out as with previous books. Nodoka’s issues do matter, don’t get me wrong, and I feel for her, but you are 100% not surprised at the solution to this particular adolescence syndrome, and honestly I feel it might have been able to be solved even earlier. That said, having it drag on does help to really hammer home the crux of those issues, and the fact that if there’s going to be any changing and growing being done, it’s going to have to be on Nodoka’s side – Mai, despite being as blunt as her boyfriend at times, is doing just fine.

As with most of this series, the book picks up where the previous one left off, with Sakuta confronted with a Mai who isn’t. When “Nodoka” also shows up, clearly with Mai’s personality, it rapidly becomes clear what’s happened. The issues involved are fairly straightforward – Nodoka and Mai have different mothers, and Nodoka’s mother wants her to be a top idol just as Mai is a top actress, which has led to stress. So Nodoka has run away and swapped bodies. Turning to Mai for comfort is not really working out for her, as Mai is not a comfort sort of girl. Plus this means she has to hang around with Sakuta all the time, who is… well, see the previous three books. She’s astonished Mai is going out with him. Unfortunately, as with prior “syndromes”, knowing the issues doesn’t solve the problem. What’s worse, they each have to take on each other’s career, and, well, one of them is much better at it than the other.

This book emphasizes that family is not something you can narrow down to “I love them” or “I hate them” in absolute terms, and that’s the book’s highlight, as I think it does a good job showing that. Midway through, Sakuta has a very awkward dinner with his father, and we get to see exactly why he feels rather ambiguous about him. At the same time, he’s also searching for thoughts on what being a parent is like to help Nodoka, and gets good, if oblique, advice. Nodoka, fitting with the “annoying little sister” box she sort of falls into, can be sympathetic, especially watching Mai in Nodoka’s body being an even better idol than she normally is, but I 100% agree with Sakuta that her over the top reaction of walking into the ocean to “drown” herself, knowing he’ll stop her, is really irritating. Fortunately, the resolution is cute. That said, one thing this book does do that won’t snap back is Mai and Sakuta’s relationship, which is now public. Fortunately, Mai is very good at damage control.

The next book’s title implies we’re going to focus on Sakuta’s own little sister next time, as she seems to be wanting to return to school… maybe. I get the feeling it will be a bit less relaxed than this book. Still, this is a decent enough volume, especially if you love Sakuta simply saying whatever he’s thinking at the time, no matter how bad it will be for him.