By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

Usually when you see character development, it’s meant to be heartwarming, or affirming, and generally a good thing. And there is that here. Seeing Jusetsu gradually open up to being around others, helping people, and growing more comfortable in her own skin is absolutely a good thing, and the Emperor knows it. That said, the fact that she is the Raven Consort makes this a bit of a double-edged sword. The classic joke “I’m not like other girls” is eerily true here, and that’s why there’s a sense of this series moving faster and faster down a hill towards a crash that Jusetsu is not going to be able to stop. It does not help that certain factions in the court are trying to apply the accelerator rather than the brakes, and suddenly instead of being fond of Jusetsu, or looking up to Jusetsu, they are WORSHIPING Jusetsu. And that’s definitely a bad thing, give that’s she’s already a part of a god, and the other god who is the enemy may be getting back to full strength.

The main plot shows the Crane Consort’s father, Choyo, arrive at the palace, supposedly in order to apologize to the Emperor for what happened in the last book, and grace him with some of their most valuable silkworm cocoons. In reality, Choyo is there to blackmail/threaten the Emperor with the knowledge that he knows who Jusetsu is and that she should stay isolated in her own quarters. Meanwhile, the man responsible for the events of the third book, Hakurai, may have lost an eye but is not remotely down and out, and he’s here to try to kill Jusetsu *and* destroy her reputation – and nearly succeeds at the second. And, of course, these events are interspersed with the meat and potatoes of this series; a ghost is in the palace, let’s figure out why.

Generally speaking the main reason to read any of these “inner palace of the Emperor” series, be it Apothecary Diaries, Though I Am an Inept Villainess, or this one, is for the court politics, and that’s no exception here. Jusetsu is trying her best, helping people and making sure to right wrongs and save those who can be saved (and send to the afterlife those who can’t). But by the end of the book she’s basically been asked to stay shut up until further notice, and while I doubt that will last long, it feels like a loss for her. This is not to say that Choyo wins, however. Banka easily gets the most interesting plotline and the best moment in the book, as she’s seemingly ineffectual, useless, and getting sicker and sicker over the course of the book. I say seemingly because she confronts her father angrily near the end, reveals a secret she’s been holding back that upends a lot of what will be coming, and basically says “I’m not your toy anymore”. It’s great. I can’t wait to see how she nobly dies in a future volume.

Good intrigue, great characters, worrying that it will end with half the cast dead, but hey. Romance is sort of vaguely there but very much in the background. To sum up: read this, it’s good.

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This volume delves deeper into why everyone insists that the Raven Consort always be alone. Throughout the book we see Jusetsu just generally being nice to people and helping them with their personal trauma. She’s a good egg. And she’s also gaining another bodyguard here, even though he may be a spy (or a double agent… it’s that kind of book). She might even get in more ladies-in-waiting, though I think Jiujiu might have something to say about that. She’s growing closer to the emperor, though I don’t think she really realizes what those feelings are yet. (It doesn’t help that she has to have jealousy explained to her, and doesn’t get it.) That said, the end of the book is worrying. Having good friends is fine, especially as the emperor is going to work on saving Jusetsu. But the way some people are reacting to her actions is beginning to look a bit like worship. And, as we see in this book, new gods are not always a good thing.

As with the previous books in this series, there are four chapters, each of which has a self-contained “mystery” but each also adds to the larger narrative. A lady-in-waiting is being haunted by a ghost, but the ghost is just standing there and not doing anything. An ancient ghost wanders the inner palace lamenting… but if the ghost is so ancient, why has it only started appearing this last week? A scholar new to the palace has a ghostly arm pulling on his sleeve, trying to stop him from… something. And, as is traditional with this series, the book ends with one of the consorts near death, this time because of a cursed item that was actually meant to kill Jusetsu. Throughout all this, Jusetsu takes care of the problem while struggling to come to terms with her need for people around her.

The best part of the book is its emphasis on the fact that people have more than one side to them, and that just because you had a bad time because of something that someone else did does not mean they meant you to have a bad time. The lady-in-waiting;s ghost was upset with her for fleeing while they were left to die… but they also told her to flee out of love. This also allows Jusetsu to come to terms with her mother’s own sacrificial actions, which were meant to save her even as they also made her suffer. As for the horror part of the book, there’s less of it this time around. It was a bit eerie how one of the supporting characters was revealed to not really exist and just smiled and said “Yup, bye”. And the resolution of the third chapter was basically “well, now I know why I have a ghost, but I can’t stop what I’m here for, so welp”, which is realistic but unsatisfying.

The book overall remains an excellent read for fans of “emperor’s palace” books and dark mysteries.

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

I mentioned last time that this was a mystery series, and that’s still true here. The book is set up so that we have the chapter itself, which is a self-contained “a ghost is causing problems” thing for Jusetsu to deal with, but each chapter also adds to the overall narrative of Jusetsu and the Emperor getting closer to each other despite the entire world seeming to throw “do not do this” signs at them. But this second volume also amps up another part of this series, which is the horror. There is some deeply creepy shit going on here, and honestly the chapter that began with a court maid being found dead with her throat ripped out was on the milder end of the spectrum. These ghosts have issues, and just because Jusetsu is here to try to get them to the afterlife doesn’t mean she’s always going to succeed. Especially since it seems she has a distaff counterpart, the owl to her raven. And he’s trying to kill her.

The first story here has Jusetsu meet a young eunuch who is tormented by a ghost that only he can see, one that keeps apologizing in the direction of the concubine of that quarters. Who is the ghost and what does it have to do with gorgeous blue feathers? In the second story (and the most horrific of the lot), an old woman begs Jusetsu to try to put to rest the spirit of a young concubine who drowned herself, but the main issue is that some people, even when grieving, have to make it all about them. The third story has a mask with holes in the eyes which, when put on, shows a ghost who seems to be very interested in a specific kind of lute playing. And the final story has Jusetsu get involved with a concubine who has been somewhat off the rails since her brother died, and who will accept any help in order to get her brother back.

It’s very odd seeing the inner narrative push back against what we, as a reader, want. Jusetsu is a kind and lonely young girl who is starting to really come out of her shell now that she’s surrounded by people. She’s got a cute servant girl, a nice bodyguard, an older woman to give (wordless, her tongue was cut out) advice, and of course the Emperor dropping by all the time, seemingly infatuated with her. This is definitely good in an emotional way. But man, the backstory and the actions of others within the narrative have it being painted as this massive disaster, and honestly you can’t help but since every time she shows empathy to someone new and yet another person reminds her “the raven consort but always be alone”. And then there’s the end of the boo, which gives her her very own nemesis, who is going to murder her for her own good. Well, for the raven’s own good. Jusetsu is just unfortunate baggage.

As you can imagine, these are very good books. If you like your fantasy dark and don’t mind some creepy ghosts, definitely get this.