By Makino Maebaru and Yoko Matsurika. Released in Japan as “Torotoro ni Shite Sashiagemasu, Kōtei Heika. Moto Konyakusha ni Ie o Yakareta Tsuihō Miko wa, Ringoku Kōtei ni Chōai Sarete Sainō o Hanahirakaseru” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Zihan Gao.

As with the first volume, this is a series that I find interesting for its darker elements more than the romance at its core (though I will admit to a fondness for Sai’s dorky maid, who at one point vows to defend her mistress by hitting a man with a broom over and over… and then we fond out he’s the king of a foreign nation. Luckily, he’s amused). Lilly, the Saint who has been busy destroying Sai’s home country since the start of the first book, is barely in this. When we do finally see her, at the very end, Sai is there to sacrifice her own life to send Lilly back to Japan… which is a shame, as Lilly would rather die than go back there. In fact, that’s her goal. She’s riveting, and I wish her fate was a bit less vague.

Everything’s been going well for Sai lately. The Wagtail Priestess is hideously popular… indeed, perhaps a bit TOO popular, as a visit to an island that’s also a penal colony proves. Indeed, she’s so popular that she’s getting a lot of marriage proposals… mostly as her daughter will, of course, have the same powers. But there’s a slight hiccup – Sai’s in love with the Emperor, and the Empress can’t be the Wagtail priestess because *she* has to give birth to the next God. And that’s not even getting into Sai’s terminally low self-image. With all this going on, honestly, a request from her old country, which is now being completely destroyed, to get rid of the Saint might be a welcome distraction.

A bit of a spoiler here, but it’s also my biggest issue with this series: given that so much of Sai’s personality and backstory revolves around her beloved parents dying in war and her abusive, Cinderella before the ball childhood, the revelation that her parents *are* still alive… and in fact that she has a sister… really reads like a rabbit out of the hat too many. Then again, it might have been the only way to possibly get the writer out of the hole they’d written themselves into. When you have various things that can only be done by sacrificing life, magic, or life AND magic, sometimes it helps to have a spare daughter who can take up the slack. The book ends rather abruptly in general, to be honest. The fate of Centoria, with a queen who was presented as being very sympathetic, is basically “eventually the country fell” with no other explanation. And Haruka and Sai’s wedding is confined to an “extra story”, not even wrapping up the main series. Ah well.

As with the first volume, this wasn’t terrible or anything, but it’s definitely in third place (of three) in terms of series by this author which have come out over here.

By Makino Maebaru and Yoko Matsurika. Released in Japan as “Torotoro ni Shite Sashiagemasu, Kōtei Heika. Moto Konyakusha ni Ie o Yakareta Tsuihō Miko wa, Ringoku Kōtei ni Chōai Sarete Sainō o Hanahirakaseru” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Zihan Gao.

This is the third series we’ve read this year by Makino Maebaru, who is getting along very well with the folks at Cross Infinite World. As you know if you’ve read The Inconvenient Life of an Arousing Priestess, or The Invisible Wallflower Marries an Upstart Aristocrat, this author has a genre, and that genre is the “villainess” version of Cinderella. And sure enough, that’s what we have going on here as well. Our protagonist, doomed by canon to be executed for being evil, is rescued at the last minute by a really hot guy with wings who turns out to be the Emperor of the neighboring country. You know, the normal kind of romance. As for the book itself, it’s solid. It won’t bowl anyone over, but it’s a good novel with a heroine who hates herself a bit too much to notice everyone wants her to be happy.

Sai, reincarnated from Japan, finds that she is living the life of the “evil priestess” from an otome game she liked. Sadly, trying to be really good instead does not work, and she’s quickly falsely accused (the “saint” who was just summoned might have something to do with this) and imprisoned. But right before execution, she is saved by Haruka, who rules over the Orient Empire (the names in this are aggressively unsubtle). He tries to bring her right back, but has used too much mana, so they shelter in a cave. Here she discovers that she has enough mana to help to heal the emperor from his chronic magic fatigue. Then, when she gets to the Orient Empire, she discovers the Wagtail Priestess is beloved there, and she’s given a residence of her own, servants, and a purpose in life. Of course, the Emperor also seems interested in her, but that can’t be right. No one would ever be interested in someone as unsuitable as her.

So yeah, there’s a heaping helping of “abuse survivor” in this. Sai’s life after her parents were killed during a war is pure Cinderella, and by that I mean the evil stepsisters version. Her powers are ignored, she’s used basically as a maid, and her fiance not only belittles her but also hits her. (Some of this turns out to be the work of our “heroine” Saint, Lilly, who may be the most cynical, jaded “evil heroine” I’ve run across in these books.) Because of this, the very idea of people treating her nicely or wanting her to relax and enjoy life is anathema to her, and instead she resolves to work herself to death trying to make things better for the Empire. Of course, as everyone but her realizes, the best thing she could do right now is marry the Emperor. But, baby steps.

All this plus the “my powers make him horny” character tic that we also saw in Arousing Priestess. (I think the author wrote this first, so the influence may go the other way.) If you like romances by this author, this won’t disappoint you.