By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

In general, I am not a fan of the theory that the writer does not control their characters and that they do things that are unexpected. Yes, the plot and characters can go in a different direction than the writer intended, but it’s still the writer who thinks of that new direction. And thus I tend to be more forgiving of characters than I am of writers. This is especially useful when reading something like Sword Art Online, where we see Kirito still managing the get the cover focus, saving the day, and helping to stop yet another rape threat of yet another heroine in peril. This wasn’t fun in Fairy Dance and it’s not fun here, though Sinon does at least manage to fight back more than the typical heroine in this position, particularly impressive given this is the one friend she’s made in the past five years, and he’s deliberately triggered her PTSD.

Having gotten that out of the way, I still greatly enjoyed this volume, the longest in the main series to date. I don’t game, but the descriptions of Gun Gale Online were smooth enough that I didn’t really need to know much more than what was explained to me. More importantly, Sinon is a really strong character, even with the sexual assault threats. Her PTSD is triggered mid-game, which understandably causes a minor freakout, but after a talk with Kirito she manages to work past it and realize that her attempts to become strong have been headed in the wrong direction, and that growing and learning requires remembering tragedies in the past and moving beyond them. This applies as much to Kirito – it wouldn’t be an SAO novel without Kirito getting contrasted with his not-quite-love interest – who is reminded of his execution of the Laughing Coffin members, something he too had tried to bury rather than move past.

As you’d expect, Asuna and the rest do not have much to do in this book beyond staying behind and providing support – Asuna’s support literally saving the day when her holding Kirito’s hand reminds him of the other gun he has (the one that’s not a lightsaber). She deals with the government official far better than Kirito does, finding out what’s going on and immediately figuring out what she can and can’t do to help. What she and Lisbeth can do is provide Sinon with some closure, in a final scene that a bit deus ex machina but I’ll forgive it because it was touching. I also like the way that they’re keeping Yui involved in the plots, both as a sort of AI for hire and as Kirito and Asuna’s daughter – they can’t let her push herself.

There’s a lot of macho posturing in this book, make no mistake, both by the characters and by the author. He states he had to rewrite it from the ground up, as opposed to his other books which were light retouches of his original web novel. But I suspect those still reading are aware of the author’s flaws and managing to enjoy the series nevertheless. As a reward, they’ll get a 7th volume in April that focuses on Asuna as the heroine, with Kirito in a support role. Can’t wait.

By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen On.

The cover of this volume of Sword Art Online features Asuna and Kirito shot from above, both relaxing happily as they float down a river in their gondola. It’s a fitting image, as this volume is also very relaxed and leisurely, and though there are some well done action scenes and sword battles, this volume lacks the tension that the first volume had, content to develop the themes it’s had since the beginning: how this world differs from the beta before it, how Kirito and Asuna are both getting closer to each other while also being socially awkward, the ongoing war between the Forest Elves and the Dark Elves, and the pretty scenery of the game itself.

While Asuna once again gets no narrative voice, we as the audience are learning more about her slowly; she’s clearly from a rich family, and Kirito wonders if her talk of ‘real castles’ means she’s seen some before. But her mixed feelings on Christmas also show us a girl who’s grown up very lonely, and is finally coming into her own as a person thanks to the game – though I suspect she feels guilty about that. As for Kirito, he’s gotten better at seeing when Asuna’s upset, but he’s still terrible at guessing why. In this respect, much as he’s the elite gamer who cannot be defeated and always gets the Last Attack bonus (this remains a highly amusing running gag), he’s still very much a 14-year-old boy, one with his own family issues.

There are several cute bits written for the seasoned fan of Sword Art Online. Lisbeth isn’t named, but we do catch site of someone who clearly matches her description early in the book. Argo appears less than I’d like, but her one major appearance is possibly the best part of the entire novel, as she walks on the water alongside Kirito and Asuna’s gondola, showing off her amazing agility and ability to tease Kirito to the max. There are also some interesting quests, such as Asuna and Kirito’s attempts to get their gondola made by the grumpy retired shipwright in the region, which requires them to fight a giant mutant Prophecy bear, and a secret quest to spy on some fallen elves, which requires them to hide in a crate and leads to accidental gropings that are possibly “amusing” to some.

Which there are some serious moments in the book, particularly Kirito and Asuna both worrying about how long they’ll survive and also keeping pace with one another, overall this book is very light and pacey. If it has a fault, it’s that it may be a bit too light – it’s nice to see Kizmel again, and I sense we’ll get more elves as we go on, but honestly not a lot really happens in this book. It’s a shame, as we’ve now caught up with Japan, so I suspect a wait for the 4th book – where the author has promised a tougher boss fight than the one that barely gets three pages here – will be a while. Still, recommended to Sword Art Online fans, especially those who just like to focus on the two leads.

By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

I had wondered at the end of Fairy Dance how the series would justify there being more MMORPGs and not just having the entire virtual genre banned due to massive deaths. Well, Phantom Bullet answers that – the Seed that Kirito got from SAO’s creator is now all over the world, and basically the genre has ballooned to the point where it’s impossible to legislate – much like the internet, actually. As a result, more and more people are doing different types of games, including Gun Gale Online, the FPS that’s featured in this next arc. It’s not really Kirito’s genre, but he’s become a sort of government gun-for-hire (he feels he owes them due to the help he got rescuing Asuna), and he has to go into GGO to find out who might be, once again, killing players in real life. The answer turns out to be something a lot closer to the old SAO game than Kirito expected.

Once again, anime fans may be well ahead of light novel readers. In the LN continuity, this is the first we’ve heard of Laughing Coffin, the guild in SAO made up of players who kill for the thrill of it. The anime needed to pad out its episode count, and to be fair it’s a great way to do it, so added the guild to its ongoing story. Even SAO Progressive’s novels have introduced what may be a precursor to the guild in the volume out this June. So seeing it here is not as much of a surprise as it is seeing how they’re once again succeeding in remotely killing people, and we’re not even sure how yet. It also triggers a bit of PTSD in Kirito, who is still having issues coping with the fact that he had to kill several times over the course of SAO. Which leads nicely into his heroine this time around.

Asuna and Kirito complement each other well, but only share a few similarities. The same could be said of Kirito and his sister suguha. Shino Asada, though, aka Sinon, is a lot closer to Kirito. Like him, she’s naturally quiet and introverted except when in the confines of a game. Also, like his current self, she’s coping with PTSD, this one stemming from a real world incident when she shot a bank robber to death in order to stop him killing her mother, and found that Japan now regarded her as a monster. That said, like Asuna, she reacts poorly to embarrassment and the author attempting to be funny. I don’t blame her for that, really. And like Suguha, she has a ‘nice guy’ real-life wannabe boyfriend who I suspect will, also like Suguha, come second place to Kirito.

My experience of FPS games is next to nothing, so I’ve no idea how well the Gun Gale Online concept works as a system. It does make for exciting action scenes, including the final duel between Kirito and Sinon, framed as a bit of a wild west duel. The novel does not so much end as stop, and it’s clearly another two-volume arc which we’ll need to resolve in December. Still, there was no nasty cliffhanger. And no threats of rape, always a good thing. I’m sure we can keep that up for next volume. (Yes, I’m being sarcastic, do not reply in the comments.) If you like SAO and were irritated by Fairy Dance, you might want to give Phantom Bullet a try – Sinon is another in a line of very different heroines. I wish she got the cover, though, even if she is wearing a battle bikini with bulletproof vest combo.