By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

Sometimes when you’ve lived a certain way your entire life, and are suddenly shown that there are other ways to live, it can be very very difficult to go back to what you have always done. That’s what Reirin is dealing with in this book, as a consequence of the body swaps. For the most part, she’s held this in, because, well, that’s the sort of person she is, but the stress of the situation in this book and the fact that, for the first time, someone might be dead because of her actions, makes her have a breakdown and admit – she hates being in constant pain. She hates being at death’s door. She never used to worry about not waking up every time she fell asleep, now she does. And it terrifies her. It terrifies her so much that she misses something else – why is her sickly, dying body now so utterly healthy whenever Keigetsu is in it? I mean, this is new, right? It wasn’t the case in the first book. What’s going on?

We pick up right where we left off with the previous book. Reirin, in Keigetsu’s body, is trying to deal with the outbreak in the village, while she and her allies also try to figure out how to stop the entire village, AND the maiden, being burned to the ground as a “necessary measure”. Meanwhile, Keigetsu (in Reirin’s body) is having to deal with her reputation being tanked so hard that there will be no way for her to come back from it, and now she has to give a tea party with three of the other maidens, including the one behind all of this. Fortunately for both of them, they have actual allies this time around, including the Emperor. Which helps a lot, let me tell you. But is it going to be enough?

There are three scenes in this book which should make every reader sit up and cheer. The first is the tea party itself, where Keigetsu finally manages to apply al of the observational skills she’s never really tried to use before to manipulate the conversation away from the master manipulator and swing things back her way. The second I mentioned above, where Reirin (who is noted beforehand to have never cried before) breaking down, a scene which is probably the first time I actually though that she and the Emperor could be a good couple after all. But the final scene is magical. Everyone is doing their best to stop Reirin’s roaring rampage of revenge, and they fail miserably. But it’s actually Houshun who’s the MVP here, as all this has done is make her FAR more interested in Reirin than she was before. She’s clearly one of those “anything but a boring life” villainesses, and now that Keigetsu is effectively a dual heroine, we needed a really great bad guy. We have one now. “I’ve taken a liking to you” is like a white glove thrown to the ground. Let the duels commence.

That said, our dual heroines may be in trouble with Book 5, which promises (in the author’s afterword) to break them up. This remains one of the best series I’ve read this past year, and is recommended to everyone, even if you think you’re tired of villainess books.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

In my review of the first volume, I simply didn’t like her, so didn’t talk much about Keigetsu. In the second review I liked her far more, but Reirin basically bulldozed my talking about anything else. But now it’s finally time for me to talk about Keigetsu, now that she’s finally getting a separate plotline of her own. To be fair, the book holds the reader’s hand near the end in case they missed it, pointing out that for all that Keigetsu spends her time whining, complaining, and fretting, she doesn’t run away from anything for more than a few minutes. More importantly for her future in the Court, though, Reirin notices that the amount of magical talent she has to not only bodyswap them without any complications, but do also potentially bodyswap, say, just a hand or an eye, means she has probably more power than anyone else around. She’ll need it, because there’s a new villainess in town, and I don’t mean Reirin.

Reirin and Keigetsu have bodyswapped a few minor times since the end of the second book, and nothing seems to have come of it. But things are a bit too dangerous now for any swapping to take place: the Harvest Festival will be held in the Shu lands, with Keigetsu in charge of hospitality ad also a performance to the Gods. Which is a problem being that everyone in the Shu palace is quitting. Things get worse when you go to the Shu lands themselves – a group of villagers are being riled up to kidnap and torture Keigetsu, in hopes that, because rumor has it her terribleness is the reason for recent bad weather, her murder will mean everything will improve again. All this stress, unfortunately, combined with a double dose of bullying, means Reirin and Keigetsu do bodyswap at the worst possible time. Now Reirin has to fight for her life.

This third book may also run on “who’s in what body?”, but everything has changed now that folks are aware of the possibility – in fact, it leads to many of the funniest moments in the book, as Reirin thinks that her impersonation of Keigetsu is perfect, when in fact it’s utter garbage. She also has stronger allies this time, as one of her brothers comes along for the kidnapping ride, and the Captain of the Eagle Eyes also shows up relatively quickly. Unfortunately, this is not just a matter of Reirin winning over her enemies by “doing it with a bang” – someone really wants the Shu destroyed, and they’re using people who are using other people who are using other people to do it. The cliffhanger is a double one, but for once the threat of half the cast dying of the plague is not as chilling as realizing who the new bad girl in town is.

The author again apologizes for this needing to run to two books to complete the arc. Honestly, I’m glad – this book is already very long, any longer and we’d be getting into Horizon in the Middle of Nowhere territory. Till then, please enjoy Reirin learning what it feels like to live, and Keigetsu learning what one must do to survive. Or vice versa.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

I want to be able to talk about the rest of the cast when I review these books. After all, it can’t ALL be about Reirin. I could talk about Keigetsu, and how my opinion of her went way, way up with this book, when we finally get to delve deeply into how she’s being used as a tool. I could discuss the wonderful flashback showing us Kenshuu and Gabi, which takes a mystery with a rather obvious culprit and turns it into a sad tragedy. I could mention Leelee, who goes from reluctant servant and straight man to … well, less reluctant servant and straight man, to be fair, but she does it beautifully. Hell, even the prince, who is literally said to be most appealing to Rinrin when he’s weak and pathetic, manages to carry off some really good moments. That said, all of this is going to have to get around the insurmountable wall that is Reirin, because OH MY GOD, Reirin.

We pick up immediately where we left off at the end of the first volume. Someone else may have figured out that Reirin is in Keigetsu’s body, but that does not really help things because there’s far more to it than just that. Even if Keigetsu was willing to undo the bodyswap and blithely go off to get tortured and executed, it rapidly becomes clear that, as with Leelee, someone is manipulating things behind the scenes to make sure that, somehow, Reirin dies. And when that doesn’t happen, we actually get a worse outcome, as the next in line for vengeance is the Empress herself. Can Reirin manage to fix things so that no one dies – not her, not the Empress, not Keigetsu, not even the actual culprit? And can she do this despite almost everyone now realizing that she’s in the wrong body?

Last time I wondered how on earth this was going to be spun out into an entire volume given that the secret was out, and kudos to the author for managing to do it. It helps that we would honestly read 89 volumes of this if it meant to got to experience the tornado that is Reirin some more. Her attempts to pretend to be Keigetsu are laughable, especially as she is describing herself as a villainess, but by the end of the book it’s pointed out that she really *is* one – in that she has everyone wrapped around her finger with no idea that that’s what she’s doing. Including the two hottest men in the palace. She may be most attracted to Gyoumei when he’s pathetic, but we love Reirin most when she’s being strong, righteous, and kickass. You get the sense that the reason she’s so desperately ill all the time is that without that handicap, she’d have taken over the world by now. And filled it with potatoes.

The original story ended with this volume, but apparently it was such a success that the author is continuing it with more, and I’m glad, even as I know that this will likely mean more bad things happening to our heroine. Oh well, at least she has a friend now, in addition to her cadre of family and attendants who would absolutely die for her if she asked them. The friend is more important.