Lucia and the Loom: Weaving Her Way to Happiness, Vol. 2

By Hisaya Amagishi and Esora Amaichi. Released in Japan as “Fukushokushi Lucia wa Akiramenai: Kyō kara Hajimeru Kōfuku Keikaku” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

Dahlia, the protagonist of the main series, and Lucia, the protagonist of this spinoff, are on the face of it not all that alike. Aside from their tendency to deflect all achievements away from them, that is. Dahlia is reserved, while Lucia tends more towards the firey. But it is interesting how both the main series and its spinoff are pushing their respective protagonists into very similar situations. Dahlia keeps coming up with wonderful, insane inventions that will change their entire nation, and as a result is rapidly heading towards a future where she’d better be married and protected, or else she absolutely will be kidnapped. Lucia’s clothing designs are not as revolutionary (though the opera house in this volume may disagree), but her leadership skills and ability to inspire are absolute gold, and she too had better get married soon – she’s already starting to suffer kidnapping attempts.

The first chunk of this book follows the earlier Dahlia plotlines, as we see the debut of the cloth that basically has its own built-in air conditioner. Lucia and her staff have to work out where to best place the cloth, how to deal with those who are ticklish, etc. Lucia is also busy learning about nobility, and what not to say when a noble says something that seems innocent but isn’t. The latter half ot eh book is more along the lines of the latter half of the first, with Lucia running into various people and helping them with fashion/outfits, as well as sometimes being a big ol’ ball of sunshine. We also meet Forto’s attendant Lotta, who is an attendant who is also a blighted (sound familiar), but none of that matters to Lucia, who is great at getting people to come out of their shells. No wonder the “who will Lucia end up with?” sweepstakes are a lot more open than Dahlia’s.

Last time we saw a lot of teasing of a potential relationship with Forto, which is pretty bittersweet given that we’ve read later volumes of Dahlia and see her rejecting him. We’re starting to see a few other alternatives here. Such as Dante, her right-hand man, who is also dealing with trying to put off marriage proposals so he can concentrate on his work, and who is straight up told “do not let her get away” by his grandmother. Or Lotto, Forto’s attendant, who is pretty much given a plotline in this book that’s the equivalent of the sun coming out behind Lucia’s head while heavenly choirs play in the background. Speaking of attendants, Lucia’s found her Mr. Sunset, though he’s deflected it so that she’s not aware. That said, the main thing blocking any of these is Lucia herself, who (in a book that once again tries to be very progressive about gender and sexuality) seems to be demisexual, and has not found anyone she’s that emotionally close to yet.

The main Dahlia series is stalled over here while it finds a new translator, the previous one having stepped down, but we’re getting a third Lucia book soon. Will it catch up with the main series? Can we somehow get Lucia connected to a noble without her managing to avoid it? And will the clothing still be gorgeous? Signs point to yes on that last one.

The Legendary Witch Is Reborn As an Oppressed Princess, Vol. 1

By Touko Amekawa and Kuroyuri. Released in Japan as “Shiitagerareta Tsuhō Ōjo wa, Tensei Shita Densetsu no Majo deshita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Kashi Kamitoma.

Generally speaking, unless it’s a super-famous author I recognize immediately, I tend not to look at who’s written what else until after I’ve read an initial volume of a book. Usually it allows me to be surprised, and that’s definitely the case with this series, which it turns out is written by an author far more famous for the 7th Time Loop series, which recently got an anime. She’s actually got a number of series going at the same time on her Narou page, and this one seems to have been started a few months after 7th Time Loop. I’ll say straight up it’s not quite as good as that series, but it’s still a very decent start. I will say, and I’m sure that it was just as obvious in the Japanese, if not more so, the lead girl talks with a childish “Elmer Fudd” style lisp. If seeing textual accents bothers you, beware. It’s all over this book.

The opening of the book is absolutely dynamite, as Claudia wakes up to the memories of her previous life – by being pushed out of a high window by her evil uncle. She remembers that she used to be Lady Adelheid, the most powerful witch of legend. Sadly, she’s now Princess Claudia, who theoretically was found to have no magic, and so for the 6 years of her life she was put in a tower and abused. Now that she remembers who she was, she stops herself from hitting the ground – with magic. Turns out the “found to have no magic” thing was faked by the Queen Consort, who was angling for power. Claudia decides to wander into the forest to find a pet, having decided, in this new life, to live as she pleases. What she finds is a 9-year-old kid who has a curse that’s slowly killing him. A curse she is very familiar with…

This is a solid series. Claudia at first seems a bit blase and overly perfect, but as the book goes on and we learn more about her past it becomes clear why she’s acting this way – and why she’s determined to push Noah, the boy she saved, away. There’s a lot of people introduced who are set up as antagonists in an “oh look, it’s another evil noble” or “goody, another spoiled brat”, but who turn out to have better sides to them if you dig hard enough. Well, except for the Queen Consort. And possibly the King, who doesn’t necessarily have a nicer side to him, but is certainly very calculating and rapidly realizes that Claudia is someone he wants to find out more about. Too bad she wants to avoid him as much as possible. The relationship between Claudia and Noah is cute, and manages to avoid being romantic in a weird way, despite her being an 19-year-old in a 6-year-old body and him being 9.

So this was a good start. Recommended – Sorry, Wecommended – to 7th Time Loop readers and fans of smug OP witches.

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You: Secret Love Story

By Hamubane, Rikito Nakamura and Yukiko Nozawa. Released in Japan as “Kimi no Koto ga Dai Dai Dai Dai Daisuki na 100-nin no Kanojo Bangai Koimonogatari: Secret Love Story” by JUMP j BOOKS. Released in North America by Airship. Translated by Kim Morrissy. Adapted by Kathleen Townsend.

This review is dedicated to Nicholas Dupree, who would have loved this book. It’s time for CULTURE, folks!

I was a bit worried when I saw this was announced. 100 Girlfriends is, after all, very much a product of its medium. And, as is the case with all light novels that are spinoffs of Jump titles, even if they’re Young Jump titles, I knew it would be written by someone else. The question is, would the light novel have all of the things that we love about the source? The over the top humor, the breaking of the fourth wall, going way too far to the point of putting off its audience a bit, but above all being a wonderfully romantic story about one of the best polycules out there? The good news is that it has all of that. The bad news is it has ALL of that. Be aware, for fans only.

As you can tell by the eight girls on the cover (plus Rentaro – his first cover!), this book is meant to take place sometime between the 4th and 5th volume of the manga. Sorry, Iku fans. It’s a nested short story collection – five “main” short stories with the entire cast, and four 2-3 page short stories featuring two of the girls bonding. The girl pairings are the three you’d expect, plus Kusuri and Kurumi. As for the main stories: 1) Rentaro spends 30 hours dating each and everyone one of his eight girls, till they force him to sleep; 2) An alien possesses Nano to try to learn about the “emotional energy” that the cast possesses; 3) The vice-principal drinks a drug that makes her turn into a kaiju, and Rentaro and his girlfriends must get into a Giant Rentaro Robot that Hahari has prepared to battle her; 4) The cast end up in the world of Circlet Love Story, and when they accidentally break it, they have to work hard to make sure events unfold as the book says; 5) Rentaro loses his memories of high school, and has no idea who any of his girlfriends are!

As with most short story collections, some are better than others. The giant robot story contains a lot I’m not a fan of with this series – it heavily features the vice-principal, and also leans a bit too much on the fetishes – if the word “diaper play” squicks you, feel free to skip this story. On the other hand, the Circlet Love Story short is fun, and benefits from being in Shizuru’s POV, showing that, in her own inner monologue, she’s quite loquacious. The best parts of the book, though, are the ones that are why we read the manga – Rentaro being the best boyfriend in the universe, all the girlfriends acting like their stereotypes but still being well-rounded, lots of fourth-wall breaking about the fact that this is a novel, and even a bit of the yuri some fans like – when Nano is possessed by an alien, no one notices except Rentaro… and Shizuru, who also spotted it. As for Hakari and Karane, let’s face it, they’re also a couple.

I think people picking up this book know it’s going to go too far – Hahari and Kusuri are still in it, after all. But it was fun to read, and I laughed out loud in several places. Also, Karane gets to use a hammer that’s as big as she is AND we get art of the same. Chef’s kiss.