Haibara’s Teenage New Game+, Vol. 7

By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

One of the things that folks tend to forget about teenage years as they grow older is how wonderful, how absolutely cathartic it can be to see your friends, your pals, those you are closest to and hang out with all the time, be complete and utter dipshits and make the worst choices imaginable. Not in a dangerous and life-threatening way – I don’t mean “I’m gonna take heroin” or that jazz. No, I mean things like “hey, I bet I can eat all these hot pockets in one go” or “I wonder how far I can go if I went down this steep slope on a garbage can lid?”. Dumb teen stuff. So when the cast here try to work out how to get Reita to listen to them and not throw away his entire life, Natsuki is the one who understands: we need to do the dumbest thing. Only that can save us. And it does, of course, because they’re teens, and also because this is a romcom.

Reita’s been suspended for a week for getting into a fight outside school. What’s more, there’s a video uploaded to social media of the fight, which is clearly staged BY Reita to destroy his own reputation. Everyone tries to get him to open up, and they all fail – he is really, really determined to throw himself under the bus. A visit to his home gives Natsuki some answers, but not many – home life not the best. But there has to be something there that’s more than just “I wasn’t thinking about Miori, I am a terrible person”. This also isn’t helping Miori much either – her reputation is not in the dirt anymore, but that’s because Reita is trying to say he forced her to do everything. Can Natsuki come up with a plan to solve everything in one go? See above re: dumb things.

Obviously Reita is the bulk of the book, but there is also the traditional romcom that is the reason you’re reading this. I appreciate that Natsuki and Hikari are dating and yet there’s still an acknowledgement that Natsuki also has feelings for Uta and Miori – in fact, as Hikari points out, right now his feelings for Miori are probably greater. But all of that is irrelevant – it has to be. Yes, he can’t let go of those feelings so easily. But he can reject the others girls and dedicate himself to dating Hikari, which he has done. The last part of the book is a classic Christmas Eve date, and it ends with a big ol’ confession and kiss. I will admit that sometimes this series is a bit too fastball-down-the-middle – Natsuki’s rainbow colored life feels a little too easy – but then again, he already suffered in his first life. And he did get the crap beaten out of him in this book. It evens out.

We’re caught up with Japan again – Book 8 is out early next year – so how things go from here is unknown. I can’t see this series going on too much longer, though. But it’s good overdramatic stuff.

You Are My Regret, Vol. 3

By Shimesaba and Ui Shigure. Released in Japan as “Kimi wa Boku no Regret” by Dash X Bunko. Released in North America by Yen On. Translated by Andria McKnight.

Generally speaking I don’t really pay much attention to the color pages of a book when I’m writing my review, as they rarely affect it one way or another. I glanced back at the color pages for this third volume of You Are My Regret, though, and I almost laughed out loud – definitely the only time I did that while reading this overwrought, dramatic book. The cover is absolutely an advertisement for the content within, showing Risa, with her box cutter, in front of a garage door covered in graffiti. Then you get to the color inserts… And they’re Ai and Kaoru in “cute romcom girls” poses, all three pictures, with none of the other characters, as if this is a standard “who will he choose” series. And, I mean, I *guess* that’s what it is in a shallow way, but really, this is a “he fixes them” series. The romance is secondary and irrelevant. Why we’re here is to see Yuzuru try to communicate with people until they give in.

It’s summer vacation, and everyone’s going to the beach, giving us the opportunity to get in at least a little bit of the love triangle in this book. But Sousuke, who’s in love with Ai but has already accepted that she’s over the moon for Yuzuru, has a bigger issue. Risa, who we met in the second volume, used to play the bass, and she was fantastic, until one day she quit and refused to ever play music again… and this is also when she started to cut herself. The culture festival is coming up after summer break, and Sousuke wants to have everyone form a band and get Risa to play with them… but she rejects him, and the rejections get harsher as the book goes on. Can Yuzuru figure out what’s really going on here and manage to heal Risa’s traumatized heart?

First of all, much to my relief, Risa does not fall in love with Yuzuru as well in this book, so the love triangle remains a love triangle. Secondly, there is a rather annoying mystery. The premise of the mystery relies on everyone BUT Yuzuru, who it’s repeatedly says doesn’t watch TV or pay any attention to things besides books, to know Risa’s tragic backstory… and NOT tell him, because the point of the book is that it’s a mystery for he and the reader to work out. There doesn’t seem to be any reason for at least Kaoru or Misuzu (a mutual friend of Sousuke and Risa) to explain what actually happened. I suppose the incident is so horrific that they’re remaining quiet so as not to shame her, but come on, this girl is cutting herself to escape her own pain. Tell Yuzuru, who’s good at getting to the heart of the matter, why that is.

This book ends with a nasty cliffhanger that promises the next book will remain a drama-filled potboiler… except the last book was out in Japan in May 2022. So, well, that’s it, maybe? Read it if you love TEEN ANGST to the nth degree.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 15

By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Tristan Hill.

This one was scheduled for the summer but got delayed several months, possibly duie to the change in translators we see with this book. Honestly, I’m not too sure it’s a bad thing. As a book series that is supposed to have plot and characterization and an endpoint in sight, this is a failure. This series would run away screaming from actual drama. But I think it’s best if I try to think of it as music. Let’s say you buy a 90s house compilation on CD. You want variations on a basic concept, that concept being 90s house. It should not stray far at all from that core concept, because that is why you bought the CD. Likewise, if people want more drama in their slow life, go read Kuma Bear, which is perhaps one step up from this. This is only the fluff, only the slice-of-life. As such, it’s perfectly fine. It gives you 6 main tracks on the CD, as well as 2 bonus CD remixes that you can skip.

The six main stories: 1) Beelzebub takes the cast to meet a group of living monoliths, as well as their Elder monolith, who houses… well, a big surprise; 2) After hearing that there’s an area of the desert where there are no slimes, curiosity has Azusa and company try to see why, and they find out that they really hate the heat; 3) After Halkara and Laika both discover that this year is unlucky for them, Azusa meets up with a new god, who explains how fate works in this world; 4) Falfa, Shalsha, and Sandra try to discover when Azusa’s birthday is, and then proceed to go on a journey to get her the perfect birthday present (Azusa secretly follows them); 5) The world’s worst thief returns, having been hired to go to a museum that has one of her targets and get rid of the mimics living there; 6) everyone goes to meet a famous hermit, and finds that trying to live up to expectations can be really embarrassing.

There’s also the 2 CD drama scripts. In the first, Falfa and Shalsha try to figure out who hit Halkara over the head with a massive metal jar (knowing Halkara’s proclivities might help get them the answer), allowing them to act like they’re in Case Closed, and in the other, Laika worries that she’s training the same way each time, and meets with each of the rest of the cast to try to figure out how to expand her boundaries. These both suffer greatly from being unable to hear them – they’re written for audio, and it shows. As for the rest of the book, well, it has what you’d expect. Lots of found family, lots of Azusa tsukkomi responses, lots of Laika having a massive crush on Azusa without any danger of it coming to anything. This is more than slow life, it’s almost no life. It does add a mimic to the cast… but we’ll need to wait till the 16th book to find out anything about her.

But it’s still relaxing, and still likeable, and yeah, I’ll likely grump about 16 as well.