The BS Situation of Tougetsu Umidori, Vol. 1

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By Kaeru Ryouseirui and Natsuki Amashiro. Released in Japan as “Umidori Tougetsu no “Detarame” na Jijou” by MF Bunko J. Released in North America by Yen On. Translated by Andrew Cunningham.

This is one of those titles that I ended up taking a flyer on after seeing Twitter comments by Andrew Cunningham (who ended up translating it after it was licensed), and I thought it sounded pleasantly odd. The start of the book certainly makes you think that’s going to be the case. We meet Umidori, the tall, voluptuous but seemingly normal straight man, and her classmate Nara, who has a normal vocal emotional range but whose face shows no expression. This is good, that’s a quirky character for a quirky series. She then starts to talk about how someone is stealing her pencils, showing a somewhat monomaniacal obsession with them, and Umidori seemingly responding with “uh huh” and “is that so” responses. This then leads up to the payoff, when we find out the true culprit behind the theft. Even when we see WHY the pencils are being stolen, I went “OK, wow, that’s very, very weird” but it was still to be expected. Then Bullshit-chan showed up.

So yeah, as you may have figured out, Umidori is not just the straight man of this series. She’s unable to lie, to anyone, and as you can imagine this has left her upsetting everyone around her, to the point where she makes sure never to get too close to anyone – even Nara, who she is seemingly good friends with. Then Bullshit-chan shows up at her apartment, furious, and wielding a knife, and starts to explain the plot, and you realize that this is not a “eccentric high school kids” series but a “supernatural action drama with utterly messed up protagonists” series. This is compounded by Nara showing up, who talks about her own issues (which are somewhat hamstrung by the art for the series – it’s fine, but anytime you have someone who is “the most beautiful person in the world” and you have to draw them, it’s never going to work). And then the ACTUAL bad guys appear.

The main plot for the series in general seems to be to get Umidori to be able to lie, as her truth-telling is presented as a condition or “curse” rather than her own choice. I also get the feeling that it’s going to be getting Umidori friends as well – thanks to a conveniently plotted glass of alcohol, she doesn’t even remember how her words a year ago saved Nara from a fate where she too may have cast off everyone around her. (Umidori of course lives in an apartment by herself, and her parents are divorced). As for Bullshit-chan, she’s an interesting concept, but at the moment that’s all she is – I’m not as invested in her as I am in Umidori and Nara. I did like the villain – no, not the concept, but the human behind it, and her own twisted desires and how they ended up horrifying everyone (which seems to be the theme with those afflicted by the series’ concept.)

If it sounds like I’m trying to write around giving any spoilers, you’re right. This is best experienced cold. It’s good, though. Try it.

Lady Rose Just Wants to Be a Commoner!, Vol. 1

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By Kooriame and Nami Hidaka. Released in Japan as “Lady Rose wa Heimin ni Naritai” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Caroline W.

This came out as a manga from JNC well before the light novel was licensed – in fact, the manga’s six volumes all finished before the light novel was licensed. I didn’t read the manga when it came out, but I experienced it, as this was a popular title to see liveblogged on Tumblr. And from what I saw, it appeared to be a pretty broad comedy, mostly dealing with the heroine’s over the top reactions to things and her obsessive love of bread and cute young women, in that order. (The fact that all the love interests are male is neither here nor there – when she hears a rumor she’s in love, she asks which of the two girls she knows it is). I enjoy comedy. But as I read this first book, I realized that there was a lot more to it. There was mystery, as both our heroine and the reader try to figure out the plot. And there’s traumatic backstory. In fact, that’s one of the mysteries.

We open with a very familiar villainess book trope. Felicia Schwarose is condemned in public by her fiance, the Crown Prince, and dumped for a woman of a lower noble rank. This time, though, our reincarnated girl actually IS the heroine – and she has spent her entire life in this otome game world gunning for this bad end. Now she’s disowned by her family, but they give her a small house in the commoner area and some cash. This means she’s finally free of the noble training that she’s hated and can live a happy life working in a bakery – helped along by her past life, where she also did this, and is the only reason that a duke’s daughter can survive without servants. Unfortunately for her, she is the ONLY one who wants this future for herself, and she reckons without the impact she had on the rest of the cast.

I was expecting the standard “hit by a truck” death, and I got it, but it was everything else about her life that startled me. Let’s just say that a lot of what Felicia, aka Fii, has been doing is driven very heavily by her own past trauma from her previous life. Here, she’s very good at arranging things so that all the dominoes can fall in place and she can scamper off to live in her bakery, but reckons without the impact this has on everyone who knows her. Like so many other otome game imports, she sees this world as a game, no matter how much she tries to deny it, and reckons without everyone just really liking her for her actions rather than the plot. By the way, in case I made this seem more serious than it is, there really IS a goofy quality to some of it, particularly the bread jokes, and the contrast between her inner and outer voices.

There’s only three volumes to this, and I think the third one is a side story focusing on the “villainess”, so this should wrap up next time. Which is good, as it ends with an action-packed cliffhanger. I will get tired of this genre one day, but not today. This was a terrific read.

RVing My Way into Exile with My Beloved Cat: This Villainess Is Trippin’, Vol. 3

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By Punichan and Canarinu. Released in Japan as “Akuyaku Reijō wa Camping Car de Tabi ni Deru: Aibyō to Mankitsu Suru Self Kokugai Tsuihō ” by DRE Novels. Released in North America by J-Novel Heart. Translated by sachi salehi.

Villainess books (and this still is a villainess book, despite increasingly looking just like a standard isekai) all tend to have the same basic setting. They’re supposedly based on “noble court” kingdoms, all of which are best described as “vaguely Europe in the vaguely end of the 19th century, only with magic”. The problem with this, and a lot of isekais that take place in RPG land, is that it’s not Japan. Now, you *could* theoretically solve that problem by writing a villainess or isekai story that takes place in 19th century Japan, but no. We’d much rather simply have another, very familiar country, just offscreen, to the east, and over the ocean, that’s got rice and miso and so many other magical things. I just finished seeing Kuma Bear doing this, and S-Ranked Daughter also discussed it. And now here we are,. Mizarie and Raoul have come to not-quite-Japan. And it’s AWESOME.

Now that she’s found out about a country which has rice, Mizarie really wants to go there. But it’s not easy, and requires her and Raoul – who has now paid off his debt but, to the relief of both of them, wants to keep traveling with her – to traverse the desert, end up at the ocean, and then somehow cross through the Scylla and Charybdis. Fortunately, this is a world with magic, so a dangerous path opens every month – dangerous, that is, unless you have an RV. Now in the land of Mizuho, they arrive at a small town and meet the village chief’s daughter and a soba seller who is clearly in love with her. But they don’t have time to wait for the plot twist to kick in, there’s slow life to be had in the capital! Mizarie can buy SO MUCH Japanese food, get a kimono, and stay in a hot springs inn with her… um… bestie?

I admit I was wondering if this one would be purely slice-of-life this time around. Mizarie finally confesses her past to Raoul (her past from this world, that is – we’re not opening up about reincarnation just yet), but for the most part the Kingdom of Richard are not allowed to be dicks and remain firmly offscreen. But fear not, there is definitely a plot twist, because we can’t have a Camper Van Villainess story without the Camper Van being the real hero. As such, we get a good old fashioned virgin sacrifice to the gods, which feels VERY out of place in amongst all the “hey, hey, isn’t Japan awesome?!” that is the rest of the book. (Honestly, that part is a bit wearying.) But it allows Mizarie to race her RV like never before, do Evil Knievel jumps, and ram a massive snake to death. After that, meeting Raoul’s folks seems easy… well, provided you’re not two shy dorks in denial.

Best of all, it appears Camper Van Villainess escapes the “end in three volumes” curse most DRE titles have! Or at least they’re not married yet. I look forward to more wacky van adventures.