The Apothecary Diaries, Vol. 12

October 14, 2024 by Leave a Comment

By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

It’s very tempting to just type “Holy crap!” and leave the review at that, but I will try to go into more detail. This is the final book in the Western Capital arc (yes, we are back home by the end of the book, woo hoo), and it fires off all the guns it has been saving up since the 9th volume, with the last two-thirds or so being a very tense ride in which (sorry to spoil you a little, but this shouldn’t surprise you too much) Maomao is caught up in events and gets sort of kidnapped. She and Jinshi are apart, again, almost the entire book, but end it closer than ever before, with words not said but actions taken that will make the reader cheer. That said, what made *me* cheer was Chue. I’ve loved her since she was first introduced, even as I realized that she was clearly more than she seemed, and here’s where we find everything out and also worry that the author is going to kill her off. It’s a dangerous book.

At the end of the last book we saw the assassination of Gyoku-ou, and unsurprisingly we now have a succession crisis. The first son wants to give up his rights, the second son is against that, and the third son… is a very strange and deferential young man. Meanwhile, Maomao also meets the little grand-kids of the family: Gyokujun, a spoiled brat who serves as the annoying young boy you love to hate the entire book, and Xiaohong, a far-too-mature for her age girl who Maomao previously helped get over eating her own hair. As Maomao tries to sort out this tangled web of relationships, and also treat the occasional terrible nausea and horrible headaches, the first son is shot with a poison arrow. And the fallout of this puts Maomao far, far from the Western Capitol and in more danger than ever before.

I’ll be honest, I frequently have trouble with series that have huge casts with similar names, most of whom are some relation to each other, so a lot of the time I was trying to act like Maomao and just smile and nod. This isn’t even getting into the political situation, the fact that we’re still trying to save the capital from a famine, and even more bandits who somehow manage to be even worse than the first bandits, and one of the antagonists trying to immolate themselves. But come on, let’s talk about Miss Chue. After Maomao, she’s probably become my second favorite character in the series, even passing Shisui. And here we get her inevitable tragic backstory, and also frankly we almost get her tragic end. Possibly the most heartbreaking moment in the book is when Chue says “do I have no value anymore?” to her mentor (who I’ll leave a surprise). Fortunately, the answer appears to be “yes, you do still”, though Chue is probably going to have to find new ways to pull flags out of her sleeves in the future.

All this and Lahan’s brother too. Poor Lahan’s brother. Sometimes I can still hear his voice. In any case, this series remains amazing.

Filed Under: apothecary diaries, reviews

Lucia and the Loom: Weaving Her Way to Happiness, Vol. 2

October 13, 2024 by Leave a Comment

By Hisaya Amagishi and Esora Amaichi. Released in Japan as “Fukushokushi Lucia wa Akiramenai: Kyō kara Hajimeru Kōfuku Keikaku” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

Dahlia, the protagonist of the main series, and Lucia, the protagonist of this spinoff, are on the face of it not all that alike. Aside from their tendency to deflect all achievements away from them, that is. Dahlia is reserved, while Lucia tends more towards the firey. But it is interesting how both the main series and its spinoff are pushing their respective protagonists into very similar situations. Dahlia keeps coming up with wonderful, insane inventions that will change their entire nation, and as a result is rapidly heading towards a future where she’d better be married and protected, or else she absolutely will be kidnapped. Lucia’s clothing designs are not as revolutionary (though the opera house in this volume may disagree), but her leadership skills and ability to inspire are absolute gold, and she too had better get married soon – she’s already starting to suffer kidnapping attempts.

The first chunk of this book follows the earlier Dahlia plotlines, as we see the debut of the cloth that basically has its own built-in air conditioner. Lucia and her staff have to work out where to best place the cloth, how to deal with those who are ticklish, etc. Lucia is also busy learning about nobility, and what not to say when a noble says something that seems innocent but isn’t. The latter half ot eh book is more along the lines of the latter half of the first, with Lucia running into various people and helping them with fashion/outfits, as well as sometimes being a big ol’ ball of sunshine. We also meet Forto’s attendant Lotta, who is an attendant who is also a blighted (sound familiar), but none of that matters to Lucia, who is great at getting people to come out of their shells. No wonder the “who will Lucia end up with?” sweepstakes are a lot more open than Dahlia’s.

Last time we saw a lot of teasing of a potential relationship with Forto, which is pretty bittersweet given that we’ve read later volumes of Dahlia and see her rejecting him. We’re starting to see a few other alternatives here. Such as Dante, her right-hand man, who is also dealing with trying to put off marriage proposals so he can concentrate on his work, and who is straight up told “do not let her get away” by his grandmother. Or Lotto, Forto’s attendant, who is pretty much given a plotline in this book that’s the equivalent of the sun coming out behind Lucia’s head while heavenly choirs play in the background. Speaking of attendants, Lucia’s found her Mr. Sunset, though he’s deflected it so that she’s not aware. That said, the main thing blocking any of these is Lucia herself, who (in a book that once again tries to be very progressive about gender and sexuality) seems to be demisexual, and has not found anyone she’s that emotionally close to yet.

The main Dahlia series is stalled over here while it finds a new translator, the previous one having stepped down, but we’re getting a third Lucia book soon. Will it catch up with the main series? Can we somehow get Lucia connected to a noble without her managing to avoid it? And will the clothing still be gorgeous? Signs point to yes on that last one.

Filed Under: lucia and the loom, reviews

The Legendary Witch Is Reborn As an Oppressed Princess, Vol. 1

October 12, 2024 by Leave a Comment

By Touko Amekawa and Kuroyuri. Released in Japan as “Shiitagerareta Tsuhō Ōjo wa, Tensei Shita Densetsu no Majo deshita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Kashi Kamitoma.

Generally speaking, unless it’s a super-famous author I recognize immediately, I tend not to look at who’s written what else until after I’ve read an initial volume of a book. Usually it allows me to be surprised, and that’s definitely the case with this series, which it turns out is written by an author far more famous for the 7th Time Loop series, which recently got an anime. She’s actually got a number of series going at the same time on her Narou page, and this one seems to have been started a few months after 7th Time Loop. I’ll say straight up it’s not quite as good as that series, but it’s still a very decent start. I will say, and I’m sure that it was just as obvious in the Japanese, if not more so, the lead girl talks with a childish “Elmer Fudd” style lisp. If seeing textual accents bothers you, beware. It’s all over this book.

The opening of the book is absolutely dynamite, as Claudia wakes up to the memories of her previous life – by being pushed out of a high window by her evil uncle. She remembers that she used to be Lady Adelheid, the most powerful witch of legend. Sadly, she’s now Princess Claudia, who theoretically was found to have no magic, and so for the 6 years of her life she was put in a tower and abused. Now that she remembers who she was, she stops herself from hitting the ground – with magic. Turns out the “found to have no magic” thing was faked by the Queen Consort, who was angling for power. Claudia decides to wander into the forest to find a pet, having decided, in this new life, to live as she pleases. What she finds is a 9-year-old kid who has a curse that’s slowly killing him. A curse she is very familiar with…

This is a solid series. Claudia at first seems a bit blase and overly perfect, but as the book goes on and we learn more about her past it becomes clear why she’s acting this way – and why she’s determined to push Noah, the boy she saved, away. There’s a lot of people introduced who are set up as antagonists in an “oh look, it’s another evil noble” or “goody, another spoiled brat”, but who turn out to have better sides to them if you dig hard enough. Well, except for the Queen Consort. And possibly the King, who doesn’t necessarily have a nicer side to him, but is certainly very calculating and rapidly realizes that Claudia is someone he wants to find out more about. Too bad she wants to avoid him as much as possible. The relationship between Claudia and Noah is cute, and manages to avoid being romantic in a weird way, despite her being an 19-year-old in a 6-year-old body and him being 9.

So this was a good start. Recommended – Sorry, Wecommended – to 7th Time Loop readers and fans of smug OP witches.

Filed Under: legendary witch is reborn as an oppressed princess, reviews
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