Spy Classroom: Pandemonium, Thy Name Is Sybilla

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

The author mentions in the afterword to this volume that they were worried about Avian’s impact on the reader, and in particular whether Avian would be likeable enough. It’s a good point. From the moment we met them, they felt like the unpleasant, annoying mirror to our heroines, and it was not helped by the fact that they were better than all of them at everything. Of course, the ending to the previous volume also seemingly cut off any further development there… or so you’ think. But the author’s main strength has always been manipulating the written word and literary tricks (this is one reason the anime failed so hard for me), and so we get judicious use of flashbacks here to show off that really, Avian weren’t as bad as all that. In the end, they’re another bunch of wacky, eccentric spies. Of course, another way of helping to make your new characters sympathetic is to introduce even more new characters and make them worse. The spies we meet in this volume are worse.

The book starts off with Sybilla getting captured by these new characters. Belias are an English team of spies (OK, it’s the “Spy Classroom” version of England, but come on, this is sort of like Tanya the Evil’s version of England) who are trying to find the one surviving member of Avian, who are accused of trying to assassinate the Prince. Sybilla has also been trying to find Lan in order to discover how Avian were all killed so easily. The two have wildly different ends, but the same goal, so they agree to team up – or rather, Belias forces Lamplight to team up with them. This will involve going to an exclusive ball where they will have to dance to attract attention – meaning that Sybilla and Klaus will have to be on the same page, something they’ve been failing at since the series began. Then things get worse, as the Prince really is assassinated.

As I mentioned in the last review, this series can get pretty damn dark. The girls all being flakes is probably the best way to distract from that. I had been wondering if Avian being dead was another fakeout, but no, all but Lan are indeed dead. What’s more, Belias aren’t the real bad guys either, being a classic example of “we were only following orders” spies who don’t bother to question things lest it lead them to realizing that they’re being manipulated. Which naturally makes it easy for them to get manipulated by Lamplight. Avian may be dead, but before they died they managed to train the girls in ways that Klaus has entirely failed to, and they’re now really coming into their own. They clean Belias’ clocks and get the intel Avian left for them before dying. Good end! I mean, provided they aren’t betrayed by one of their own, of course. That would be terrible.

So yeah, another vicious cliffhanger. And a longer than usual wait for the next volume, because we’ve got a second book of short stories coming first. Till then, enjoy a world that is so tragic that Sybilla has to create a happy backstory to keep her going.

The Princess of Convenient Plot Devices, Vol. 3

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Again, my favorite part of this series is just out of my reach, which is everything that is happening in it, minus Octavia’s internal blathering. Don’t get me wrong, her narration is not all that annoying once you get used to it, and helps to drive home the fact that 95% of the time she’s improvising desperately rather than having a grand master plan. But I do love seeing her from the outside. Without that narration, she looks exceedingly crafty, mysterious, powerful, and possessed of knowledge that she just should not have. She does not behave the way than anyone thinks she should, her support for her older brother leaves much to be desired, and she comes across as… well, as a villainess. She’s trying to get a fake boyfriend so that she isn’t used as a womb to give her older brother an heir, but to others, she’s… well, trying to become Queen. Which is worrying, given the kingdom’s secret history.

After the revelations of the previous book, Octavia is a lot less keen to make Rust Byrne her fake boyfriend, given who he resembles. Unfortunately, he’s now very interested in her, in particular because she doesn’t react the way almost everyone else has when they see his face. To her surprise, the King is another one who reacted the same way that she did. Unfortunately, as they try to have a chat, traitors are trying something at the party, and have to be put down by armed guards. What are they after? And why is Sil now missing? The answer will draw Octavia into (pardon me, I’m so sorry) a web of mayhem and intrigue. Because there’s a secret room that has a passage to a different, even more secret room. And there are even more traitors there… including Sil? Maybe?

So many villainess books have some variation of “you can’t fight fate” built into them, with the villainess trying hard to change her destiny and the story itself fighting back as much as it can, even when that makes no sense in terms of how reality actually works. Here we see the past starting to repeat itself, despite Octavia’s intentions. And there’s no denying that Queen Idealia, the queen who was written out of history, has a lot in common with her. Hopefully not including being murdered by her brother. And of course there’s also the past of Klifford’s family, which everyone is still boiling mad over. What this means, I suspect, is that at the end of the day everyone’s going to see Octavia finding the tomb of the missing powerful and beloved Queen, discovering the *real* royal crown, and asking her uncle to present it to the King himself but say that she found it, as a massive power ploy. Not exactly what she’s intending.

Basically, if you like gambit pileups and a lot of handsome men, this is a fun little series. I read it for the bits in between the text.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 5

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

The last three volumes of MagiRevo have all had that feeling of “this is the final volume of the series” without it actually being true. It felt as if the author was not sure if it would be a success or not – very common in this medium. This is the first book where I believe that they wrote it knowing that the books were going to be going on longer, as it’s very transitional. There’s looking towards the future, as Anis and Euphie’s road trip is to survey the kingdom and look for new resources, plus they also end up learning of a number of new nations/races/possible enemies. At the same time, the entire book is also about coming to terms with everything that has happened in the previous four. Euphie’s on the throne, but this has not magically settled everyone’s hearts. Particularly Anis, who runs into Euphie’s brother at a ball and ends up projecting her own brother on top of him.

Anis is out of sorts, having essentially been told “try not to be too innovative for a bit, we need everyone to get used to the chaos you’ve already created”. But she can’t exactly turn that part of herself off. So Euphie plans to have the two of them tour the Eastern part of the kingdom, inspecting the damage caused by the previous monster stampedes and also trying to find new areas that they can harvest spirit energy. Of course, as Anis notes, this is a chance to go on a Love Love Honeymoon with her beloved – well, a honeymoon that involves two maids, two aides and a guard – and the guard is Navre, one of the men who was tied up in Lainie’s plotline in the first book. Then, to top things off, Anis had not really been listening when all of this was explained to her (because honeymoon fantasizing), and missed that they are, in fact, going to see her brother as well.

If I were to sum up this book, it would be “not bad, but not as good as the other books”. Part of the problem is Anis, who is still dealing with a pile of repressed guilt about what happened with Algard. (She is also, frankly, still not used to the fact that she is absolutely not the top in this relationship, and Euphie’s frank desires leave her a bit twitchy.) The heart to heart she has with her brother near the end was much needed, if only as I want her to move on from this as quickly as possible. There’s also a new character introduced who isn’t too bad, but seems designed to tick several “isekai cliche” boxes at once, so I was rolling my eyes at her arrival. On the bright side, Anis and Euphie get to have an awesome fight that I’m sure will look terrific if it ever gets animated in a theoretical Series 2.

So yeah. Mezza mezza. Still, we now have the promise of beastmen, and more vampires, and a bunch of other potential new plots. I just hope Anis will be back to being a fun ball of chaos next time around.