Peddler in Another World: I Can Go Back To My World Whenever I Want!, Vol. 4

By Hiiro Shimotsuki and Takashi Iwasaki. Released in Japan as “Itsudemo Jitaku ni Kaereru Ore wa, Isekai de Gyōshōnin o Hajimemashita” by HJ Novels. Released in North America by J-Novel Club. Translated by Berenice Vourdon.

It’s pretty astonishing how much authors think they can get away with provided their hero is mild-mannered and polite. Shiro already has the ability to go back and forth between his world and Japan – something most isekai’d folks don’t get. He gets magical translation, teleport abilities (sort of), and currency conversion. He doesn’t need to learn how to make mayonnaise because he can just go buy it at the local Inageya. He has, hovering around him at various points: his grandmother, who looks like a young girl; his twin high school age sisters who alternate between being mean to him and sucking up to him; a young girl who worships him and her hot widowed mom; a powerful fairy who’s tsundere for him; the mayor of the town; and (in this book) we add a dragon. He has to have little to no personality for this to work. If he had any notable character traits at all we’d despise him.

We pick up right where we left off last time. Shiro’s twin sisters Shiori and Saori have found the door to the other world, and there’s no way they aren’t going through it. To his surprise, instead of leading to his shop it drops them in the middle of the forest where he started way back when. While there, he finds a huge egg, which the twins insist he carry with him. Eventually, all is explained and the twins decide to start their OWN store dedicated to clothing and makeup, the egg finally hatches… and inside is not the minor monster they expected, but a dragon. A very powerful dragon. Who quickly morphs into a young girl and imprints on Shiro heavily. Now they have to figure out what to do with her… especially because demons are also apparently looking for the egg, and would likely destroy the entire town to get at it.

As with previous books, this is not great. Elianna the rabbit girl continues to be the most annoying character ever, and not in a fun way as the author is clearly intending. The twins are also annoying but that works better because it’s in the typical bratty sibling way. As for the plot itself, despite the threat of imminent death and the supposed murder of 3/4 of the cast, everyone is fine. This remains a slow life book at heart, so it’s no surprise that this manages to be one of the murderous demons who knows that murdering humans is not the right thing to do now. Not to mention that she has a very good reason to want the egg… and the whole thing ends up being undercut massively, because the whole reason for this plot turns out to be something she could just have bought at Shiro’s store. The sad trombone noise is almost audible.

All this plus we finally get “I am your slave” in this isekai. Shiro’s not going to be down with the whole slave thing, but I doubt he’ll really protest too much, because mild-mannered and all. If you like beautiful twins, cute dragon children, and hot demons… there are still probably better books with them in it.

My Friend’s Little Sister Has It In for Me!, Vol. 10

By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

This is a flashback volume, as Akiteru explains to an increasingly despairing Mashiro exactly how he first met Iroha and started the game company. As such, as you can imagine, Mashiro barely appears in it, though she does get many of the funniest moments. Just as the “main” series ends each chapter with a conversation between Akiteru and Ozuma, this one ends them with a conversation between Akiteru and Mashiro… as Mashiro stares in disbelief at the fact that the boy she loves was starring in a wacky harem comedy long before she ever came back into his life. I’ve talked before about how the series seems to abuse her for the laughs, especially since she’s clearly not the winning girl, but there’s no denying it’s funny. Also funny are Akiteru’s deadpan reactions to all of this. Past or present, Akiteru is hopelessly, incurably earnest – and as the cliffhanger ending shows us, that may end up being his downfall in the long run.

As you might be able to tell by that cover, Iroha was not always the teasing girl in love with her sempai that she is today. Akiteru has become friends with Ozuma, which means he naturally meets his little sister as well. The siblings… don’t NOT get along, but definitely seem off – they barely interact with each other. Unfortunately, Akiteru also finds out that Iroha might be interested in joining a gang, and, because that’s the sort of person he is, resolves to try to stop this so she can stay on the straight and narrow. Things immediately go wrong when he runs into the gang’s leader… Otoi, who obviously has a deeper meaning to what she’s doing but finding out what that is will require more investigation… as well as pretending to be Otoi’s boyfriend.

The big surprise here might be that we meet a brand new supporting character, she plays a major role, and then we basically never see her again, as she does not appear in the main series. Asagi is a girl with major musical talent but comes from a very poor family, and being in Otoi’s “gang” allows her to be loaned an expensive guitar with which she can ply her trade on the streets busking. Her personality seems very familiar… deliberately, as it turns out, and she makes a nice contrast with Iroha, who is (rightly) very mistrustful of this friend of her brother’s who seems to be stalking her and far too invested in her life. That said, you can also clearly see why she falls for him – his earnestness is attractive as well as creepy, and also he’s basically found a way to make her dream come true (with the help of Otoi, who fills the deus ex machina role in this book handily). Iroha has genuine talent, and I think even her mother has to admit it.

The question is, will her mother destroy Akiteru’s dreams in order to advance her daughter’s? Stay tuned, because we’re caught up with Japan, and there’s no new volume there just yet.

Raven of the Inner Palace, Vol. 3

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This volume delves deeper into why everyone insists that the Raven Consort always be alone. Throughout the book we see Jusetsu just generally being nice to people and helping them with their personal trauma. She’s a good egg. And she’s also gaining another bodyguard here, even though he may be a spy (or a double agent… it’s that kind of book). She might even get in more ladies-in-waiting, though I think Jiujiu might have something to say about that. She’s growing closer to the emperor, though I don’t think she really realizes what those feelings are yet. (It doesn’t help that she has to have jealousy explained to her, and doesn’t get it.) That said, the end of the book is worrying. Having good friends is fine, especially as the emperor is going to work on saving Jusetsu. But the way some people are reacting to her actions is beginning to look a bit like worship. And, as we see in this book, new gods are not always a good thing.

As with the previous books in this series, there are four chapters, each of which has a self-contained “mystery” but each also adds to the larger narrative. A lady-in-waiting is being haunted by a ghost, but the ghost is just standing there and not doing anything. An ancient ghost wanders the inner palace lamenting… but if the ghost is so ancient, why has it only started appearing this last week? A scholar new to the palace has a ghostly arm pulling on his sleeve, trying to stop him from… something. And, as is traditional with this series, the book ends with one of the consorts near death, this time because of a cursed item that was actually meant to kill Jusetsu. Throughout all this, Jusetsu takes care of the problem while struggling to come to terms with her need for people around her.

The best part of the book is its emphasis on the fact that people have more than one side to them, and that just because you had a bad time because of something that someone else did does not mean they meant you to have a bad time. The lady-in-waiting;s ghost was upset with her for fleeing while they were left to die… but they also told her to flee out of love. This also allows Jusetsu to come to terms with her mother’s own sacrificial actions, which were meant to save her even as they also made her suffer. As for the horror part of the book, there’s less of it this time around. It was a bit eerie how one of the supporting characters was revealed to not really exist and just smiled and said “Yup, bye”. And the resolution of the third chapter was basically “well, now I know why I have a ghost, but I can’t stop what I’m here for, so welp”, which is realistic but unsatisfying.

The book overall remains an excellent read for fans of “emperor’s palace” books and dark mysteries.