Invaders of the Rokujouma!?, Vol. 45

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Warnis.

After the events of Vol. 43 (44 being a SS volume), you will not be surprised to hear that this is a very serious affair. There’s almost no humor to be found, and even the romance, with the exception of Elfaria (who joins everyone else in the cast in trying to make it clear, but not TOO clear, that he’s the only one for her) is absent. The reason for this is that after the events of the last book, Koutarou is depressed and uncertain how to go forward. It’s a good reminder how little time this series has taken place in – we’re only about two years later here, and much as the girls are all cognizant of their own feelings and able to support each other, when it comes to the man they love they don’t have the fortitude to kick him in the ass, and have to leave it to Kenji, who of course can baseball it out of him. No one is quite mature enough to confidently be in a polycule revolving around one man just yet. Least of all the man.

We pick up just before the cliffhanger of the last book, as we see Ralgwin’s final moments before his soul is overwritten by Maxfern’s. He seems rather calm and accepting of this, and is apparently assuming that Koutarou will somehow save the day. Unfortunately, that point is not this volume. Koutarou, as I said before, starts off in a big funk, especially once Maxfern goes on live TV to declare war on the royal family and ask allies to join him. Now they need to avoid another war, and in order to do this have to infiltrate the enemy… which is a lot easier given that they’re bringing in a lot of new troops and staff. Unfortunately, they all fail to realize that Maxfern is, unlike every other villain we’ve seen in this book, someone who does not care about ANYONE. And that troops don’t necessarily have to be alive.

So yeah, I hate to break it to you, but once you take zombies out of the box, you really can’t put them back. That said, this is part of a new theme with this book. All our previous villains, be they Ralgwin, or Elexis, or even Darkness Rainbow, have all had someone that they care about and want to protect, in some way, shape or form. Their goals are not 100% genocidal. Maxfern is different. He died swearing vengeance, and he will get vengeance, no matter who dies or is left unhappy. The second half of the book sees our heroes infiltrate the e3nemy for clues, and they barely escape with their lives, because the villain doesn’t care about just throwing death at a problem until it goes away. It’s genuinely scary.

We get a cliffhanger suggesting Maxfern is going to attack the “smart girls” in the group – Clan, Kiriha, and Ruth – next time. Till then, this is still good, but it’s a bit less “fun”, per se.

The Villainess and the Demon Knight, Vol. 1

By Nekota and Asahiko. Released in Japan as “Akuyaku Reijō to Kichiku Kishi” by Ichijinsha Melissa. Released in North America by Steamship. Translated by Christina Chesterfield. Adapted by Arisia Santiago.

A word of warning before we begin: this is a sexually explicit book – in fact, that’s pretty much the book’s main purpose. That said, I’m not going to be reviewing the sex writing. It’s fine, particularly if you are a fan of what I believe the kids today call “dubcon”. I will say that there is, in my opinion, a bit too much of it, though honestly there’s also a bit too much of the book in general. This book is 413 pages. It’s Loner Life sized. it’s Tanya the Evil sized. That’s possibly too much, especially since I’d estimate the writing of sex scenes by themselves take up one-third of that. That said, I enjoyed almost everything about the book when it wasn’t talking sex. The exception I’ll get to, but for the most part this is a fun and amusing cast, and has a “villainess” who is having trouble just keeping up with everything.

(Don’t like the cover, which is true to the way Cecelia is described, but also makes her look like she’s been broken.) You’ve seen this plot before. Cecelia Cline has been reincarnated in an otome game as the villainess. Unlike Catarina Claes (surely a coincidence those names are so similar), she barely has time to realize who she is before her fiance the second prince is publicly shaming her and announcing he now loves Mia, a girl of much lower station. And then suddenly Cecelia is sold off to a brothel! That was fast. What’s worse, her first customer is Lucas Herbst, a duke’s son and bodyguard for the Imperial Family. Lucas has purchased her for the entire night, and proceeds to spend it… well, you can guess how he spends it. Once we get through the sex, which starts on page 20 and goes to page 58, we start to get the actual plot, and learn – surprise – that not all is as it seems, and that Lucas and Cecelia may be a couple who have more between them than just really good sex.

The weakest part of this book is Lucas – even if I did like yandere guys, which I don’t really, he’s just less interesting in general, and doesn’t have enough soft, sweet moments to balance it out. Cecelia is pretty good – most of the book is her POV, and while a lot of it is “I am freaking out in my inner monologue” style narration, we do see that she’s working hard to become a good partner for Lucas – b oth in bed and outside it. The main thing I liked, though, was the rest of the Herbst household. Lucas’ siblings are all basic variations on “smug sarcastic asshole”, only they’re both good guys, so it’s fun. Best of all are the maids, who were also my favorite part of the manga when I read it. I love assassin-style maids, and these three are also firmly in Cecelia’s corner, and not afraid to remonstrate with Lucas when he goes too far. I hope for more of them if we see a second volume.

Yes, there are at least three more volumes to this, and it was decent enough for me to pick it up. I won’t be reading it for the sex, but the sex isn’t a reason not to get it, either. Just be aware that you’d better like that “Non-Consensual/Reluctance” tag.

A Late-Start Tamer’s Laid-Back Life, Vol. 11

By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by A.M. Cola.

I’ve mostly given up on trying to make sure these reviews don’t repeat themselves. I can manage it with books where the plot is “awkward teens in love” or “Guy with a +2 Sword of Awesome and His Catgirl Maid Harem”, but this is one of those slow life books that genuinely IS a slow life book, and it doesn’t even have the decency of being a reincarnation or an isekai. This is a game, and the only reason we know that the series will eventually end is that Yuno took two weeks off his job just to play it all the time, and eventually those two weeks are gonna end and he will presumably go back to being a salaryman. The goal here is to find new awesome things to use in the game and cute things to gawk at in the game. Well, that and to rubberneck as Yuno ends up doing ridiculous bullshit without realizing it. Let’s face it, most light novels have the reader imagine they’re the hero. We can’t even. We’re one of the schlubs gushing about the hero.

Yes, that’s a new tamed monster on the cover. After leveling up the bit of the sacred tree that he planted at his farm, he finds it summons a demon… a demon who is immediately, and really easily, tamed. She’s called (of course) Lilith, and she’s just as goofy as she looks, but she also helps Yuno with some fairly useful skills. He also manages to figure out a really obscure way of evolving his olive treant, who now becomes another wood nymph, which is to say a cute… well, a cute non-binary child. (There is a literal debate about Olea’s gender on the series’ equivalent of Reddit.) He manages to traumatize Alyssa even more just by telling her about the completely ordinary things that he’s done, which of course are anything but. And he has five of his tamed monsters create things to put up for an auction… not realizing that they will sell for ludicrous amounts to fans of Yuno and his crew.

There is a cliche in light novels that all a romantic lead has to do is be nice to a girl once and she will immediately fall madly in love with him. Here, in a series with no romance at all, we see how it actually works when you have a genuinely nice, selfless hero. At one point Yuno triggers an event where he’s thanked by the Gnome Chief for being so good to Olto, and that they should help each other grow. No one else got this event ending, and we find that’s because no one has raised the affection level of their tamed anything more than Yuno has. And he does this by involving everyone in his daily life, helping them when they need it, helping them fight, and caring about their opinions more than his own (except when they try to dress him in tacky yukatas). He cares about his tamed monsters and sees them as a family, not as cute NPCs, not as pets, and not as glorified fetishes. It makes a difference.

So yeah, still enjoying this series that is nothing but watching a guy game real good the only way he knows how.