Kuma Kuma Kuma Bear, Vol. 15

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Spoiler for my last review: she shrugged everything off. Yes, this author loves to play in the psychological trauma kiddie pool but knows which side his bread is buttered on, so instead of dealing with the possible dissociative idea of Yuna and “Miss Bear” being two distinct people, they have decided instead to just have Yuna feel vaguely uncomfortable about it for a bit and then get distracted by a giant floating island. This is one of the lighter and fluffier books in the series, which is unfortunate for me in that normally I’d have far less to write about, but there’s a bit more this time. The author has seen this series’ yuri fandom, and has decided they do not like it. In this volume, despite being propositioned by a girl her own age and having a mother offer her daughter up to Yuna for marriage, Yuna insists a) girl’s can’t get married, and b) she’s never getting married anyway. So if you had “ace Yuna” on your bingo card, congrats!

So yes, identity crisis is quickly forgotten, as the worst Yuna has to deal with in this book is the fact that she’s being forced to wear a different swimsuit every day to please the designer. She does various beach activities with the kids in this one, such as making a water slide, creating ice cream, or shooting off fireworks (without sound, alas). But the big news is the mysterious island, forbidden to go near, that appears and disappears randomly and has appeared once more. Yuna wants to explore that island, and unfortunately due to her lack of stealth Fina, Shuri, and Shia are along or the ride. The island ends up having historical interest, but also being a bit of a spoiler. Let’s just say there are monsters, and Yuna is tented as much as she ever is in this series (which is to say, not much). Then the vacation is over and it’s time to take everyone home.

I have to admit, taking Fina and Shuri to the island surprised me – Yuna is usually a bit more sensible than that. I get why they were taken along, as they totally would have tattled otherwise, and the goal here was to avoid having the “explore the island” secret come out. And yes, Yuna can just throw everyone into her basement via a bear door to play cards, so there’s no actual danger. But still… wait, why the hell am I complaining? This is a series where common sense is useless and you just have to accept we’re in the author’s strange mentality. This is also why Yuna is praised to the skies for giving all the 4-5-year-old orphan kids jobs with a paycheck, and vows to have more child labor in future. Yes, yes, fantasy world, orphans starve otherwise, but come on. At least she doesn’t buy any slaves. We have not quite reached that low point.

So yes, bear series is still “itself”, and aside from infuriating those who ship Yuna with… well, anyone… this is a typical volume in it. When do we get to go to “the land of Wa” anyway?

The Ideal Sponger Life, Vol. 13

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

As I’ve mentioned before, this series was originally a webnovel, which ended around the events of the 4th book. Then it became a light novel series, Freya was added to the mix starting with Book 5, and has, frankly, become the main female lead. Sorry, Aura, you just aren’t in this series enough to count anymore. Even in this book, her role consists mostly of either finding out about stuff and telling other people about stuff. Now, to be fair, in this volume Freya does not exactly perform great feats, though you could argue that convincing her family to let her marry Zenjirou counts as one. She is part of the best moments of the book, though, as she has to confess to everyone how this marriage came about – which is this society of fantasy feudalism, is the equivalent of walking up to a married man and saying “I’m down, wanna bang?”. The reactions of everyone else to this news is hilarious, and worth the price of the book alone.

Freya and Zenjirou finally arrive in Uppasala, and get ready to inform the royal family of their betrothal. This goes about as well as you’d expect. That said, Zenjirou revealing that he has the power to teleport shuts up a number of people, and leads to a deal: if Zenjirou can take the traditional coming of age rite that everyone does and succeed, he will earn the right to ask for Freya’s hand. Since Zenjirou is, to put it mildly, not a physical powerhouse, everyone finds this hilarious. They find it a lot less so after they realize exactly how he’s going to win – even if it does end up taking a lot of physical labor as well. As for the other members of the family, the first prince is sent to Capua, there to meet with Aura – but, more importantly, to have a test of strength with Pujol. As for the second Prince, Yngvi, he’s basically Freya, only a guy. No, really, they’re twins.

There’s a lot of good humor in this book. Zenjirou’s plan to survive getting to the hunting site for the coming of age rite is hilarious and also something we should have seen coming. Eric’s reaction to Aura describing Freya arriving in Capua is also highly amusing, as is Pujol’s reaction on seeing the sword that was given to Aura as a gift by Uppasala. There are a few plot points that could carry over to the next volume, such as the fact that Margarette the maid seems to have secret parentage, and the ongoing war between the deeply religious church knights and the less religious rest of the continent. So far the holy wars seem very one sided against the holy, to be frank. And yes, Zenjirou and Freya are now married, and he goes off to spend the wedding night with her – which we do not see. We don’t even get a kiss. They snuggle a bit. These books are now the opposite of horny.

That said, we come to the end of this arc. And good news for Aura fans, the next cover has her on it… and also Freya, because hey, she’s the lead character now. Should start a new arc, though, which is fantastic news provided the series hasn’t ground to a halt in Japan or anything…

I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World!, Vol. 1

By Fukada Sametarou and Sakura Miwabe. Released in Japan as “Konyaku Haki Sareta Reijō o Hirotta Ore ga, Ikenai Koto o Oshiekomu -Oishi Mono o Tabesasete Oshare o Sasete, Sekai Ichi Shiawase na Shōjo ni Produce!-” by PASH! Books. Released in North America by J-Novel Club. Translated by Yui Kajita.

How much you enjoy this volume will likely depend entirely on how much you can tolerate the series’ one joke. This is a comedic romance, despite a dark premise, which has a basic shtick, and it’s that the characters describe things as “naughty” when they’re not actually talking about sex. Allen keeps telling Charlotte that he’s going to force her into experiencing all sorts of naughty delights… but it’s things like eating a cake for dinner, or going to a hot springs, or sleeping in. “I’m Spoiling the Disgraced Noble Lady” would be a much snappier title, but it would probably get fewer clicks. That said, if you can get past the overdone joke, this is a rather sweet book about a misanthrope with a kind heart who takes in a typical villainess heroine and turns her life around – for the better.

Allen is a sorcerer who lives in a remote mansion because dealing with people is a hassle. His sole contact with the outside world are daily visits by the mailwoman and occasional visits from his sister. Then one day he finds a young woman collapsed right by his doorstep – and several guards who tell Allen she’s a wanted woman and they’re to bring her back dead or alive. Allen doesn’t trust them, and with good reason – after getting rid of them and taking the woman inside, he discovers she is Lady Charlotte Evans, the fiancee of a nearby nation’s price. Supposedly a wicked woman who is accused of countless crimes, she is actually an abused child who has been treated like a servant for years and is now being treated as a scapegoat. There’s only one thing for Allen to do now – show her what the good things in life really are!

The main plot is fluffy because the backstory is so horrid. Charlotte’s life, especially after her mother died, has been an absolute misery, and she has trouble standing up for herself or even having actual wants and desires. You could argue that she is not ready for a romance with the awkward yet very powerful Allen, and you’d be right, but this is a romance series, so you’re going to have to lump it. And they are very cute together, especially in the back half once both start to realize that they’re developing feelings. This is especially baffling for Allen, who’s not nicknamed “demon overlord” because of his kind smiles, and who is having trouble separating family, friend and lover in his head. If you’ve read An Archdemon’s Dilemma, this is a very similar vibe, and will likely appeal to the same people who read that.

All this plus a petting zoo filled with monsters. Despite its cruel backstory, at heart this is a fluffy romantic comedy. Just get ready for its one joke. It’s a naughty joke.