Stuck in a Time Loop: When All Else Fails, Be a Villainess, Vol. 1

By Sora Hinokage and Tsukasa Kiryu. Released in Japan as “Loop kara Nukedasenai Akuyaku Reijō wa, Akiramete Sukikatte Ikirukoto ni Kimemashita” by DRE Novels. Released in North America by J-Novel Heart. Translated by Andria McKnight.

It’s always nice to see a refreshing variation of the old formula. In fact, this book takes two formulas and combines them. Selene starts off by having her engagement broken by her fiance (who is, of course, in love with her younger sister) and has “dark” powers that are typical of a villainess character. We also get the time loop variation, where our heroine keeps dying and resetting, trying to find the timeline where she can live happily ever after. The gimmick here is that Selene was a kind, fairly shy young women who has been desperately trying to find a solution for nine lifetimes, and once she hits the tenth she decides that all this can go to hell. She’s not quite broken, but she’s certainly now jaded and cynical as hell, and perfectly willing to torture her father to the brink of death in order to become head of house. The trouble is, deep down? She’s not THAT bad, really.

Selene is the daughter of her father, head of the Vixent House and a commoner woman. Ever since her younger sister, Soleil, was born, she’s been treated like crap by her family and the servants. Worse still, she manifests the power of Shadow, which is seen as an ill omen – her family are supposed to manifest sun powers. So she’s locked in a room to starve to death. Or murdered. Or she runs away and is killed. Or she kills herself. Nothing she tries can stop bad things from happening and her going back to try again. Now, in this new life, she’s determined to stop playing nice. She quickly gains control of her family and finds that hey, now that she’s powerful and can theoretically kill them all, the servants love her! But she needs to find out why this is happening, so teams up with… a man who doesn’t exist anymore.

There’s a lot to like here. The one weakness in the book, I’d say, is that Selene is of the “stoic, relatively unemotional” style of protagonists, which can be a bit boring in some places where I had hoped for a bit more oomph. That said, there’s absolutely a reason for her to be that way, so I get it. Her not-quite-romance with Dier is fun – they’re “accomplices” rather than anything else, which made me think of Otherside Picnic. The other family heads with power are variations on a stock type, but none of them are overly annoying except maybe the water user who is obsessed with Selene… and even then, the fact that she doesn’t take him remotely seriously helps. The one shoe that hasn’t dropped yet is her younger sister. The only person in her family who seems to love Selene, Soleil, throughout this book, acts like a loving but somewhat ineffectual young girl. But I’ve read these books before, and I just KNOW that in this situation, she’s going to be evil. That may have to wait for the second book, though.

This wasn’t lights out fantastic, but it was a very solid read, and if you like jaded women who nevertheless are still pretty kind at their core, give it a try.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 9

By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

Sometimes I tend to dramatically overthink things. This even applies when I’m reading a series like Reborn to Master the Blade, where I know that the main motivation behind the author writing it is “have fun and cool fights”. So when Inglis had her body aged down that of a six-year-old early in the book, I started to theorize about what would necessitate this change in the book. Was it related to the engagements that Inglis and Rafinha are apparently going to face at the start of this volume? No, that’s not it. Is it to make Inglis less powerful so that she actually loses a fight and ends up learning an important lesson? Hardly, though there is one fight here where the records a draw. Then, by the end of the book, I began to realize the real reason: it’s because the author thinks that a 6-year-old Inglis is cute as a button, and wants more art of her than the first volume could provide. Fair enough.

Inglis and Rafinha return home to find that they have a bevy of suitors now, both being hot commodities. They both write to the royal palace to ask them to stop this; Rafinha because she only wants Inglis to marry Rafael, and Inglis because she doesn’t want Rafinha to marry ANYBODY. Before any suitors arrive, though, an experiment Inglis is trying goes wrong and now she and Rafinha are back in their six-year-old bodies! And bad timing there, as there is a Highlander who has heard about Inglis and is there to have a really good fight. He’s basically Inglis as a man, and the fight the two have is indeed epic, and takes up a big chunk of the book. Unfortunately, Inglis was using Eris as a weapon during the fight, and Eris got a little broken, so to fix her, they’re going to need to… well, need to wait till the next book, but the back half of this sets us up for that.

Not gonna lie, for all that he is a walking cliche, Jildegrieva was easily the best part of the book, finally giving Inglis the fight that she’s wanted since the series began – a fight that, admittedly, ends in a draw, but she is in a much smaller body now. Other than that, though, the other main plot of this book is basically introducing zombies to the story, and showing that someone is making it so dead assassins become zombies. This leads to mental trauma in some cases (Leone) and showing off to family in others (Lieselotte). But, as with Inglis becoming a child or Eris getting damaged/injured, it’s a plot point that is not going to be resolved this book. As a result, like a lot of books in this series, how much you enjoy it depends how much you like straight up fighting.

We’ve also caught up with Japan, so that next volume that explains everything may be a while. Ah well. Inglis is pretty cute as a kid (and there is thankfully a minimal amount of lolicon shtick that comes with it).

Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash, Vol. 3

By Tofuro Futsukaichi and Kei. Released in Japan as “Gendai Shakai de Otome Game no Akuyaku Reijou wo Suru no wa Chotto Taihen” by Overlap Novels. Released in North America by Airship. Translated by Emma Schumacker. Adapted by Jack Hamm.

I want to be more mad at this series than I am. It’s ludicrously pro-capitalism and pro-cop. Our heroine builds gated communities for people in the previous book, then in this one seems to be absolutely shocked that racism exists in the United States. The bulk of the middle third of this volume involves her trying to prevent 9/11 from happening. She fails. But then you also see that 9/11 has been enhanced by a deadly nuclear train almost wiping out Denver, and you think to yourself, “Wasn’t that the movie Atomic Train?”, and you realize that the author really does not have a hidden message or meaning to this book at all. It’s not trying to use its heroine to show you that right-wing politics is good, actually. It’s an author playing with toys, and when there’s a section of the plot where, say, you can work in a Tom Clancy book’s plot, in it goes. It’s hard to get mad at a Tinkertoy novel.

Even the author admits that this volume’s “plot” is scattered. It’s basically events that happen before and after Runa’s 10th birthday. This includes the aforementioned 9/11, which happens DURING Runa’s birthday party. We get school adventures, like Runa doing sports and club activities, and also a mountain climb and a trip to Kyoto. We also get more of Runa being the hidden power behind most of Japan, and start to see the beginnings of a rift between her and Prime Minister Koizumi. But other people are finally beginning to realize that this little girl has her fingers in a LOT of pies, and they’re trying to stop her. Not necessarily for reasons of “I want to control what she has”, but also for upright reasons like “this 10-year-old girl is killing herself trying to do everything”. How much longer can Runa get away with this?

I was very amused at the new character in this book, a “high roller” type who, like most of the capable people in this world, ends up becoming one of Runa’s employees. Unlike the rest of her staff, who likely realize something is wrong but don’t say anything out of politeness, he straight up asks Runa how the hell she is doing this. Runa still has not quite admitted “I’ve been reincarnated into an otome game”, but there’s just no way to accept any of her decisions without thinking that she has supernatural powers. Hell, her friend Hotaru has them, why not Runa? As for Runa herself, I think the book’s weak point remains her “villainess” part of it. She seems torn to the point of tears about whether she can change her fate, but she’s not trying to make herself a better person, she’s just trying to make sure her financial empire is not ruined. She’s still sort of evil. Work on that.

I don’t really recommend this series to anyone but economics majors, but I still find it rather fascinating in a morbid way. The webnovel version of this has 11+ books of material, but the 4th volume is the latest published in Japan, so we’re mostly caught up.