To Another World… with Land Mines!, Vol. 1

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By Itsuki Mizuho and Nekobyou Neko. Released in Japan as “Isekai Teni, Jirai Tsuki” by Dragon Novels. Released in North America by J-Novel Club. Translated by Yen-Po Tseng.

Yeah, I know. So I had a brief gap in my insane reading schedule, and a friend had mentioned this series as one I might be interested in circling back to. I had skipped it in 2022 when it came out as I was trying to cut down on isekai stuff. But I’m a big fan of Management of a Novice Alchemist, by the same author, so I figured why not give it a try. And how is it? Well, that’s an interesting question. I think how you feel about it will depend on your answer to the following: Can something be good and yet very boring? If you say no, by definition boring things are bad, then don’t read this series, please move on to something with lots of cool things happening. If your answer is yes, it can be good, it depends on what the author is trying to do and the nature of what is boring, then I think, like me, you’ll get something out of this.

Another reason that I never read this when it first came out in 2022 is that I thought it was gonna be about someone whose skill is explosive mines, kinda like the godawful Death Beam story. It’s not. The land mines are metaphorical. A bus full of students apparently is in a fatal accident (we only hear about this secondhand) and are now meeting with a self-titled “evil god”, who wants to put them all in another world, no reincarnation necessary, and offers then some cool skills. Nao, our POV character, selects the ‘help’ skill in order to help him choose better… and discovers that some of the cooler sounding skills have lethal consequences! Those aren’t cool skills, they’re land mines! (Hence the title). Now he and his best friends Haruka and Touya are in this new world, and are finding that it’s not quite like the light novels said it was.

So this is sort of a combination of “isekais should be more realistic, let everyone grubbily struggle to survive” books with “if *I* was in an isekai I wouldn’t do all those dumb things that make interesting stories, I’d be smart and rational”. You’d expect that at least one of our main protagonists would be a loose cannon to justify the title, but no, we have smart, sensible Haruka, nebbish generiguy Nao, and hotblooded Touya, and even Touya listens to Haruka and does what she says. They don’t get any weapons, and their magic (Haruka and Nao are elves, Touya is a beastman) is either basic or nonexistent, and needs to be learned. They gather. They experiment. It’s interesting as a thought experiment, and I want to see what happens next, but as a book it struggles. Nao is especially weak right now, and I hope he gains character development.

So if you skipped this when it came out, you can probably keep skipping it. But I enjoyed it enough to want to read another one when my schedule is free again.

A Tale of the Secret Saint, Vol. 7

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

Sometimes I enjoy a good bit even if it’s obvious. Indeed, sometimes I love it because it’s obvious. And Secret Saint is, let’s face it, a series that runs on comedy, tragic backstories aside. So I have to inform you that I was smiling gleefully all through the main plot of this series, which was a perfect combination of Fia being intuitive and clever based partly on her instinct and partly on her past knowledge, and Fia being a complete dimbulb who has no idea how the world of 300 years later works and doesn’t bother to find out. There’s also an extended scene between the captains which basically serves as an excuse for Desmond to scream for 65 pages or so at the top of his lungs. That said, by the end of the book I had noticed that, despite having supposedly been the start of a brand new arc to move the story forward, not a hell of a lot happened and there were side stories galore.

Fia returns from her extended vacation to find that all the other new knights have met with the King, which is something that happens with all the first-year knights. Fia, having been absent, now has to have her turn. The king, Laurence Nav, looks about as you’d expect. What is perhaps unexpected is that he has THREE court jesters, all of whom take the opportunity to pour scorn on and belittle Fia. Ah ha! This must be one of those tests! It is indeed, and as you’d expect Fia breaks it wide open. After this, the captains all have a meeting to discuss the strange and terrifying events of the last few books – all of which deal with Fia. And then Fia is asked to meet with the current Great Saint, who is supposed to be marrying the king. That should go well. After all, Fia is a knight, not a saint.

So, apologies for giving away the obvious gimmick of this book, one of the jesters is the real king, and the other two are his closest advisors. Fia figures this out due to a combination of 300-year-old knowledge and her magical saint powers, but it’s the way she carries it off that makes this so fun to read. She’s forced to play a poker game that’s really an excuse for the king to wave his secret identity in front of the knights’ faces without giving it away, so is rather upset when Fia, in fact, figures it out and wins in her own way. I really enjoy this sort of Fia, and hope we see more of her in the next book, which I suspect may get a bit Villainess-ey. I admit I’m not as fond of Fia not realizing that her powerful dragon familiar disguising himself as a chibi-version does not really count as a disguise, or once again not understanding that things are very, very different 300 years later. But you can’t have one without the other, really.

I’m not sure when we’ll get Book 8, but I won’t have to wait long to read more about Fia. Or rather, about Serafina. Tales of the Secret Saint’s getting a prequel series, and it’s out soon. Till then, this was fun.

The Otome Heroine’s Fight for Survival, Vol. 3

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By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Much as this series seems most of the time to be ignoring the whole otome heroine part of the title in favor of the fight for survival, it never quite forgets about it altogether. There’s always one or two scenes reminding us that not only is Alia supposed to be the “heroine” of this otome game (and has memories that are not hers of life in Japan), but there’s also another minor villainess who is reincarnated – and is terrified of Alia, to the point where its thrown her relationship with the “main” villainess, Elena, off. That said, the next volume of the series would appear to delve more deeply into that plotline, so rest assured it will be relevant soon. But not yet. For this volume is all about Alia’s ability to fight and fight and fight some more, and the various ways she wins against all sorts of enemies and monsters that should be too much for her to handle.

Alia has gotten a bit of a reputation, as we first see her here taking out a team of slavers who’ve been working together for ten years, and she is now known as The Ashen Princess, Lady Cinders. She’s also returning to the city where the first book happened, and running into the same cast, who inform her that there’s an Orc General, 4 Orc Soldiers, and about 50 Orcs who have infiltrated an abandoned village, and they’re on the verge of invading inhabited human cities. It’s time for Alia to do something ludicrous, like take them all on. After this, she’s met by Viro, who has a job offer that she really can’t refuse: kill Graves. Unfortunately, not only has Graves also been training really hard and leveling up since he last tried to kill her, but he’s also brought in a killer panther monster.

The author says that this book is about strength, and that’s certainly true. Alia may not be as strong as the enemies that she’s facing, but to us, the reader, she ludicrously strong – as she is to the residents of that city, as the old blacksmith who gave her her first knife stares in awe at what she’s been doing to wear it out. The author also says this is about “why people and monsters fight”. Alia is very surprised, at the end of the battle between her and the Orc General, when he speaks to her, asking her name and asking why she’s doing this. In that case she has to, as otherwise the human settlement would be destroyed. But later, with the panther monster, she’s more ready to communicate and compromise, and while that doesn’t help with her actual mission – alas, the main villain lives to fight another day – it gets her a friend and familiar. Who is also a killer monster. Even if it sleeps in a cardboard box.

Still full of stats, still full of fights, still strangely compelling. Will definitely read more.