The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 8

By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

Last time I wondered if this final volume in the series would be a victory lap, or if we would have one last plot twist for Rosemary to deal with in order to save her life. As it turns out, there’s nothing to worry about, this is pure fluff, an absolute victory lap that consists entirely of everyone praising Rosemary to the skies while she herself acts like a lovestruck teenager and frets that she’s about to screw everything up at any moment. Spoiler: she doesn’t. There’s always been an element of “everyone thinks of the best possible reasoning for our heroine’s behavior” to this series, but it’s tended to be balanced by action sequences or suspense. Here there’s none of that, and even the romance is handled fairly early, so it really is just wedding prep, wedding, and having all the other love interests get a narrative bit about how sad they are but how happy they are for Rosemary. The word “schmoopy” was invented for books like this.

After the events of the last book (and reassuring herself that her cat is not in fact dead), Rosemary spends the bulk of the first half of this book recuperating. Of course, that does not mean that she’s not doing things. First of all, she and Leonhart finally confess to each other with words and everything, and get across that, rather than merely tolerating the other’s presence, they are in fact giant dorks in love. This means there’s a wedding coming!… in two years time. While we wait for that, she says a final farewell to Kanon (who goes back to Japan, though she’ll return for the wedding itself) and concentrates of learning how to become a duchess, because the status gap between princess and count is too large, so they’re giving her a duchy to solve the problem. And, of course, there’s the hospital and medical schools. Plus, y’know, the rest of her harem.

As with prior volumes, the books alternate between Rosemary and various other characters. Most of this is what you’d expect, but we do meet Leonhart’s family, the most interesting part of the book. They’re husband, wife, and three sons, Leonhart being the eldest, and the men in the family all have the quirk of being uninterested in romance till they meet the one woman who they will love the rest of their days. As such, they’re a bit worried about Leonhart, as the princess might be trying to selfishly coerce him. Then they meet Rosemary, who is practically perfect in every way, and are quickly adoring her like everyone else. If you are the sort of person who is bothered by this, I assume you dropped the series long ago, but with no serious plotline to balance out the praise, it gets to be a bit too much even for me.

In the end, they get married and the book ends. I was wondering if we’d get a flash forward to the future, which we don’t in terms of Rosemary, but I did like the epilogue, which shows what her real legacy will be. So yes, I enjoyed this series, a good one for a combination of “avoid my fate” reincarnation and suspense thriller.

Private Tutor to the Duke’s Daughter: The Second Coming of Shooting Star and the Final Showdown in the Eastern Capital

By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

OK, I will admit, the author cleared the bar that I had set up for them. I’ve already grumped quite a bit about Lydia’s character arc during the last two to three books, and I had certain expectations of how it would resolve itself. I did not like those expectations, but I had them. Lydia was going to go berserk, everyone would make the terrible decision to kill her, and then Allen would return and talk her down. Thankfully, that is NOT what happened – at least not the last part. Lydia manages to get talked down by all the other love interests yelling “snap out of it, you idiot” at regular intervals till she does. This allows her to be part of the final battle, which I appreciated. Of course, I might be less grumpy if we ever learned more about Lydia and Allen’s past than anecdotes. Surprisingly, Tina doesn’t get much to do here either. Honestly, the love interest with the most focus is Lynne, as Narrator #2.

The rebellion is going very badly for the rebels, who decide to stake it all on one last battle for the Great Tree. Fortunately for those defending it, reinforcements are coming from all over the land. Unfortunately, Allen is still missing and presumed dead, meaning that most of the love interests are moping, and Lydia is… well, not in her right mind, we’ll put it that way. As for Allen, he’s trying to get the approval of an ancient ghost, and then has to battle the real enemy behind all this – the Church. (I know, the church, evil, in a Japanese light novel? Try to contain your shock.) Unfortunately, he may have finally come across something which really IS too much for him, as opposed to all the things he handles with ease while saying they’re too much for him. He may be forced to… ask for help.

Yeah, the final part of the book is basically “what if we all battled the final boss together?”, though the boss in this case is just a created monster thing. There was decent stuff in this book, but I won’t lie, I’m happy to see the back of this arc. In addition to Lydia running amok, I was also not fond of a death fakeout near the end, which was done purely to give Allen the rage and despair to fight even harder, but if you’re going to do that, don’t just do a “just kidding” afterwards. In the end, honestly, no one we care about died, or was even injured. One minor character’s father was kidnapped, which may be what starts the next arc, but other than that everyone does fine. A bit more than fine, honestly – Stella has become so overpowered I may have to start calling her Allen soon.

So yeah, good riddance to this arc, but I still enjoy the series. Next volume apparently stars Lily, the “Maid” of the Leinster family, and I am hoping will let her do something other than be comedy relief, because that’s all she’s done so far.

My Happy Marriage, Vol. 4

By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

There is generally a habit in books, whether they’re “mysteries” or not, of trying to conceal a surprise twist. Keep the audience guessing, don’t let them figure out what the twist is until it’s too late. In practice, this is quite hard to pull off, and tends to lead to rolling of the eyes once the big reveal happens. As such, I always appreciate when a book doesn’t bother to do that and just says “let’s give it away on page 1”. Which is exactly what happens here, as there’s a traitor in the group that’s trying to protect Miyo, and the number of people tat it could possibly be amounts to one person. So we see that person approached by the villain immediately, in a prologue, and know who it is. Which is good, as it can then help with that this author really IS good at, which is giving readers an ulcer as they wait for the bad things to inevitably happen.

We pick up where we left off last time, with Miyo and Kiyoka beset by a man who claims to be her real father, and is also really, really smugly evil. Now Miyo can’t be left on her own , so she starts going to work and coming home with Kiyoka every day. She also gets a bodyguard, Kaoruko, one of the few women in the military in what is a very misogynistic unit. This means that Miyo has to deal with a) all the other members of the unit badmouthing Kaoruko and telling her to stay in the kitchen, and b) the fact that Miyo is associated with a family no one trusts and everyone seems to despise. You get the sense that the title of the series is getting further and further away, especially as they’re still not actually married yet.

So yeah, this book runs on dread. Not the dread of a horror novel, but the dread of a book about an abused daughter who is still viewing herself as the absolute worst being attacked on all sides. She has Kiyoka, who does the best he can, but she really needs more allies. Sadly, the one friend she makes, Kaoruko, turns out to be one of Kiyoka’s former potential fiancees, and clearly still has feelings for him, which sends Miyo into another spiral of self-loathing. Now, she does get one scene late in the book where she stands up and lets the sexist soldiers have it, but it’s sort of like eating a riceball made of needles in order to get to the tasty plum inside. Why read the series at all? The needles are also VERY tasty. This author knows how to write depression, anxiety, and melancholy, and Miyo is an extremely well-drawn woman.

So yes, we’re still not happy, and one subplot hints that we may see more double (triple?) agents. But this is still really good angst. The anime debuts next week, and should be exquisitely painful.