From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 4

By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

What is the audience for this series? Honestly, it’s primarily “people who just like to read light novels”, followed by “people who are curious if the series will ever end with him choosing a girl or will it go poly’. That said, I wonder if there are actually any kendo practitioners who might be reading this, because a lot of this 4th volume seems to be written to those students, telling them not to forget the basics. Well, and also reminding muscleheads trying to teach newcomers that “do everything I did without knowing the reason behind it” is a great way to be a terrible teacher. But just maybe the audience for this series is guys who are Beryl’s age who just like to fantasize about still being able to do all the cool athletic things they could do when they were young. Because once again, Beryl is awesome.

After the events of the last book, Beryl is once again left with some free time, and so Lucy asks him to drop by the magic academy to look at the sword magic course taught by his old student Ficelle. Unfortunately, she’s apparently not the best teacher, so Beryl is asked to come by to see if he can help. Since Mewi is also in this class, Beryl agrees, and finds that Ficelle’s teaching is far to spartan and hardcore. Trying to teach the five kids in the class a little less evilly, while offering advice and words of praise, Beryl not only earns the love of the students but also reminds Ficelle of what she was like when she was a student herself. Unfortunately, not all the faculty is happy to see Beryl, and he’s warned to NEVER GO IN THE BASEMENT. Take a wild guess what the climax of the book is.

I have to admit, this is a lot more meandering than the previous books. You get the sense the author realized that Ficelle is the only former student who they never really circled round and gave more depth, so they wrote a book to fix that. Unfortunately, Ficelle is not only a meathead but a stoic meathead, so it can sometimes be hard to get the character development she desperately needs. The best moment was probably the pat on the head. There’s also a group of students who have “spinoff volume” written all over them, especially the ludicrously genki Cindy, who reeks of the protagonist of some other series. The big dramatic climax of the book is not that great, as it barely gets any setup besides that one annoying teacher. I was, I admit, amused by Beryl achieving the impossible without actually knowing it. Someone needs to get him together with the star of Der Werwolf and have them self-deprecate rap battle.

The next volume’s cover suggests it will be for Yotsuba fans… erm, Curuni, I guess that’s her name. And not Yotsuba from Quintuplets. (looks at Vol. 5 cover art) Christ, even the ribbon is the same, only blue. In any case, if you like swordfighting, old men, and no romantic resolution, you’d like this.

The Oblivious Saint Can’t Contain Her Power: Forget My Sister! Turns Out I Was the Real Saint All Along!, Vol. 4

By Almond and Yoshiro Ambe. Released in Japan as “Mujikaku Seijo wa Kyō mo Muishiki ni Chikara o Tare Nagasu: Imadai no Seijo wa Anede wa Naku, Imōto no Watashi Datta Mitai Desu” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Dawson Chen.

Every volume of this series has me being fairly ambivalent about it, so it feels very appropriate that, when I read the afterword to this 4th and final volume, my first thought was “yeah, you should have gone with your initial instinct, it would have felt far more real and in character”. But I suppose it wouldn’t be Oblivious Saint if it wasn’t hitting all the really obvious beats. And thus Flora, who is really fascinating in the first part of the book as we see her literally consume herself with desperate rage to the point and death, ends up suddenly realizing how horrible she’s been her whole life after realizing how much Carolina looks like their late mother. It’s a head-tilting swerve, and is 100% unironic and, if I’m being honest, 100% out of character. But I guess the author’s right. Ending dark would subvert the very basic story being told.

It’s time for the big Saint Competition final, and there are twenty-three candidates competing. That said, the only ones the reader has to worry about are Carolina and Flora. Carolina is told to stop holding back, and she certainly does so, wiping the floor with everyone else. Meanwhile, Flora is also doing very well, but it’s clearly killing her – literally. She ends up having to have her life saved by her sister, the ultimate humiliation. Anyway, in a plot point so obvious I’m not worried about spoiling, Carolina wins and is now the Saint of all, with full approval of the church. Hell, she even grows SIX angel wings when she goes all out to heal Flora. Now she has only two things to worry about: going back to her birthplace for a festival, and trying to actually consummate her marriage.

I had anticipated that Ed and Carolina’s lack of a sex life would end up being a plot point, and I was mostly wrong – there’s no “you aren’t really married, ha ha!” twist, and Gilbert’s obvious love for Carolina is dealt with (surprise) in a very straightforward and earnest way. That said, the best part of the book is Ed confessing his worries to Teodore – that he is so aflame with passion that he will only end up hurting his new bride with his fiery, violent lovemaking. To which Teodore, rightly, calls Ed a massive coward and says that all his worries are complete and total bullshit. Teodore’s sarcastic, biting remarks have been a high point of each book, so I was pleased to see him point out that Carolina has obviously also been wanting to have sex with him and, if Ed keeps this up, may simply think he doesn’t love her like that at all. Rest assured, by the end of the book they have done the deed, and Carolina is fine – in fact, she worries he was so gentle HE wasn’t satisfied.

In the end, this was a bit too on-the-nose for me, and I sort of wish Flora got the unhappy ending she longed for. There are better saint books.

The Magic in This Other World Is Too Far Behind!, Vol. 10

By Gamei Hitsuji and Yunagi. Released in Japan as “Isekai Mahou wa Okureteru!” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

First of all, let’s get rid of that elephant in the room. The 11th volume is, as of this writing, not out in Japan yet. I really hope there is not a 5-year-gap between books 10 and 11 the way there was between Books 9 and 10, thank you very much, if only as I had to try to remember things I had long since forgotten when I assumed this series had gone the way of, say, Altina the Sword Princess. Secondly, I apologize to this book for having to read it today, when I was, for reasons I won’t get into, a bit distracted. That said, in the end we are here to see Suimei do cool magic things, and we definitely get that here – at least in the second half. The book is basically a ‘darkest before the dawn’ sort of book, and the first half or so focuses on Reiji, who feels his own hero power is Too Far Behind, and is prepared to possibly turn evil in order to solve the issue.

Suimei and his party are still in Japan as this book starts, which is unfortunate, as the demons have chosen this moment to attack… supposedly. It’s a somewhat puzzling, half-assed attack, as if their real goal is something else – much to the frustration of one of the demon generals. Unfortunately, with only one mage, a girl from Japan who’s new to the profession, actually present, the battle is not going well, especially as there are new artificially created demons that are sort of Noumu from My Hero Academia, only more insectoid. Reiji, without Suimei there to back him up/save his ass, is feeling powerless and pathetic, and unfortunately the power within him takes this time to tell him to beg for more power no matter what. The “no matter what” being a corruption that starts to happen almost immediately.

I feel for Reiji, but I will not deny that once Suimei returns to the story I was far more invested in actually reading it. I suspect we’ll be getting an “I know you’re still in there somewhere, fight!” moment for our hero soon. He and Suimei do share one very obvious trait, though, which is their total inability to see exactly how many young women want them. The scene in the baths was easily the most “light novel” in the volume, and honestly after the darkness of the previous 3/4 of the volume it felt like a breath of fresh air despite having an “oh no I fell and now your face is in my boobs” moment. The other highlight is the climax of the book, which helps to show off Suimei’s two superpowers, which are being incredibly overpowered and also being an incredible dick. His taunting of the demon general was hysterical, and, again, helped to take the edge of an “is our protagonist dead for real” scene even though we knew the answer was no.

So yeah, this was good. Was it worth the wait? Nothing is worth that wait. Hopefully the next one comes sooner.