The Dorky NPC Mercenary Knows His Place, Vol. 1

By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

Sometimes you don’t need everything to be new. Sure, we love it when there’s a groundbreaking work that creates a new template going forward, but sometimes all you need is a different ingredient to make everything not quite stay the same. There have been other light novels that are set in space, of course, but those are irrelevant to me as I don’t read those. I did give this a try, though, as part of my “every once in a while I’ll try something I wouldn’t normally read” pick. And it’s good. Not great, not something I’d recommend. But it reads easily, the main characters are likeable (they may be the only likeable characters in this fictional world), and the fact that it’s in space helps to cover up the fact that this is basically a standard fantasy guild adventurer book, only with spaceships and lasers rather than dungeons and monsters. And then there’s the hero, who… well, despite what he says, we’ve seen his type before.

John Ouzos is a mercenary for hire, doing such jobs as security for a repair job, trying to stamp out space pirates, and occasionally getting involved in a war between rival nobles. He tends to stay out of flashy situations, do his job, and not get killed. He is a commoner, and knows that in this world that is trying to become more equal but isn’t yet, this is just the right thing for him to do. Unfortunately, not everyone agrees. Another mercenary pilot is furious that he’s hiding his true talents and being “lazy”. A sentient spaceship is determined to get him to pilot her so that she can be rid of her current immature pilot. And his old classmate is now a famous professional racer, and wants him to join her team. They all know what he won’t admit – he’s one of the very best.

Again, this hits its beats pretty well. As you can tell from the cover, it has a thing for breasts (and, as future covers will show, butts as well), but honestly I’ve seen worse. There was a very odd paragraph describing two arrogant noble siblings as “anti-men feminists” that made me growl a bit, but it went away almost as fast and the POV character was not to be trusted either. And of course, if you don’t like the sort of protagonist who will do anything to avoid being part of an exciting story, this isn’t for you by definition. But I liked how, the more you get to know the world John lives in (mostly through his endless exposition, which wasn’t too boring so I’ll let it slide), you realize that his plan to stay unnoticed is pretty smart. That said, even in his past he tended to get into death-defying situations, and that hasn’t changed. He may think he’s an NPC, and he’s certainly surrounded by evil nobles, but the hot girls around him know his true value.

Yeah, that’s right, it really is a stock light novel, but in space. I expect more harem next time. But till then, if you want to enjoy a standard LN that doesn’t require you to know how to cast from hit points, this is good.

Earl and Fairy: Awaiting a Moonlit Elopement

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Sometimes I don’t read the blurbs before I start a volume, particularly if it’s a series I’ve been reading for a while. As a result, I came into this book not knowing that it was a short story volume. This is good and bad in some ways. It allows for less complicated narratives that better show off the two leads, and can also venture into other areas, such as Lydia’s pre-Edgar life. (All but the last short story were collected elsewhere, and the prologue was the first thing the author ever wrote for the series at all.) On the down side, without a big, action-packed and terrifying narrative to drive everything, we can sometimes be reminded a bit TOO much how irritatingly smug and possessive Edgar is, and how annoyingly naive and stubborn Lydia is. Fortunately, they’re only really at their worst in one of the short stories featured in this volume. So, of course, that particular story is the one that was used for the volume’s subtitle. Sigh.

There are five short stories in this book. 1) Before the events of the main series, a Lydia who’s just starting out meets a violinist plagued by a fairy, and makes a foolish decision that will need to be fixed by the man she’s trying to save. 2) We learn how Lydia first met Kelpie, as she helps to reunite Kelpie’s bookish brother with an elderly woman who romanced him in her youth; 3) Edgar takes Lydia to the opera, and they deal with a flower girl whose daisies are telling very accurate fortunes; 4) Lydia, having just read an exciting romance novel about a couple eloping, finds a young man being troubled by a lhiannan-shee, and decides to get involved despite Edgar, accurately, saying this is incredibly shady; 5) After the events of the 6th book, we see Edgar in London and Lydia in Scotland, both lonely at Christmastime.

The first three stories are all various shades of ‘pretty good’. The fourth annoyed me the most, as Lydia is even more naive than usual, which of course requires Edgar to be more possessive than usual, and they reinforce both their worst habits, especially as Lydia is still the sort of girl who will stubbornly jump off a cliff if Edgar tells her it’s a bad idea. That said, Lydia has heroine plot armor, unbeknownst to both of them, and therefore, of course, her naive ideas of romance and eloping turn out to be correct after all. The best story in the book is the final one, especially on Edgar’s side, as it shows him trying his best to try to fall for some other girl so he can let Lydia go and not involve her in his drama and failing miserably. The climax of the story, where fairy magic brings the two of them together for a brief period,. is the most romantic this series has gotten to date.

Next time we likely should get back to the main plot. Will we get Lydia firmly admitting her feelings with no backsies? That’s less likely. Will Edgar stop flirting with every single girl in London as part of his schemes? Even less likely.

How I Swapped Places with the Villainess, Beat Up Her Fiancé, and Found True Love, Vol. 1

By BlueBlue and Meiji Anno. Released in Japan as “Danzai Sareteiru Akuyaku Reijou to Irekawatte Konyakusha-tachi wo Buttobashitara, Dekiai ga Matteimashita” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

There are good elements to this book, which I promise I’ll get to later. But for the most part, as I was reading this I found myself thinking ‘we’ve finally hit the era of generic villainess books’. It’s boilerplate, and most things that it does do well (such as our heroine beating up her problems) are done better in other, more famous series and also ignored for the majority of the book. It features a super evil “heroine” character, which I have grown very bored with – if you’re going to be evil, you’d better at least be as interesting as Lilia. But the most annoying part of the book may be how easy it is. Everyone immediately figures out the problem and comes up with a solution. Our main character is overpowered. And mostly it’s just her friends doing a Noel Coward play while the heroine fumes. This book suffers from being smug.

You know how this begins. Truck-kun. After our main character is killed saving a mother and child from a truck at the cost of her own life, she meets a goddess who has a deal to make for her. She was killed by accident, so can’t be reincarnated in Japan. But fortunately there’s a bad situation in another world. Alexandra Vistriano is in a time loop. She has been betrayed by her friends and fiance, exiled, and brutally murdered four times now, and it’s about to be five. Her soul is so damaged by despair that she’s at risk of being lost forever. Could the main character, who grew up learning karate and is a bit of a tomboy, step into the villainess’ place? Of course! The new Alexandra has no issue beating the crap out of everyone trying to exile and betray her. That said… when she does that, time loops AGAIN, and Alexandra has to do everything for a sixth time.

I did mention the good things. There are some plot conceits I quite liked involving the time loops, which also help explain one of the book’s biggest and most ludicrous handwaves, the amulets of protection. I also really loved Alexandra finally snapping at the end of the book and screaming at Celette for everything she’d done, expressing sheer horror and disbelief that she could possibly be so cruel and uncaring. It felt earned. That said… the rest of the book feels too easy. Since Alexandra has her past life memories, AND she now has a ton more magic power thanks to the reincarnation, this particular loop mostly consists of the heroine failing over and over again and everyone sneering at her. Also, the main love interest is, well, a jealous and obsessive stalker, and YMMV with those types – I just read one two days ago in the other October CIW debut, so was less forgiving this time around.

And of course, one more common villainess book cliche – despite wrapping up all its plotlines in the first volume, there are four more. For completists only.