Agents of the Four Seasons, Vol. 3

By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

Boy, the world that this takes place in really sucks, doesn’t it? This is an alternate Japan where the world relies on people with special powers chosen by the Gods (supposedly) to bring about the seasons, and in this book we also find out that there are archers whose arrows bring about day and night every day. When the Agents can’t or don’t do their duty, the area suffers. If the archers miss a day or miss a shot, the area really suffers. Those responsible are chosen right after the previous one dies, get no choice in the matter, and are, as we see in this volume, blamed for almost everything wrong with the entire country. Oh, and because this book loves to pile on, almost all of them have some sort of tragedy and/or abuse in their life, or are currently having it. The premise of this series is being able to overcome that and live happily, but man, it does occasionally make for depressing reading.

After the events of the last two books, everything is… not back to normal. For one thing, there are now TWO agents of summer, something that makes the conservatives in charge of the town of summer furious. There are, in fact, rumors going around that every single bad thing that has happened recently has been because God is angry at the current agents, and they should all be replaced for the greater good. Unfortunately, “replaced” means “murdered”. What’s worse, Ruri and Ayame both have their engagements broken, which completely traumatizes Ayame, who was secretly in love with her fiance (who loved her back, but both are so repressed neither one noticed). Meanwhile, in case you thought we wouldn’t be seeing Hinagiku in this book, no worries. Unfortunately, she too is dealing with the rumors, which state that the two years she spent recovering from trauma are why all this happened at all. Scapegoats for all!

This is another two-parter, and focuses far more heavily on the twin sisters Ayame and Ruri. We get flashbacks to their childhoods, and see exactly how being chosen as an Agent can be completely traumatizing, and can also damage a family – the twins’ parents are on their side, but there’s still a lot of friction, mostly as Ruri is acting like a 10-year-old who is being torn away from her twin and being forced to be an agent of God. Ruri does not at all fit the bill for the ideal agent… but neither does Ayame, who is so stressed and guilty over all of this that at one point she attempts to run away from home. In the present, the scene with the Town of Summer yelling at Ayame for causing all this by not letting Ruri die, and telling Ruri “the dead don’t get to speak here”, is jaw-droppingly horrifying, especially as it hits on Ruri’s own trauma specifically (she uses asterisks for the word “died” at the start of the volume, a common Japanese trope for a person avoiding thinking of trauma). By the end of the volume they’re being manipulated by unseen forces, but frankly, if it makes them more proactive, I’m OK with it.

All this and I didn’t even mention their actual fiances (another abuse survivor, and a man who we know little about but seems to be “likeable sociopath”). The next volume will be highly anticipated. Though also dreaded a little, perhaps.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 15

By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

There is not a single thing that happens in this book that the reader could not have predicted. If you finished Vol. 14 and someone asked “so how will it end”, you would probably say “well, Eve will try to break everything and go home, Lloyd will stop her by being Lloyd, and we’ll get a flashforward showing that everyone is older but otherwise resolving next to nothing”, you’d be absolutely correct. That said… is that really a bad thing? This is a wacky, goofy comedy with a bit of heart. If you were asked what you WANTED from the ending of this series, unless you’re a rabid shipper (and I assume any of those dropped this a while back), you’d probably say exactly what I just did above. It’s a chaotic action-packed fight against Eva, followed by Lloyd showing off how much he’s grown and also showing off that no one has gotten (or will ever get) in his pants.

Things aren’t looking good. Eve has a new body, and what’s more, she has access to the powers and attacks of ALL the demon lords. Everyone who tries to stop her is either distracted by her releasing a horde of monsters, beaten into a coma, or mind-controlled into obeying her will (yeah, sorry, Anzu, you’re mostly a comedy patsy this volume. It happens in this series). Rinko has an idea that might be able to take her down, but Eve has about 87 clever plans, and she does not seem in danger of running out anytime soon. Worst of all, Eve has a special spray bottle and, when hit with the contents, the residents of Kunlun become weak and unable to fight back. With all these advantages, even Lloyd won’t be able to stop her!…. right? Right?

So yeah, the “action climax” of this book happens a little over halfway through, and even Eve’s fate is not all that surprising given the type of series this is. The last chapter takes place a few years later, and is from the POV of Asako, who finally gets to be an actual character in this series now that she’s no longer being possessed by Eve. Fortunately she’s no longer dying, and she has cool teleportation powers. Unfortunately, she’s in love with Lloyd, which merely adds her to the pile. It turns out that the entire series has been written by her to tell Lloyd’s true story, a conceit I quite like. As for the others, well, they’ve all got jobs now, but everyone is reasonably happy, except for Marie, who is miserable and who no one can stand. I can’t believe Marie became the most annoying character in a series where Selen exists, but there it is.

This was never going to be a top-rated light novel series, but for something trying for the vibe of Urusei Yatsura (complete with one of those “chaos ensues” endings Takahashi loved to do), it was good. It always made me laugh, which is more than I can say for a lot of light novel authors.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 7

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

In the previous volume of MagiRevo, we saw Anis reject the “perfect world” offered to her, as it would render everything that she’s struggled to achieve meaningless. Now it’s one year later (the biggest time jump we’ve seen in this series so far), and she’s finally getting the chance to achieve her dreams… and is still feeling a bit guilty about it. Is it all right for her to do this? To go off and be a weirdo magical researcher coming up with gonzo ideas that will revolutionize the world? Shouldn’t she grow up and be mature, like Euphie is? Leaving aside Euphie’s maturity, which turns out to not be quite as strong as imagined, this makes sense. Anis spent years being the eccentric princess who rebelled, because if she stopped to face reality it would crush her. Now she’s given the opportunity to do the same thing without the same risk. Just one catch: Anis going it alone is a thing of the past.

Anis starts this book, having finally recovered from the events of Book 6, with a startling proposal. Since her magical research and inventions tend to, shall we say, annoy the aristocracy in the capital… why not just build a whole new city and make it a magical Alexandria? As noted above, Anis has to be talked into this, but eventually throws herself wholeheartedly into things, especially since she shocks people with the idea of building the city with both magical and… non-magical means! Me not use magic? That’s unpossible! Moreover, in the massive research that is the back half of this book (it’s OK, it’s interesting for once), we learn that not only might everyone have been learning magic incorrectly, but that there may be more than one KIND of magic. All this means that Anis has a LOT more to do, and is unfortunately going to have to learn to delegate and lead from behind… well, mostly.

Anis is not the only one undergoing crises in this book. Gark is struggling with the fact that everyone around him is a genius of some sort, and he’s just a guy who’s dependent on magic weapons to get anywhere. Tilty is a bit disturbed by Anis going in on making these magic weapons, and serves as her conscience reminding her of the dangers of putting weapons that anyone can use into a world where commoners have massive grudges against the nobility. And we get a new maid in this book, Priscilla, who is also the victim of a noble being terrible – her father – and wonders why Anis, with all the power that she has at her discretion, especially now that she’s a dragon hybrid, not take revenge on everyone who wronged her? The answer Anis has is not what Priscilla really wants, but it works. Anis grew up loved. And she has a wonderful partner. I like Anis sort of acknowledging her privilege here which allows her to be able to take the high road. It’s not as easy for others.

All this plus Anis and Euphie having such a wonderful night (offscreen, of course) that Anis has a hoarse throat the next day. This is the second book in a row with not quite as much Euphie, so the author promises Book 8 will focus more on her. Till then, this was one of the stronger books in the series, setting up the new arc and allowing Anis to feel confident once more in being the little freak we know and love.