The Princess of Convenient Plot Devices, Vol. 6

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

I find it amusing how the author goes on in the afterword about the fun romcom parts of the book. Now, to be fair, there is a bit of that, but I… am I reading this book wrong? Are the bulk of the readers less interested in the intrigue than in seeing if Octavia and Klifford will realize they’re in love with each other?” Is this Earl and Fairy? Well, no, probably not, but it has to be said that the far more interesting part of the book is Octavia trying to discover the real past of previous generations while the narrative literally tries to sabotage her. The two plotlines converge when she finally decides on her fake boyfriend, and everything is ready for her to introduce him to her parents and finally get a clue as to how to resolve this and make everyone happy. Boy, sure hope that no one is trying to destroy her schemes! That would suck!

After a brief prologue showing us who our “villain” might be, though like half the cast they’re dealing with past memories and evil manipulation, we see Octavia trying to meet up with Hugh… only to find he’s been moved too a secret location. Unfortunately, Sirius is back to being brainwashed, so he’s no help. Her father the king knows where Hugh is and will tell her, but under one condition: she has to introduce her boyfriend to everyone in a week. You know, the fake boyfriend she still hasn’t nailed down. After briefly doing some boyfriend math, she settles on Derek, and he seems amenable to it. She also discovers a lot more about the relationship between Derek’s father and her own, and finds that her father may not be as happily married as she’d thought. Turns out just because a couple is hot and BL, it doesn’t mean they can’t be torn apart by… well, that’s still a secret.

Let’s get back to that romance. I think by now both Octavia and Klifford are very, very, unconsciously aware that they’re in love with each other. It’s the unconsciously that’s the problem. Octavia is held back by the whole “I will obey every order you give, please give me an order” thing coming from Klifford, and the climax of the book features him dragging her kicking and screaming into finally giving him a real order rather than one of her requests. And Klifford, as is pointed out by the king, is supposed to be unable to feel love like a real human being, though anyone who has read the previous six books might be snorting at that. It helps that immediately after this we get Klifford’s perspective briefly, where he wonders what these strange feelings are? The rest of the book was the usual excellent intrigue, though I am annoyed that the only way to get our leads to step up was the brainwash the opposition. If nothing else, that means one less ally, and Octavia needs allies, as the world is out to get her.

And now the words everyone dreads: we’re caught up with Japan, and Book 7 is not out there yet. So get ready to wait. But till then, yay, they’re fake lovers! Yay? Maybe?

Death’s Daughter and the Ebony Blade, Vol. 7: Finale

By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

I’ll be discussing the final pages of the book, but only under the picture, so be warned.

Before we get around to how this series seems to love to lead me around by the nose, we need to, I suppose, address the fact that this is definitely the second part of Book 7, not a book in itself. I probably should have saved the two books and read them as one. If only as this is 95% fights, and I just don’t have it in me to talk about those. Wow, those undead really are hard to kill. Oh man, the goofy scientist is mortally wounded (and then never seen again). The large cast means that we have a lot of viewpoints to flit between, but I’m going to be honest, I don’t care about most of these people. I like them well enough, and wish them well. But in the end, I’m here for Olivia, Ashton, Claudia, and maybe Felix. If pressed.

Felix and his knights, along with the sleeping emperor, have defected to Olivia’s side in hopes that she can do something about the emperor (easy) and the man currently causing the undead to overrun the entire country (difficult). Fortunately, while they may not have Ashton anymore, they do have that old librarian from previous books, who also turns out to be a strategist, and she comes up with a plan: Fernest, Mekia, and Sutherland all join forces and offer a deal: one big battle against Darmes’ undead army, and if they lose they’ll surrender. Olivia knows he’ll take the deal, but that will also give her and Felix the opportunity to run straight for the castle to take out both Darmes and Xenia, the evil God supporting him. That said… they still have to fight scores of undead. No getting around that.

Even given the fact that it’s the second part of a 550-page book, this book is still badly paced, and needed an epilogue that was longer than the 4 pages or so it gets. I was starting to get a bit suspicious of the ending around 3/4 of the way through the book, when we see Claudia and company fighting valiantly but NOT dying tragically. If this book was going to keep going the way it had been, we needed a lot more death, and no, that one woman from Mekia doesn’t really count. Then at the end, when Olivia wins (yeah, sorry to spoil, but you guessed that) and she is told she can get one wish that’s anything she wants, I knew where it was going. So yeah, I was wrong. AGAIN. And it’s fine, I’m OK with it. I’d be a lot more OK with it if the epilogue was 20 pages rather than 4, and showed ANY of the other characters in the book. Which, um, guess that means I did care about people other than Olivia, Ashton and Claudia.

I think I’ve now run out of “military battle fantasy” series that I’m following, and this certainly was one. It’s worth reading for Olivia’s eccentric, striking personality, but also in seeing how much she grows and changes, particularly in the last two books after Ashton’s death. And she has only more room to grow.

Even a Replica Can Fall in Love, Vol. 1

By Harunadon and raemz. Released in Japan as “Replica Datte, Koi o Suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I admit that I have gotten rather blase about titles that have won or been nominated for awards in Japan. They seem to have a LOT of awards for manga and light novels, and there are so many titles that carry “award-winning” and “award-nominated” on it that it tends to pass me by. I had not really realized that this was the winner of the most recent Dengeki Grand Prize till I was about to start it. There have been a few Grand Prize winners in the past that I’ve admitted were excellent, such as Kept Man of the Princess Knight and 86. That said, these days that can’t even guarantee that you’ll get licensed in English at all – sorry, Many Sides of Voice Actor Radio. It was going to take a lot more than just winning an award for me to be blown away by this book. But I was unprepared. The book steps up and immediately proceeds to blow you away. I love it to bits, everyone should read it. It deserves its award.

Our heroine is a replica, created by Sunao Aikawa when she was seven years old. She looks and speaks exactly like her. The replica takes Sunao’s place when she’s feeling grumpy, tired, or is on her period. The replica has all of Sunao’s memories, but they’re sort of like reading a book that’s been smudged. (Sunao does NOT have her replica’s memories, which causes problems later.) The replica likes to read a lot more than Sunao, so she joins the literature club, where she reconnects with Sunao’s childhood friend Ricchan, a budding novelist. Then one day she interacts with recently injured basketball player Sanada, who seems captivated by her, and joins the literature club to get closer to her. But that’s a problem. After all, she’s a replica.

You know I really love a book when I try not to spoil it, but that also makes writing reviews harder. There are some really fantastic twists in this book, not least of which is what the hell a replica IS, something that we don’t really find out here. Before I read it I thought it was some sort of android – nope. Sunao can simply “unthink” her replica and she goes away till needed again. Then I wondered if it was dissociative identity disorder, but later events show that can’t be right either. As for the original, well, trust me when I say you will not be very find of Sunao throughout a lot of this book. But everything about her behavior makes sense, and she’s very quick to change when she realizes what’s really going on. Near the end of the book, there’s a terrifying tragedy that becomes an “oh thank God” moment of relief for everyone involved… except the replica, who now begins to despair. Again, for reasons I don’t want to spoil, but man, it’s so good. This book has serious thought put into its concept (which is echoed by the novel her friend is writing, a nice touch).

Like most grand prize winners of a contest, this works well as a stand-alone book. There’s more of it, though, and I am very happy to hear that, even as I worry – there was a lot of serious drama in this book, and I’m sure later books will have it too. But I’m desperate to read more. If only to see if we’ll be told what’s going on with the replica. Or if it matters in the end.