The Do-Over Damsel Conquers the Dragon Emperor, Vol. 5

By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

After four volumes of absolute breathtaking drama, where you worry every single page that Jill is going to either die or end up thrust into a war that will cause everyone else to die, it’s a relief to have a volume that is comparatively a relaxing romp. Oh, don’t get me wrong, the main plotline is still “there’s a secret plot to destabilize things so that the Dragon Emperor will be forced to go to war and the timeline can go back to its old, Jill-is-dead self, but that’s the plotline of the series as a whole. Whereas this book reads like Nagase-san took a reader poll saying “Hey, if I was to have Jill in any cliched situation you can imagine, what would it be?”. And the winning entry was absolutely “I want to see Jill as the new teacher having to deal with a bunch of awful delinquent students who just need the power of someone who cares and can punch them hard.” “Can she wear a cap?” “Oh God yes.”

Jill has plans. She doesn’t want to just be a good wife to her future husband, and she doesn’t want to just punch everything in sight in his name. She wants to help him make her adopted nation even better. Towards that end, she’s come up with a plan for an academy, and wants to go to the nearby La Baier military academy in the Grand Duchy of Laika… which, coincidentally, also has another member of the royal family there – Hadis’ younger brother – as well as a noble who Jill remembers as being a schemer in her previous life. Jill is approved to attend the academy – honestly, approved far too fast – and Hadis ends up tagging along, because of course he does. Unfortunately, when she gets there, she finds not only that the younger brother is one of the worst of the delinquents, but that she’s not there as a student… but as a teacher?

I’ve said this before, but I love how this author always seems to know exactly what the audience for these books want. Yes, a lot of tense intrigue and action, with one false move and the series will end forever tension. But, more importantly, the fact that Jill and Hadis rarely feel that tension themselves. After the events of the last book, Hadis has discovered that the best way to both get revenge on Jill for ignoring him and also find her at her most attractive is to infuriate her, and also possibly side with the enemy. (The actual enemy is in flux through a lot of this volume, and will involve even more of the extended family from hell.) Everything may be going to hell in a handbasket, people’s lives are at stake, but that doesn’t stop these two nitwits from fighting like they’re flirting and vice versa. It is, frankly, cute.

Unfortunately, there’s a nasty cliffhanger that suggests that we may be back to “everyone is trying to destroy Jill’s happiness” next time around. Fortunately, the next book is out very soon, so we can suffer then. This is, almost, a fluffy respite.

Earl and Fairy: The Secret Behind Your Tears

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

I don’t want these reviews to get too similar, so let me start off with something that isn’t the tortured romance between Edgar and Lydia for a change. Perhaps the plot itself. This book really hammers home that we’re seeing a re-enactment of Shakespeare’s Richard II in Japanese light novel form here. Edgar wants to be the Blue Knight Earl. He acts like a proper English noble, which includes caring about those whose lives he governs. He’s a good person who’s trying to do what the Blue Knight Earl is supposed to do. And he gets the reward in the end. Unfortunately, Ulysses has the bloodline in his (borrowed) soul, and so all the magical guff actually works for him, whereas Edgar is left with a reward that he cannot actually see or access. The good guys do sort of win here, but it’s a bittersweet victory, comes with a death, and its only real success was getting Edgar to finally realize that “it’s OK if I die” is not a good way to live.

We open with Lydia back in Scotland, determined to separate herself from Edgar, but missing him nevertheless… and despite the multiple letters a week he writes her. However, circumstances end up reuniting them on the island where this all began, where they are dealing with a banshee who is related to the Blue Knight Earl of a hundred years ago… and has amnesia. Unfortunately, Edgar is feeling rather depressed and morose about his inability to get his feelings across to Lydia, so goes to his club, gets drunk (and, it’s implied, also smokes some questionable drugs), then goes home, and when Lydia tries to talk to him, it goes badly. (No, not like that… though he’s initially afraid it was like that.) Unfortunately, as all this is going on, Ulysses is ma,king everything worse, as usual.

Ermine continues to be interesting, though I’m not sure how long she can keep up being a double (triple?) agent without wearying the audience. The author is being pretty good about keeping us on our toes as well, but I can’t help but notice that most of the recent cliffhangers are all “Ermine does something that looks evil”. That said, after her resurrection, I don’t think the author is getting rid of her anytime soon. If only as she’s still able to completely torpedo any efforts at Lydia and Edgar to get over their hangups and talk to each other about their doubts and fears. Edgar makes his biggest declaration of lover ever this book, but it’s a drunken murmuring of Ermine’s name that Lydia takes to be his “true” feelings, partly as I think she’s scared of her own feelings for him. Certainly she’s ready to walk into a massive deathtrap for him, as well as save his life when even he doesn’t want that. But… yeah. Still not quite a couple yet.

If you love exquisitly frustrated romance and supernatural action thrillers, this remains a must read.

I’m in Love with the Villainess: She’s So Cheeky for a Commoner, Vol. 3

By Inori and Hanagata. Released in Japan as “Heimin no Kuse ni Namaikina!” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka.

(This does spoil the spinoff’s one big reveal, but not till after the picture.)

And so the I’m in Love with the Villainess story comes to an end once more – this time, apparently, for good, as the author says there are no plans to do a Claire POV for Book 3-5 of the original series. Which makes sense, because while there’s a lot of great stuff happening in those books, Claire’s character arc is the focus of this spinoff, and it comes to its head here. We see Clire’s determination in ferreting out the corrupt nobles, her horror at discovering her father is seemingly behind them all, and her stubborn nobility coming to the fore when she decides the best thing to do is to die for the sake of her country. Fortunately, things play out like the original series, so she’s free to marry Rae and have incredibly embarrassing naked apron incidents near the end of the book. And of course we have the side characters. Loretta and Pepi get resolved as well, of course. And then there’s… um… what was her name again?

I’m not going to summarize the main events of the novel, as we’ve read them before, from Rae’s perspective, in the original series. Interspersed with this we get POV scenes from others. I’ll discuss Catherine’s in a bit. Dole gets a brief scene where we learn about where his dedication to wiping out corrupt nobility came from, as well as his belief that he’s already going to hell for what he’s done. Pepi gets to defend the academy from the revolution, as well as try to figure out how to protect Loretta and not see her die. We see Manaria’s POV of what happened when she returned home, as well as what made her come back at just the right time. Lene and Misha also get scenes showing what they did during the revolution, and their own complicated thoughts on it. Loretta gets to deal with life post-nobility and the chance of a new love. And we get a flashback to Melia’s last moments, where she may not return to Claire’s birthday party but she manages to save… well, let’s talk.

There are two big things about Catherine’s plotline, and I’m going to talk about both of them, so apologies to those who haven’t read the book yet. The first, and most “normal”, is that she, as a child assassin trained by her awful father, was the one who killed Claire’s mother, something which has haunted her and crushed her with guilt ever since, especially because Melia ends up saving her life. Needless to say, Claire is a bit poleaxed when she discovers this. My favorite part of the book, though, was the revelation that Catherine can erase memories, and does so in order to protect Claire and escape from the academy. I love this because I’ve spent this entire series wondering how it is that we see Catherine with Claire so often and she never appeared in the main series at all. I was chalking it up, of course, to “because this hadn’t been written yet, duh”, but there’s a better reason now. Catherine literally wrote herself out of the narrative! It’s only after the main story has resolved that Manaria can deus ex machina things to try to once again meet her, and even then we still don’t see it. Catherine exists at the edge of the novels, a ghost in the pages who then walks off the back cover… along with her maid, because try as she might, there are SOME things that you simply can’t wipe away in a light novel series, and “saving a girl from certain death and making them into a devoted maid” is one of them.

If you’ve read the original books, this is a terrific addition. If you haven’t read the original books… well, go read them first.