A Tale of the Secret Saint, Vol. 7

November 12, 2024 by Leave a Comment

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

Sometimes I enjoy a good bit even if it’s obvious. Indeed, sometimes I love it because it’s obvious. And Secret Saint is, let’s face it, a series that runs on comedy, tragic backstories aside. So I have to inform you that I was smiling gleefully all through the main plot of this series, which was a perfect combination of Fia being intuitive and clever based partly on her instinct and partly on her past knowledge, and Fia being a complete dimbulb who has no idea how the world of 300 years later works and doesn’t bother to find out. There’s also an extended scene between the captains which basically serves as an excuse for Desmond to scream for 65 pages or so at the top of his lungs. That said, by the end of the book I had noticed that, despite having supposedly been the start of a brand new arc to move the story forward, not a hell of a lot happened and there were side stories galore.

Fia returns from her extended vacation to find that all the other new knights have met with the King, which is something that happens with all the first-year knights. Fia, having been absent, now has to have her turn. The king, Laurence Nav, looks about as you’d expect. What is perhaps unexpected is that he has THREE court jesters, all of whom take the opportunity to pour scorn on and belittle Fia. Ah ha! This must be one of those tests! It is indeed, and as you’d expect Fia breaks it wide open. After this, the captains all have a meeting to discuss the strange and terrifying events of the last few books – all of which deal with Fia. And then Fia is asked to meet with the current Great Saint, who is supposed to be marrying the king. That should go well. After all, Fia is a knight, not a saint.

So, apologies for giving away the obvious gimmick of this book, one of the jesters is the real king, and the other two are his closest advisors. Fia figures this out due to a combination of 300-year-old knowledge and her magical saint powers, but it’s the way she carries it off that makes this so fun to read. She’s forced to play a poker game that’s really an excuse for the king to wave his secret identity in front of the knights’ faces without giving it away, so is rather upset when Fia, in fact, figures it out and wins in her own way. I really enjoy this sort of Fia, and hope we see more of her in the next book, which I suspect may get a bit Villainess-ey. I admit I’m not as fond of Fia not realizing that her powerful dragon familiar disguising himself as a chibi-version does not really count as a disguise, or once again not understanding that things are very, very different 300 years later. But you can’t have one without the other, really.

I’m not sure when we’ll get Book 8, but I won’t have to wait long to read more about Fia. Or rather, about Serafina. Tales of the Secret Saint’s getting a prequel series, and it’s out soon. Till then, this was fun.

Filed Under: a tale of the secret saint, reviews

The Otome Heroine’s Fight for Survival, Vol. 3

November 10, 2024 by Leave a Comment

By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Much as this series seems most of the time to be ignoring the whole otome heroine part of the title in favor of the fight for survival, it never quite forgets about it altogether. There’s always one or two scenes reminding us that not only is Alia supposed to be the “heroine” of this otome game (and has memories that are not hers of life in Japan), but there’s also another minor villainess who is reincarnated – and is terrified of Alia, to the point where its thrown her relationship with the “main” villainess, Elena, off. That said, the next volume of the series would appear to delve more deeply into that plotline, so rest assured it will be relevant soon. But not yet. For this volume is all about Alia’s ability to fight and fight and fight some more, and the various ways she wins against all sorts of enemies and monsters that should be too much for her to handle.

Alia has gotten a bit of a reputation, as we first see her here taking out a team of slavers who’ve been working together for ten years, and she is now known as The Ashen Princess, Lady Cinders. She’s also returning to the city where the first book happened, and running into the same cast, who inform her that there’s an Orc General, 4 Orc Soldiers, and about 50 Orcs who have infiltrated an abandoned village, and they’re on the verge of invading inhabited human cities. It’s time for Alia to do something ludicrous, like take them all on. After this, she’s met by Viro, who has a job offer that she really can’t refuse: kill Graves. Unfortunately, not only has Graves also been training really hard and leveling up since he last tried to kill her, but he’s also brought in a killer panther monster.

The author says that this book is about strength, and that’s certainly true. Alia may not be as strong as the enemies that she’s facing, but to us, the reader, she ludicrously strong – as she is to the residents of that city, as the old blacksmith who gave her her first knife stares in awe at what she’s been doing to wear it out. The author also says this is about “why people and monsters fight”. Alia is very surprised, at the end of the battle between her and the Orc General, when he speaks to her, asking her name and asking why she’s doing this. In that case she has to, as otherwise the human settlement would be destroyed. But later, with the panther monster, she’s more ready to communicate and compromise, and while that doesn’t help with her actual mission – alas, the main villain lives to fight another day – it gets her a friend and familiar. Who is also a killer monster. Even if it sleeps in a cardboard box.

Still full of stats, still full of fights, still strangely compelling. Will definitely read more.

Filed Under: otome heroine's fight for survival, reviews

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 4

November 8, 2024 by Leave a Comment

By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

What is the audience for this series? Honestly, it’s primarily “people who just like to read light novels”, followed by “people who are curious if the series will ever end with him choosing a girl or will it go poly’. That said, I wonder if there are actually any kendo practitioners who might be reading this, because a lot of this 4th volume seems to be written to those students, telling them not to forget the basics. Well, and also reminding muscleheads trying to teach newcomers that “do everything I did without knowing the reason behind it” is a great way to be a terrible teacher. But just maybe the audience for this series is guys who are Beryl’s age who just like to fantasize about still being able to do all the cool athletic things they could do when they were young. Because once again, Beryl is awesome.

After the events of the last book, Beryl is once again left with some free time, and so Lucy asks him to drop by the magic academy to look at the sword magic course taught by his old student Ficelle. Unfortunately, she’s apparently not the best teacher, so Beryl is asked to come by to see if he can help. Since Mewi is also in this class, Beryl agrees, and finds that Ficelle’s teaching is far to spartan and hardcore. Trying to teach the five kids in the class a little less evilly, while offering advice and words of praise, Beryl not only earns the love of the students but also reminds Ficelle of what she was like when she was a student herself. Unfortunately, not all the faculty is happy to see Beryl, and he’s warned to NEVER GO IN THE BASEMENT. Take a wild guess what the climax of the book is.

I have to admit, this is a lot more meandering than the previous books. You get the sense the author realized that Ficelle is the only former student who they never really circled round and gave more depth, so they wrote a book to fix that. Unfortunately, Ficelle is not only a meathead but a stoic meathead, so it can sometimes be hard to get the character development she desperately needs. The best moment was probably the pat on the head. There’s also a group of students who have “spinoff volume” written all over them, especially the ludicrously genki Cindy, who reeks of the protagonist of some other series. The big dramatic climax of the book is not that great, as it barely gets any setup besides that one annoying teacher. I was, I admit, amused by Beryl achieving the impossible without actually knowing it. Someone needs to get him together with the star of Der Werwolf and have them self-deprecate rap battle.

The next volume’s cover suggests it will be for Yotsuba fans… erm, Curuni, I guess that’s her name. And not Yotsuba from Quintuplets. (looks at Vol. 5 cover art) Christ, even the ribbon is the same, only blue. In any case, if you like swordfighting, old men, and no romantic resolution, you’d like this.

Filed Under: from old country bumpkin to master swordsman, reviews
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