The Otome Heroine’s Fight for Survival, Vol. 3

By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Much as this series seems most of the time to be ignoring the whole otome heroine part of the title in favor of the fight for survival, it never quite forgets about it altogether. There’s always one or two scenes reminding us that not only is Alia supposed to be the “heroine” of this otome game (and has memories that are not hers of life in Japan), but there’s also another minor villainess who is reincarnated – and is terrified of Alia, to the point where its thrown her relationship with the “main” villainess, Elena, off. That said, the next volume of the series would appear to delve more deeply into that plotline, so rest assured it will be relevant soon. But not yet. For this volume is all about Alia’s ability to fight and fight and fight some more, and the various ways she wins against all sorts of enemies and monsters that should be too much for her to handle.

Alia has gotten a bit of a reputation, as we first see her here taking out a team of slavers who’ve been working together for ten years, and she is now known as The Ashen Princess, Lady Cinders. She’s also returning to the city where the first book happened, and running into the same cast, who inform her that there’s an Orc General, 4 Orc Soldiers, and about 50 Orcs who have infiltrated an abandoned village, and they’re on the verge of invading inhabited human cities. It’s time for Alia to do something ludicrous, like take them all on. After this, she’s met by Viro, who has a job offer that she really can’t refuse: kill Graves. Unfortunately, not only has Graves also been training really hard and leveling up since he last tried to kill her, but he’s also brought in a killer panther monster.

The author says that this book is about strength, and that’s certainly true. Alia may not be as strong as the enemies that she’s facing, but to us, the reader, she ludicrously strong – as she is to the residents of that city, as the old blacksmith who gave her her first knife stares in awe at what she’s been doing to wear it out. The author also says this is about “why people and monsters fight”. Alia is very surprised, at the end of the battle between her and the Orc General, when he speaks to her, asking her name and asking why she’s doing this. In that case she has to, as otherwise the human settlement would be destroyed. But later, with the panther monster, she’s more ready to communicate and compromise, and while that doesn’t help with her actual mission – alas, the main villain lives to fight another day – it gets her a friend and familiar. Who is also a killer monster. Even if it sleeps in a cardboard box.

Still full of stats, still full of fights, still strangely compelling. Will definitely read more.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 4

By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

What is the audience for this series? Honestly, it’s primarily “people who just like to read light novels”, followed by “people who are curious if the series will ever end with him choosing a girl or will it go poly’. That said, I wonder if there are actually any kendo practitioners who might be reading this, because a lot of this 4th volume seems to be written to those students, telling them not to forget the basics. Well, and also reminding muscleheads trying to teach newcomers that “do everything I did without knowing the reason behind it” is a great way to be a terrible teacher. But just maybe the audience for this series is guys who are Beryl’s age who just like to fantasize about still being able to do all the cool athletic things they could do when they were young. Because once again, Beryl is awesome.

After the events of the last book, Beryl is once again left with some free time, and so Lucy asks him to drop by the magic academy to look at the sword magic course taught by his old student Ficelle. Unfortunately, she’s apparently not the best teacher, so Beryl is asked to come by to see if he can help. Since Mewi is also in this class, Beryl agrees, and finds that Ficelle’s teaching is far to spartan and hardcore. Trying to teach the five kids in the class a little less evilly, while offering advice and words of praise, Beryl not only earns the love of the students but also reminds Ficelle of what she was like when she was a student herself. Unfortunately, not all the faculty is happy to see Beryl, and he’s warned to NEVER GO IN THE BASEMENT. Take a wild guess what the climax of the book is.

I have to admit, this is a lot more meandering than the previous books. You get the sense the author realized that Ficelle is the only former student who they never really circled round and gave more depth, so they wrote a book to fix that. Unfortunately, Ficelle is not only a meathead but a stoic meathead, so it can sometimes be hard to get the character development she desperately needs. The best moment was probably the pat on the head. There’s also a group of students who have “spinoff volume” written all over them, especially the ludicrously genki Cindy, who reeks of the protagonist of some other series. The big dramatic climax of the book is not that great, as it barely gets any setup besides that one annoying teacher. I was, I admit, amused by Beryl achieving the impossible without actually knowing it. Someone needs to get him together with the star of Der Werwolf and have them self-deprecate rap battle.

The next volume’s cover suggests it will be for Yotsuba fans… erm, Curuni, I guess that’s her name. And not Yotsuba from Quintuplets. (looks at Vol. 5 cover art) Christ, even the ribbon is the same, only blue. In any case, if you like swordfighting, old men, and no romantic resolution, you’d like this.

The Oblivious Saint Can’t Contain Her Power: Forget My Sister! Turns Out I Was the Real Saint All Along!, Vol. 4

By Almond and Yoshiro Ambe. Released in Japan as “Mujikaku Seijo wa Kyō mo Muishiki ni Chikara o Tare Nagasu: Imadai no Seijo wa Anede wa Naku, Imōto no Watashi Datta Mitai Desu” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Dawson Chen.

Every volume of this series has me being fairly ambivalent about it, so it feels very appropriate that, when I read the afterword to this 4th and final volume, my first thought was “yeah, you should have gone with your initial instinct, it would have felt far more real and in character”. But I suppose it wouldn’t be Oblivious Saint if it wasn’t hitting all the really obvious beats. And thus Flora, who is really fascinating in the first part of the book as we see her literally consume herself with desperate rage to the point and death, ends up suddenly realizing how horrible she’s been her whole life after realizing how much Carolina looks like their late mother. It’s a head-tilting swerve, and is 100% unironic and, if I’m being honest, 100% out of character. But I guess the author’s right. Ending dark would subvert the very basic story being told.

It’s time for the big Saint Competition final, and there are twenty-three candidates competing. That said, the only ones the reader has to worry about are Carolina and Flora. Carolina is told to stop holding back, and she certainly does so, wiping the floor with everyone else. Meanwhile, Flora is also doing very well, but it’s clearly killing her – literally. She ends up having to have her life saved by her sister, the ultimate humiliation. Anyway, in a plot point so obvious I’m not worried about spoiling, Carolina wins and is now the Saint of all, with full approval of the church. Hell, she even grows SIX angel wings when she goes all out to heal Flora. Now she has only two things to worry about: going back to her birthplace for a festival, and trying to actually consummate her marriage.

I had anticipated that Ed and Carolina’s lack of a sex life would end up being a plot point, and I was mostly wrong – there’s no “you aren’t really married, ha ha!” twist, and Gilbert’s obvious love for Carolina is dealt with (surprise) in a very straightforward and earnest way. That said, the best part of the book is Ed confessing his worries to Teodore – that he is so aflame with passion that he will only end up hurting his new bride with his fiery, violent lovemaking. To which Teodore, rightly, calls Ed a massive coward and says that all his worries are complete and total bullshit. Teodore’s sarcastic, biting remarks have been a high point of each book, so I was pleased to see him point out that Carolina has obviously also been wanting to have sex with him and, if Ed keeps this up, may simply think he doesn’t love her like that at all. Rest assured, by the end of the book they have done the deed, and Carolina is fine – in fact, she worries he was so gentle HE wasn’t satisfied.

In the end, this was a bit too on-the-nose for me, and I sort of wish Flora got the unhappy ending she longed for. There are better saint books.