A Certain Magical Index NT, Vol. 3

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “Shinyaku To Aru Majutsu no Index” by Dengeki Bunko. Released in North America by Yen On. Translated by Alice Prowse.

The first volume of New Testament did not really feel like the return of the beloved/infamous series, mostly as Touma was entirely absent until the very end of it. The second volume consisted almost entirely of exposition, so also felt like an oddity (sorry, Kaori, I know you tried hard). This one, though, is Index hitting the ground running and announcing that it’s back for good in a full-throated roar. The series has never shied away from action setpieces, of course – that’s its bread and butter – but it’s never felt more like an American action movie than it does in this book. That’s clearly by design, of course – everything’s set up to have the maximum number of explosions and volcano eruptions, everyone gets a chance to show off their cool powers, and even the President of the United States feels more like a movie star than he does an actual President. Unfortunately, Touma ends up figuring out that World War III ending did not, in fact, return everything to normal.

Leivinia Birdway has led a group of all-stars to Hawaii – Touma, Mikoto, Accelerator, Misaka Worst, and Umidori, the villain of the first book, now reduced to mostly being Misaka Worst’s toy, though she gets to be cool near the end, as is traditional with Index books. Unfortunately, from the moment they get to Hawaii, they are caught up in non-stop attacks, explosions, more explosions, terrorists attacks up the wazoo, the aforementioned volcano eruption, and an actual coup by a media mogul who wants to make the United States a theocracy, and also really wants to find her estranged daughter. All of this converges in Hawaii, along with the US president, who has run away from all his handlers as he can’t trust anyone anymore. In fact… can Touma trust anyone anymore?

I mean, probably. Despite her annoyingly evil words to Touma at the end of the book, I doubt that Birdway is really involved with GREMLIN. But it simply works better for her to have Touma in a constant state of righteous fury, and that’s what she gets here, despite the best efforts of Mikoto. Mikoto has, honestly, suffered almost as much as Index (that’s the character, Index, who wears a nun habit, in case everyone had forgotten) since this series began, with whole volumes in a row where she barely does anything. For most of this book, it looks like that may also apply here, given she spends much of this Hawaii trip trying to buy matching promise rings for her and Touma that supposedly tell you if your boyfriend is cheating. Even Misaka Worst points out that she’s been far more relevant than the original Misaka lately. (Every time Misaka Worst mentions the “Third Season”, I roll my eyes.) But Mikoto is pretty much the only one who can try to talk Touma down from the “it’s all my fault, and I alone will shoulder this burden” complex he’s got. I don’t think she succeeds. But she does better than anyone else might have. Touma’s a stubborn nut.

We will be headed back to Academy City next time, but the 4th book isn’t solicited yet. Which is fine, I think we need a small break, this book was exhausting but fun.

Chitose Is in the Ramune Bottle, Vol. 6.5

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

To my surprise, this isn’t a normal short story volume, where the author inserts either stories that fit in in the earlier volume timeline, or uses the chance to officially release all those stories that came as bonuses with various giveaways in Japan. This says Vol. 6.5, but that’s mostly as it doesn’t feature Chitose’s POV in it. What we really get is the continuation of the fallout from the 5th book, in the form of four very long short stories. All the girls have “what now?” on their minds, either wondering how to interact with Chitose again after confessing and getting rejected (Yuuko) or realizing that just continuing to do what they’ve been doing and hope those days last forever isn’t really an option (everyone else). There’s a lot of talk of college and the adult world in this book. The future is coming. And these girls want Chitose in their future, even if he’s still not chosen them. So, they move forward. Bit by bit.

If you’re wondering who that is on the cover art, why it’s Nazuna, the girl who seems to clash with Yuzuki a lot and has been the one supporting female cast member who’s not in love with Chitose. She’s in the first short story, where Yuuko, after the events of the 6th book, is still struggling with reconnecting with her friends and figuring out how to treat Chitose, so invites Yuzuki and Nazuna on a shopping trip in a nearby city. The second story has Asuka get to see what editing is like in a local ‘style’ magazine, and she invites Chitose for moral support… only to come up against the giant wall she still has to climb. In the third story, we get the mirror image of Yuuko’s story, as now it’s Yua who is trying to figure out how to treat Chitose after the last book, and she decides to ask him on a date to try and shake things up. And in the last story Haru is a mess, and it’s affecting her basketball, so the coach asks some old graduates to stop back at high school and be incredibly mean to her until she snaps out of it. This… doesn’t work till she gets a “remember to actually like the sport you like” call from Chitose. Then it works.

The Asuka story was easily my favorite one in the book. In a volume discussing where everyone’s going to be headed in the future, it makes sense that it’s the one closest to that future that would resonate the most. The moment Asuka started to “interview” the editor on her time at the magazine, I winced, because I immediately recognized what she was doing wrong. Worse, when Chitose is given the chance, he doesn’t make the same mistakes, and gets a much better interview. But, as multiple people point out, she has passion, and feels the frustration and anguish at her inadequacy, whereas Chitose doesn’t really mind how he does. It’s the passion that she has to hold on to. I also enjoyed Yua’s story – she’s possibly my favorite at this point, despite the fact that I know she won’t “win” – where she tries to figure out what happens to her current role in Chitose’s life – being his wife figure – if he gets an actual girlfriend. The scene where Chitose meets Yua’s dad is also a big highlight.

So yes, this actually is a short story book you need to read. Next volume we’re back to the main plot, and with a girl I don’t recognize on the cover art, we’re sure to shake things up. One of the best romcoms out right now – well, romdram.

The Princess of Convenient Plot Devices, Vol. 6

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

I find it amusing how the author goes on in the afterword about the fun romcom parts of the book. Now, to be fair, there is a bit of that, but I… am I reading this book wrong? Are the bulk of the readers less interested in the intrigue than in seeing if Octavia and Klifford will realize they’re in love with each other?” Is this Earl and Fairy? Well, no, probably not, but it has to be said that the far more interesting part of the book is Octavia trying to discover the real past of previous generations while the narrative literally tries to sabotage her. The two plotlines converge when she finally decides on her fake boyfriend, and everything is ready for her to introduce him to her parents and finally get a clue as to how to resolve this and make everyone happy. Boy, sure hope that no one is trying to destroy her schemes! That would suck!

After a brief prologue showing us who our “villain” might be, though like half the cast they’re dealing with past memories and evil manipulation, we see Octavia trying to meet up with Hugh… only to find he’s been moved too a secret location. Unfortunately, Sirius is back to being brainwashed, so he’s no help. Her father the king knows where Hugh is and will tell her, but under one condition: she has to introduce her boyfriend to everyone in a week. You know, the fake boyfriend she still hasn’t nailed down. After briefly doing some boyfriend math, she settles on Derek, and he seems amenable to it. She also discovers a lot more about the relationship between Derek’s father and her own, and finds that her father may not be as happily married as she’d thought. Turns out just because a couple is hot and BL, it doesn’t mean they can’t be torn apart by… well, that’s still a secret.

Let’s get back to that romance. I think by now both Octavia and Klifford are very, very, unconsciously aware that they’re in love with each other. It’s the unconsciously that’s the problem. Octavia is held back by the whole “I will obey every order you give, please give me an order” thing coming from Klifford, and the climax of the book features him dragging her kicking and screaming into finally giving him a real order rather than one of her requests. And Klifford, as is pointed out by the king, is supposed to be unable to feel love like a real human being, though anyone who has read the previous six books might be snorting at that. It helps that immediately after this we get Klifford’s perspective briefly, where he wonders what these strange feelings are? The rest of the book was the usual excellent intrigue, though I am annoyed that the only way to get our leads to step up was the brainwash the opposition. If nothing else, that means one less ally, and Octavia needs allies, as the world is out to get her.

And now the words everyone dreads: we’re caught up with Japan, and Book 7 is not out there yet. So get ready to wait. But till then, yay, they’re fake lovers! Yay? Maybe?