Goodbye, Overtime! This Reincarnated Villainess Is Living for Her New Big Brother, Vol. 2

By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

This book really depends on the reader getting Ekaterina, and if there’s anyone still reading it after Book One who doesn’t get her, they likely stopped before the end of this book. Ekaterina… or rather, Rina from Japan… is a fangirl. She is the sort to see the character she really likes and actually *say* “SQUEEEEE!”. She will happily monologue in her head about possible BL ships, and she goes over the moon whenever her beloved brother deigns to kiss her forehead. The author asks “are these two siblings really OK?”, and the answer is yes, because the best thing about this otherwise pretty typical series is how the author knows exactly how much “comedy incest” to tease without making it creepy. This isn’t incest, really. It’s brocon/siscon stuff, which is functionally different. Just as dads in light novels who say “I’ll never let you marry my daughter!” aren’t really lusting after her themselves, so these two are determined to head off anyone who dares get between their very G-rated relationship.

This volume doesn’t take place at the academy quite as much, though we do get the villainess standard “oh no, I accidentally was too smart and ended up having the best grades in the class” scene. Instead we see Ekaterina trying to learn how to run her family’s estate, so that her brother can concentrate on everything that should be on his plate. A lot of this involves continuing to purge the elements of the family that her grandmother controlled, but there’s also meeting the royal family (who absolutely love her, and are somewhat bummed that she doesn’t really care for their son. She also introducing new fashion trends, and coming up with ideas for a birthday present for her beloved brother. Which, because everything gets out of hand around her, means accidentally inventing the fountain pen.

Like most series in this genre, the basic idea is that Ekaterina is making everyone’s lives better, partly by design and partly by accident. There are, of course, a few people who are too far gone to help, such as her grandmother’s old attendant, who is just as arrogant and prejudiced as grandma was, and is quietly sacked. But even there Ekaterina reasons to the reader that she was the ninth child of her house, likely this was the best job she could ever have gotten, and her grandmother was very good at indoctrinating people. We actually hear that in this she takes after her grandfather, and I like the idea that it’s not JUST “I’m from Japan” that makes all the difference. The first book made a big deal about their personalities fusing, and while it implies that Rina basically “won”, I like the idea that we’re seeing what an Ekaterina without toxic influences might have developed.

We’ve got a ways to go, and there’s still no sign of any successful romance, mostly due to the denseness of the lead. (And, unlike Bakarina, it’s not obvious who will win.) Still, if you can get past the premise, there’s much to like here.

Tearmoon Empire, Vol. 13

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

I really enjoy the fact that, even though there are many characters who are introduced into this series to be goofy and comedic, no one is allowed to stay only goofy and comedic. Mia is obviously the biggest example, but we’ve seen a few others pop up. Here we notice that Bel has not only returned from the future slightly older, but she’s also slightly wiser, and while her grades may still struggle, she knows the value of studying and can start to think cleverly on her own. It’s fantastic to see, because “Bel is dumb” was getting as old as “Mia is getting fat”, another punchline we don’t see here. Even the narrative is getting in on being clever. I love the discussion of how Bel’s time-travel (and Mia’s) not only is affecting the present/causing alternate futures, but it’s also reverberating into the PAST, changing the past before it can become that present. Which might make fixing the Patricia problem easier… but also possibly harder, if Mia keeps accidentally acting like a comedy villainess.

The book starts off with the end of the last arc. Julius has been revealed as the villain, and it also turns out he’s Barbara’s son. This comes as a big surprise to Barbara, thanks to the efforts of the Chaos serpents. Still, everything ends up sort of okay, and while some people are punished, and even imprisoned, no one has to be executed. After this it’s summer break, and Mia returns to Tearmoon, with a rather large entourage – not only is Abel coming along, but so are Yanna and Kiryl, the orphans who would rather not go back to their orphanage, and also Aima, who is happy to be checking out the horses of other countries. Unfortunately, new problems abound. Ruby comes to Mia sobbing as she’s being engaged to a noble… and in a world where no one really objects to political marriages, that’s hard to fix. Worse, the Chaos Serpents are still around and still trying to kill Mia.

Just because we’re getting rid of some running gags doesn’t mean they’re all gone. Near the start of the book we get another hilarious sequence where everyone decides to make sandwiches and Keithwood tries desperately to stop them accidentally poisoning everyone (though he also finds a potential future partner, because Tearmoon Empire enjoys pairing off everyone almost as much as How a Realist Hero Rebuilt the Kingdom does). I also really enjoyed this book leaning into how horse riding has now become equal to dancing in being something Mia is really good at. When she took that huge jump I cheered along with everyone else. If there’s one down side to this series, it’s that the author and publisher can’t figure out a way to have each arc end at the end of a book. This is another book that’s one third the climax of the last arc, and 2/3 the start of the next one, and since the climax is mostly explanations, it means we don’t get much oomph here. Oomph will have to wait for Book 14.

Which isn’t scheduled here yet, but I assume it will be along before too long. I really appreciate how this series has matured along with its heroine.

The Blessing of Liefe: Leave This Magical Letdown Alone!, Vol. 1

By Kureha and Yoko Matsurika. Released in Japan as “Liefe no Shukufuku: Muzokusei Mahō Shika Tsukaenai Ochikobore toshite Hottoite Kudasai” by Arian Rose. Released in North America by J-Novel Heart. Translated by Alex Castor.

This one took me by surprise a bit. The opening suggests it’s going to be a much darker book, with a girl who has “useless magic” getting physically and emotionally abused by her terrible father. But after her mother divorces said father and returns to her life as a commoner, everything starts to get much better, for the most part. Oh, sure, people still bully her, and she’s forced to endure verbal abuse from various folks. But there are a ludicrous amount of people in her corner, and as it turns out (please tell me you’re not surprised) her magic that’s useless unless you spend years studying it really hard turns out to be fantastic when you actually do this. In the end, she wins battle tournaments, scores high in exams (by accident), and even helps to heal, both with magic and the heart, the second prince, her childhood friend and a man who is deeply in love with her. Something she, of course, does not get at all.

Yui O’Brian (later Yui Curtis) is born with non-elemental magic, in a world where the ‘fire/water/wind/earth” dichotomy is everything, and her magic is seen as support, and something not to be bothered with. As such, not only does her father despise her, but kids make fun of her, and once she’s in school, arrogant nobles look down on her. Fortunately, it turns out that Yui has had, for some time now, a ludicrous number of allies. Her twin older brothers adore her. The second prince sneaks out of the castle and meets up with her, and since she’s the only one who can touch him and his over the top magic and not be injured or killed, the former king is absolutely fine with this. Her mother remarries another noble who turns out not only to be devoted to his wife and daughter (to an annoying degree – see below), but is also the prime minister to the current king. And her friends in the “losers” class at school all seem to be far too powerful for that class. What’s going on here?

At one point, Yui is called to the castle after a magical accident traumatizes the second prince, and as she goes off to his room I was expecting her to pose dramatically and say “It’s OK. I’m a light novel protagonist.” There is… frankly, a distinct LACK of drama and trauma after about page 10 or so, and while I think the story works better for it, folks looking for actual struggle may be a bit annoyed here. Speaking of annoying, while I don’t think that the stepdad is incestuous like some other folks discussing the book, he is a ludicrous example of the “overaffectionate/overprotective dad” trope we see a lot of in Japanese anime and manga. Usually they end up being the comedic butt of jokes, but alas, Layce has too much power for anyone to push back against him (except Yui). I did also enjoy seeing a “noble marrying a commoner” love story go the way it likely really would in a non-light novel: Yui’s father wanted to marry Yui’s mother, a commoner, harassed and bullied her till she gave in, and then hated her once something did not go his way. Even in a series like this where Yui has allies everywhere, nobles are mostly scum.

We get a confession at the end of this book, but Yui is not emotionally prepared to respond, and there are some other subplots that haven’t finished yet. I’ll definitely be reading more, but this feels like a series where someone has entered cheat codes for the heroine’s life.