The Trials of Chiyodaku: Running the Supreme Court of Another World with My Sister, Vol. 1

By Fukurou Kogyoku and jonsun. Released in Japan as “Chiyodaku Ōkoku Judgment: Ane to Ore to de Isekai Saikō Saibansho” by MF Bunko J. Released in North America by Yen On. Translated by Genevieve Maude Hill-Kaminishi.

Siiiiiiiiiggggggggghhhhhhh. Yes, I know. The moment I chose to review a novel with a cover like that, I should have changed my expectations. But I’m sorry, even if you’re here for the tits on the cover, this book really only gives you a few opportunities. It’s odd to see a book that is throwing so many cliches at the wall, most of it deliberate and “it’s OK because I’m winking at the audience”, fall down as much as it does. If it’s meant to be an ecchi title, it’s pretty half-assed about its faux-incest and fanservice. If it’s meant to be a parody of isekai, the entire second half turning serious kind of kicks that in the head. Honestly, the serious second half is the only reason I managed to finish the book, as once the book gets to the main case, it’s quite good. Unfortunately, it’s Phoenix Wright fanfiction. The other characters even admit it’s Phoenix Wright fanfiction.

Akuto Satou, a “typical high school boy” who loves fantasy light novels and games, is going to visit his stepsister Tsukasa Wagatsumu, who is 12 years older than him and a district court judge in Japan. Then, while listening to her complain at the local bar, the two of them are transported to another world! (OK, the exclamation point is likely unnecessary at this point.) Princess Ecstasia Itou of the nation of Chiyodaku has brought them to… a fantasy world that has used magic to make itself as much a clone of Japan as it can, despite also having elves, dwarves, and dragons. They’re even adapting the Japanese court system… but unfortunately, they need a real judge rather than the princess and her magical lie detector. They especially need this as the former hero is on trial for murder… and he insists he’s guilty.

I have so many questions. If you’re going to have Tsukasa regress (physically and mentally) to fifteen years old, why *explicitly* say “except for her breasts, they stay adult”? There is a stressed-out elf girl (ticks box), a stoic maid who also is super strong and falls for the hero almost instantly (ticks box), a wily fox girl who acts older than her five years old (ticks box), but these are used just as character types, nothing is done with them at all. As I noted above, the actual case they’re brought there to try, which ends up showing an immature king who’s forced to take over from his late father stubbornly ruining the lives of the hero’s party who saved the world, their decades-long struggle afterwards, and the hero’s traumatic survivor’s guilt making him suicidal, is a terrific plot… that jars horribly with everything else in this book. Lastly, the “copy paste” gimmick feels like utterly lazy writing, and utterly lazy worldbuilding. Both in universe and out of it.

This appears to have only been two volumes and cancelled in Japan, but had a manga announced last year, so I assume an anime is imminent. But honestly, unless you really love cliches, just play Phoenix Wright.

Nia Liston: The Merciless Maiden, Vol. 3

By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

When I have a book where there are things I liked and things I didn’t like, I generally like to start with the bad stuff and work my way up to the good. And there’s definitely stuff I enjoyed here! But we have to address the elephant in the room, and it’s an elephant that every series starring an adorable six-year-old, past memories/abilities or no, seems to have to deal with. The author finds people creeping on Nia hilarious, and assumes the reader does as well. We’ve already had the first two volumes, where her maid is constantly trying to get into her bed. Here we get Reliared’s older sister (yes, another one) wants to paint Nia in the nude (she’s an artist, but it’s also framed deliberately as “this is a skeezy creep”. And the king essentially saying “you will be mine once you’re old enough.” It’s designed for a very specific light novel audience that isn’t me, and I hate it. Anyway, onward.

It’s summer vacation for Nia, but of course that means ENDLESS FILMING FOR MAGIVISION. Once that’s over with, fortunately, she can visit Reliared and her lovely family (and creepy sister), and then head off to the princess’ private royal island… which also has the king, who is also vacationing, and turns out to be not quite as royal as you’d like… or is that just a facade? As for those of you who follow Nia to see her punch things, well, here’s not as much as the previous two books, but she does discover a new dungeon. And what’s more, she assigns her protege (and maid) Lynokis to go out adventuring and hone her new techniques. And earn money. A lot, a WHOLE lot, of money. Which Nia will need in order to realize the next part of her grand plan.

The best part of this book, aside from the ending, showing Reliared for once winning against Nia, if only indirectly, is her discussion with the King. Aside from his creeper tendencies (again, see the rest of the book), he turns out to be one smart cookie. Indeed, he’s much smarter than Nia, who presents an idea of having an annual fighting tournament but can’t think of more than two reasons why it would benefit the kingdom. The king thinks of eight other reasons, tells her how mind-numbingly expensive it would be to do properly, and sets her a goal of two years to raise that ludicrous amount of money. In just two pages he shifts the entire goal of this book from “let’s watch Nia race puppies” to “let’s watch Nia finance a shonen manga”, and I think it’s a good pivot. More of smart king, less of lecherous king.

So yes, a big asterisk next to this title. Assuming you can get past it (and it’s always used for humor, not seriously), this is a good entry in the “overpowered elementary school girls beat up the world” genre.

The Troubles of Miss Nicola the Exorcist, Vol. 3

By Ito Iino and Kinokohime. Released in Japan as “Haraiya Reijō Nicola no Komarigoto” by DRE Novels. Released in North America by J-Novel Heart. Translated by Joshua Douglass-Molloy.

It is somewhat interesting having a locked-room mystery (which this entire third and final volume is) in the universe of Miss Nicola the Exorcist, a universe that has, since the very beginning, dealt with supernatural threats to her love interest. It’s interesting because for once the initial thought CAN in fact be “hey, locked room is not an issue, because this world has demons and ghosts and cursed people”. And then of course it spends most of the book walking that back, because the author really is trying to do a locked-room mystery. That said, this is not exactly Agatha Christie. Once again, the culprit is obvious, though it helps that they are such a non-entity in the plot that we don’t even notice them till it’s time for the investigation. For the most part, the main reason to read this book is to see Sieghart threatened with execution, and to see what that does to Nicola. Oh. THAT’S what love feels like.

It’s time for the student ball, and this one is pretty important. It’s the last ball for third-years Sieghart and Alois, and they’re both planning to announce without actually announcing who they’re in love with by having the first dance with their respective partners. (OK, Emma is disguised as Charlotte, but it’ll work out.) I was expecting some sort of Villainess plotline where Nicola gets accused, but no, the dance goes off without a hitch. Unfortunately, Sieghart then goes off to do student council things, and when she next sees him he’s standing next to the dead body of a foreign prince, in a situation where there’s only one possible suspect, and it’s him. Now she’s got to try to prove him innocent despite all the evidence pointing towards his guilt, and also come to term with what will happen if she can’t by that evening – he’ll be a political nightmare, and executed without trial.

As with the second volume, the writer is very good at writing some chilling horror. In this volume, more concerned with the investigation (which is the weak po9int, alas, it’s pretty dull, especially the explanations towards the end), it’s the interstitial parts of the book from the point of view of, it becomes apparent, the culprit. They are a true sociopath, and each brief, page-long except of their thoughts features another murder. There’s a reason why there’s only one actual culprit being looked at – the villain is so evil and coated with bad things that, to everyone but the supernatural-blind Ernst, they are literally a CLOUD OF DARK CURSES. This actually makes it harder to figure things out, as they can’t look for facial tells and the like, as the face is masked. I did like the actual solution, which does rely on the supernatural, and is suitably mean.

And then there’s a quick flash forward to Nicola’s kid. We don’t even get a wedding. Still, this was pretty decent, though I will remind the publisher that not everything has to be a series.